{ "objects" : [ { "embark_ID" : 192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/192", "Disp_Access_No" : "1934.1", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1831", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Colonel Nathaniel Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Long celebrated as our city’s founder, Nathaniel Rochester (1752–1831) was recently discovered to have bought and sold enslaved people while he lived in Maryland. Not only did Rochester buy and sell enslaved people in the South as a business venture, he continued to own and profit from the labor of enslaved individuals after moving north. In fact, he did so until New York State law made it impossible for him to continue in 1827. This information makes evident how insidious and enmeshed slavery was in the business life of the early nineteenth century, even in the northern states. Many decades before Kodak gave us the snapshot, a portrait such as this one was a way for a privileged, white person of this period to capture their likeness for posterity. In comparison, the enslaved Black men, women, and children of Rochester’s household did not have their portraits painted. Their names, likenesses, and personal stories went largely unrecorded and most have not survived history—another example of the dehumanization of enslaved individuals during this period of American history. [Gallery label text, 2021]", "Dedication" : "Gift of Thomas J. Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conversation between Marjorie Searl and Holly Cumberland (Rochester family descendant) regarding acquisition and attribution of painting (December 7, 2009); Holly wanted to alert us to the book "Nathaniel" written by her grandfather, Rochester Rogers, whose son Nathaniel died of throat cancer in 1945. In the book, Rogers alludes to the painting of Nathaniel Rochester, and that it was acquired for MAG by Thomas Watson. Holly''s contention is that Thomas Watson bought the painting believing that it was by Audubon, and that as Rochester Rogers and Thomas Watson were friends, there would have been ample opportunity for Watson to have ascertained from his friend Rogers that it was in fact by Audubon. However, as I explained to Holly, it was Rochester Rogers'' sister Helen who strongly supported the Audubon attribution, so this comment does not change the fact that there is virtually no objective and external evidence pointing to this portrait''s being by Audubon, other than an anonymous inscription on the back of the painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/199", "Disp_Access_No" : "1965.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Steamship James Fisk, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Bard", "Sort_Artist" : "Bard, James", "Disp_Dimen" : "29 1/4 x 49 1/2 in. (74.3 x 125.7 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "49 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The large steamship in this painting, the James Fisk, Jr., was a ferryboat with a side paddlewheel, decorated with oversized flags and at least six gold eagles. It was named for its owner, a powerful financier who lived a colorful life that was ended by a scandalous shooting. Fisk also owned the Bristol, which can be seen in the distance. Known for his pristine depictions of ferries and steamboats, self-taught artist James Bard painted so accurately that it was said that shipbuilders could rebuild their boats based on his works. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39031", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 65.60_M1; no print-level image was made at the time of photography, so the correction was done 9/12 and a new Print Master derived; a new JPG was created from that. KS", "View" : "" } , ] },{ "embark_ID" : 202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/202", "Disp_Access_No" : "1978.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Night Before the Battle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Henry Beard", "Sort_Artist" : "Beard, James Henry", "Disp_Dimen" : "30 1/2 x 44 1/2 in. (77.5 x 113 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "James Beard had first-hand experience as a captain in the Union army during the Civil War. This painting, completed in the year the war ended, is a dramatic statement about the ever-present possibility of death on the battlefield. [Gallery label text, 2007] Were it not for details like the skeleton keeping vigil behind the cannon, the cruciform composition of the flag draped over the sleeping soldier, and the scattered playing cards suggestive of luck and chance, this painting would be a simple narrative about the Civil War. However, such potent symbolism imbues the work with layers of spiritual significance. Perhaps the reminders of death and sacrifice that the artist included in his masterful painting emerged from his firsthand experience in the Union Army during the Civil War. The meticulously selected and carefully arranged details attest to the poignancy of the soldiers' situation and contrast with the implied violence that will occur on the morrow. [Gallery label text]", "Dedication" : "Gift of Dr. Ronald M. Lawrence", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "New access image derived by Lu Harper from Master scan", "View" : "" } , ] },{ "embark_ID" : 214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/214", "Disp_Access_No" : "1992.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Sierras Near Lake Tahoe, California", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "14 15/16 x 21 1/16 in. (38 x 53.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "21 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Bierstadt was one of the most gifted artists to depict the stunning mountain views of the expanding frontier, far west of the Hudson River region that had inspired earlier American landscape painters. He was a member of the generation of artist-explorers who traveled with expeditions or in their footsteps and recorded the visual experience. MAG's painting quietly but masterfully convinces us of the grandeur of mountains and sky by including the tiny deer to give a sense of scale, and by suffusing the surface of the painting with a warm, glowing palette. ", "Dedication" : "Clara and Edwin Strasenburgh Fund and Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Master image contains wrong accession # from photoshoot: 75.21. Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/218", "Disp_Access_No" : "1974.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880-1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Afternoon Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "16 1/8 x 24 1/16 in. (41 x 61.1 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "24 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This brooding, moody canvas was created by one of the most haunted souls in the history of American art. Ralph Blakelock, a man diagnosed as a paranoid schizophrenic and placed in a sanitarium for fifteen years, painted some of the most mysterious, expressive and poetic paintings in 19th century America. Indeed, his interest in and exploration of the unknown and the expressive were deeply admired by such radical 20th century abstract painters as Willem deKooning, Jackson Pollock and Franz Kline.... [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. 714 in the Nebraska Blakelock Inventory at the University of Nebraska.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12462", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/854", "Disp_Access_No" : "1994.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880 - 1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Landscape with Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "8 x 12 1/4 in. (20.3 x 31.1 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "University of Nebraska Blakelock inventory No. 1587", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/222", "Disp_Access_No" : "1941.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1862-1863", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1863", "Disp_Title" : "Trial Scene ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Gilmour Blythe", "Sort_Artist" : "Blythe, David Gilmour", "Disp_Dimen" : "22 1/4 x 27 in. (56.5 x 68.6 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics. [Gallery label text, 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial before any other use.", "View" : "" } , ] },{ "embark_ID" : 228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/228", "Disp_Access_No" : "1984.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "The Indian Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "DeWitt Clinton Boutelle", "Sort_Artist" : "Boutelle, DeWitt Clinton", "Disp_Dimen" : "32 5/8 x 47 1/8 in. (82.9 x 119.7 cm)", "Disp_Height" : "32 5/8 in.", "Disp_Width" : "47 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses. Color was adjusted closer to the scan in the Seeing America book...less yellow than Access image shown here.", "View" : "" } , ] },{ "embark_ID" : 234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/234", "Disp_Access_No" : "1997.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Mr. Gerald Fowler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Bradley", "Sort_Artist" : "Bradley, John", "Disp_Dimen" : "34 x 28 in. (86.4 x 71.1 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and distemper on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "235", "Rel_Obj_Title" : "Mrs. Gerald (Catherine) Fowler" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/916", "Disp_Access_No" : "1963.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "Cigar Store Indian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas V. Brooks", "Sort_Artist" : "Brooks, Thomas V.", "Disp_Dimen" : "85 x 24 3/8 x 26 1/2 in. (215.9 x 61.9 x 67.3 cm)", "Disp_Height" : "85 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "If you approached 50 West Main Street in Rochester late in the 19th century, you would have seen this figure standing in front of the tobacco shop located there. So that no one would miss the point that tobacco products were sold inside, it was purchased to stand outside and advertise the shop’s wares. The carving included stylized tobacco leaves and a tobacco box held in the figure’s outstretched right hand. Carvers capitalized early on the relationship between Native Americans and the tobacco that they grew for sacred practices. Carvings of Native Americans were used by the 18th century in British tobacco shops, reflecting the growth of the transatlantic trade. With laws restricting sidewalk signs, and the decline of tobacco shops due to public health awareness, the once-ubiquitous cigar store Indian has become a rarity. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39023", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 63.8_M1; no print level image had been made at the time the photograph was made, so a TIF was made 8/30 and a new JPG derived. KS", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "43078", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "43079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "43080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "43081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/251", "Disp_Access_No" : "1989.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1859-1860", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1860", "Disp_Title" : "The Clipper Ship "Flying Cloud" off the Needles, Isle of Wight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Buttersworth", "Sort_Artist" : "Buttersworth, James E.", "Disp_Dimen" : "12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1420", "Disp_Access_No" : "1954.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1889", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1894", "Disp_Title" : "The Mandolin Player", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "9 3/8 x 6 1/4 in. (23.8 x 15.9 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "Although Cassatt began her artistic training in Pennsylvania, from an early age she frequently traveled and lived in Europe. She settled in Paris in 1874, where she became a close friend of Edgar Degas. She soon became affiliated with the French Impressionists and exhibited with them from 1879 until 1886. Here, the mandolin player holds her instrument as though she were actually playing it while looking at the music on the stand. She is seated on an upholstered settee in a room with a framed picture and a fan on the wall behind her. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/255", "Disp_Access_No" : "1941.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1857", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1857", "Disp_Title" : "Shooting Flamingoes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Catlin", "Sort_Artist" : "Catlin, George", "Disp_Dimen" : "19 x 26 1/2 in. (48.3 x 67.3 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Shooting Flamingoes is a shocking and confusing painting to 21st century sensibilities. To our eyes, the mass killing of the flamingoes is unthinkable, sensitive as we are to the role hunting has played in the extinction of many species over the past century and a half. To our eyes, the startled native guide is an offensive stereotype, a comic, cartoon-like character next to the upright, composed figure of the hunter. In pre-Civil War America, George Catlin, a well-known artist of the period, was commissioned to create a nine-part series to glorify the Colt rifle. Shooting Flamingoes was one image in that advertising campaign. While the original intent of this painting doesn’t invalidate our contemporary reactions, it does set the piece within a historical context that explains its initial point-of-view. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- shifted to Marion Stratton Gould fund via journal transfer on Mar 29 1949. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12355", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Mrs. Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/258", "Disp_Access_No" : "1967.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Still Life with Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bryant Chapin", "Sort_Artist" : "Chapin, Bryant", "Disp_Dimen" : "10 x 15 1/8 in. (25.4 x 38.4 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "15 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. F. Bradley Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "47175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo on disks labelled "MAG 170607"", "View" : "" } , ] },{ "embark_ID" : 3061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3061", "Disp_Access_No" : "1951.42", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1897", "Disp_Title" : "A Summer Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Merritt Chase", "Sort_Artist" : "Chase, William Merritt", "Disp_Dimen" : "16 1/8 x 20 in. (41 x 50.8 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "canvas", "Disp_Medium" : "Pastel on canvas", "Info_Page_Comm" : "Painter William Merritt Chase and his family summered in a home built for them by the distinguished architect Stanford White in Shinnecock Hills. In that small community near Southampton, Long Island, Chase had established a summer school of art. Hundreds of students convened in the region from 1891 - 1902, dotting the landscape with their easels as they attempted to capture on canvas the truth of nature en plein air ("in the open air"). Typical of this period are the artist's paintings and drawings of his three young daughters exploring the landscape near their vacation retreat. High-keyed summery colors and rapid Impressionistic strokes convey the brilliance of the sky, the wildflowers and the ocean. [Gallery label text]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/278", "Disp_Access_No" : "1994.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1846-1847", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1847", "Disp_Title" : "Genesee Scenery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Cole", "Sort_Artist" : "Cole, Thomas", "Disp_Dimen" : "6 1/4 x 4 3/8 in. (15.9 x 11.1 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Like many artists, Thomas Cole traveled extensively, sketching views that he would later include in finished (and much larger) paintings. On a trip to the Upstate New York region, he sketched Deh-ga-ya-soh Creek at what is now Letchworth State Park in Mount Morris. Later that year, he used the sketch to create this study, which ultimately became the subject of the 'Genesee Scenery' (1847, 51 x 39 1/2 inches, owned by the Museum of Art, Rhode Island School of Design). [Adapted from gallery label text, 2007]", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Thomas Cole: Landscape into History" has picture of the finished version, ''Genesee Scenery,'' 1847, which is owned by The Museum of Art, Rhode Island School of Design, Providence. Subject of the painting is Oay-ga-ya-soh Creek at Letchworth State Park in Mount Morris, New York, identified by Letchworth park rangers.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17363", "Image_Type" : "digital image", "Photo_Credit" : "", 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Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 3096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3096", "Disp_Access_No" : "1955.