{ "objects" : [ { "embark_ID" : 4859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4859", "Disp_Access_No" : "1962.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roman Ruins with Card Players ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Both", "Sort_Artist" : "Both, Jan", "Disp_Dimen" : "25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards. Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries. [Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See another version of this painting (or original?) at Bayerische Staatsgemäldesammlungen https://www.sammlung.pinakothek.de/en/artist/jan-both/roemische-volksszene-mit-kartenspielern-vor-dem-saturntempel", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image for this photo has the wrong number on the number bar in the shot: it reads 69.29 rather than 62.29. Frame has been cropped out for this view and print master, but is visible in master image.", "View" : "" } , ] },{ "embark_ID" : 4860, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4860", "Disp_Access_No" : "1955.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Child with Cherries", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan de Bray", "Sort_Artist" : "Bray, Jan de", "Disp_Dimen" : "23 x 18 1/2 in. (58.4 x 47 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "This painting shows a young child draped in a floral shawl and holding a wicker basket filled with ripe cherries. His attentive gaze, directed straight at the viewer, adds to the sense of immediacy conveyed by the portrait. Jan de Bray trained as a painter with his father Salomon, a distinguished artist, architect, and urban planner in Haarlem (The Netherlands). More than half of his work consists of individual portraits. [Forman Gallery, Summer 2015]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15973", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1968.99", "_AccNumSort1" : "", "Disp_Create_DT" : "after ca. 1652", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1662", "Disp_Title" : "View off the Dutch Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Cappelle", "Sort_Artist" : "Cappelle, Jan van de", "Disp_Dimen" : "30 1/2 x 39 1/8 in. (77.5 x 99.4 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "39 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The popularity of seascapes in seventeenth-century Holland reflected the wealth and power engendered by that nation's naval superiority. Although he was primarily a merchant and only an amateur painter, van de Cappelle is generally recognized as among the most proficient artists to specialize in this genre. The subtle color harmonies and quiet serenity of this scene are typical of his accomplishment. [Gallery label text, 1989]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that the Getty Provenance Database indicates a sale of a van de Cappelle "Sea Piece" by McLarren to Robinson as lot no. 92 on February 21, 1833 at Edward Foster, London. It could not be detemined if that painting was this one, nor if the Robinson mentioned was Joseph B. Robinson, previous owner of the MAG painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 6891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6891", "Disp_Access_No" : "1929.61", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Stephen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenico Feti", "Sort_Artist" : "Feti, Domenico", "Disp_Dimen" : "37 1/2 x 45 in. (95.3 x 114.3 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "45 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. George H. Clark", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4785", "Disp_Access_No" : "1983.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Vertumnus and Pomona", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Govaert Flinck", "Sort_Artist" : "Flinck, Govaert", "Disp_Dimen" : "38 1/4 x 45 1/4 in. (97.2 x 114.9 cm)", "Disp_Height" : "38 1/4 in.", "Disp_Width" : "45 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting illustrates a myth from Ovid’s Metamorphosis. Pomona, a nymph who presided over gardens and fruit trees, had taken a vow of chastity and therefore rejected the advances of all suitors. Vertumnus, the Roman deity of orchards, persisted nonetheless. To gain her affections he disguised himself as a fisherman, a soldier, a peasant, and finally as an old woman. Flinck was a student and follower of Rembrandt, so much so that the styles of the two artists were often confused. Flinck’s skill brought him enviable social and economic rewards and eventually he was honored with a commission to create twelve paintings for the civic hall of Amsterdam. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. and Mrs. Frank W. Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13366", "Disp_Access_No" : "2005.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1650-1653", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1653", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "115 1/4 x 79 1/2 in. (292.7 x 201.9 cm)", "Disp_Height" : "115 1/4 in.", "Disp_Width" : "79 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally an altarpiece, this painting illustrates the New Testament scene of the Entombment of Christ, one of the most emotional and dramatic events in the Christian faith. Joseph of Arimathea, who is holding Jesus and clasping him in a shroud, and Nicodemus, who supports Jesus’ legs, are placing him in a stone sarcophagus. Saint John the Evangelist, cloaked in red, is in the foreground with his back to the viewer. Christ’s mother, the Virgin Mary, dressed in a blue robe, collapses in despair at the left. She is surrounded by Holy Women, including Mary Magdalene who wrings her hands in