{ "objects" : [ { "embark_ID" : 5065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5065", "Disp_Access_No" : "1950.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "15 7/8 x 12 5/8 in. (40.3 x 32.1 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rococo, from the French word rocaille (rockwork or shell), was an 18th century decorative style that reacted against the classical tradition of the Academy and instead stressed color, light, movement, and a frank pleasure in living. The easy flowing brushwork and the luminous colors show the influence of Rubens. As a rococo painter, François Boucher worked primarily in the service of Madame de Pompadour, mistress to Louis XV. His paintings satisfied the taste of a sophisticated public which was sensitive to the most subtle relations of color and liked pictures hung on the light paneling of even the smallest room. This intimate painting of "Venus and Cupid," with its sensuously modeled nudes, embodies the French 18th century tendency to transform the Baroque style into one of more delicate elaboration and elegance. An 18th-century engraving, which P. Aveline made after the painting, is inscribed "F. Boucher pinxit." [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painting has been cut down and relined onto a new canvas and stretcher, so only the picture itself is original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43849", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , ] },{ "embark_ID" : 5072, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5072", "Disp_Access_No" : "1969.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchante and Female Satyr", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "15 3/4 x 16 1/2 x 14 in. (40 x 41.9 x 35.6 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "16 1/2 in.", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16860", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 4131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4131", "Disp_Access_No" : "1984.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Alt_Title" : "", "Obj_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Series_Title" : "", "Disp_Maker_1" : "Bernard Duvivier", "Sort_Artist" : "Duvivier, Bernard", "Disp_Dimen" : "45 x 58 in. (114.3 x 147.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Duvivier received his initial training in Bruges and then moved to Paris, where he assimilated the severe Neoclassical style perfected by Jacques-Louis David. In this early work, Duvivier combined the poses of several antique statues to illustrate an episode recounted in Plutarch's "Life of Mark Anthony." Following Anthony's suicide, a Roman soldier attempts to forestall the Egyptian queen's own death by promising that Octavian Caesar will show her clemency. The subtle, glowing colors, precise attention to detail, and impeccable draughtsmanship presage the artist's occasional work as a miniaturist. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5073", "Disp_Access_No" : "1955.108", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1763", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1773", "Disp_Title" : "The Teaching of Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Etienne-Maurice Falconet", "Sort_Artist" : "Falconet, Etienne-Maurice", "Disp_Dimen" : "12 1/2 x 9 3/8 x 10 in. (31.8 x 23.8 x 25.4 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Soft paste porcelain", "Info_Page_Comm" : "Falconet, a leading sculptor of the reign of Louis XV, was a director of the royal ceramic works at Sèvres. His main production was the biscuit statuette, which substitutes "soft paste" for the kaolin clay of "true" porcelain. Falconet took advantage of the milky, marble-like surface to create engaging figural groups of pure form and refined rococo detail. "The Teaching of Love" may be derived from a composition by François Boucher. Falconet has transformed the painter's design into a complex three-dimensional ensemble of delicate beauty that invites the viewer to enjoy it from multiple angles. [Gallery label text, 2008]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 5078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5078", "Disp_Access_No" : "1981.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "The Trinity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Corrado", "Disp_Dimen" : "30 x 30 in. (76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "diameter", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "“The Holy Trinity,” the concept that there are three Persons in the unity of God, is the central doctrine of the Christian religion. Although these three Persons—the Father, the Son and the Holy Spirit—are distinct from each other, the Christian faith holds that there are not three gods but one. In Christian art, three elements represent the Trinity. The image of an older patriarch refers to God the Father; God the Son, or Christ, is usually shown either crucified on a cross or, as in this painting, after his death; and the Holy Spirit appears as a dove in flight. During the Counter-Reformation, images of the Trinity emphasized the physical nature of Christ by focusing on his suffering and death. Like other dramatic works of Counter-Reformation art, the intent was to evoke an emotional response from the faithful that would lead to increased devotion. This painting is one of several variations of Giaquinto’s Dead Christ with the Trinity (1741-1742), a fresco he painted in the apse of S. Giovanni Calibita in Rome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Another master scan is saved as 81.2_M2.tif", "View" : "" } , ] },{ "embark_ID" : 5079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5079", "Disp_Access_No" : "1982.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Giorgio Maggiore, Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Guardi", "Sort_Artist" : "Guardi, Francesco", "Disp_Dimen" : "17 1/8 x 24 1/2 in. (43.5 x 62.2 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05; another master is saved on the image server as 82.6_M2.tif, GF6P0295.tif, .jpg on CD, a third master is save on the server as 82.6_M5.tif. ", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11379, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11379", "Disp_Access_No" : "2001.22.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Spoon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nathaniel Hurd", "Sort_Artist" : "Hurd, Nathaniel", "Disp_Dimen" : "8 5/8 x 1 11/16 in. (21.9 x 4.3 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "1 11/16 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17128", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17129", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10475", "Disp_Access_No" : "2001.22.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Spoon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nathaniel Hurd", "Sort_Artist" : "Hurd, Nathaniel", "Disp_Dimen" : "8 3/4 x 1 11/16 in. (22.2 x 4.3 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "1 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Engraved with the Crest of Vassall", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17125", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17127", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5060", "Disp_Access_No" : "1975.117", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Dido Contemplating the Portrait of Aeneas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willem van Mieris", "Sort_Artist" : "Mieris, Willem van", "Disp_Dimen" : "17 x 12 1/2 in. (43.2 x 31.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Rex Wood", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.117_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.117_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.117_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.117_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05. 