7
Portfolios%3D%22949%22%20and%20Disp_Obj_Type%3D%22Metalwork%22
Metalwork
Goldweight
Asante artist, (active )
Asante artist
Ghana
1 5/8 x 1 1/8 x 1/2 in. (4.1 x 2.9 x 1.3 cm)
.
.
.
Brass
Brass
Asante; made in Ghana
0
0
1900-2000, African, African art, male figures, men, metalwork
Metalwork
Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us.
[Gallery label text, 2009]
1953.76.1
item
Memorial Art Gallery
11/27/2000
53.76.1DI#1
digital image
Three-quarter
1/22/2008
http://127.0.0.1:5000/Media/images/53.76.1_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/53.76.1_A2.jpg
Metalwork
Ceremonial Food Vessel (Gui)
Chinese artist
Chinese artist
China
Primary
5 5/8 x 10 1/8 x 7 1/2 in. (14.3 x 25.7 x 19.1 cm)
.
.
.
Bronze
Bronze
11th Century BCE - early 10th Century BCE
1100 BCE
968 BCE
1000 BCE - 500 CE, 2000 - 1000 BCE, Chinese, metalwork, vessels
Metalwork
1942.15
item
Memorial Art Gallery
7/19/2001
42.15SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.15SL2
slide
detail- inside bowl
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.15SL3
slide
detail-side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.15SL4
slide
detail- base
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.15SL5
slide
detail- handle
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.15DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/42.15_A1.jpg
42.15DI2
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/42.15_A2.jpg
42.15DI3
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/42.15_A3.jpg
42.15DI4
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/42.15_A4.jpg
42.15DI#5
digital image
10/25/2010
http://127.0.0.1:5000/Media/images/42.15_A5.jpg
42.15DI#6
digital image
10/25/2010
http://127.0.0.1:5000/Media/images/42.15_A6.jpg
42.15DI#7
digital image
10/25/2010
http://127.0.0.1:5000/Media/images/42.15_A7.jpg
42.15DI#8
digital image
10/25/2010
http://127.0.0.1:5000/Media/images/42.15_A8.jpg
42.15DI#9
digital image
10/25/2010
http://127.0.0.1:5000/Media/images/42.15_A9.jpg
Metalwork
Harness Ornament with Two Ibexes
Chinese artist
Chinese artist
China
Primary
2 13/16 x 3 5/8 x 3/8 in. (7.1 x 9.2 x 1 cm)
.
.
.
overall
overall
Bronze
Bronze
Chinese; made in the Ordos region
199 BCE - 0
199 BCE
0
1000 BCE - 500 CE, Chinese, goats, metalwork
Metalwork
This gold-covered plaque, made in the Ordos region of Inner Mongolia, shows two ibexes, or wild mountain goats, face to face, their curved horns arching over their backs. Fleet and nimble, the ibex was a favorite subject for artists in many ancient and medieval cultures; tradition holds that an ibex leaping from a mountain would land unharmed on its double scimitar-like horns. The owner of this intricate plaque would have sewn it on clothing or a horse harness as a display of personal wealth and status.
-- from Art at the Crossroads brochure
1973.66
item
Memorial Art Gallery
3/10/2001
73.66SL1
slide
full front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/73.66_A2.jpg
73.66SL2
slide
detail lower left front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL3
slide
full reverse
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL4
slide
detail upper left front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL5
slide
detail lower right front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL6
slide
detail upper right front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL7
slide
detail lower right reverse
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66SL8
slide
detail lower left reverse
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.66DI#2
digital image
Front
11/6/2007
http://127.0.0.1:5000/Media/images/73.66_A1.jpg
73.66DI3
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A3.jpg
73.66DI4
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A4.jpg
73.66DI5
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A5.jpg
73.66DI6
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A6.jpg
73.66DI7
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A7.jpg
73.66DI8
digital image
Full view back
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A8.jpg
73.66DI9
digital image
Detail lower left back
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A9.jpg
73.66DI10
digital image
Detail lower right back
6/25/2009
http://127.0.0.1:5000/Media/images/73.66_A10.jpg
negative
1 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3.5 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/CrossroadsGuide.pdf
Metalwork
The God Osiris as a Mummified Man
Egyptian artist
Egyptian artist
Egypt
Primary
8 1/4 in. (21 cm)
.
.
.