sorrow. Other grieving figures in the background of the painting engage each other in conversation, enhancing both the devotional and dramatic character of the painting. Luca Giordano was one of the most celebrated artists in Naples. He produced a huge quantity of work, including altarpieces, mythological paintings and decorative fresco cycles. Giordano was internationally successful and traveled widely, working in Naples, Venice, Florence and Madrid. This altarpiece was painted early in Giordano’s career when he was only in his late teens. It shows the influence of the equally well-known and prolific painter Jusepe de Ribera, with whom he may have trained. [Gallery label] ", "Dedication" : "Marion Stratton Gould Fund, Maurice R. and Maxine B. Forman Fund, Gallery Purchase Fund, gift of Whitney F. Hoyt, by exchange, gift of Mr. and Mrs. Hollister Spencer, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "21376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "21378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5056, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5056", "Disp_Access_No" : "1970.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Glauber", "Sort_Artist" : "Glauber, Jan", "Disp_Dimen" : "38 3/4 x 52 1/2 in. (98.4 x 133.4 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "52 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the figures in this idealized pastoral landscape seem almost incidental to the painting, they represent the biblical story of Tobias and the Angel. The angel Raphael tells Tobias that he is destined to marry Sara, even though each of her previous seven husbands had died by the hand of an evil spirit on their wedding night. When Tobias survived the marriage, his new father-in-law was so elated that he gave Tobias half his wealth, including money, servants, farm animals and household possessions. This painting shows the angel Raphael guiding the joyful Tobias with Sara and his newfound riches along a winding road as they journey safely home. Jan Glauber, one of the most widely traveled of all Dutch painters, specialized in landscapes that were influenced by his visits to France and Italy. This painting was probably intended to decorate a private home. [Gallery label text] ", "Dedication" : "Given in memory of Irene Comfort Jones by her husband, Robcliff V. Jones", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "7/09: There are listings for a painting or paintings of Tobias (or Tobit) and the Angel by Glauber on the Getty Provenance Database, but all list dimensions much smaller than this canvas. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5043", "Disp_Access_No" : "1968.101", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1655-1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1660", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Hals", "Sort_Artist" : "Hals, Frans", "Disp_Dimen" : "30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4135", "Disp_Access_No" : "1949.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1650", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Davidsz. de Heem", "Sort_Artist" : "Heem, Jan Davidsz. de", "Disp_Dimen" : "14 1/2 x 18 in. (36.8 x 45.7 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6514", "Disp_Access_No" : "1946.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Doctor's Visit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Heerschop", "Sort_Artist" : "Heerschop, Hendrick", "Disp_Dimen" : "17 x 14 1/4 in. (43.2 x 36.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them. The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy. [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5034", "Disp_Access_No" : "1974.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Portrait of Elizabeth Jordaens, Daughter of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Jordaens", "Sort_Artist" : "Jordaens, Jacob", "Disp_Dimen" : "27 1/2 x 21 3/4 in. (69.9 x 55.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5003", "Disp_Access_No" : "1950.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Portrait of a Young Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Franz Kessler", "Sort_Artist" : "Kessler, Franz", "Disp_Dimen" : "27 1/16 x 22 3/4 in. (68.8 x 57.8 cm)", "Disp_Height" : "27 1/16 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See sale of very similar unidentified sitter: https://auctions.freemansauction.com/auction-lot-detail/FRANZ%2DKESSLER%2D%28GERMAN%2D1580%2DC.1650%29%2C%2DPortrait%2Dof%2Da%2DCourt%2DLady/1627++++++78+/+1013062 Both face and lace are very close to MAG girl. Essay with sale even mentions her. Article published by auction house says “a rare portrait by German artist Franz Kessler, executed in 1620, likely depicting German Princess Amalia von Sayn Wittgenstein.” Is MAG girl from that family too?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15965", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10618, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10618", "Disp_Access_No" : "1955.81.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of a Man (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas de Keyser", "Sort_Artist" : "Keyser, Thomas de", "Disp_Dimen" : "6 x 4 1/2 in. (15.2 x 11.4 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1985 Adams catalogue raisonne (see bibliography) says that the RKD''s photo mount identifies the subject as Francois Spieringh, but gives no reference for the identification. This may be the tapestry designer, c. 1576-1630?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.81.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.81.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.81.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.81.