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Head of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Silver point", "Support" : "board", "Disp_Medium" : "Silver point on gesso-coated wood-pulp paper board", "Info_Page_Comm" : "Head of a Young Woman is the only silver point drawing in MAG’s collection. It is also the only American artwork that was given to the Gallery by Bertha Buswell, whose taste ran nearly exclusively to European fine and decorative arts. Unfortunately, we do not know anything about how or why she acquired such an anomaly, albeit a beautiful one, for her collection. Silver point was a technique used extensively in the Renaissance and revived in the United States in the late 19th century. Every line was created by dragging a silver stylus across the surface of a specially-prepared paper. The stylus left a trail of silver on the paper, requiring perfect control by the artist, as this was not a forgiving medium where mistakes could be corrected with an eraser. With exposure to the air, the silver tarnished and created a warm brown tone. Because of the fragility of the silver and the paper, this lovely work is rarely exhibited. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3605", "Disp_Access_No" : "1970.64", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roses in a White Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andrew Jackson Downing", "Sort_Artist" : "Downing, Andrew Jackson", "Disp_Dimen" : "6 7/8 x 18 7/16 in. 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(42.5 x 60.3 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of I. Austin Kelly, III in honor of Marion J. Hawks", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/352", "Disp_Access_No" : "1974.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Genesee Oaks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asher Brown Durand", "Sort_Artist" : "Durand, Asher Brown", "Disp_Dimen" : "28 1/4 x 42 in. (71.8 x 106.7 cm)", "Disp_Height" : "28 1/4 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Asher B. Durand was commissioned to paint this magnificent vista overlooking the Genesee River Valley in Geneseo, New York, by a member of the Wadsworth family, the village founders. At one time, they owned all the land from Geneseo to Rochester. [Gallery label text, 2007] No matter what the weather, this view across the Genesee Valley near Geneseo is as breathtaking now as it was over two hundred years ago, when landowner James S. Wadsworth commissioned Hudson River school founder Asher B. Durand to record the beauty of the landscape in a painting. In the summer of 1859, Durand traveled from New York City to the Genesee Valley to make preparatory sketches. Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. (Rochester, NY: The Memorial Art Gallery, 1988). p.182-3.", "Dedication" : "Gift of the Women's Council in honor of Harris K. 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(28.9 x 41.6 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "16 3/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Charles Wright Dodge", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.67_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.67_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.67_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.67_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.67_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.67_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.67_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.67_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54500", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3636", "Disp_Access_No" : "1922.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Little Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 x 15 7/16 in. (28 x 39.2 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "15 7/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, pastel and charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17682", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3111", "Disp_Access_No" : "1972.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Man in Fighting Stance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "15 1/4 x 9 1/8 in. (38.7 x 23.2 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3634", "Disp_Access_No" : "1914.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "Mending Nets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "16 7/8 x 21 7/8 in. (42.9 x 55.5 cm)", "Disp_Height" : "16 7/8 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. James G. Cutler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41309", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3107, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3107", "Disp_Access_No" : "1958.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Night Study of the New York Central and Hudson River Railroad Station, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "10 9/16 x 14 5/8 in. (26.9 x 37.2 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly the work referred to in a Times-Union review of December 6, 1930, as "the atmospheric, mystifyingly beautiful color study of "The New York Central Train Shed." If so, Claude Bragdon is listed there as the owner at the time; James Arnold, MAG''s donor, was a friend and colleague of Bragdon, and it is possible that Bragdon gave or left the drawing to Arnold who later gave it to MAG.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.113_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.113_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.113_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.113_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27812", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.113_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.113_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.113_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.113_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3638, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3638", "Disp_Access_No" : "1956.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Road to Market", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "17 7/16 x 21 7/8 in. (44.3 x 55.6 cm)", "Disp_Height" : "17 7/16 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Chandler Bragdon in memory of his father, Claude Fayette Bragdon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Might be "A Country Road," lent by Claude Bragdon to 1910 exhibition at Mechanics Institute", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.83_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.83_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.83_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.83_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41316", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.83_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.83_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.83_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.83_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3640", "Disp_Access_No" : "1964.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "Summerville Pier and Lighthouse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 3/8 x 17 3/8 in. (28.9 x 44.2 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14736", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27816", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3113", "Disp_Access_No" : "1972.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "The Old Rochester Art Club Studio in Reynolds Arcade", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 1/4 x 11 9/16 in. (28.5 x 29.3 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "11 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite with charcoal and white gouache on tan wove paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files. Listed in checklist for that 1972 exhition, so may have been at MAG prior to 1972 but only accessioned in that year.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.93_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27824", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.93_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.93_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.93_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.93_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3639", "Disp_Access_No" : "1958.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "The Trap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per ledger, this is written in as accession number 57.88, with a note to see 58.114", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3110", "Disp_Access_No" : "1972.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Young Boy in Costume", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 15/16 x 8 3/16 in. (35.4 x 20.8 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "8 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/380", "Disp_Access_No" : "1971.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Still Life with Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Francis", "Sort_Artist" : "Francis, John", "Disp_Dimen" : "25 3/16 x 30 3/8 in. (64 x 77.2 cm)", "Disp_Height" : "25 3/16 in.", "Disp_Width" : "30 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At first glance, it is tempting to interpret this painting as a celebration of mid-century American bounty. However, a second look finds half-eaten fruit pierced by a knife, bruised peaches, and a hungry hornet, images that suggest overripeness and decay. These elements can be traced back to 16th and 17th century Dutch still life traditions, particularly vanitas paintings that warned of the ephemeral nature of life. Whether or not John Francis – originally an itinerant, self-taught portrait painter – was consciously invoking old master painting traditions, his involvement with the artistic community in Philadelphia would have exposed him to sophisticated subjects and tastes that, perhaps, he incorporated into his work. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/382", "Disp_Access_No" : "1936.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Sketch of a Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Freeman", "Sort_Artist" : "Freeman, James E.", "Disp_Dimen" : "11 1/2 x 12 in. (29.2 x 30.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Frances DuPuy Fletcher", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31323", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken by Fine Arts Conservation after treatment. A digital file was provided to MAG that was already color-corrected. It does not contain a color bar, gray scale, or accessio number. This digital file was preserved as 36.20_P2.TIF and an access image was derived from it for web access use. This file is not for publication purposes.", "View" : "" } , ] },{ "embark_ID" : 3881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3881", "Disp_Access_No" : "1999.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1884", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1894", "Disp_Title" : "Bust of Ralph Waldo Emerson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Chester French", "Sort_Artist" : "French, Daniel Chester", "Disp_Dimen" : "22 in. (55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the family of Alan Underberg, in his memory", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 399, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/399", "Disp_Access_No" : "1964.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "A Brace of Ducks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard LaBarre Goodwin", "Sort_Artist" : "Goodwin, Richard LaBarre", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund ", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20135", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20136", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "1966.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "The West Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)", "Disp_Height" : "70 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag. When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words: O Wind, If Winter comes, can Spring be far behind? [Gallery label text, 2004] ", "Dedication" : "Gift of the Isaac Gordon Estate through the Lincoln Rochester Trust Company", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. II under "Statuary" in Daniel Powers'' collection catalogue of 1888. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image derived from Seeing America tiff", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "28576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A4.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A4.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A4.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A4.JPG", "IsPrimary" : "0", "_SurrogateID" : "28577", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , ] },{ "embark_ID" : 1692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1692", "Disp_Access_No" : "1972.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Cernay la Ville", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eliza Pratt Greatorex", "Sort_Artist" : "Greatorex, Eliza Pratt", "Disp_Dimen" : "4 1/2 x 7 in. (11.4 x 17.8 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Eliza Pratt Greatorex traveled extensively throughout the United States and Europe. Much of her art reflects her peripatetic life, such as this view of a pond in the village of Cernay la Ville, on the outskirts of Paris. [Gallery label text]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No source listed in registrar''s ledger. Does not appear in incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13598", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3653", "Disp_Access_No" : "1973.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Dutch Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppé", "Sort_Artist" : "Gruppé, Charles Paul", "Disp_Dimen" : "17 x 25 1/2 in. (43.2 x 64.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer indicates that George Eastman''s payment for this painting included a Kodak camera.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.159_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.159_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.159_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.159_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/432", "Disp_Access_No" : "1965.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "Torn-in-Transit with Woman's Photograph", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Haberle", "Sort_Artist" : "Haberle, John", "Disp_Dimen" : "14 x 12 1/8 in. (35.6 x 30.8 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 2009 G. Sill catalogue cites exhibition review from New Haven Register "ca. 1895" entitled "By Local Artists-- Cutler''s Second Exhibit-- The Labors of New Haven Professionals... in Oil and Watercolor Crayon and Poker Work, Pencil and Etching-- First Exhibit of Its Kind Here." This article could not be found in historic New Haven Register online, so bibliographic citation not added to record.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/442", "Disp_Access_No" : "1976.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Hummingbird with Cattleya and Dendrobium Orchids", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "22 1/4 x 14 3/8 in. (56.5 x 36.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "14 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Two masterpieces of nature – the hummingbird and the orchid – were subjects that Martin Johnson Heade painted repeatedly. Beginning in 1863, Heade made the first of three trips to Brazil to paint the bird that remained a life-long obsession. Heade wrote, “A few years after my appearance in this breathing world I was attacked by the all-absorbing hummingbird craze and it has never left me since.” The exotic South American jungle was a far cry from the marshes and fields of Heade’s native New England, but both landscapes inspired his passion for the natural world and nurtured the intertwined development of his scientific interest and his artistic brilliance. [Gallery label, 2009]", "Dedication" : "Harris K. Prior Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The hummingbird in this painting is a Calliphlox amethystina", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12471", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/441", "Disp_Access_No" : "1975.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Newbury Hayfield at Sunset", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "11 1/4 x 25 3/16 in. (28.6 x 64 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "25 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James T. and Jacqueline S. Adams in memory of Mr. and Mrs. Frederick M. Stemmler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12467", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1861", "Disp_Access_No" : "1986.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "1860-1870", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 1/2 x 20 3/8 in. (34.3 x 51.8 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," January 8, 1870", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13561", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1832", "Disp_Access_No" : "1986.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "A Country Store - Getting Weighed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 13/16 x 11 3/4 in. (22.4 x 29.8 cm)", "Disp_Height" : "8 13/16 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Every Saturday," March 25, 1871", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1878", "Disp_Access_No" : "1986.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "A Shell in the Rebel Trenches", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," January 17, 1863", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1835, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1835", "Disp_Access_No" : "1986.