2 additional master scans have been saved to the image server, 75.117_M2 and _M3.tif", "View" : "" } , ] },{ "embark_ID" : 5070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5070", "Disp_Access_No" : "1968.3", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Bust of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustin Pajou", "Sort_Artist" : "Pajou, Augustin", "Disp_Dimen" : "16 1/2 x 14 5/8 x 12 5/8 in. (41.9 x 37.1 x 32.1 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 22443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22443", "Disp_Access_No" : "2010.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1764", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1769", "Disp_Title" : "Creampot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Revere", "Sort_Artist" : "Revere, Paul", "Disp_Dimen" : "3 7/8 x 3 1/4 x 4 in. (9.9 x 8.3 x 10.1 cm)", "Disp_Height" : "3 7/8 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33953", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309. Andy Olenick dropped out gray background and made a version with white background and this one with black background", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 5080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5080", "Disp_Access_No" : "1963.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Figures Amidst Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "25 3/4 x 32 1/8 in. (65.4 x 81.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 1134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1134", "Disp_Access_No" : "1957.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Eagle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 21 in. (76.2 x 53.3 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Pine", "Support" : "", "Disp_Medium" : "Pine", "Info_Page_Comm" : "", "Dedication" : "The Charles A. Carruth Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This eagle is similar in style to one on the old Salem Customs House. One of two 18th century American sculptures acquired through funds raised in memory of Mr. Charles A. Carruth, devoted Gallery friend and Gallery Consultant.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2829", "Disp_Access_No" : "1975.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Powder Horn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "3 3/4 x 14 3/4 x 4 13/16 in. (9.6 x 37.5 x 12.2 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Horn", "Support" : "", "Disp_Medium" : "Horn decorated with scrimshaw, wood", "Info_Page_Comm" : "Powder horns were watertight containers made to store gunpowder. Etched on the surfaces of the horns were names, dates, and real and fanciful images. [Gallery label text, 2002]", "Dedication" : "Gift of Miss Isabel C. Herdle in memory of Ray M. Pike (first superintendent of the Gallery)", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Arms and Armor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "40096", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "40097", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - 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TIFF - no color bar", "View" : "" } , ] },{ "embark_ID" : 1091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1091", "Disp_Access_No" : "1957.73", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Sternboard with Derby Family Coat-of-Arms", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "41 in. (104.1 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "It was a common practice to decorate the bows and sterns of sailing ships with sculptures made by expert carvers. Often, these creations were embellished with painted carved figures—hence the term 'figurehead'—and occasionally symbols that identified the ship's owner. This sternboard has both. It would have been placed in the rear - the stern - of the ship. Tradition has it that the sternboard's ship was owned by Elias Derby, a prodigiously wealthy merchant from Salem, Massachusetts whose fleet of ships traveled to remote parts of the world carrying trade goods. [Gallery label text, 2002]", "Dedication" : "The Charles A. Carruth Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Figure of a young curley-haired girl holding a large armorial shield in both hands. Used on a frigate owned by the Derby family of Salem whose coat-of-arms appears on the shield and then on the frigate "Angela" until it burned at Mystic, Conn. in 1871", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17115", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5089, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5089", "Disp_Access_No" : "1955.38", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1730", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "9 x 9 in. (22.9 x 22.9 cm)", "Disp_Height" : "", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Buswell-Hochstetter Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The written description in the ledger for 55.38 matches this plate, but the plate itself was mistakenly numbered 55.36. The numbering was corrected Oct. 19 2010 by Monica Simpson, Permanent Collection Registrar.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18730", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6865", "Disp_Access_No" : "1983.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1765", "Disp_Title" : "A Gopi Offering Flowers to Krishna", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "5 1/8 x 7 7/8 in. (13 x 20 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, and gold paint on thick beige paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen H. Reiff in memory of Robert F. Reiff", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14761", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6860, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6860", "Disp_Access_No" : "1928.441", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Todi Ragini", "Alt_Title" : "Ragini Khambavati, a Woman Attracting Deer, a Musical Motif Represented Pictorially", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "14 15/16 x 10 in. (37.9 x 25.4 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "sheet", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, silver and gold paint on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Marie B. Pond", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "Rajput School (1500-1899)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.441_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.441_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.441_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.441_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41173", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rephotograph-- blurry", "View" : "" } , ] },{ "embark_ID" : 4786, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4786", "Disp_Access_No" : "1978.28.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1750", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "Untitled Italian Country Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "32 3/8 x 41 1/2 in. (82.2 x 105.4 cm)", "Disp_Height" : "32 3/8 in.", "Disp_Width" : "41 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.28.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.28.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.28.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.28.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05. Two additional Master scans are saved on the image server, 78.28.1_M2 (GF6P0278.tif, .jpg on CD) and _M3.tif (GF6P0279.tif, .jpg on CD), respectively.", "View" : "" } , ] },{ "embark_ID" : 4789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4789", "Disp_Access_No" : "1978.28.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1750", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "Untitled Italian Country Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "32 1/2 x 41 1/2 in. (82.6 x 105.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "41 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.28.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.28.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.28.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.28.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05. Additional master scans are on the image server, 78.28.2_M2 (GF6P0274.tif, .jpg on CD) and _M3.tif (GF6P0275.tif, .jpg on CD), respectively.", "View" : "" } , ] }, ] }