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 10617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10617", "Disp_Access_No" : "1955.81.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of a Woman (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas de Keyser", "Sort_Artist" : "Keyser, Thomas de", "Disp_Dimen" : "6 x 4 1/2 in. (15.2 x 11.4 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1985 Adams catalogue raisonne (see bibliography) says that the RKD''s photo mount identifies the subject as O. M. Duyst, but gives no reference for the identification. Oncommera Mennincx, called Duyst (d. 1634) was the wife of Francois Spieringh (see 55.81.2). They married in 1585.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.81.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.81.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.81.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.81.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25727", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5042", "Disp_Access_No" : "1955.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Portrait of a Gentleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicholas Maes", "Sort_Artist" : "Maes, Nicholas", "Disp_Dimen" : "47 x 38 1/2 in. (119.4 x 97.8 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "38 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6542", "Disp_Access_No" : "1955.69", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans van Mieris the Elder", "Sort_Artist" : "Mieris the Elder, Frans van", "Disp_Dimen" : "5 x 4 in. (12.7 x 10.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 5033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5033", "Disp_Access_No" : "1946.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1620 (?)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos de Momper", "Sort_Artist" : "Momper, Joos de", "Disp_Dimen" : "18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13948", "Disp_Access_No" : "2005.270", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Still Life with Melons, Grapes, Figs and Cherries", "Alt_Title" : "Still Life of Fruits and Melons on a Stone Ledge", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michele Pace del Campidoglio", "Sort_Artist" : "Pace del Campidoglio, Michele", "Disp_Dimen" : "28 1/2 x 37 1/4 in. (72.4 x 94.6 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "37 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Previously ascribed to Master of the Acquavella Still-Life and to Pier Paolo Bonzi.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.270_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.270_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.270_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.270_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38912", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1977.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1633-1637", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1637", "Disp_Title" : "Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Paolini", "Sort_Artist" : "Paolini, Pietro", "Disp_Dimen" : "49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)", "Disp_Height" : "49 3/4 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.103_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.103_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.103_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.103_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 to create a file of a size suitable for publication.", "View" : "" } , ] },{ "embark_ID" : 5236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5236", "Disp_Access_No" : "1966.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van Ravesteyn", "Sort_Artist" : "Ravesteyn, Jan van", "Disp_Dimen" : "48 1/8 x 35 5/8 in. (122.2 x 90.5 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "35 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Elizabeth K. and William H. Hudnut, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13580", "Disp_Access_No" : "6.2005L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stewart Family LLC", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/6.2005L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/6.2005L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/6.2005L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/6.2005L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 5055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5055", "Disp_Access_No" : "1944.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "The Reconciliation of King Henry III and Henry of Navarre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on oak panel", "Info_Page_Comm" : "In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France. Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe"). [Gallery label text, 1996]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 6560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6560", "Disp_Access_No" : "1961.27", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1625", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1635", "Disp_Title" : "Ulysses Landing on the Island of the Phaeacians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "67 x 99 in. (170.2 x 251.5 cm)", "Disp_Height" : "67 in.", "Disp_Width" : "99 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The monumental painting “Ulysses Landing on the Island of the Phaeacians” was inspired by a passage in Book 6 of Homer’s “Odyssey” in which the shipwrecked hero swims to safety and finds refuge from the stormy sea on an unknown shore. Arriving at night, he falls asleep between two trees and at dawn is