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "A Winter Morning - Shovelling Out", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 11 13/16 in. (22.5 x 30 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 13/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Every Saturday," January 14, 1871.", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.73_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1829", "Disp_Access_No" : "1986.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "All in the Gay and Golden Weather", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "5 1/2 x 6 1/2 in. (14 x 16.5 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," June 12, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13555", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1873", "Disp_Access_No" : "1986.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "Art Students and Copyists in the Louvre Gallery, Paris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/16 x 13 3/4 in. 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An authority on sun-dialing, he became an accomplished amateur astronomer who built an observatory in his back yard. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. 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(27.6 x 23.3 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Many of Homer’s illustrations for Harper’s Weekly magazine, like this one from May 17, 1862, were based on sketches inspired by his personal experiences. His mother wrote, “Winslow went to the war front of Yorktown and camped out about two months. He suffered much, was without food 3 days at a time, & all in camp either died or were carried away with typhoid fever–plug tobacco and coffee was the Staples….He came home so changed that his best friends did not know him…”. Journalist Steve Mumford wrote one hundred and fifty years later: “What I found moving about Homer’s work was that it wasn’t directly about the morality of the Civil War, so much as it sought to recreate the experience of the soldiers. His art rarely read as propaganda. 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Homer had experienced it and drawn it.” [Gallery label, February 21, 2012] ", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "18484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1854", "Disp_Access_No" : "1986.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Sea Side Sketches - A Clam Bake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/4 x 13 7/8 in. 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S. Crossing the Long Bridge", "Alt_Title" : "", "Obj_Title" : "The Advance Guard of the Grand Army of the United States Crossing the Long Bridge", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Winslow Homer brought the Civil War to the home front with his illustrations in Harper’s Weekly magazine, including this one from June 8, 1861, shortly after the fighting had begun. The following commentary about the crossing from Washington, D.C. to Alexandria, Virginia appeared in the June 8, 1861 issue: The scene at the bridges was grand and impressive beyond description…The night was cool and clear, thousands of men were drawn up in a line and defiling past, but hardly a whisper was heard from among them. 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(35.4 x 54.3 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "21 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James and Emily Somerville Haas", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38581", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/612", "Disp_Access_No" : "1978.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual. The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery label text, 2006] M. W. Hopkins American, 1789 - 1844 Ann Gennett Pixley Lacey (1809 - 1841) ca. 1835 - 1836 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.187 Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby. In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence. Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18240", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/613", "Disp_Access_No" : "1978.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Eliza Pixley Lacey (1834 - 1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "M. W. Hopkins American, 1789 - 1844 Eliza Pixley Lacey (1834 - 1839) ca. 1835 - 36 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.188 M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter. Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs. Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.188_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.188_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.188_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.188_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/614", "Disp_Access_No" : "1978.189", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "42 x 30 1/8 in. (106.7 x 76.5 cm)", "Disp_Height" : "42 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek. Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist. For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation. As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics. Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog. When Pierrepont was fifteen, his family moved to Marshall, Michigan. He grew up, married, and was the father of one son. Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad. [Gallery label text, 2000] Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes. Gun, the family dog, was most likely a restless subject for the artist to capture, as well. There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs. All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics. MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon. [Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial] The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}] ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.189_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.189_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.189_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.189_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12478", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 3678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3678", "Disp_Access_No" : "1952.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Woman in Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maud Humphrey", "Sort_Artist" : "Humphrey, Maud", "Disp_Dimen" : "16 1/4 x 13 in. (41.2 x 33 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marguerite Reed", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer says this portrait is "possibly of Marie Adelaide Devine." (MAGnum Opus, p. 12)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/483", "Disp_Access_No" : "1936.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Early Moonrise in Florida", "Alt_Title" : "July Moonrise in Florida (Eastman Catalog)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "24 3/8 x 36 1/4 in. 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[Gallery label text, 2007]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "36.61_M1 color-corrected and cropped to create new Print Master as none existed. JPG derived from that Print Master", "View" : "" } , ] },{ "embark_ID" : 3682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3682", "Disp_Access_No" : "1987.40", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Flowers in a Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "15 7/16 x 17 13/16 in. 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(54.3 x 43.1 cm)", "Disp_Height" : "21 3/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and graphite", "Info_Page_Comm" : "", "Dedication" : "Gift of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/485", "Disp_Access_No" : "1969.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Genesee River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Johnson", "Sort_Artist" : "Johnson, David", "Disp_Dimen" : "15 5/8 x 22 1/2 in. (39.7 x 57.2 cm)", "Disp_Height" : "15 5/8 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This pastoral scene shows cows wading at a bend in the Genesee River while their herder lounges on the ground at the left. It was painted by David Johnson, an artist from New York City who specialized in Genesee landscapes in the mid-19th century, a time when few artists were making the journey upstate. The name Genesee originates with the Seneca people, meaning “beautiful or pleasant valley.” The rich soil of the valley and the abundance of the river has made this region a desirable location to live for centuries. This painting was made almost 100 years after the Canandaigua Treaty of 1794, in which the United States of America established the Seneca Nation’s land rights for Western New York with the Genesee River as the eastern boundary, Lake Ontario as the northern boundary, and Niagara River as the western boundary. Many subsequent violations and treaties slowly encroached upon these rights; today only three tracts of land are left to the Seneca in the region, including the Cattaraugus Reservation. [Gallery label text, 2021]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12440", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 489, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/489", "Disp_Access_No" : "1975.138", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Back from the Orchard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eastman Johnson", "Sort_Artist" : "Johnson, Eastman", "Disp_Dimen" : "10 3/8 x 6 5/8 in. (26.4 x 16.8 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.138_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.138_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.138_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.138_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12465", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1909", "Disp_Access_No" : "1989.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1845", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1845", "Disp_Title" : "The Capture of Major Andre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Jones", "Sort_Artist" : "Jones, Alfred", "Disp_Dimen" : "17 3/8 x 19 5/8 in. (44.1 x 49.8 cm)", "Disp_Height" : "17 3/8 in.", "Disp_Width" : "19 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Thelma M. Knapp Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/499", "Disp_Access_No" : "1974.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "A Showery Day, Lake George", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Kensett", "Sort_Artist" : "Kensett, John Frederick", "Disp_Dimen" : "14 1/8 x 24 1/8 in. (35.9 x 61.3 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/501", "Disp_Access_No" : "1955.191", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Roses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ada Howe Kent", "Sort_Artist" : "Kent, Ada Howe", "Disp_Dimen" : "7 3/16 x 14 in. (18.2 x 35.5 cm)", "Disp_Height" : "7 3/16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ada Howe Kent was a Rochester painter and watercolorist who exhibited nationally with the American Water Color Society. Having studied with James McNeill Whistler in Paris, Kent became enamored of oriental art and accumulated an extensive collection of Japanese prints. A daughter of John H. Kent, first vice-president of the Eastman Dry-plate and Film Company (forerunner of the Eastman Kodak Company), the artist was known for her philanthropic activities, most significantly for the gift of Kent Hall in 1916 to the Rochester Y.W.C.A. as a residence for women. [Gallery label text, 2004]", "Dedication" : "Gift of Mrs. James Haas from the collection of her father, James Somerville", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.191_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2865", "Disp_Access_No" : "1978.191", "_AccNumSort1" : "", "Disp_Create_DT" : "1819", "_Disp_Start_Dat" : "1819", "_Disp_End_Date" : "1819", "Disp_Title" : "Sampler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ann Gennett Pixley Lacey", "Sort_Artist" : "Lacey, Ann Gennett Pixley", "Disp_Dimen" : "10 1/4 x 10 3/4 in. (26 x 27.3 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "linen", "Disp_Medium" : "Silk thread cross-stitch on linen", "Info_Page_Comm" : "The Memorial Art Gallery is fortunate to have in its collection both a portrait of Ann Gennett Lacey and an example of her needlework made when she was only ten years old (see row seven of her sampler). She was probably enrolled at a female academy in Riga, west of Rochester, where she was taught these skills. Following the American Revolution, schools for young women began to flourish, and fine needlework was one of the subjects (as well as music, reading, writing, and arithmetic) included in the curriculum. The stitching of samplers was believed to be a sign of virtue, achievement and industry, stitched more to demonstrate education than to preserve a skill. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert Dunn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12757", "Rel_Obj_Title" : "Better Things - On Reading (with text) " } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.191_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13887", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18243", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.191_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.191_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.191_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.191_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "19370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "one of two versions of this image scanned by Douglas Holleley", "View" : "" } , ] },{ "embark_ID" : 537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/537", "Disp_Access_No" : "1951.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "London Bus Driver", "Alt_Title" : "Cabby or London Cabby", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The painting is also known as ''Cabby'' and ''London Cabby''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12390", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3197", "Disp_Access_No" : "1948.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Bank and the Teller", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "13 9/16 x 9 15/16 in. (34.4 x 25.2 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1001", "Disp_Access_No" : "1986.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Nathan Hale (1755 - 1776)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.” [Gallery label text, 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3962", "Disp_Access_No" : "1998.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Pan of Rohallion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "30 x 9 3/4 x 12 in. (76.2 x 24.8 x 30.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Original concept designed for Rohallion, the estate of Howard Adams in Seabright, New Jersey. MAG's version is a maquette based on that work.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From Eisenhart House, 1316 East Avenue-- M. Herbert Eisenhart died 1975 and left the house [and presumably its contents] to the Eastman School for use as a residence and meeting place. ESM director Robert Freeman lived there but left Roch in 1996 and the ESM gave this sculpture and an Emma Lampert Cooper painting to MAG at that time. An example of this sculpture was lent by James Sibley Watson to the Rochester Art Club for an 1895 exhibition. Is there a connection?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30244", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Please note 98.68_M3.DNG has the color bar and grey scale. This master file is for color correction purposes - P3 and A3 image files do not exist.", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/554", "Disp_Access_No" : "1936.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Normandy Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "27 1/2 x 35 1/4 in. (69.9 x 89.5 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "35 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/593", "Disp_Access_No" : "1948.52", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1846", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1856", "Disp_Title" : "Portrait of Daniel Webster (after F. DeBourg Richards)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George T. Deming", "Sort_Artist" : "Deming, George T.", "Disp_Dimen" : "8 9/16 x 6 1/4 in. (21.7 x 15.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "Orator, lawyer, statesman, and senator Daniel Webster (1782–1852) was the subject of many portraits, but none more charming than this one, informally titled Dan. Information on the back says the painting was copied from an engraving, which was no doubt itself a copy of an 1840s daguerreotype by F. DeBourg Richards. Chief curator Marjorie Searl has determined that the original attribution to G. K. Merrick is incorrect. Markings on the back of the portrait were misleading; the signature for Merrick, an attorney in Wellsboro, PA, probably indicated ownership. Another inscription, “painted from an engraving by George Deming, Wellsboro, Pennsylvania,” most likely led to the interpretation that Deming was the engraver and Merrick was the painter. Thanks to the internet and Ancestry.com, we can now safely say that Deming was the painter, and we can speculate that Merrick purchased it from him. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Suggested by Mr. Beaumont Newhall, Curator of Eastman House , Inc. to be from a popular daguerreotype of Webster from which other portraits were painted. Research revealed to be after a daguerreotype by Frederick DeBourg Richards.