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Attributed to Milton W. Hopkins
American, 1789 - 1844

Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun, 1835-1836
American Painting
Oil on canvas
42 in. x 30 1/8 in. (106.68 cm x 76.52 cm)

Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn,  78.189

Currently on View  

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About the Object

The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek.  Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist.  For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation.  As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics.

Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog.  When Pierrepont was fifteen, his family moved to Marshall, Michigan.  He grew up, married, and was the father of one son.  Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad.

[Gallery label text, 2000]


Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes.  Gun, the family dog, was most likely a restless subject for the artist to capture, as well.  

There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs.  All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics.

MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon.

[Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial]

The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung.  Two children in this 1890s photograph were relatives of the Lacey family.  The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery.

The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts.  In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors.

[Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}]

Related Objects:
See companion portraits made by the same artist: Ann Gennett Pixley Lacey (1809-1841), 78.187; Eliza Pixley Lacey (1834-1839), 78.188


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