34
Portfolios%3D%221794%22
Print
Self Portrait
Hugh Botts, 1903 - 1964
Botts, Hugh
United States
1903 - 1964
Male
8 1/16 x 6 5/16 in. (20.5 x 16 cm)
Printer's ink
Printer's ink
0
0
20th century, etchings, self portraits
Print
The self-portrait is undated but may have been made in the late 1920s when Botts was a printmaking fellow at the prestigious Yaddo artist colony. Botts presents himself as a dapper draughtsman with his eyebrows arched over his clear gaze. Stylistic references point to self-portraits by earlier artists including James McNeill Whistler. Rather than describe everything about his appearance Botts relies on loose lines, clear description and select dark lines.
[Label text]
1983.134.25
item
Memorial Art Gallery
7/9/2001
83.134.25DI#1
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/83.134.25_A2.jpg
83.134.25DI#2
digital image
11/13/2007
http://127.0.0.1:5000/Media/images/83.134.25_A1.jpg
Painting
Portrait of the Artist
Thomas Couture, (Senlis, 1815 - 1879, Villiers-le-Bel)
Couture, Thomas
France
1815 - 1879
Male
18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1848
1843
1853
1800-1900, 19th century, artists, men, paintings, portraits, self portraits
Painting
1947.17
item
Memorial Art Gallery
1/29/2001
47.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.17DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/47.17_A1.jpg
47.17DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Self Portrait
E. E. Cummings, 1894 - 1962
Cummings, E. E.
United States
1894 - 1962
Male
18 x 14 in. (45.7 x 35.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1945
1945
1945
20th century, paintings, self portraits
Painting
e. e. cummings painted many self portraits throughout his life. This one was probably included in the first of his two Memorial Art Gallery exhibitions, which opened on June 8, 1945. A notation on the back of the painting -June 5, 1945 - suggests that it was a last-minute addition to the exhibition!
[Gallery label text]
verso
1979.7
item
Memorial Art Gallery
9/8/1999
79.7SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.7DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/79.7_I1.tif
79.7DI2
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/79.7_A1.jpg
photographic print
18 3/8 x 13 7/8"
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.7DI#3
digital image
7/8/2015
http://127.0.0.1:5000/Media/images/79.7_A2.jpg
79.7DI#4
digital image
10/9/2018
http://127.0.0.1:5000/Media/images/79.7_A3.jpg
Print
Self-Portrait
Jim Dine, 1935 -
Dine, Jim
United States
1935
Male
22 1/8 x 16 15/16 in. (56.2 x 43 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1964
1964
1964
1900-2000, 20th century, artists, Charles Rand Penney Collection, etchings, men, portraits, self portraits
Print
From the portfolio "New York Ten"
This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?"
[Gallery label text]
The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties.
In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect.
[Label text, 1997]
lower left, below imagelower right corner, Blindstamp, ES in a boxlower left corner
1975.329.2
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.329.2DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/75.329.2_A1.jpg
Painting
Self-Portrait in a Chinese Hat
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
22 1/16 x 17 15/16 in. (56 x 45.5 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1900-2000, 20th century, American Scene/Regionalism, artists, by Rochester artists, men, paintings, Realism, self portraits
Painting
Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement.
[Forman Gallery, Summer 2015]
lower right
1993.36
item
Memorial Art Gallery
9/8/1999
93.36SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.36DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/93.36_A1.jpg
93.36DI#2
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/93.36_A2.jpg
Painting
Mine
Hananiah Harari, (Rochester, NY, 1912 - 2000, Hawthorne, NY)
Harari, Hananiah
United States
1912 - 2000
Male
50 x 40 in. (127 x 101.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1983
1983
1983
1900-2000, 20th century, artists, by Rochester artists, men, paintings, self portraits
Painting
lower right
1998.76
item
Memorial Art Gallery
10/18/1999
98.76TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76DI1
digital image
Memorial Art Gallery
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/98.76_A1.jpg
98.76SL2
slide
photo in studio in same pose
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76DI#2
digital image
8/31/2012
http://127.0.0.1:5000/Media/images/98.76_A2.jpg
Print
The Artist (Self Portrait)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 7/16 x 4 7/16 in. (13.8 x 11.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, artists, etchings, men, portraits, self portraits
Print
lower left, below imagealong extreme lower edge
1959.134
item
Memorial Art Gallery
4/11/2001
59.134DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.134_A1.jpg
Print
Green Jacket
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
35 15/16 x 24 in. (91.3 x 61 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1989 painting by Katz.
Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century.
[Gallery label text, 2005]
lower leftverso
1995.62.3
item
Memorial Art Gallery
10/14/1999
95.62.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.3DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.3_A1.jpg
95.62.3DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.3_A2.jpg
Print
Passing
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
32 1/2 x 36 in. (82.6 x 91.4 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1963 painting by Katz.