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37950", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3730", "Disp_Access_No" : "1956.85", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pasture Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie (Nina) Moore", "Sort_Artist" : "Moore, Annie (Nina)", "Disp_Dimen" : "7 5/8 x 11 1/2 in. (19.3 x 29.2 cm)", "Disp_Height" : "7 5/8 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the children of Dr. and Mrs. William Gannett", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.85_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.85_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.85_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.85_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37953", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2132", "Disp_Access_No" : "1947.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Tween the Gloaming and the Mirk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Nimmo Moran", "Sort_Artist" : "Moran, Mary Nimmo", "Disp_Dimen" : "7 3/4 x 11 9/16 in. (19.7 x 29.4 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 9/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching, roulette, sandpaper and drypoint", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.91_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.91_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.91_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.91_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/586", "Disp_Access_No" : "1930.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1830", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1830", "Disp_Title" : "Antoinette Pierson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sidney Mount", "Sort_Artist" : "Mount, William Sidney", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Antoinette Pierson resided in nearby Canandaigua, New York. She was eight years old when this portrait was painted. [Gallery label text, 2007]", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12349", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/628", "Disp_Access_No" : "1964.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1857-1858", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1858", "Disp_Title" : "Still Life Number 26: Silver Basket of Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rubens Peale", "Sort_Artist" : "Peale, Rubens", "Disp_Dimen" : "13 7/8 x 20 in. (35.2 x 50.8 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "tin", "Disp_Medium" : "Oil on tin", "Info_Page_Comm" : "In March, 1857, Rubens Peale wrote: “I painted all day on Number 15 and Number 26 as it has been very stormy today, nothing going on out doors…. After this, however, visitors came to stay and part of the house was given over to them.” What is somewhat surprising is that Peale, a member of the illustrious family of artists and naturalists, did not begin painting until he was seventy-one. Until then, his work had focused on museums and farming. Considering the artist’s limited visual acuity, the texture and color of the fruit and basket in this quiet still life are all the more remarkable. [Gallery label text, 2005] ", "Dedication" : "Gift of Helen C. Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4039", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1832", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1837", "Disp_Title" : "Nathaniel Hurd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3229", "Disp_Access_No" : "1914.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "St. Pauls' Chapel", "Alt_Title" : "", "Obj_Title" : "St. Pauls' Chapel, Gloucester Cathedral, for Century Magazine, March, 1890", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "17 1/2 x 19 in. (44.5 x 48.3 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Black ink with brush and graphite", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.40_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14586", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.40_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.40_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.40_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.40_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/635", "Disp_Access_No" : "1965.3", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1890", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1900", "Disp_Title" : "Articles Hung on a Door", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Peto", "Sort_Artist" : "Peto, John Frederick", "Disp_Dimen" : "30 x 21 3/4 in. (76.2 x 55.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/633", "Disp_Access_No" : "1984.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1834", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1839", "Disp_Title" : "Old Woman with a Bible", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ammi Phillips", "Sort_Artist" : "Phillips, Ammi", "Disp_Dimen" : "33 1/2 x 28 in. (85.1 x 71.1 cm)", "Disp_Height" : "33 1/2 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "We take for granted the ability to record our families' faces. Even the likenesses of those long-dead are etched in our memories by their photographs. But before cameras and film, the only way to save a "likeness" was to create a life or death mask, draw or paint a picture, or make a sculpture. In rural New York State, many portraits were done by painters like Ammi Phillips who had a minimal amount of training. Their customers, in turn, passed paintings down through the generations until all too often, the identity of the sitters was lost. If we don't know whose portrait this was, and if Ammi Phillips was not an academically trained artist, why do we continue to appreciate this work and keep it in a museum? The directness of human spirit that these paintings convey combined with the intricacy of design and patterning create a work filled with the "visual delight" that we search for in a work of art. [Gallery label text, 2008] This woman’s identity has not been preserved, but we might speculate with confidence that she was a devout person, as her arm is placed so firmly on the Bible. Notice, too, how carefully the artist painted the fabric of her day-cap, the embroidery on her shawl, and even the tasseled trim of the curtains. [Gallery label text, 2008]", "Dedication" : "Beatrice M. Padelford Trust", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7943", "Disp_Access_No" : "2001.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1844", "Disp_Title" : "Portrait of a Dark-haired Man Reading the "Genesee Farmer"", "Alt_Title" : "possible portrait of Luther Tucker, editor of the "Genesee Farmer"", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asahel Lynde Powers", "Sort_Artist" : "Powers, Asahel Lynde", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The artist of the painting signed the back of the canvas with a flourish “Asahel Powers.” Powers was a self-taught portrait painter who traveled throughout the countryside in search of portrait commissions. Unfortunately, history has lost the name of this dapper gentleman who, we infer by the books and writing cabinet visible behind him, was a learned man of means. His interests and likely profession are further indicated by "The Genesee Farmer" in his hands, a popular journal dedicated to agriculture and horticulture founded in Rochester in 1831. This portrait broadly tells the story of early Euro-American settlers who were cultivating and living off of the land of the Genesee Valley. It does not capture the story of the Indigenous people who had lived in those lands for hundreds of years prior to the arrival of the European settlers. Coincidentally, this portrait was painted during the infamous Trail of Tears, a brutal upheaval in American history over land rights in which the military forcibly moved over 60,000 Indigenous people (Cherokee, Chickasaw, Choctaw, Muscogee, Osage, and Seminole, including thousands of their Black slaves) to an undesirable stretch of prairie land, now in Oklahoma. During the forced march, many thousands of men, women, and children suffered and died from exposure, disease, and starvation. [Gallery label text, 2021]", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20143", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2255", "Disp_Access_No" : "1919.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895-1897", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1897", "Disp_Title" : "The Ships", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "15 3/8 x 10 15/16 in. (39.1 x 27.8 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "Japanese paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Corrected and cropped from 19.29_M1.tif as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 1042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1042", "Disp_Access_No" : "1955.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "The Broncho Buster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederic Remington", "Sort_Artist" : "Remington, Frederic", "Disp_Dimen" : "22 1/2 x 20 in. (57.2 x 50.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3738", "Disp_Access_No" : "1980.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "St. Michael's Mount, Cornwall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "3 1/8 x 4 7/8 in. (7.9 x 12.4 cm)", "Disp_Height" : "3 1/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Joseph H. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.73_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.73_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.73_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.73_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "37960", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3246", "Disp_Access_No" : "1913.31.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1868-1869", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1869", "Disp_Title" : "Pages from 'A Germantown Sketchbook'", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "6 1/16 x 9 1/8 in. (15.4 x 23.2 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.31.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.31.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.31.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.31.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14688", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1047", "Disp_Access_No" : "1951.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Taking the Oath and Drawing Rations", "Alt_Title" : "", "Obj_Title" : "Taking the Oath and Drawing Rations", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion. Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art. [Gallery label text, 2002]", "Dedication" : "Gift of M. Gertrude Deavenport", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented January 30, 1866 Cost $15.00 - 1866 $20.00 - 1871-1876 $15.00 - 1877-1895", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.310_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.310_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.310_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.310_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1050", "Disp_Access_No" : "1993.24", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1855", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1865", "Disp_Title" : "Nydia, the Blind Flower Girl of Pompeii", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Randolph Rogers", "Sort_Artist" : "Rogers, Randolph", "Disp_Dimen" : "36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers. Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mr. and Mrs. William Wisner Chapin lived at 110 South Fitzhugh Street. The home, originally built in 1830, was expanded with a music room, possibly designed by Andrew Jackson Warner, an architect who wrote an essay about the room for a small pamphlet entitled "The Pipe Organ in the Home of Mr. Chapin". The sculpture of Nydia now owned by the Memorial Art Gallery was located in the Chapins'' music room. MAG also has in its records a photograph of the sculpture in the music room. The home is no longer standing. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master scan shows more of base of statue, although it is blocked by the color bar. Print master scan has color bar & base of statue cropped out.", "View" : "" } , ] },{ "embark_ID" : 3275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3275", "Disp_Access_No" : "1977.150", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890-1900", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Flying Dutchman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert P. Ryder", "Sort_Artist" : "Ryder, Albert P.", "Disp_Dimen" : "7 5/16 x 7 15/16 in. (18.6 x 20.2 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite, pen and india ink with scraping on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.150_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.150_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.150_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.150_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12475", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2869", "Disp_Access_No" : "1977.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "Floral Wreath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Katherine Schneider", "Sort_Artist" : "Schneider, Katherine", "Disp_Dimen" : "12 1/2 x 14 in. (31.8 x 35.6 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Needlepoint", "Support" : "flannel", "Disp_Medium" : "Needlepoint and embroidery on flannel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Robert F. Metzdorf", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12988", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No master existed-- transparency rescanned and new TIF and JPG derived from new scan.", "View" : "" } , ] },{ "embark_ID" : 713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/713", "Disp_Access_No" : "1951.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "The Farm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Somerville", "Sort_Artist" : "Somerville, James", "Disp_Dimen" : "6 x 12 in. (15.2 x 30.5 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14720", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/727", "Disp_Access_No" : "1941.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 23 1/8 in. (73 x 58.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "726", "Rel_Obj_Title" : "Russell Sturgis (1750 - 1826)" } ], "Curator" : "Portrait of Elizabeth Perkins Sturgis (Mrs. Russell Sturgis), companion portrait to that of Russell Sturgis. Elizabeth Perkins Sturgis was born in Boston in 1756. Married Russell Sturgis in 1773 and died in Boston in 1843. She is dressed in a brown silk dress with black lace shawl and white fichu and is painted against an olive-grey background seated in a green brocade chair. She wears a be-ribboned, white lace cap. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/729", "Disp_Access_No" : "1967.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Boat Race at Skaneateles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry J. Sunter", "Sort_Artist" : "Sunter, Harry J.", "Disp_Dimen" : "25 x 33 in. (63.5 x 83.8 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Skaneateles Lake is located in the Finger Lakes region, part of the traditional lands of the nations that make up the Haudenosaunee. The frequent use of Haudenosaunee names in this region—Genesee, Irondequoit, Honeoye, and Canandaigua—is evident in the name of the lake and the town located on the northern tip, Skaneateles, which means “long lake.” This painting depicts a sculling race from an era, and an area, when travel by boat was more common than today. The two steamboats seen here have flags bearing their names, identifying them as the Echo (on the left) and the Glen Haven, which carried vacationers arriving on trains and carriages at the top of Skaneateles Lake down to the resorts and summer cottages at the southern end. This scull race was widely advertised as part of the Fourth of July festivities on the lake in 1878. The artist shows people cheering from nearby boats as Charles E. Courtney from Union Springs passes by, winning the race by only one minute. The subject of the painting was unknown until it was included in a 1962 exhibition in New York, where a Skaneateles native recognized the scene and wrote a letter to his local paper. [Gallery label text, 2021]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Inscribed on pennants of boats, right: Glenhaven; left: Echo", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17277", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17278", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17279", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17281", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , ] },{ "embark_ID" : 730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/730", "Disp_Access_No" : "1951.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Anne Mumford Palmer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abbott Handerson Thayer", "Sort_Artist" : "Thayer, Abbott Handerson", "Disp_Dimen" : "24 x 19 1/2 in. (61 x 49.