6
Portfolios%3D%22589%22%20and%20Disp_Obj_Type%3D%22Drawing%22
Drawing
Charles Spencer Chaplin
Chaplin with Rose, Charles Spencer Chaplin
E. E. Cummings, 1894 - 1962
Cummings, E. E.
United States
1894 - 1962
Male
25 1/2 x 19 3/8 in. (64.8 x 49.2 cm)
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overall
sheet
Pen and ink
Pen and ink
by March 1924
3/1924
3/1924
1900-2000, 20th century, actors, drawing
Drawing
E.E. Cummings was an accomplished visual artist as well as one of America's greatest poets. Some of his early work was reproduced in The Dial, a magazine that was published from 1920 - 1929. The Dial's offerings included prose, poetry, critical reviews, as well as visual arts. Because of Cummings' friendship with the publisher, James Sibley Watson, Jr., he had an early relationship with the publication, which published his poems, his essays, and his drawings. James Sibley Watson, Jr., also provided Cummings with an apartment at 4 Patchin Place in Greenwich Village.
Watson, who along with his wife Hildegarde Lasell Watson, were supporters of a number of other artists, including sculptor Gaston Lachaise. He was the son of Emily Sibley Watson, who founded the Memorial Art Gallery of the Unversity of Rochester in 1913.
[Gallery label text]
along lower edgelower right
1997.14
item
Memorial Art Gallery
9/8/1999
97.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.14DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/97.14_A1.jpg
97.14DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/97.14_A2.jpg
Drawing
The Conceited Lawyer (L'Avocat suffisant)
Honoré Daumier, (Marseille, France, 1808 – 1879, Valmondois, France)
Daumier, Honoré
France
1808 - 1879
Male
10 9/16 x 8 in. (26.8 x 20.3 cm)
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sheet
sheet
.
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.
overall
frame
Ink
Ink
0
0
1800-1900, 19th century, drawing, lawyers, Lockhart Collection, men
Drawing
lower left, in image
1986.109
item
Memorial Art Gallery
2/21/2001
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.109DI1
digital image
8x10
00/00/00
http://127.0.0.1:5000/Media/images/86.109_A1.jpg
Drawing
Grock, French Vaudevillian
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
24 1/8 x 17 1/2 in. (61.3 x 44.5 cm)
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.
sheet
Sanguine crayon
Sanguine crayon
1934
1934
1934
1900-2000, actors, drawing, men, portraits
Drawing
lower rightextreme lower rightverso
1959.82
item
Memorial Art Gallery
9/8/1999
59.82DI1
digital image
3/21/2002
http://127.0.0.1:5000/Media/images/59.82_A1.jpg
Drawing
The Bank and the Teller
George Luks, 1867 - 1933
Luks, George
United States
1867 - 1933
Male
13 9/16 x 9 15/16 in. (34.4 x 25.2 cm)
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without frame
Ink
Ink
ca. 1895
1890
1900
1800-1900, 19th century, drawing, jobs & work
Drawing
lower right, below image
1948.23
item
Memorial Art Gallery
9/8/1999
48.23SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.23DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/48.23_A1.jpg
48.23DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Drawing
The End of the Workday (La fin de la journée)
Jean François Millet, 1814 - 1875
Millet, Jean François
France
1814 - 1875
Male
29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)
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overall
sheet
.
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overall
frame
Pastel
Pastel
1865-1870
1865
1870
1800-1900, 19th century, drawing, genre scenes, George Eastman Collection, jobs & work, landscapes, men
Drawing
On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.”
The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape.
[Label text from It Came From the Vault exhibition, 2013]
lower right
1936.74
item
Memorial Art Gallery
4/24/2001
36.74TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.74SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
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neg
4x5
00/00/00
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neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.74DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/36.74_A1.jpg
36.74DI#2
digital image
11/28/2012
http://127.0.0.1:5000/Media/images/36.74_A2.jpg
Drawing
Washerwomen by Moonlight (Les laveuses au clair de lune)
Jean François Millet, 1814 - 1875
Millet, Jean François
France
1814 - 1875
Male
17 x 12 in. (43.2 x 30.5 cm)
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.
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overall
frame
Crayon
Crayon
1860-1865
1860
1865
1800-1900, 19th century, drawing, genre scenes, George Eastman Collection, jobs & work, women
Drawing
1957.67
item
Memorial Art Gallery
5/8/2001
57.67SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.67DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.67_A1.jpg
57.67DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/57.67_A2.jpg