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The Great Horse

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The Great Horse

1505
6 9/16 x 4 3/4 in. (16.7 x 12.1 cm)

Albrecht Dürer
Germany (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)

Object Type: Print
Medium and Support: Engraving on laid paper
Credit Line: Gift of Dr. and Mrs. James H. Lockhart, Jr.
Accession Number: 1975.35
Link to this object
Location: Not currently on view
Collection: Lockhart Collection

With his extensive knowledge of science, anatomy, and the natural world, Albrecht Dürer epitomized the ideals of the Renaissance. He was the greatest artistic genius of his time and essentially changed the conception of printmaking in Germany. Dürer learned the techniques for engraving from his family of goldsmiths, but was later apprenticed to Michael Wolgemut, a well-known Nuremberg painter and maker of woodcuts. He was uniquely placed to learn and work in engraving, woodcut, and painting, although without his brilliance, these opportunities would have been unfulfilled.

[Label text from It Came From the Vault exhibition, 2013]

Bibliography
References: Adam von Bartsch, "Le peintre-graveur," Paris, 1801-21: 97; F. W. Hollstein, "German Engravings, Etchings and Woodcuts ca. 1400-1700," Amsterdam, 1954--: 93; Joseph Meder, "Dürer-Katalog: Ein Handbuch über Albrecht Dürers Stiche, Radierungen, Holzschnitte, Deren Zustande, Ausgaben und Wasserzeichen," Vienna, 1932, reprinted in New York, 1971: 94a; Adam von Bartsch, "The Illustrated Bartsch," edited by Walter R. Strauss, New York, 1978: (commentary): 1001.097a


Provenance
Richard Gutekunst, Bern (dealer); Dr. and Mrs. James H. Lockhart, Jr., Geneseo, New York; their gift to the Gallery in 1975

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It Came from the Vault exhibition catalogue Entry for this artwork in the It Came from the Vault exhibition catalogue. The exhibition ran from March 17-June 9, 2013


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