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Modern Icon: The Machine as Subject in American Art

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Image of Landscape III

©Estate of Allan D'Arcangelo/Licensed by VAGA, New York, NY

Landscape III

1965
39 7/8 x 29 13/16 in. (101.3 x 75.7 cm)

Allan D'Arcangelo
American (Buffalo, NY, 1930 - 1998, Manhattan, NY)

Object Type: Print
Medium and Support: Color Serigraph
Credit Line: Marion Stratton Gould Fund
Accession Number: 1971.65
Link to this object
Location: Not currently on view

Edition: 46/200

Hors Commerce: 50
Printer: Knickerbocker Machine and Foundry, Inc.
Publisher: Original Editions
Portfolio: 11 Pop Artists, Volume III (1965)

Allan D’Arcangelo’s Landscape III is a consideration of the new American landscape of highways, suspended bridges, traffic signs, and billboards. A minor border of sky and grass surround a traffic sign that normally indicates a hairpin curve. Turned on its side and placed over another arrow sign pointing in the opposite direction, the sign’s meaning becomes unclear and potentially dangerous.

[label text for Modern Icon: The Machine As Subject in American Art exhibition, February 3 – March 6, 2012]

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