12
Portfolios%3D%22592%22%20and%20Disp_Obj_Type%3D%22Painting%22
Painting
A Showery Day, Lake George
John Frederick Kensett, 1816 - 1872
Kensett, John Frederick
United States
1816 - 1872
Male
14 1/8 x 24 1/8 in. (35.9 x 61.3 cm)
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.
.
approximate installation dimensions
frame
.
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without frame
Oil
Oil
ca. 1860
1855
1865
1800-1900, 19th century, boats, Hudson River School, lakes, landscapes, mountains, paintings, rain, weather & water
Painting
1974.29
item
Memorial Art Gallery
9/8/1999
74.29TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
74.29SL1
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full
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detail
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4x5
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74.29DI1
digital image
Memorial Art Gallery
Imaging complete
6/23/2000
http://127.0.0.1:5000/Media/images/74.29_A1.jpg
74.29_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/74.29_A2.jpg
74.29TR2
transparency
full
4 x 5
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13kensett2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/13kensett2.tif
M425_p66(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p66(10).tif
Painting
The Exorcism of the Waves
Alessandro Magnasco, 1662 - 1749
Magnasco, Alessandro
Italy
1662 - 1749
Male
33 x 51 in. (83.8 x 129.5 cm)
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.
.
Oil
Oil
after 1735
1736
1745
1600-1800, 18th century, paintings, seascapes, waves
Painting
removed from backing, now in fileremoved from backing, now in fileremoved from backing, now in fileremoved from backing, now in file
1952.2
item
Memorial Art Gallery
1/25/2001
52.2SL1
slide
full
2 x 2
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4x5
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glossy
7x10
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52.2SL2
slide
detail-figure
2 x 2
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52.2SL3
slide
detail- tower
2 x 2
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digital image
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52.2TR1
transparency
full
4 x 5
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52.2DI2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/52.2_A2.jpg
52.2DI3
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/52.2_A3.jpg
Painting
Home Late
Mortimer Smith, 1840 - 1896
Smith, Mortimer
United States
1840 - 1896
Male
40 x 46 in. (101.6 x 116.8 cm)
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approximate installation dimensions
frame
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without frame
Oil
Oil
1866
1866
1866
1800-1900, 19th century, children, families, genre scenes, home life, men, paintings, weather & water
Painting
Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating.
Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life.
[Gallery label text]
lower left
1975.139
item
Memorial Art Gallery
9/8/1999
75.139TR1
Transparency
Memorial Art Gallery
pink
4 x 5
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75.139DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/75.139_A1.jpg
M425_p90(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p90(10).tif
M425_p90.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p90.tif
cmyk
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.139_A2.jpg
75.139DI#5
digital image
11/18/2019
http://127.0.0.1:5000/Media/images/75.139_A3.jpg
Painting
Arhat Handaka
Korean artist
Korean artist
Korea
Primary
59 3/4 x 30 11/16 in. (151.8 x 77.9 cm)
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overall
overall
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overall
image
Ink
Ink
1500-1699
1500
1699
1400-1600, dragons, Handaka, Korean, paintings, waves
Painting
1963.33
item
Memorial Art Gallery
1/30/2001
63.33SL1
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full
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63.33DI1
digital image
full
2 x 2
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Painting
Bend in the River, Vermont
Emile Gruppé, (Rochester, NY, 1897 – 1978, Boston, MA)
Gruppé, Emile
United States
1897 - 1978
Male
25 x 30 in. (63.5 x 76.2 cm)
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overall
frame
Oil
Oil
0
0
1900-2000, 20th century, by Rochester artists, landscapes, paintings, rivers, snow, trees in art, winter
Painting
lower right
1992.5
item
Memorial Art Gallery
9/8/1999
glossy
8 x 10
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92.5SL1
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2x2
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92.5DI1
digital image
full
2x2
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http://127.0.0.1:5000/Media/images/92.5_A1.jpg
Painting
Genesee Scenery
Thomas Cole, 1801 - 1848
Cole, Thomas
United States
1801 - 1848
Male
6 1/4 x 4 3/8 in. (15.9 x 11.1 cm)
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.
approximate installation dimensions
frame
.