Bronze
Bronze
1069 BCE - 332 BCE
1069 BCE
332 BCE
1000 BCE - 500 CE, 2000 - 1000 BCE, Egyptian, funerary objects, Osiris
Metalwork
1951.116
item
Memorial Art Gallery
2/13/2001
51.116SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.116SL2
slide
full 3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.116DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/51.116_A1.jpg
51.116DI2
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/TRCImages/51.116TRC.jpg
51.116DI#3
digital image
10/30/2009
http://127.0.0.1:5000/Media/images/51.116_A2.jpg
51.116DI#4
digital image
Back
10/30/2009
http://127.0.0.1:5000/Media/images/51.116_A3.jpg
51.116DI#5
digital image
Right side
10/30/2009
http://127.0.0.1:5000/Media/images/51.116_A4.jpg
51.116DI#6
digital image
10/30/2009
http://127.0.0.1:5000/Media/images/51.116_A5.jpg
51.116DI#7
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.116_A6.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/BerkeleyGuide.pdf
Metalwork
Wreath of Oak Leaves
Greek artist, (active )
Greek artist
Greece
Primary
7 1/16 x 7 1/16 x 2 3/8 in. (18 x 18 x 6 cm)
.
.
.
overall
overall
Gold
Gold
ca. 300 BCE
305 BCE
295 BCE
wreaths (costume accessories) , AAT
1000 BCE - 500 CE, Greek, metalwork, wreaths
Metalwork
In ancient Greece, gold wreaths were permanent and luxurious facsimiles of natural wreaths made of oak, myrtle and laurel leaves. Both gold and natural wreaths were an important aspect of ceremonial and religious life. They were often given as awards for victory in battle, public service, and excellence in athletics and the arts. Gold wreaths were also used as votive offerings to the gods and included in funerary rites as symbols of the deceased’s victories in life. Oak in particular was sacred to Zeus, king of the Olympian gods, who spoke to his priests through the rustle of oak leaves.
Greek gold wreaths were made from a thinly hammered sheet of gold that was formed into a narrow tube over a core of pitch or resin. The tube was ornamented with leaves, also cut from gold sheet; these leaves were attached by stems that were either wrapped around or inserted into holes in the tube. Surface details were created with a variety of tools and punches.
[Gallery label text]
1999.57
item
Memorial Art Gallery
4/29/2000
99.57TR1
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.57SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.57DI1
digital image
Memorial Art Gallery
Imaging complete
2.5 x 3
12/7/2001
http://127.0.0.1:5000/Media/images/99.57_A1.jpg
negative
2x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.57DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.57_P2-_P18.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/99.57_A2.jpg
Metalwork
Horse Bit with Cheekpieces in the Form of Winged Sphinxes
Iranian artist, (active )
Iranian artist
Iran
Primary
3 15/16 x 3 15/16 x 7 5/16 in. (10 x 10 x 18.5 cm)
.
.
.
overall
overall
Bronze
Bronze
Iranian, made in Lorestan
1100 BCE - 700 BCE
1100 BCE
700 BCE
1000 BCE - 500 CE, 2000 - 1000 BCE, bits, Iranian, metalwork, sphinxes
Metalwork
1948.39
item
Memorial Art Gallery
3/13/2001
48.39SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.39DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/48.39_A3.jpg
48.39SL2
slide
detail
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.39DI#3
digital image
three quarter view
11/6/2007
http://127.0.0.1:5000/Media/images/48.39_A1.jpg
48.39DI#3
digital image
three quarter view
11/6/2007
http://127.0.0.1:5000/Media/images/48.39_A2.jpg
48.39DI1
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Metalwork
Master of Animals Finial
Totem Figure
Iranian artist, (active )
Iranian artist
Iran
Primary
7 5/16 x 2 13/16 x 7/8 in. (18.6 x 7.1 x 2.3 cm)
.
.
.
overall
overall
Bronze
Bronze
Iranian; made in Luristan
799 BCE - 700 BCE
799 BCE
700 BCE
2.73L
Metalwork
Theories abound as to the meaning, symbolism, and function of these ancient bronze finials that represent the “Master of Animals,” one of the most important motifs in ancient Middle Eastern art. The central figure is a human male, his outstretched arms grasping the neck of long-snouted two-headed beasts with the beaks of eagles and round haunches with clawed feet. The figure may represent Gilgamesh, the superhuman hero of Mesopotamian mythology, or Sraosha, the early Iranian god of justice. What seems clear, though, is that this finial symbolizes humankind’s dominion over the predatory forces of nature.
-- from "Art at the Crossroads" brochure
verso, Base coat: B67 in naptha
Accession number: Golden Fluid Acrylics (white)
Top coat: B72 in acetone
2007.35
item
Memorial Art Gallery
4/30/2002
2.72LSL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2.73LDI#1
digital image
side 1
11/6/2007
http://127.0.0.1:5000/Media/images/2007.35_A1.jpg
2.73LDI#2
digital image
Front
4/30/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/2007.35_I1.jpg
2.73LDI#3
digital image
2.73L_A2.jpg
11/6/2007
http://127.0.0.1:5000/Media/images/2007.35_A2.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/CrossroadsGuide.pdf