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A vision of fresh beauty in her portrait, Anne Mumford Palmer lived a life that was hardly placid. Born to a Rochester lawyer and his wife, Palmer moved to New York City after her father became the treasurer of Western Union. She was a good friend of the distinguished American writer Henry Adams and his wife, Clover. An adventurous marriage to Englishman E. Nelson Fell included draining swamps in Florida to build a British colony called Fellsmere. Four years were spent with their three children on the Siberian steppes where Nelson Fell supervised a mining operation. When Anne Mumford Palmer, age 22, was painted by Abbott Thayer, newly returned from studying in France, her life lay ahead of her like a limitless ocean. When she sold the painting to MAG founder Emily Sibley Watson in 1930, she was nearing the end of her remarkable journey, and would die seven years later. More remains to be learned about an interesting life. [Gallery label text, 2009]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image (loaded 7/19/00) to be replaced with professional scan.", "View" : "" } , ] },{ "embark_ID" : 2680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2680", "Disp_Access_No" : "1960.50.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Candlestick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "4 5/16 x 4 1/4 x 4 1/4 in. (10.9 x 10.8 x 10.8 cm)", "Disp_Height" : "4 5/16 in.", "Disp_Width" : "4 1/4 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "one of a pair", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2679", "Disp_Access_No" : "1960.50.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Compote", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "2 15/16 x 12 x 12 in. (7.5 x 30.5 x 30.5 cm)", "Disp_Height" : "2 15/16 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2682", "Disp_Access_No" : "1960.50.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "2 7/16 x 2 11/16 x 2 11/16 in. (6.2 x 6.8 x 6.8 cm)", "Disp_Height" : "2 7/16 in.", "Disp_Width" : "2 11/16 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that ledger says 60.50.1-.3 are the gift of Thelma Salter but that this piece, the jar, is from an anonymous donor. Did we determine that this is from Salter too? --KSchauber, Research Ass''t 2/2024", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2684", "Disp_Access_No" : "1965.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "4 7/16 x 3 7/8 x 3 7/8 in. (11.3 x 9.9 x 9.9 cm)", "Disp_Height" : "4 7/16 in.", "Disp_Width" : "3 7/8 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Registrar''s ledger lists as "anonymous gift" but that may be euphemism for "found in collection."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2678", "Disp_Access_No" : "1951.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Candlestick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "5 5/8 x 5 1/16 x 5 1/16 in. (14.3 x 12.8 x 12.8 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "5 1/16 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per ledger: presented anonymously June 1, 1951-- really a gift or euphemism for "found in collection"? Too early to match with extant incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3898, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3898", "Disp_Access_No" : "1998.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "Stained Glass Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "36 x 19 in. (91.4 x 48.3 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass and lead", "Info_Page_Comm" : "Rochester tycoon William Kimball, owner of the Kimball Tobacco Factory, hired Louis Comfort Tiffany to design the interior of his home and its furnishings at 145 Troup Street in Corn Hill. The opulent residence, called Kimball’s Castle, housed an art collection and a pipe organ. The window installed here was rescued by Harold Rand during the building’s unfortunate demolition in 1948. Our thanks go to Valerie O’Hara from Pike Stained Glass Studio for her generous conservation of the window. [Gallery label text, 2002]", "Dedication" : "Gift of Ruth Rand Rapport in memory of Harold S. Rand", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38878", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed, with backlighting", "View" : "" } , ] },{ "embark_ID" : 811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/811", "Disp_Access_No" : "1977.196", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1851", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1861", "Disp_Title" : "American Harvesting (after Jasper Cropsey)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "32 1/2 x 44 1/4 in. (82.6 x 112.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "44 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While we may not know who painted this work, we can trace its inspiration. In 1851 Jasper Cropsey's painting American Harvesting was in the American Art-Union's annual exhibition in New York. The American Art-Union, formed in 1844, promoted American artists by purchasing and exhibiting their works. To familiarize more Americans with these artists, engravings were made and distributed to members. Possibly, one of these engravings was owned by the artist who did the Gallery's painting. Several other versions of this work exist and were most likely inspired by the same print. A version of the this image was printed by Currier & Ives, entitled 'A Summer Landscape: Haymaking." Cropsey's painting is currently in the collection of the <a href="http://www.artmuseum.iu.edu">Indiana University Art Museum</a>. [Gallery label text, 2002]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "21368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image of American Harvesting in the collection of the Indiana University Art Museum. Approved by IUAM to go on our website as a detail image", "View" : "" } , ] },{ "embark_ID" : 1089, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1089", "Disp_Access_No" : "1954.31.2a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Decoy: Blue Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "40 1/2 x 38 3/4 in. (102.9 x 98.4 cm)", "Disp_Height" : "40 1/2 in.", "Disp_Width" : "38 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly from Long Island or New Jersey Three pieces: head, body, and metal support", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.31.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.31.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.31.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.31.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12397", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1088", "Disp_Access_No" : "1954.31.1a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Decoy: Blue Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "32 1/8 x 42 5/8 in. (81.6 x 108.3 cm)", "Disp_Height" : "32 1/8 in.", "Disp_Width" : "42 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly from Long Island or New Jersey Three pieces: head, body, and metal support", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.31.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.31.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.31.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.31.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12396", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1111", "Disp_Access_No" : "1971.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hobby Horse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "27 in. (68.6 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "Children around the world have played with toy horses for centuries. Egyptian children in the fifth century, Viking children in the eleventh century, and American children today enjoy riding toy horses and pulling them along on wheels. This horse, with its horsehair tail, glass eyes, and leather seat, originally might have been created to move on a wheeled platform. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13876", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1116", "Disp_Access_No" : "1973.9", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Santo (Crucifix)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "37 x 24 in. (94 x 61 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The image of Christ on the cross is fundamental to Christian belief and the art that expresses it. The nearby Tramp Art Shrine, made in the northeastern United States, as well as many European works on the second floor of the Gallery, incorporate images similar to this santo made by an unknown santero. Santero is the traditional name for the carver of santos, which are typically figures of Christ or saints. When European missionaries brought Catholicism across the ocean to the New World, they also brought with them traditional forms of religious iconography and woodcarving techniques. Spanish friars were the original santeros, carving the figures to decorate mission churches; during the 19th century, lay people became santeros, and santos became part of the domestic religious tradition. [Gallery label text, 2002]", "Dedication" : "Gift of the Women's Council in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "American, Southwest, possibly Franciscan", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1113", "Disp_Access_No" : "1971.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trade Sign for a Hat Maker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "21 3/4 x 24 x 30 in. (55.2 x 61 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Tin", "Support" : "", "Disp_Medium" : "Tin and paint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1129", "Disp_Access_No" : "1987.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1900", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1900", "Disp_Title" : "Tramp Art Shrine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "43 1/2 x 26 1/4 x 19 in. (110.5 x 66.7 x 48.3 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paper and mirror", "Info_Page_Comm" : "Tramp art, originally thought to have been a style of woodworking used by hoboes to make gifts for people who provided them with hospitality, is now understood to encompass a broader group of work by self-taught artisans. Typically using found materials, the creators used a chip or notch carving technique and layering of materials to create optically dazzling patterns and designs. In this work, an Armour meat packing box was used for the body of the shrine, to which layers of intricately decorated details were added. In the interior are references from the New Testament to the betrayal and death of Jesus, among them the cross, the cock, the ladder and the spear. While we do not know the artist’s name, the degree of his piety communicates itself through his painstaking creation of this personal shrine. [Gallery label text, 2002]", "Dedication" : "Lillian Utz Fund and Tribute Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per dealer, found in western Pennsylvania. Partly made from Armour crate.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3476", "Disp_Access_No" : "1953.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1880-1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1885", "Disp_Title" : "Valentine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "9 x 7 3/8 in. (22.9 x 18.7 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor and pen with brown ink", "Support" : "paper", "Disp_Medium" : "Watercolor and pen with brown ink on paper, metal applique, satin and embossment", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. C. Schuyler Davis", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12814", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1122", "Disp_Access_No" : "1975.108", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1810", "_Disp_Start_Dat" : "1805", "_Disp_End_Date" : "1815", "Disp_Title" : "Weathervane: Angel Gabriel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "21 x 66 1/2 in. (53.3 x 168.9 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "66 1/2 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron and paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund; Acquired in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the Congregational Church of Bristol, New York", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19263", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "rotated image", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "38546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1109", "Disp_Access_No" : "1970.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Weathervane: Liberty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "39 1/4 in. (99.7 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "One of 9 figures of "Liberty" holding aloft American Flag, designed for 1876 Centennial, New England", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17117", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1112", "Disp_Access_No" : "1971.42", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Steer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "12 1/4 x 24 1/2 in. (31.1 x 62.2 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper and bronze with paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/751", "Disp_Access_No" : "1971.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Wadsworth Meadow, Geneseo, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "18 x 30 in. (45.7 x 76.2 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is really splotchy.", "View" : "" } , ] },{ "embark_ID" : 3894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3894", "Disp_Access_No" : "1998.37.1-2a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Life Mask and Hands of Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonard Wells Volk", "Sort_Artist" : "Volk, Leonard Wells", "Disp_Dimen" : "9 3/4 x 8 1/8 x 5 5/8 in. (24.8 x 20.6 x 14.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Head", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1 - life mask .2a&b - hands", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.37.1-2a-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.37.1-2a-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.37.1-2a-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.37.1-2a-b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12541", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.37.1-.2a-b_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.37.1-.2a-b_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.37.1-.2a-b_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.37.1-.2a-b_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "40771", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No master version with color bars and accession number exists. On disk dated 11/1/05", "View" : "" } , ] },{ "embark_ID" : 3760, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3760", "Disp_Access_No" : "1954.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Stream", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "C. D. Wader", "Sort_Artist" : "Wader, C. D.", "Disp_Dimen" : "8 x 13 1/8 in. (20.3 x 33.3 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. H.H. Wickes", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.65_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.65_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.65_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.65_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "34474", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/761", "Disp_Access_No" : "1947.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Outlet of Lake George", "Alt_Title" : "Outlet of Lake George - Rogers Rock in the Distance", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob C. Ward", "Sort_Artist" : "Ward, Jacob C.", "Disp_Dimen" : "21 3/4 x 30 in. (55.2 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Sometimes referred to as "Outlet of Lake George - Rogers Rock in the Distance" From "The New Yorker," April 25, 1840, p. 81 "The Wilds of Lake George." "[Suggested by a Painting of ''The Outlet of Lake George,'' engraved for the Title-Page of the Quarto New-Yorker, Vol. VIII., just issued.--by Alfred B. Street.]" "Grand pomp of the Wilderness! solemn and wild, Magnificent temple, for the Solitude piled! Its columns the rocks, and canopy, sky; Its huge mountain-altar reared proudly on high. Round circle the Seasons: Spring dances along-- It is breathing with fragrance and vocal with song; Its grass-carpet lifts to the steps of her showers; At the wand of her sunbeam come thronging its flowers. Bright, beautiful Summer her thick garlands weaves, And its depths are made dim with her mantle of leaves; There''s dancing of shadows in ebony gloss, And gold-slants and sprinkles on blossoms and moss. Gay alchymist Autumn transmutes, and behold! The emerald changed to rich crimson and gold; There''s a glitter of gems--a proud blazon of hues, And silver mists forming, to melt with the dews; The Moon''s splendor streams with more pomp from on high, And the star-clusters glow with more light in the sky. Wild Winter on rushes, with clouds o''er his brow, His war-steed the tempest--his banner the snow; The temple stands blighted and mute at his glance, The glitter has faded, and past is the dance, Till Spring, with her soft looks and sweet smiles, again Breathes joy, as the Despot abandons his reign. And music, sweet music, the temple gives forth When Winter has reached his stern home in the North; The torrent-like stream, as, mad-foaming, it bounds, Loud raises, unceasing, its organ-like sounds; There are voices of birds, and a murmur of bees, And soft strains of wind-harps breathed low through the trees, And thunder o''er rolling, and lanching its crash, And the strong sheeted rains, as fierce downward they dash, And the wild blast, as onward it rages and shoots, Whirling boughs from their trees--wrenching trees from their roots-- The bee-song--the blast hymn--the chant of the flood, Send upward in praise to their Maker and God. And other sounds forth, too, this temple hath cast, Stern, loud as the thunder, and fierce as the blast, When Tyranny''s hordes, grasping fetters, were led O''er a region that shuddered in wrath at their tread; In an air that grew black, as their banners it fanned, Till the fierce storm of Vengeance thick curtained the land. ''T was the war-shout of Freedom! and echoed by men She poured down the mountain and rallied in glen, As proudly she spread her pure flag for the fray, And her young Eagle stretched his strong wings on her way. Oh, what though to earth that starred banner was cast! Oh, what though those wings were crushed down by the blast! Brave hearts bore that banner--''t was lifted anew; High hopes cheered those pinions--more lofty they flew; Till Victory, loud as the roar of the sea, In heart bursts was shouted by men that were Free!", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/767", "Disp_Access_No" : "1964.