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Portfolios%3D%22572%22%20and%20Century%3D%2216th%20Century%22%20and%20Sort_Artist%3D%22Dürer,%20Albrecht%22
Print
Knight, Death, and the Devil
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
9 9/16 x 7 7/16 in. (24.3 x 18.9 cm)
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overall
vertical
image
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sheet
Printer's ink
Printer's ink
1513
1513
1513
1400-1600, armor, Death, Devil, dogs, engravings, horses, men, Renaissance & Baroque
Print
lower left, in image, in the plate
1913.18
item
Memorial Art Gallery
5/12/2001
glossy
8 x 10
00/00/00
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negative
2 x 2.5
00/00/00
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13.18SL1
slide
2 x 2
00/00/00
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13.18DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/13.18_A1.jpg
13.18DI#2
digital image
7/22/2013
http://127.0.0.1:5000/Media/images/13.18_A2.jpg
Print
The Arrest of Christ, from The Large Passion
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
15 9/16 x 10 7/8 in. (39.5 x 27.7 cm)
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overall
vertical
image
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Printer's ink
Printer's ink
1510
1510
1510
1400-1600, arrest, Renaissance & Baroque, woodcuts
Print
lower left, in the plate, in the imagelower left, in the plate, in the imageverso, Text
1985.14
item
Memorial Art Gallery
5/12/2001
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
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85.14DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/85.14_A1.jpg
Print
The Great Horse
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
Primary
6 9/16 x 4 3/4 in. (16.7 x 12.1 cm)
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sheet
sheet
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overall
frame
Printer's ink
Printer's ink
1505
1505
1505
1400-1600, armor, engravings, horses, Lockhart Collection, Renaissance & Baroque
Print
With his extensive knowledge of science, anatomy, and the natural world, Albrecht Dürer epitomized the ideals of the Renaissance. He was the greatest artistic genius of his time and essentially changed the conception of printmaking in Germany. Dürer learned the techniques for engraving from his family of goldsmiths, but was later apprenticed to Michael Wolgemut, a well-known Nuremberg painter and maker of woodcuts. He was uniquely placed to learn and work in engraving, woodcut, and painting, although without his brilliance, these opportunities would have been unfulfilled.
[Label text from It Came From the Vault exhibition, 2013]
lower right, in the plate, in the imageupper center, in the image, in the plateverso, L in a boxverso
1975.35
item
Memorial Art Gallery
5/12/2001
75.35SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.35DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/75.35_A1.jpg
75.35DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/75.35_A2.jpg
Print
Saint Eustace (after Durer)
Hieronymus Hopfer, ca. 1520 - 1550
Hopfer, Hieronymus
Germany
ca. 1520 - 1550
Male
Dürer, Albrecht
Germany
1471 - 1528
Male
original artist
After
11 1/2 x 8 5/8 in. (29.2 x 21.9 cm)
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plate
vertical
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sheet
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Printer's ink
0
0
1400-1600, crucifixes, deer, dogs, etchings, horses, Renaissance & Baroque, St. Eustace
Print
lower center, in the image, in the plate, Encircled crestverso
1967.55
item
Memorial Art Gallery
5/12/2001
67.55SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2 x 2
00/00/00
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negative
full
2 x 2
00/00/00
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67.55DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/67.55_A1.jpg
67.55DI#2
digital image
3/9/2012
http://127.0.0.1:5000/Media/images/67.55_A2.jpg
Print
The Women's Bath
Attributed to Hans Springinklee, 1490/1495 - ca. 1540
Springinklee, Hans
Germany
1490-1495 - ca. 1540
Male
Attributed to
Dürer, Albrecht
Germany
1471 - 1528
Male
original artist
After
drawing
8 3/4 x 9 3/16 in. (22.2 x 23.3 cm)
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sheet
horizontal
sheet
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Printer's ink
Printer's ink
0
0
1400-1600, health & hygiene, Lockhart Collection, nudes, Renaissance & Baroque, women, woodcuts
Print
Reverse copy after a drawing by Albrecht Dürer.
Public baths for both men and women enjoyed great popularity in Renaissance Germany; women’s baths in particular were frequent subjects of artists like Albrecht Dürer and his followers. Images of female nudity often carried erotic overtones, as seen here in the woman at center, who gazes directly at the viewer while turning her body in a frontal pose. These depictions of the female nude sometimes carried moral and menacing messages, as they were also used to portray women as prostitutes and witches.
[Label text from It Came From the Vault exhibition, 2013]
verso, L in a boxverso
1975.45
item
Memorial Art Gallery
5/15/2001
75.45 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.45DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/75.45_A1.jpg
75.45DI#2
digital image
10/10/2012
http://127.0.0.1:5000/Media/images/75.45_A2.jpg