awakened by the playful shouts of the princess Nausicaa and her attendants. Rubens has depicted the moment when Odysseus emerges to ask for food and shelter. The action occurs in the foreground of the canvas; the landscape is rich in terrestrial detail and is filled with a variety of atmospheric effects. Rubens is often considered the most versatile and influential Baroque artist of 17th century northern Europe. Highly educated, his knowledge of Classical art and literature was thorough and complex. In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy. [Gallery label text]", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "21430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "21433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "21446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 4138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4138", "Disp_Access_No" : "1982.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1686", "_Disp_Start_Dat" : "1686", "_Disp_End_Date" : "1686", "Disp_Title" : "Floral Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rachel Ruysch", "Sort_Artist" : "Ruysch, Rachel", "Disp_Dimen" : "45 1/8 x 34 3/8 in. (114.6 x 87.3 cm)", "Disp_Height" : "45 1/8 in.", "Disp_Width" : "34 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Acquired with contributions made in memory of Brenda Rowntree by her friends, through the Acquisition Fund of the Women's Council, and the Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.9_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.9_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.9_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.9_A8.jpg", "IsPrimary" : "1", "_SurrogateID" : "38876", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5040", "Disp_Access_No" : "1955.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Eva Bicker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dirck van Santvoort", "Sort_Artist" : "Santvoort, Dirck van", "Disp_Dimen" : "27 x 23 1/2 in. (68.6 x 59.7 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15975", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5058", "Disp_Access_No" : "1972.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630-1640", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "The Fox and the Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Snyders and workshop", "Sort_Artist" : "Snyders, Frans", "Disp_Dimen" : "47 1/8 x 61 1/4 in. (119.7 x 155.6 cm)", "Disp_Height" : "47 1/8 in.", "Disp_Width" : "61 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monumental and decorative animal painting developed in Antwerp in the 17th century in the immediate circle of Rubens. Snyders, whose workshop was famous for this type of work, often also collaborated on the animals, flowers, and fruit in his friend Rubens's paintings. The rendering of materials such as the fur of the fox, the plumage of the bird, and the transparency of the glass jar add to the interest in texture. "The Fox and the Heron" is a story from Aesop's Fables. In the background, the fox invites the heron for dinner and offers only a bowl of soup, impossible for the heron to eat. In the foreground, the heron in turn invites the fox. Dinner is served in a long-necked glass jar and the fox can only lick the outside. Moral: One bad turn deserves another! [Gallery label text, August 1996]", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "29171", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1995 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "30877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Related image from National Museum, Stockholm", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "1926.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1647", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1647", "Disp_Title" : "St. Jerome in the Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Adriaensz. van Staveren", "Sort_Artist" : "Staveren, Jan Adriaensz. van", "Disp_Dimen" : "19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert. This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert. [Gallery label text, 2005] St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life. [Excerpted from gallery label text] ", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25724", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5049", "Disp_Access_No" : "1953.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1635", "Disp_Title" : "Two Musicians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)", "Disp_Height" : "45 5/8 in.", "Disp_Width" : "47 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience. The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period. As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life. [Gallery label text] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per catalogue raisonne, one of eighteen versions of this scene.