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Study for "Christ Rejected"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benjamin West", "Sort_Artist" : "West, Benjamin", "Disp_Dimen" : "30 7/8 x 42 1/8 in. (78.4 x 107 cm)", "Disp_Height" : "30 7/8 in.", "Disp_Width" : "42 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on panel", "Info_Page_Comm" : "According to the Christian gospels, Jesus was brought before Caiaphus and his fellow high priests, who rejected Jesus and gave him to Pilate to be crucified. Even today, among contemporary clergy and theologians, there is debate about the historical circumstances of Christ's death. Benjamin West depicted the traditional narrative in a compressed manner, bringing together elements of the events that were to follow: the crucifix and the instruments of the passion lie in the foreground; Mary, the mother of Jesus, and Mary Magdalene anticipate Jesus' suffering with looks of sorrow and horror; Roman soldiers stand by with spears. The artist was born in pre-Revolutionary Philadelphia, studied in Italy, and settled permanently in England, where he became the second president of the Royal Academy of Arts. He became known for his dramatic historical and religious subjects. West taught the first generation of American artists, including Gilbert Stuart and Matthew Pratt. The finished version of Christ Rejected is monumental, at 16' x 23', and it hangs at the Pennsylvania Academy of the Fine Arts in Philadelphia. [Gallery label text, 2004] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3767", "Disp_Access_No" : "1976.85", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Forget-Me-Not", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "10 x 7 in. 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Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Wiles, an artist from Perry, New York, offers two views of the rolling valleys of the Genesee. Both feature people who seem to be admiring the landscape, as we are invited to do: two women have laid down a rug or blanket on which to picnic, looking out over the rooftops of a barn and other outbuildings; a boy gazes out over the valley while his cows graze nearby. Atmospheric perspective renders the far hills a misty mirage. The artist wrote “Endeavor, as far as possible, to carry the eye beyond the canvas into the subject or scene depicted. Anything short of this detracts from your effort as a work of art. The master conceals his art and fascinates you in the spirit of his work. Therefore, consider your pigments your servants, not your masters. Study good pictures much, but study nature more.” [Gallery label text, 2021, although painting ultimately not included in installation]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 71.8_M1; a print version was not made at the time this master was made, so one was corrected and cropped and a new JPG derived from that, 9-5-12 KS.", "View" : "" } , ] },{ "embark_ID" : 772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/772", "Disp_Access_No" : "1971.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Wiles, an artist from Perry, New York, offers two views of the rolling valleys of the Genesee. Both feature people who seem to be admiring the landscape, as we are invited to do: two women have laid down a rug or blanket on which to picnic, looking out over the rooftops of a barn and other outbuildings; a boy gazes out over the valley while his cows graze nearby. Atmospheric perspective renders the far hills a misty mirage. The artist wrote “Endeavor, as far as possible, to carry the eye beyond the canvas into the subject or scene depicted. Anything short of this detracts from your effort as a work of art. The master conceals his art and fascinates you in the spirit of his work. Therefore, consider your pigments your servants, not your masters. Study good pictures much, but study nature more.” [Gallery label text, 2021, although painting ultimately not included in installation]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "55913", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 71.9_M1; a print version was not made at the time this master was made, so one was corrected and cropped and a new JPG derived from that, 9-5-12 KS.", "View" : "" } , ] },{ "embark_ID" : 3310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3310", "Disp_Access_No" : "1948.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1820", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1825", "Disp_Title" : "Deborah Leonard Holmes (Mrs. John Hendrickson Holmes, 1802-1872)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Micah Williams", "Sort_Artist" : "Williams, Micah", "Disp_Dimen" : "25 1/4 x 20 1/2 in. 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Winspur Allen in memory of his wife, Catherine Holmes Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.72_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.72_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.72_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.72_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39649", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/780", "Disp_Access_No" : "1951.104", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Early Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander H. Wyant", "Sort_Artist" : "Wyant, Alexander H.", "Disp_Dimen" : "15 1/2 x 22 1/4 in. (39.4 x 56.5 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.104_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.104_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.104_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.104_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12377", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11705, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11705", "Disp_Access_No" : "2003.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Edward Perine", "Sort_Artist" : "Perine, George Edward", "Disp_Dimen" : "12 1/16 x 10 in. 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Way", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24297", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3685", "Disp_Access_No" : "1987.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1845", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1845", "Disp_Title" : "Catherine Caroline Isabella Stewart (1842-1866)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "8 3/8 x 6 9/16 in. 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(65.1 x 81.8 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 3/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored line, stipple and mezzotint engraving", "Info_Page_Comm" : "This scene is a commentary on American elections as well as on a specific Election Day in 1850. On that day, in Saline County, Missouri, the artist George Caleb Bingham ran for a place in the State Legislature. E. D. Sappington, the candidate lifting his shiny top hat, was the winner. Sappington, with his workers, tried to buy votes with liquor, and because he was related to the judge and one of the clerks, the election’s outcome aroused suspicion. While Bingham did not contest the results, The County Election makes a powerful statement about his thoughts concerning the corrupt proceedings. The artist represents himself as the figure in the stovepipe hat seated on the courthouse steps, attended by a friendly dog and two men in white hats who pause to look over his shoulder. John Sartain was a highly successful engraver and publisher. He is well-known for his mezzotints of paintings by some of America’s major artists, including Emanuel Leutze and Thomas Sully. His descendants continued to make important contributions to the world of 19th century American art. [Gallery label text, October 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18944", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/957", "Disp_Access_No" : "1930.67", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1877", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1882", "Disp_Title" : "The Ghost in "Hamlet"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "20 1/2 x 24 1/2 in. (52.1 x 62.2 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Samuel Gould", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17110", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1524", "Disp_Access_No" : "1985.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1867", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1867", "Disp_Title" : "The Lincoln Family", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "13 x 16 1/16 in. (33 x 40.8 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "16 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph with overcolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Irene Adams Sillay", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3696, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3696", "Disp_Access_No" : "1987.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "The Stewart Children", "Alt_Title" : "", "Obj_Title" : "The Stewart Children: John Alexander (1838-1880), Henry William (1834-1910), and Charlotte Jane (1836-1921)", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "6 1/2 x 8 7/16 in. (16.5 x 21.4 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16077", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3198", "Disp_Access_No" : "1948.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Ticker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "14 3/4 x 11 1/2 in. (37.5 x 29.2 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2449", "Disp_Access_No" : "1979.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Untitled (Farmer hoeing in field)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "3 7/16 x 4 15/16 in. (8.8 x 12.5 cm)", "Disp_Height" : "3 7/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Frederick Vance was an artist with roots in Livingston County and the Genesee River region.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No source listed in registrar''s ledger. Does not appear in incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.100_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.100_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.100_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.100_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11699", "Disp_Access_No" : "2003.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (Windmill)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ward Ranger", "Sort_Artist" : "Ranger, Henry Ward", "Disp_Dimen" : "12 13/16 x 24 7/16 in. (32.5 x 62 cm)", "Disp_Height" : "12 13/16 in.", "Disp_Width" : "24 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache ", "Info_Page_Comm" : "", "Dedication" : "Gift of John and Mary Celentano", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2198", "Disp_Access_No" : "1946.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "View Near the Upper Falls of the Genesee River (From a Drawing by D. Wadsworth)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Wadsworth", "Sort_Artist" : "Wadsworth, Daniel", "Disp_Dimen" : "17 5/16 x 13 1/4 in. (44 x 33.7 cm)", "Disp_Height" : "17 5/16 in.", "Disp_Width" : "13 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. [Gallery label text, 2004]", "Dedication" : "Given in loving memory of Cornelia Robinson and Henry Douglas Buell by their daughter Jane Buell Ward and family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3688", "Disp_Access_No" : "1987.46", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1838", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1843", "Disp_Title" : "William and Jane McConnell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "6 3/16 x 7 7/8 in. (15.7 x 20 cm)", "Disp_Height" : "6 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1564", "Disp_Access_No" : "1974.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wilson's Albany Seedling", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "10 1/16 x 4 in. (25.5 x 10.1 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "sheet (folded)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-stenciled with hand coloring and lithographic printing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.41_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.41_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.41_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.41_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3677, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3677", "Disp_Access_No" : "1989.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Youth and Old Age", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie H. Williams Howell", "Sort_Artist" : "Howell, Annie H. Williams", "Disp_Dimen" : "8 1/8 x 11 3/8 in. (20.7 x 28.9 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "celluloid", "Disp_Medium" : "Watercolor with graphite on celluloid", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. From handwritten list in Registrar''s deaccessioning file: "Lent by Mrs. Emily Somerville Haas through the courtesy of James Haas." Was gift ever made official? Mrs Haas mentioned in correspondence with Margaret Woodbury Strong in 1950s. Mrs Haas d. 1960. Her father was James Somerville, one of founders of Roch Art Club. Did Mrs Haas also give other Roch Art Club related things that were accessioned in 1989?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/434", "Disp_Access_No" : "1929.124", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Sunset Glow - Autumn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James McDougal Hart", "Sort_Artist" : "Hart, James McDougal", "Disp_Dimen" : "17 x 25 1/4 in. (43.2 x 64.1 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of John B. Calvert", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Registrar''s ledger, this is a duplicate of the record for 28.465, "Landscape" by Hart, 24 x 16, signed "James M. Hart 1870" at lower left.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.124_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.124_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.124_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.124_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18621", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3124", "Disp_Access_No" : "1930.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Two Gentlemen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Dana Gibson", "Sort_Artist" : "Gibson, Charles Dana", "Disp_Dimen" : "17 1/2 x 13 3/4 in. (44.5 x 34.9 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "board", "Disp_Medium" : "Ink on illustration board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William Murphy", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2480", "Disp_Access_No" : "1931.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Florence Leyland", "Alt_Title" : "(E.G. Kennedy; 7th state-Mansfield)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland. Whistler’s regular visits to Speke Hall (the Leyland family’s estate near Liverpool, England) brought him into frequent contact with the children, who posed for him many times. Look for the phrase “I am Flo” to the right of the figure of Florence, the youngest, who is holding a hoop – perhaps an inside joke, a reference to the fact that there were three Leyland daughters who may have been regularly confused with each other! [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Identifying features of this state: right leg is outlined by heavy broken line; the right toe is made square, and there is new work on the left foot. Many fine diagonal lines are added to the background to the left. Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24298", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3656", "Disp_Access_No" : "1935.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Venetian Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Landseer Harris", "Sort_Artist" : "Harris, Edwin Landseer", "Disp_Dimen" : "15 3/8 x 22 1/16 in. (39 x 56.1 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "22 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Registrar''s ledger lists as "donor unknown."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23785", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3472", "Disp_Access_No" : "1935.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1885-1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1890", "Disp_Title" : "Portrait of Marion Stratton Gould", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "23 1/4 x 19 1/4 in. (59.1 x 48.9 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "", "Medium" : "Hand-colored photograph", "Support" : "glass", "Disp_Medium" : "Hand-colored photograph on opaque glass", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Samuel Gould", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Photograph", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "jpg derived from TIFF image used in Seeing America. Original file in EmbARK/images/Seeing America/MSGould.tiff.", "View" : "" } , ] },{ "embark_ID" : 1175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1175", "Disp_Access_No" : "1934.