This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger.
[Gallery label text, 2005]
lower leftverso
1995.62.5
item
Memorial Art Gallery
10/14/1999
95.62.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.5DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.5_A1.jpg
95.62.5DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.5_A2.jpg
Print
Sweat Shirt II
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
36 x 28 3/4 in. (91.4 x 73 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1986 painting by Katz.
Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work.
Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance."
[Gallery label text, 2005]
lower leftverso
1995.62.7
item
Memorial Art Gallery
10/14/1999
95.62.7SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.7DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.7_A1.jpg
95.62.7DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.7_A2.jpg
Painting
Interlude
John Koch, 1909 - 1978
Koch, John
United States
1909 - 1978
Male
50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)
.
.
.
without frame
.
.
.
approximate installation dimensions
frame
Oil
Oil
1963
1963
1963
1900-2000, 20th century, artists, making art (depictions), men, nudes, paintings, Realism, self portraits, women
Painting
John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver.
In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.”
[Summer 2015]
lower left
1965.12
item
Memorial Art Gallery
9/8/1999
65.12TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12CPRT1
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12CNEG1
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12CNEG2
negative
1 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12DI1
digital image
Memorial Art Gallery
Imaging complete
6/23/2000
http://127.0.0.1:5000/Media/images/65.12_A1.jpg
65.12DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69koch1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/69koch1.tif
Print
Self Portrait in the Bathtub
Clayton Pond, 1941 -
Pond, Clayton
United States
1941
Male
23 1/16 x 29 in. (58.5 x 73.7 cm)
.
.
.
screen
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Clayton Pond, a second-generation Pop artist, transformed everyday objects into icons. Color and texture played a key role in his work. His electric color combinations and his experimental technique of adding a layer of high gloss varnish to the surface of his prints create a lustrous effect.
[Gallery label text]
lower center right, below the imagelower center left, below image
1973.47
item
Memorial Art Gallery
9/8/1999
73.47SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.47DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/73.47_A1.jpg
Print
Self-Portrait with Plumed Cap and Lowered Saber
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
6 3/4 x 5 5/16 in. (17.1 x 13.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1634
1634
1634
1600-1800, 17th century, artists, etchings, men, self portraits
Print
1931.39
item
Memorial Art Gallery
2/4/2001
31.39SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.39DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/31.39_A1.jpg
31.39DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/31.39_A2.jpg
Print
Self-Portrait with Raised Saber
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
5 7/8 x 4 1/16 in. (14.9 x 10.4 cm)
.
.
.
image
Printer's ink
Printer's ink
1634
1634
1634
1600-1800, 17th century, artists, engravings, etchings, men, self portraits
Print
1967.43
item
Memorial Art Gallery
2/4/2001
00813
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.43DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/67.43_A1.jpg
67.43DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/67.43_A2.jpg
Print
Self-Portrait
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
21 1/4 x 15 3/8 in. (54 x 39 cm)
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
0
0
self portraits, women
Print
2003.25
item
Memorial Art Gallery
4/11/2003
2003.25DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.25_A1.jpg
Watercolor
Self-Portrait
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
17 13/16 x 11 13/16 in. (45.2 x 30 cm)
.
.
.
sheet
Watercolor
Watercolor
0
0
self portraits, women
Watercolor
lower right, below imagelower left, below image
2003.26
item
Memorial Art Gallery
4/11/2003
2003.26DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.26_A1.jpg
Drawing
Self-Portrait in Shoe
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
6 1/16 x 4 11/16 in. (15.4 x 11.9 cm)
.
.
.
sheet
Graphite
Graphite
1942
1942
1942
self portraits, women
Drawing
lower right, below imagelower left, below image
2003.24
item
Memorial Art Gallery
4/11/2003
2003.24DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.24_A1.jpg
2003.24DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2003.24_A2.jpg
Print
Self-Portrait
Raphael Soyer, (Borisoglebsk (Tamblov Oblast), Russia, 1899 - 1987, New York, NY)
Soyer, Raphael
United States
1899 - 1987
Male
17 5/8 x 12 7/8 in. (44.8 x 32.7 cm)
.
.
.
Printer's ink
Printer's ink
1933
1933
1933
20th century, lithographs, self portraits
Print
lower right, below imagelower left below imagelower left, in image, In reverse
Joy Weber
1938.37
item
Memorial Art Gallery
9/8/1999
38.37SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
38.37DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/38.37_A1.jpg
38.37DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/38.37_A2.jpg
Print
Self-Portrait
Raphael Soyer, (Borisoglebsk (Tamblov Oblast), Russia, 1899 - 1987, New York, NY)
Soyer, Raphael
United States
1899 - 1987
Male
14 15/16 x 11 in. (38 x 28 cm)
.