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.
without frame
Oil
Oil
1846-1847
1846
1847
1800-1900, 19th century, bridges, Hudson River School, landscapes, paintings, rivers, views of Rochester & western New York, waterfalls
Painting
Like many artists, Thomas Cole traveled extensively, sketching views that he would later include in finished (and much larger) paintings. On a trip to the Upstate New York region, he sketched Deh-ga-ya-soh Creek at what is now Letchworth State Park in Mount Morris. Later that year, he used the sketch to create this study, which ultimately became the subject of the 'Genesee Scenery' (1847, 51 x 39 1/2 inches, owned by the Museum of Art, Rhode Island School of Design).
[Adapted from gallery label text, 2007]
1994.40
item
Memorial Art Gallery
9/8/1999
94.40TR1
Transparency
Memorial Art Gallery
2 1/4 x 2 3/4
00/00/00
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94.40TR2
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
94.40DI2
digital image
Rhode Island School of Design
11/26/2001
http://127.0.0.1:5000/Media/images/related_images/94.40_R1.jpg
94.40SL1
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2 x 3
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94.40DI1
digital image
Memorial Art Gallery
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/94.40_A1.jpg
94.40DI3
digital image
00/00/00
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94.40DI4
digital image
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94.40DI5
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94.40DI6
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94.40DI7
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94.40DI8
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94.40DI9
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94.40DI10
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94.40DI11
digital image
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94.40DI12
digital image
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94.40DI13
digital image
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94.40DI14
digital image
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94.40DI15
digital image
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94.40DI16
digital image
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94.40DI17
digital image
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94.40DI18
digital image
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9cole1.tif
digital image
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9cole1(10).tif
digital image
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http://127.0.0.1:5000/Media/images/SeeingAmerica/9cole1(10).tif
9cole5.tif
digital image
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http://127.0.0.1:5000/Media/images/related_images/94.40_R18.jpg
Painting
Lower Falls
W. Elmer Schofield, (Philadelphia, PA, 1867 - 1944, Cornwall, England)
Schofield, W. Elmer
United States
1867 - 1944
Male
25 1/2 x 29 1/2 in. (64.8 x 74.9 cm)
.
.
.
without frame
.
.
.
overall
frame
Oil
Oil
1915
1915
1915
1900-2000, 20th century, cityscapes, paintings, rivers, views of Rochester & western New York, waterfalls
Painting
When Director George Herdle invited artists to exhibit their work at the Memorial Art Gallery, he often included an invitation for them to visit Rochester, give a talk, and meet potential patrons. Such was the case with Walter Elmer Schofield's 1915 exhibition. In March, he came to Rochester, spent time braving cold weather in various locales and painted at least two canvases. As he stood by his easel on the Driving Park Bridge overlooking the Lower Falls of the Genesee River, a news photographer happened upon him and took his picture for the March 3, 1915, newspaper. The headline? "Artist Braves March Weather to Paint Lower River".
[Gallery label text, 2007]
lower leftback of stretcherback of frameback of frame
1940.42
item
Memorial Art Gallery
9/8/1999
40.42TR1
Transparency
Memorial Art Gallery
4 x 5
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40.42DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/40.42_A1.jpg
40.42DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/40.42_R1.jpg
40.42DI3
digital image
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40.42DI4
digital image
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40.42DI5
digital image
00/00/00
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40.42DI6
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/40.42_R5.jpg
40.42DI7
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/40.42_R6.jpg
40.42DI8
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/40.42_R7.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/40.42_R1.pdf
40.42DI#9
digital image
8/30/2012
http://127.0.0.1:5000/Media/images/40.42_A2.jpg
40.42DI#10
digital image
with frame
5/7/2014
http://127.0.0.1:5000/Media/images/40.42_A3.jpg
40.42DI#11
digital image
Verso
5/7/2014
http://127.0.0.1:5000/Media/images/40.42_A4.jpg
Painting
Snow on Quai
Edwin Dickinson, 1891 - 1978
Dickinson, Edwin
United States
1891 - 1978
Male
21 x 18 in. (53.3 x 45.7 cm)
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.
.
approximate installation dimensions
frame
.
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.
Oil
Oil
1938
1938
1938
1900-2000, 20th century, paintings, snow
Painting
along right edgelower leftlower rightyes, verso
Mrs. Helen Dickinson Baldwin
1987.62
item
Memorial Art Gallery
9/8/1999
87.62TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.62SL1
slide
full
2 x 2
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4x5
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87.62DI1
digital image
Memorial Art Gallery
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/87.62_A1.jpg
Painting
The Clipper Ship "Flying Cloud" off the Needles, Isle of Wight
James E. Buttersworth, (England, 1817 - 1894, West Hoboken, NJ)
Buttersworth, James E.