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1835", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1835", "Disp_Title" : "American Swift (after Audubon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Havell Jr.", "Sort_Artist" : "Havell, Robert", "Disp_Dimen" : "28 3/4 x 20 3/4 in. (73.1 x 52.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "20 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "W. W. Grant", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the donor: "This is one of the original Audubon prints watermarked 1835. In 1909 it was purchased by the undersigned from W.T. Burgess of Scarsdale, NY whose father had it presented to him by John J. Audubon. W.W. Grant, Geneva, NY August 29/34"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 2482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2482", "Disp_Access_No" : "1938.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "The Duet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "13 x 9 3/4 in. (33 x 24.8 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "A portrait of Beatrix Whistler and her sister Ethel seated at the piano in the Whistler's Paris home.", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Collections: "E R", Brooklyn Museum", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24296", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2484", "Disp_Access_No" : "1947.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Doorway and Vine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "9 3/16 x 6 11/16 in. (23.4 x 17 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886 ", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24295", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/461", "Disp_Access_No" : "1946.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Francis Granger (1792 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Huntington", "Sort_Artist" : "Huntington, Daniel", "Disp_Dimen" : "32 x 27 in. (81.3 x 68.6 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22375", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 3747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3747", "Disp_Access_No" : "1944.73", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Autumn Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Somerville", "Sort_Artist" : "Somerville, James", "Disp_Dimen" : "6 1/8 x 15 13/16 in. 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", "Dedication" : "Gift of Mrs. Phyllis Chamberlain Sias in memory of her husband Richard Alan Sias and his uncle, Azariah Boody Sias, who was grand-nephew and namesake of Azariah Boody", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25693", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/235", "Disp_Access_No" : "1997.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Mrs. Gerald (Catherine) Fowler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Bradley", "Sort_Artist" : "Bradley, John", "Disp_Dimen" : "34 x 28 in. (86.4 x 71.1 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and distemper on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "234", "Rel_Obj_Title" : "Mr. Gerald Fowler" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 12841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12841", "Disp_Access_No" : "2004.23b", "_AccNumSort1" : "", "Disp_Create_DT" : "1844", "_Disp_Start_Dat" : "1844", "_Disp_End_Date" : "1844", "Disp_Title" : "Hoo-Wan-Ne-Ka Winnebago Chief", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Bird King", "Sort_Artist" : "King, Charles Bird", "Disp_Dimen" : "19 11/16 x 14 5/16 in. (50 x 36.4 cm)", "Disp_Height" : "19 11/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "", "Info_Page_Comm" : "Text only", "Dedication" : "Gift of Mr. and Mrs. Gorham Parks", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "12641", "Rel_Obj_Title" : "Hoo-Wan-Ne-Ka Winnebago Chief" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.23b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.23b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.23b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.23b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13283", "Disp_Access_No" : "2005.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Portrait of James Sibley Watson, Sr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George M. 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Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21355", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 13278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13278", "Disp_Access_No" : "2005.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "Young Woman in Profile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred M. Turner", "Sort_Artist" : "Turner, Alfred M.", "Disp_Dimen" : "11 1/16 x 12 3/4 in. (28.1 x 32.4 cm)", "Disp_Height" : "11 1/16 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper pasted down on pulpboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21952", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13284", "Disp_Access_No" : "2005.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Portrait of Emily Sibley Watson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "P. Parsons", "Sort_Artist" : "Parsons, P.", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Hand-colored photograph", "Support" : "paper", "Disp_Medium" : "Hand-colored photograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Photograph", "Creation_Place2" : "England", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Presumably Parsons was the hand-painter of this photograph and not the photographer? Or did he/she do both? See Rochester Historical Society collection for a "pastel" of Hiram Sibley by Parsons-- possibly also a hand-colored photograph", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21356", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 13325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13325", "Disp_Access_No" : "2005.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : ""Four Roses" Coverlet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Climera Southerland", "Sort_Artist" : "Southerland, Climera", "Disp_Dimen" : "89 3/4 x 81 1/4 in. (228 x 206.4 cm)", "Disp_Height" : "89 3/4 in.", "Disp_Width" : "81 1/4 in.", "Dimen_Extent" : "maximum", "Medium" : "Linen", "Support" : "", "Disp_Medium" : "Jacquard woven linen and wool", "Info_Page_Comm" : "", "Dedication" : "Bequest of Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Located during inventory but could not be fully photographed due to size. --KSchauber, Curatorial Research Assistant No one with a name like this could be found on Ancestry although name is quite clear in weaving.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20805", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is for inventory purposes only. Do not use for publication.", "View" : "" } , ] },{ "embark_ID" : 13420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13420", "Disp_Access_No" : "2005.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "In Memory of Alfred P. Dawley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kelloggs and Comstock", "Sort_Artist" : "Kelloggs and Comstock", "Disp_Dimen" : "14 x 9 15/16 in. (35.5 x 25.3 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.126_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.126_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.126_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.126_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24339", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13326", "Disp_Access_No" : "2005.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Liberty Coverlet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Van Doren Family", "Sort_Artist" : "Van Doren Family", "Disp_Dimen" : "87 1/4 x 75 in. 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(15.4 x 23.2 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3252", "Disp_Access_No" : "1913.31.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1868-1869", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1869", "Disp_Title" : "Pages from 'A Germantown Sketchbook'", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "6 1/16 x 9 1/8 in. (15.4 x 23.2 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3708", "Disp_Access_No" : "1920.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "The Breadwinner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Emma Lampert of Nunda, NY, studied at the Art Students League and taught at Mechanics Institute (now RIT) before marrying the well-known painter, Colin Campbell Cooper. This view of a Dutch interior was exhibited widely both here and abroad; it garnered several awards, including a medal at the 1893 World’s Columbian Exposition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Colin Campbell Cooper", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment undertaken by Patricia Hamm in 2008.", "View" : "" } , ] },{ "embark_ID" : 1046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1046", "Disp_Access_No" : "1944.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : ""Why Don't You Speak for Yourself, John?"", "Alt_Title" : "John Alden and Priscilla", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "22 in. (55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "Rogers Group, subject taken from Longfellow's poem, "The Courtship of Miles Standish," published in 1853. ", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented February 10, 1885 Price $20.00", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28913", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/257", "Disp_Access_No" : "1947.16", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "View of the Delaware Water Gap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "23 x 30 1/2 in. (58.4 x 77.5 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "30 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 3776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3776", "Disp_Access_No" : "1950.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Alfred Mason Badger (1808-1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "2 9/16 x 2 3/16 x 5/16 in. (6.5 x 5.5 x 0.8 cm)", "Disp_Height" : "2 9/16 in.", "Disp_Width" : "2 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Lois Badger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per curatorial file: Sitter born Portsmouth, NH; died in Boston, on vacation from Rochester. Builder of Woodside on East Avenue (former Rochester Historical Society building). Married Susan Adams Harnden (see 50.20) in Washington, NH, 1837.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30618", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 3777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3777", "Disp_Access_No" : "1950.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Susan Adams Harnden Badger (1814-1884)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "3 1/16 x 2 1/2 x 5/16 in. (7.7 x 6.4 x 0.8 cm)", "Disp_Height" : "3 1/16 in.", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "A lock of braided hair has been inserted into the back of the gold frame.", "Dedication" : "Bequest of Lois Badger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per curatorial file: Sitter born in New Hampshire; died in Rochester. Married Alfred Badger (see 50.5) in Washington, NH, 1837.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/268", "Disp_Access_No" : "1951.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Figure with Flamingoes", "Alt_Title" : "The Flamingoes", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick Stuart Church", "Sort_Artist" : "Church, Frederick Stuart", "Disp_Dimen" : "15 x 12 in. (38.1 x 30.5 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Church was considered such an expert on flamingoes and their anatomy that he was the subject of an article in Harpers Weekly (November 1, 1890) entitled "The Flamingo," as well as an article in the New York Herald (Aug 51912) describing how he had completed his 84th flamingo picture. See curatorial file. --KSchauber, Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/393", "Disp_Access_No" : "1952.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Hiram Westley Dixon (1817- 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Hiram Wesley Dixon, Born circa 1817- died Dec. 1, 1888 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. Hiram W. Dixon was the owner of a hardware store in Hudson. In 1856, Mr. Dixon was elected a messenger of the Electoral College to carry the vote to Washington. A newspaper article reported that each year he “predicted the election returns and his selections were as predictable as the Gallup polls.” In 1864, he was a director of The First National Bank of Hudson and in 1866, appointed postmaster of the Hudson post-office. In 1866, the family became members of the First Reformed Protestant Dutch Church in Hudson. Mr. Dixon was also involved in real estate and insurance in Tarrytown where there is a street named for him. Text Panel, Oct. 2010, Colleen Piccone ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "22808", "Rel_Obj_Title" : "Farmers Bank Note" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was derived from the after treatment photography (TIF with color bar) provided by WACC.", "View" : "" } , ] },{ "embark_ID" : 3602, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3602", "Disp_Access_No" : "1957.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Fall Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Hogarth Dennis", "Sort_Artist" : "Dennis, James Hogarth", "Disp_Dimen" : "19 7/8 x 25 7/8 in. (50.5 x 65.8 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "25 7/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on artist's board", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Listed in registrar''s ledger as "anonymous gift" but may be a euphemism for "found in collection." Too early to be included in extant incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38477", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1048", "Disp_Access_No" : "1969.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Coming to the Parson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "22 x 17 x 12 in. (55.9 x 43.2 x 30.5 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented February 8, 1870 Price: $15.00", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30095", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 1596, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1596", "Disp_Access_No" : "1972.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Cover of the Rochester Herald for September 26, 1895", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "23 11/16 x 16 7/16 in. (60.1 x 41.7 cm)", "Disp_Height" : "23 11/16 in.", "Disp_Width" : "16 7/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the James Somerville family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.15_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1115", "Disp_Access_No" : "1972.70", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Grave Marker for Child's Grave", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "6 1/2 x 5 1/4 x 1 3/4 in. (16.5 x 13.3 x 4.4 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "5 1/4 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Kenneth E. Gray", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.70_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.70_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.70_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.70_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "31837", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.70_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.70_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.70_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.70_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "31838", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/274", "Disp_Access_No" : "1973.69.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Portrait of Mary Burbank (1806 - 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Cogswell", "Sort_Artist" : "Cogswell, William", "Disp_Dimen" : "46 x 35 in. (116.8 x 88.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary Goodrich Burbank, 1863 Born Dec. 28, 1806 - died July 4, 1888 (Rochester, NY) The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley. The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant. Gallery label, Feb. 2011, Colleen Piccone The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot. Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/275", "Disp_Access_No" : "1973.69.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Portrait of Gideon Burbank (1803 - 1873)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Cogswell", "Sort_Artist" : "Cogswell, William", "Disp_Dimen" : "46 x 35 in. (116.8 x 88.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gideon Webster Burbank, Sr., 1863 Born May 24, 1803 - died March 4, 1873 (Rochester, NY) The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley. The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant. Gallery label, Feb. 2011, Colleen Piccone The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot. Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone ", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "large and ornate gold frame", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 2417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2417", "Disp_Access_No" : "1984.