.
.
overall sheet
sheet
.
.
.
plate
image
Printer's ink
Printer's ink
1963
1963
1963
1900-2000, 20th century, artists, Charles Rand Penney Collection, etchings, men, portraits, Realism, self portraits
Print
Joy Weber
1975.304
item
Memorial Art Gallery
9/8/1999
75.304SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.304DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/75.304_A1.jpg
75.304DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.304DI#3
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/75.304_A2.jpg
Painting
Breaking the Pose
The Art Class
Jerome Witkin, 1939 -
Witkin, Jerome
United States
1939
Male
88 x 71 in. (223.5 x 180.3 cm)
.
.
.
Oil
Oil
1986
1986
1986
1900-2000, 20th century, artists, making art (depictions), paintings, self portraits, women
Painting
Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters.
Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest.
[Hawks Gallery reinstallation, summer 2019]
lower leftversoversoverso
1986.16
item
Memorial Art Gallery
9/8/1999
86.16TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.16SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.16SL2
slide
photo of artist with work
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.16DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/86.16_A1.jpg
Print
Self Portrait, 1929
Isabel Bishop, (Cincinnati, OH, 1902 - 1988, Riverdale, NY)
Bishop, Isabel
United States
1902 - 1988
Female
15 7/16 x 11 15/16 in. (39.2 x 30.3 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1929
1929
1929
Print
Ten folios and eight etchings, housed in a green cloth clamshell box with printed gold lettering.
lower right, Facsimile signaturelower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.76.6
item
Memorial Art Gallery
8/17/2020
91.76.6SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
00/00/00
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negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.76.6DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.76.6_A1.jpg
Drawing
Allegorical Self-Portrait
Lovis Corinth, 1858 - 1925
Corinth, Lovis
Germany
1858 - 1925
Male
12 3/8 x 9 13/16 in. (31.5 x 24.9 cm)
.
.
.
sheet
sheet (irregular)
Chalk
Chalk
1918
1918
1918
20th century, drawing, self portraits
Drawing
lower right
1957.89
item
Memorial Art Gallery
2/26/2001
57.89SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
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negative
full
2.5 x 3
00/00/00
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57.89DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.89_A1.jpg
57.89DI#2
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/57.89_A2.jpg
Print
Self Portrait
Jerome Kaplan, 1920 - 1997
Kaplan, Jerome
United States
1920 - 1997
Male
20 x 13 in. (50.8 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1963
1963
1963
F138A
Print
lower left, below imagelower right, below imagelower center
2005.227
item
Memorial Art Gallery
8/26/2005
6009.4.JPG
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2005.227_I1.jpg
2005.227DI#1
digital image
full
5/15/2006
http://127.0.0.1:5000/Media/images/2005.227_A1.jpg
Print
Self-Portrait
Alphonse Legros, 1837 - 1911
Legros, Alphonse
France
1837 - 1911
Male
12 15/16 x 9 5/8 in. (32.8 x 24.5 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
0
0
Print
lower leftlower right, below imagelower left
1996.93
item
Memorial Art Gallery
5/3/2001
96.93SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
96.93DI#1
digital image
6/12/2008
http://127.0.0.1:5000/Media/images/96.93_A1.jpg
Print
Studio Self
Valerie Maynard, (New York, NY, 1937 - )
Maynard, Valerie
United States
1937
Female
15 9/16 x 18 5/8 in. (39.5 x 47.3 cm)
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1989
1984
1994
Images of Black People
Print
lower right, below imagelower left, below image
1997.34
item
Memorial Art Gallery
3/21/2000
97.34SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.34DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.34_A1.jpg
97.34DI#2
digital image
2/16/2017
http://127.0.0.1:5000/Media/images/97.34_A2.jpg
Print
Himself (Self Portrait for the National Academy of Design)
John C. Menihan, (Rochester, NY, 1908 - 1992, Rochester, NY)
Menihan, John C.
United States
1908 - 1992
Male
20 x 13 1/8 in. (50.8 x 33.3 cm)
.
.
.
Printer's ink
Printer's ink
ca. 1947
1942
1952
by Rochester artists
Print
John Menihan created more than 100 lithographs and was one of the most prominent and popular artists in upstate New York. Originally inspired by the lithographs of Walter Cassebeer (see Downington at the right), his technical knowledge of the medium was learned from master lithographer Bolton Brown (see stone for Tioga River in the case on the right). Ron Netsky, art historian, whose work is also on view in this exhibition, has written extensively on Menihan.
Menihan was also a portrait painter, graphic designer, and muralist. In 1947, he won an unprecedented four First Prizes – in oil painting, watercolor, printmaking, and drawing – in the Rochester-Finger Lakes Exhibition.
