Memorial Art Gallery Text Only Creative Workshop
  • collection
    • search the collection
    • Seeing America
  • education
    • Classes
    • Library
    • Programs
    • Schools
  • events
    • calendar
    • clothesline
    • Programs
    • Travel
  • exhibitions
    • Current
    • Finger Lakes
    • Future
    • Past
  • Join
    • Join Online
    • Membership
  • News/Blog
    • Around the MAG
    • Gallery Buzz
  • shop
    • CATALOGS
    • crafts
    • JEWELRY
    • posterS
  • support
    • Donate
    • Gallery Council
    • Sponsorship
    • Volunteer
  • visit
    • About MAG
    • Dining
    • Facilities
  • PERMANENT COLLECTION
  • Quick Search
  •   Go

  • ADVANCED SEARCH
  • BY ARTIST
  • BY DATE
  • BY KEYWORD
  • BY OBJECT
  • EXPLORE THE COLLECTION
  • Frequently Asked Questions about Your Works of Art
  • HELP
  • HOW TO READ A LABEL
  • NAZI-ERA PROVENANCE
  • RIGHTS & REPROS
  • USER PORTFOLIOS
  • LOGON

Object Results

record 1 of 1

<<first <previous
next> last>>

View:      text list    image & label    description

Sir Lawrence Alma-Tadema
British, 1836 - 1912

The Sculpture Gallery, 1875
British Painting
Oil on panel
30 1/4 in. x 23 1/4 in. (76.84 cm x 59.06 cm)

Marion Stratton Gould Fund,  89.45

Currently on View  




Bookmark and Share


Alma-Tadema, who was trained in Holland, emigrated to Britain, where he achieved enormous success.  "The Sculpture Gallery" is a superb example of the work in which he specialized: historic and anecdotal scenes set in classical antiquity or medieval Europe.  The precision of his technique, coupled with considerable archaeological research and a vivid imagination, imbues his painting with a realistic appearance that appealed to the Victorian audience.

This painting, which formerly belonged to railroad magnate William Vanderbilt, represents a sculpture gallery in Rome at the time of Emperor Augustus.  Roman connoisseurs admire an elaborate bronze basin.  Like a Victorian sculptor's studio, the "classical" studio is filled with art-- works that would be familiar to the 19th-century collecting audience either through personal travel or reproductions.  On the left, for example, is the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples; on the right, the elaborate carved table from the Casa Rafi at Pompeii and the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome.  The Roman visitors are modelled on members of Alma-Tadema's family, including the artist himself, in profile at the far left.

[Label text, 1999]

  • Bibliography (opens in a new window)
  • Exhibition History
  • Keywords/Help Others Find this Object
  • Portfolios in which this object can be found
  • Provenance

For more information about this object, or to communicate with a curator about this object, email the Curatorial Department.



  • CONTACT US
  • E-NEWS
  • NEWSROOM
  • SITE MAP


follow us on twitter

© 2002-2009, All Rights Reserved. Memorial Art Gallery of the University of Rochester  
500 University Ave., Rochester, NY 14607 585.276.8900, 585.473.6266 fax 
Text Only