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "70th Anniversary of the Union and Advertiser, October 26, 1896", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. Louise Stowell", "Sort_Artist" : "Stowell, M. Louise", "Disp_Dimen" : "23 1/8 x 17 3/4 in. (58.7 x 45.1 cm)", "Disp_Height" : "23 1/8 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Unknown source; not found in incomings. Lent to Harley School in 1984.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "33254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "52743", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled MAG 190327", "View" : "" } , ] },{ "embark_ID" : 2418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2418", "Disp_Access_No" : "1984.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "George P. Humphrey at the Sign of the "Old-Book Man"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. Louise Stowell", "Sort_Artist" : "Stowell, M. Louise", "Disp_Dimen" : "23 3/4 x 15 3/8 in. (60.3 x 39.1 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<span>Unknown source; not found in incomings. Lent to Harley School in 1984. This poster is mentioned in correspondence between Emily Somerville Haas and Margaret Woodbury Strong in the 1950s, indicating Mrs Haas was selling one at that point, but could not be determined if this was the same work; one example was bought from the Strong by Rare Books &amp; Special Collections in 2016, so it was probably Mrs Haas''s example that Mrs Strong bought.</span>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.35_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "33255", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52744", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled MAG 190327", "View" : "" } , ] },{ "embark_ID" : 1589, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1589", "Disp_Access_No" : "1985.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "San Pietro di Castello, Venezia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Duveneck", "Sort_Artist" : "Duveneck, Frank", "Disp_Dimen" : "16 1/8 x 22 7/8 in. (41 x 58.1 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "22 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Purchased after "Patron''s Purchase Party," where patrons could vote on which works were to be added to the collection.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 1522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1522", "Disp_Access_No" : "1985.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "The Burning of Chicago", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "11 7/8 x 14 5/8 in. 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(58.6 x 68.2 cm)", "Disp_Height" : "23 1/16 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored line, stipple and mezzotint engraving", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the Original painting distributed by the American Art union in 1847. Published Exclusively for the Members of that Year.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30967", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for web or print", "View" : "" } , ] },{ "embark_ID" : 3010, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3010", "Disp_Access_No" : "1991.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Woman Carrying Faggots", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest L. Blumenschein", "Sort_Artist" : "Blumenschein, Ernest L.", "Disp_Dimen" : "9 1/2 x 11 1/8 in. (24.2 x 28.3 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.100_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.100_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.100_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.100_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44661", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1013", "Disp_Access_No" : "1993.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "James Cunningham", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "J. Guernsey Mitchell", "Sort_Artist" : "Mitchell, J. Guernsey", "Disp_Dimen" : "16 15/16 x 10 9/16 x 10 3/8 in. (43 x 26.9 x 26.3 cm)", "Disp_Height" : "16 15/16 in.", "Disp_Width" : "10 9/16 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image not for print or web", "View" : "" } , ] },{ "embark_ID" : 286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/286", "Disp_Access_No" : "1994.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Upper Falls of the Genesee", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "8 9/16 x 5 3/16 in. (21.7 x 13.2 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "5 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Fred Bennett Fund", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 1470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1470", "Disp_Access_No" : "1997.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Landscape In the Catskills (after Cole)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Mackie Falconer", "Sort_Artist" : "Falconer, John Mackie", "Disp_Dimen" : "10 13/16 x 7 13/16 in. (27.5 x 19.8 cm)", "Disp_Height" : "10 13/16 in.", "Disp_Width" : "7 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "After a drawing by Thomas Cole made in 1827.", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "31517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "51047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21690, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21690", "Disp_Access_No" : "2009.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Still Life with Goblet and Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Searle", "Sort_Artist" : "Searle, Helen", "Disp_Dimen" : "17 x 15 5/16 in. (43.2 x 38.9 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "15 5/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Helen Searle grew up in Rochester and taught art in Batavia, New York. In 1860, she moved to Dusseldorf to study with the distinguished painter Johan Wilhelm Preyer, whose still lifes were considered the finest in Germany (see below). He took a particular interest in Searle, and it is clear that she was greatly influenced by him. Preyer, in turn, was a devoté of 17th century Dutch artist Jan de Heem, whose work is on view on MAG’s second floor. [Gallery label text, 2009]", "Dedication" : "Virginia Jeffrey Smith Fund and Marion Stratton Gould Fund ", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39108", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 22046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22046", "Disp_Access_No" : "2009.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Fame", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Carroll Beckwith", "Sort_Artist" : "Beckwith, James Carroll", "Disp_Dimen" : "22 1/2 x 23 3/4 in. (57.2 x 60.3 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In ancient times, the laurel wreath connoted victory. A wreathed skull, however, came to symbolize the transience of fame and glory and was referred to as a memento mori (“remember you will die”). A painting that included this type of imagery is called a vanitas. Beckwith was widely known for lush portraits of women and light-filled landscapes. It’s interesting to speculate about the circumstances that compelled him to paint such a somber picture. Written on the back of the painting is this phrase, which is, perhaps, a clue: Gathered this laurel in the “Boboli Gardens” Florence spring of 1878 – Painted in Paris summer of 1878. Carroll Beckwith April 20 – 1915. [Gallery label text]", "Dedication" : "Gift of Dr. Lynn Rosen in memory of Dr. Samuel Schwartz", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31675", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 773, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/773", "Disp_Access_No" : "1973.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "View of the Pitkin House and East Avenue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson", "Sort_Artist" : "Willson, Charles", "Disp_Dimen" : "20 3/8 x 30 1/4 in. (51.8 x 76.8 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The 1839 Pitkin House, just a few blocks away from MAG at 474 East Avenue, was one of the first mansions built in the area. The rutted dirt of the street contrasts with the elegant brick edifice of the house, but wooden braces along the road supporting newly-planted trees reveal that East Avenue was being gentrified. William Pitkin, who selected the lot and had the house built, was at first a druggist, but went on to become a banker, an alderman, a University of Rochester trustee, and the mayor of Rochester in 1844-45. Later, another well-known Rochester entrepreneur, Daniel Powers, lived in the house. He opened the first public art gallery in the city in his grand Powers Building at the Four Corners. This painting was made by Rochester artist Charles Willson during Powers’ tenure in the house. At a time when paintings of houses were used to demonstrate the wealth and good taste of the homeowners, Willson was clever enough to depict the house from an angle that shows the deep lot and additions at the back, something that would not have been seen if he’d painted the house from the front. [Gallery label text, 2021] ", "Dedication" : "Gift of Maurice R. 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Everdell's Sons", "Sort_Artist" : "Wm. Everdell's Sons", "Disp_Dimen" : "1 15/16 x 3 3/4 in. (5 x 9.5 cm)", "Disp_Height" : "1 15/16 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "As the owner of a hardware store, Hiram W. Dixon, in conjunction with the Farmers Bank in Hudson, New York, issued this note valued for 50 cents as a substitute for currency. Known as merchant scrip, this was a form of credit or a means of exchange. Hiram W. Dixon issued scrip for 5 cents, 10 cents, and 25 cents as well as two different types of 50-cents scrip. The padlock in the center of the note was an appropriate symbol for Hiram W. Dixon’s hardware business. The inflation associated with the Civil War led to a dramatic increase in the prices of precious metals, causing coins to disappear from circulation which resulted in hoarding. Merchants, farmers, and community groups, in conjunction with the banks, substituted their own private scrip as a convenience and a necessity. The notes were used in good faith as a means of payment for small purchases when currency was unavailable. Colleen Piccone, Luce Conservation, Oct. 2010 ", "Dedication" : "Joseph T. Simon Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Numismatics", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "393", "Rel_Obj_Title" : "Portrait of Hiram Westley Dixon (1817- 1888)" } ], "Curator" : "Support material for Luce Conservation Exhibit, Oct. 18, 2010 - Feb. 21, 2011 with Hiram W. Dixon portrait, 52.36", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34818", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3323", "Disp_Access_No" : "1968.87", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1875", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1880", "Disp_Title" : "The Skater's Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Angelo Woolf", "Sort_Artist" : "Woolf, Michael Angelo", "Disp_Dimen" : "5 13/16 x 7 3/8 in. (14.8 x 18.8 cm)", "Disp_Height" : "5 13/16 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on card stock", "Info_Page_Comm" : "", "Dedication" : "Bequest of Leora M. Dryer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title changed from "Children Ice-Skating," but it is unclear what origin of "Skater''s Hat" title is.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.87_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.87_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.87_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.87_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27818", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12019", "Disp_Access_No" : "37.2003L", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "3 1/8 x 7 x 7 in. (7.9 x 17.8 x 17.8 cm)", "Disp_Height" : "3 1/8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "overall", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Loaned in memory of Shirley Somers, long-time docent, by her family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2003L_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2003L_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2003L_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2003L_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13419", "Disp_Access_No" : "2005.125", "_AccNumSort1" : "", "Disp_Create_DT" : "1846-1847", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1847", "Disp_Title" : "In Memory Of", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kellogg and Thayer", "Sort_Artist" : "Kellogg and Thayer", "Disp_Dimen" : "14 x 11 1/8 in. (35.6 x 28.2 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.125_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.125_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.125_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.125_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23211", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3201", "Disp_Access_No" : "1977.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Constant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elmer L. Macrae", "Sort_Artist" : "Macrae, Elmer L.", "Disp_Dimen" : "11 13/16 x 8 7/8 in. (30 x 22.6 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Black ink and gray wash on wove paper", "Info_Page_Comm" : "Portrait of the artist's wife, Constant Holly Macrae", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.146_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.146_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.146_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.146_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27832", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3241", "Disp_Access_No" : "1989.31", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Romantic Scene with Ruined Castle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Rauschenbusch", "Sort_Artist" : "Rauschenbusch, Walter", "Disp_Dimen" : "9 x 11 3/8 in. (22.9 x 28.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Charcoal", "Support" : "paper", "Disp_Medium" : "Charcoal and chalk on sandpaper", "Info_Page_Comm" : "Sometimes, complete mysteries present themselves at MAG. How did a drawing by Walter Rauschenbusch, a giant among theologians in the late 19th and early 20th centuries, come to MAG? No paperwork exists to tell us the story. Drawings like these, incorrectly called “sandpaper drawings,” were done as art exercises in the 19th century. Usually, the student was given the task of copying a popular print onto specially prepared board. Perhaps Rauschenbusch, who grew up in Rochester, went to a school that taught this technique. Perhaps he kept the drawing with him throughout his life; his signature is on the back, along with the word “Lent.” Perhaps, when he died, the drawing was put out with unwanted papers, or it may have been passed along to a family member, a neighbor, or a friend. At some point, the drawing was brought to MAG, but the trail, such as it is, ends there. And perhaps a visitor to our exhibition will be able to shed some light on this mystery! [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Not listed in incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27842", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3601, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3601", "Disp_Access_No" : "1944.77", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Watermill", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Hogarth Dennis", "Sort_Artist" : "Dennis, James Hogarth", "Disp_Dimen" : "14 x 20 1/16 in. (35.5 x 51 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "20 1/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James and Emily Somerville Haas", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "38475", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2441", "Disp_Access_No" : "1929.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goshawk Stooping", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "11 3/16 x 12 15/16 in. (28.4 x 32.9 cm)", "Disp_Height" : "11 3/16 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ledger notes "given anonymously April 1929" but unclear if this is a euphemism for "found in collection." No further information in file or cards. Too early to match with extant incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32611", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2377", "Disp_Access_No" : "1984.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Dream of Arcadia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Smillie", "Sort_Artist" : "Smillie, James", "Disp_Dimen" : "14 3/8 x 18 7/16 in. (36.5 x 46.9 cm)", "Disp_Height" : "14 3/8 in.", "Disp_Width" : "18 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Florence and Howard Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3756, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3756", "Disp_Access_No" : "1989.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1853", "_Disp_Start_Dat" : "1853", "_Disp_End_Date" : "1853", "Disp_Title" : "Girl with Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Ten Eyck", "Sort_Artist" : "Ten Eyck, Philip", "Disp_Dimen" : "6 3/16 x 5 3/16 in. (15.7 x 13.2 cm)", "Disp_Height" : "6 3/16 in.", "Disp_Width" : "5 3/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Not listed in incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2360", "Disp_Access_No" : "1947.54", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Canal and Bridge near Rotterdam", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Schilling", "Sort_Artist" : "Schilling, Alexander", "Disp_Dimen" : "8 15/16 x 11 13/16 in. 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