United States
1817 - 1894
Male
12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)
.
.
.
overall
frame
.
.
.
Oil
Oil
ca. 1859-1860
1859
1860
1800-1900, 19th century, boats, paintings, seascapes, waves
Painting
lower right
1989.71
item
Memorial Art Gallery
9/8/1999
89.71TR1
Transparency
Memorial Art Gallery
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89/71SL1
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full
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4x5
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89.71DI1
digital image
Memorial Art Gallery
Imaging complete
8/4/2000
http://127.0.0.1:5000/Media/images/89.71_A1.jpg
Painting
The Rocks at Pourville, Low Tide
Claude Monet, (Paris, 1840 – 1926, Giverny, France)
Monet, Claude
France
1840 - 1926
Male
25 5/16 x 31 in. (64.3 x 78.7 cm)
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overall
horizontal
frame
Oil
Oil
1882
1882
1882
1800-1900, 19th century, paintings, seascapes, waves
Painting
This painting belongs to a series of works produced during the spring and summer of 1882, while Monet visited Pourville, a town on the Normandy coast. As he explored the beach and the rocks exposed at low tide, Monet found a startling diversity of viewpoints that enabled him to create some of his most dramatic and unexpected compositions. In all of them, Monet placed himself far out across the beach, a little to the east of Pourville. He juxtaposed the cliffs in the far distance with the fragmented forms of the rock shelves in the foreground, using unique brushstrokes to convey the movement and light of the water and clouds.
Monet’s technique gradually changed from completing paintings out of doors to one of making hundreds of concentrated studies on location. He then compiled and reworked these many sketches in his studio, where he created the final canvases.
[Label copy from Monet: Vision and Process exhibition, 2018]
1939.22
item
Memorial Art Gallery
1/17/2001
39.22TR1
transparency
4 x 5
00/00/00
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39.22SL1
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6x4
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39.22SL2
slide
photo of location of painting
2 x 2
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39.22DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/39.22_A1.jpg
39.22DI2
digital image
full
8/3/2015
http://127.0.0.1:5000/Media/images/39.22_A2.jpg
Painting
Waterfall, Morse Pond
Marsden Hartley, 1877 - 1943
Hartley, Marsden
United States
1877 - 1943
Male
22 x 28 in. (55.9 x 71.1 cm)
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.
approximate installation dimensions
frame
.
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without frame
Oil
Oil
ca. 1940
1935
1945
1900-2000, 20th century, landscapes, paintings, waterfalls
Painting
With the introduction of modernism, landscapes painted by American artists become deeply personal exercises. Unlike the emphasis on panoramic vistas in the 19th century, modernist artists allow their personal connection and response to a waterfall or a tree become the main subject of their painting. This waterfall in the Maine woods would have held particular interest for Marsden Hartley, who felt a spiritual connection to Maine and its natural resources.
[Gallery label text, 2007]
versoback of frame, see image in "surrogate list" tab [only thumbnail attached 4/16-- where is JPG?]back of frame, see image in "surrogate list" tabback of frame, see image in "surrogate list" tabback of frame, see image in "surrogate list" tabback of frame, see image in "surrogate list" tabback of frame, Shipping label. See image in "surrogate list" tabback of frame, Mostly illegible. See image in "surrogate list" tabback of frame, see image in "surrogate list" tab
Marsden Hartley
1965.59
item
Memorial Art Gallery
9/8/1999
65.59TR1
Transparency
Memorial Art Gallery
4 x 5
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65.59DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/65.59_A1.jpg
65.59DI2
digital image
00/00/00
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61hartley1.tif
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61hartley2.tif
digital image
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Painting
Snow
Ella E. See, (Pillar Point, New York , ca. 1866 - 1925, Rochester, New York)
See, Ella E.
United States
ca. 1866 - 1925
Female
20 x 26 in. (50.8 x 66 cm)
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overall
frame
Oil
Oil
0
0
by Rochester artists, paintings, winter
Painting
lower left
1926.23
item
Memorial Art Gallery
9/8/1999
26.23SL1
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full
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4 x 5
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26.23DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/26.23_I1.jpg
26.23DI2
digital image
full
2 x 2
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http://127.0.0.1:5000/Media/images/26.23_A1.jpg
26.23DI#1
digital image
2/26/2008
http://127.0.0.1:5000/Media/images/26.23_A2.jpg