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6720", "Disp_Access_No" : "1991.38", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 17th Century", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1666", "Disp_Title" : "Waves and Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tawaraya Sosetsu", "Sort_Artist" : "Sosetsu, Tawaraya", "Disp_Dimen" : "35 1/2 x 122 1/16 in. (90.2 x 310 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "122 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink, ink washes, colors, gold leaf and gold on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "18778", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "18779", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "18780", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "18781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "18782", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "18783", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "18784", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "18785", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4262", "Disp_Access_No" : "1938.28", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1605 - 1610", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1610", "Disp_Title" : "The Apparition of the Virgin to St. Hyacinth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenikos Theotocopoulos", "Sort_Artist" : "Theotocopoulos, Domenikos", "Disp_Dimen" : "39 3/8 x 24 3/8 in. (100 x 61.9 cm)", "Disp_Height" : "39 3/8 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, El Greco expresses spiritual drama by his distinctive use of line, light and color. St. Hyacinth kneels in awed wonder before a mystical vision of the Virgin and Child. The scene takes place in a church interior with pillars and a patterned floor; a shadowy, monochrome figure or statue of a bishop, identifiable by his hooked staff, stands behind the enraptured saint. According to Christian legend, Hyacinth, a Polish Dominican priest who lived from 1185-1287, witnessed a miraculous apparition of the Virgin Mary on the feast day of her Assumption—the day she was “taken up body and soul into heavenly glory.” In 1594, shortly before El Greco painted this work, Hyacinth was granted sainthood by Pope Clement VIII. El Greco (“The Greek”) is the popular name of Domenikos Theotokopoulos, an artist born in Crete but who lived and studied in Venice and Rome. In 1575, he moved to Toledo, Spain, the center of the Catholic Church’s Counter-Reformation activities. During his career, El Greco developed a unique and dramatically spiritual style of painting that is often considered the forerunner of Baroque art. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4847, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4847", "Disp_Access_No" : "1986.117", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1600-1644", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1644", "Disp_Title" : "A Bearer of Good Wishes: Fragment of a Taoist Wall Painting", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "80 1/8 x 36 7/8 in. (203.5 x 93.7 cm)", "Disp_Height" : "80 1/8 in.", "Disp_Width" : "36 7/8 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "clay", "Disp_Medium" : "Ink and natural mineral and plant pigments on a prepared clay wall", "Info_Page_Comm" : "Large religious scenes often decorated the walls of Chinese temples, monasteries, and shrines. This woman is from such a scene; a companion’s cut-off sleeve and hem can be seen at the lower left. The only other clue to her identity is her distinctively shaped staff. It is called a ju-i, which means “fulfilling one’s wishes.” Used by Chinese scholars as a lecturing pointer in the 4th-6th centuries, the ju-i was said in one humorous ancient commentary to have taken its shape from back-scratchers and its name from the satisfaction of relieving the itch! By the time of this painting, however, the staff had become purely symbolic, representing longevity and well-wishing. [Excerpt from gallery label text, 1999]", "Dedication" : "Gift of Anthony A. Bliss", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Ming Dynasty (1368-1644 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.117_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.117_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.117_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.117_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14778", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6545, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6545", "Disp_Access_No" : "1955.66", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1628-1630", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1630", "Disp_Title" : "An Old Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Dutch", "Sort_Artist" : "Unknown, Dutch", "Disp_Dimen" : "25 5/8 x 20 5/8 x 3/4 in. (65.1 x 52.4 x 1.9 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "20 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25726", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After cleaning and conservation. On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5048", "Disp_Access_No" : "1964.110", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century - early 18th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1732", "Disp_Title" : "Still Life with Quince", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "27 1/2 x 43 in. (69.9 x 109.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.110_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.110_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.110_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.110_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 6562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6562", "Disp_Access_No" : "1955.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Man with a Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis de Vos", "Sort_Artist" : "Vos, Cornelis de", "Disp_Dimen" : "57 x 39 1/2 in. (144.8 x 100.3 cm)", "Disp_Height" : "57 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15976", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_I3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_I3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_I3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_I3.jpg", "IsPrimary" : "1", "_SurrogateID" : "52318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken by Chiyo Ueyama on her phone. Still better than 55.83DI1. Not for publication use.", "View" : "" } , ] }, ] }