[Excerpted from installation text, Aug. 2011
Colleen Piccone, Curatorial Dept. ]
lower right
John C. Menihan, Jr.
1986.102
item
Memorial Art Gallery
9/8/1999
86.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
00/00/00
http://127.0.0.1:5000/Media/images/86.102_A1.jpg
86.102DI#2
digital image
1/8/2010
http://127.0.0.1:5000/Media/images/86.102_A2.jpg
Drawing
Self Portraits; verso: Woman Seated
Jerome Myers, (Petersburg, VA, 1867 - 1940, New York, NY)
Myers, Jerome
United States
1867 - 1940
Male
9 7/8 x 8 1/2 in. (25.1 x 21.6 cm)
.
.
.
sheet
Graphite
Graphite
0
0
Drawing
lower right corner
2000.29
item
Memorial Art Gallery
4/12/2001
2000.29SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.29NEG1
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.29PRT1
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.29TR1
transparency
full
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.29DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/2000.29a_A1.jpg
2000.29DI#2
digital image
5/12/2023
http://127.0.0.1:5000/Media/images/2000.29b_A1.jpg
Print
Self Portrait with Sneakers
Clayton Pond, 1941 -
Pond, Clayton
United States
1941
Male
28 x 23 in. (71.1 x 58.4 cm)
.
.
.
with frame
Printer's ink
Printer's ink
AP
0
0
Print
2003.109
item
Memorial Art Gallery
1/8/2004
2003.109DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/2003.109_A1.jpg
Print
[Self-Portrait]
Harry Sternberg, 1904 - 2002
Sternberg, Harry
United States
1904 - 2002
Male
12 11/16 x 9 15/16 in. (32.2 x 25.2 cm)
.
.
.
screen
sheet
Printer's ink
Printer's ink
1991
1991
1991
Print
lower right, below imagelower left, below image
1995.40.5
item
Memorial Art Gallery
7/21/2003
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.40.5DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/95.40.5_A1.jpg
Print
Self-Portrait
Joyce Treiman, 1922 - 1991
Treiman, Joyce
United States
1922 - 1991
Female
11 1/4 x 16 in. (28.6 x 40.7 cm)
.
.
.
Printer's ink
Printer's ink
1987
1987
1987
Print
lower rightlower left
1992.2.8
item
Memorial Art Gallery
9/8/1999
92.2.8SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.2.8DI#1
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/92.2.8_A1.jpg
92.2.8DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/92.2.8_A2.jpg
Print
Self-portrait (after Fortuny)
Spanish artist, (active )
Spanish artist
Spain
Primary
1 9/16 x 1 in. (4 x 2.5 cm)
.
.
.
sheet
vertical
sheet
Printer's ink
Printer's ink
20th Century
1900
1999
Print
2008.54
item
Memorial Art Gallery
9/6/2008
2008.54DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2008.54_I1.jpg
2008.54DI#2
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/2008.54_A1.jpg
Print
Self Portrait #3
Kurt Vonnegut, 1922 -
Vonnegut, Kurt
United States
1922
Male
17 15/16 x 12 9/16 in. (45.5 x 31.9 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1993
1993
1993
Print
lower right, below imagelower left, below imagelower leftversolower right, star shape and encircled squiggle line with a cross-linelower right, in image
2004.47
item
Memorial Art Gallery
12/6/2004
2004.47DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2004.47_I1.jpg
2004.47DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2004.47_A1.jpg
Print
Sir Henry Raeburn (1756-1823) (after a self-portrait)
William Walker, (Musselburgh, Scotland, 1791 - 1867, London)
Walker, William
Scotland
1791 - 1867
Male
Engraver
Raeburn, Henry
Scotland
1756 - 1823
Male
Original artist
After
23 1/4 x 17 1/4 in. (59.1 x 43.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1826
1826
1826
Print
lower left, below imagelower right, below imagebelow imagelower centerlower leftlower right
1984.1
item
Memorial Art Gallery
9/1/2000
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.1DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/84.1_A1.jpg
Print
Sir Joshua Reynolds (1723-1792) (after a self-portrait)
James Watson, (1740 - 1790, London)
Watson, James
Ireland
1740 - 1790
Male
Printer
Reynolds, Joshua
England
1723 - 1792
Male
Original artist
After
11 13/16 x 19 1/2 in. (30 x 49.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1770
1770
1770
1600-1800, 18th century, artist portraits, artists, George Eastman Collection, men, mezzotints
Print
lower left, below imagelower center, below imagelower center, below imagelower center, below imagelower right, below image
1948.48
item
Memorial Art Gallery
9/1/2000
48.48SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.48_A1.jpg
48.48DI#2
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/48.48_A2.jpg