{ "objects" : [ { "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1991.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Linen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Bonnard", "Sort_Artist" : "Bonnard, Pierre", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on board", "Info_Page_Comm" : "As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively. After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature. [Gallery label text, 1999]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5209", "Disp_Access_No" : "1964.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Florentine Still Life (Balcone a Firenze)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giorgio de Chirico", "Sort_Artist" : "Chirico, Giorgio de", "Disp_Dimen" : "18 3/4 x 25 in. (47.6 x 63.5 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen C. Ellwanger in memory of Gertrude Newell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.47_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.47_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.47_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.47_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "35470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from Jim Via transparency 12/10 KSchauber.", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1959.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1898-1912", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1912", "Disp_Title" : "Dancer Holding Her Right Foot in Her Right Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 1/2 in. (49.5 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 6834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6834", "Disp_Access_No" : "1976.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Pentagon (Fünfeck)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vasily Kandinsky", "Sort_Artist" : "Kandinsky, Vasily", "Disp_Dimen" : "11 1/16 x 9 1/16 in. (28.1 x 23.1 cm)", "Disp_Height" : "11 1/16 in.", "Disp_Width" : "9 1/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.145_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.145_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.145_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.145_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4130", "Disp_Access_No" : "1957.37", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Fairy Tales (Märchen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Klee", "Sort_Artist" : "Klee, Paul", "Disp_Dimen" : "8 1/2 x 10 1/4 in. (21.6 x 26 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12402", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4978", "Disp_Access_No" : "1946.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Moonlight: The Artist's House at Gerberoy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Eugène-Augustin Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri-Eugène-Augustin", "Disp_Dimen" : "25 1/4 x 32 in. (64.1 x 81.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "About the time this work was painted, Le Sidaner's art was compared by a French critic with the music of his countryman and exact contemporary Claude Debussy. The painting's subtle, almost monochromatic coloring, with daubing brushstrokes creating a soft, flickering play of light over surfaces, is certain reminiscent of Debussy's dappled tonal effects. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. William R. Taylor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonné (Yann Farinaux-Le Sidaner, 1989) says this painting was made in 1903; but 1974 Musée de la Ville de Dunkerque catalogue indicates artist didn''t buy this cottage until 1904.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5214", "Disp_Access_No" : "1946.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Footed Goblet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fernand Léger", "Sort_Artist" : "Léger, Fernand", "Disp_Dimen" : "25 1/4 x 18 in. (64.1 x 45.7 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15702", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5217", "Disp_Access_No" : "1958.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Small Rider (Piccolo Cavaliere)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "19 3/16 in. (48.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5218", "Disp_Access_No" : "1924.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Girl with a Tricorne (Vénitienne)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "24 3/8 x 20 in. (61.9 x 50.8 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5219", "Disp_Access_No" : "1964.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "13 1/2 x 18 1/2 in. (34.3 x 47 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas adhered to board", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.34_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 5222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5222", "Disp_Access_No" : "1949.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Ripe Wheat Field (Reifes Ährenfeld)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "31 7/8 x 39 5/8 in. 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Hofheinz in memory of their son Rudolph Hofheinz, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6684", "Disp_Access_No" : "1989.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Geraniums", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "19 13/16 x 15 7/8 in. (50.3 x 40.3 cm)", "Disp_Height" : "19 13/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Pastel", "Support" : "board", "Disp_Medium" : "Pastel on thin pasteboard with a fibrous blue-beige surface", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.50_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master is Museum Print Editions Scan purchased by Store for production purposes. Access image derived from Print Master.", "View" : "" } , ] },{ "embark_ID" : 6578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6578", "Disp_Access_No" : "1951.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907-1919", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1919", "Disp_Title" : "Near Cagnes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "18 3/8 x 22 in. (46.7 x 55.9 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Renoir’s health began failing in the early 1900s, and he spent most of his remaining years in the south of France. In 1907, he bought property near Nice, France, where he lived until his death. Despite his physical limitations due to severe rheumatism, he continued to paint still lifes, portraits, and landscapes of the area. Like Monet, he used a fairly limited color palette, usually five to seven pigments, to create his complex, yet subtle, color relationships. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15967", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5223", "Disp_Access_No" : "1953.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "The Abandoned", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Rouault", "Sort_Artist" : "Rouault, Georges", "Disp_Dimen" : "25 5/16 x 19 3/8 in. (64.3 x 49.2 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil paint over intaglio print on paper mounted to masonite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15703", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "poor", "View" : "" } , ] },{ "embark_ID" : 5224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5224", "Disp_Access_No" : "1930.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911-1913", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1913", "Disp_Title" : "Houses and Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice de Vlaminck", "Sort_Artist" : "Vlaminck, Maurice de", "Disp_Dimen" : "31 7/8 x 39 1/2 in. (81 x 100.3 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Charles A. Dewey Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1914.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Oxen on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joaquin Sorolla y Bastida", "Sort_Artist" : "Sorolla y Bastida, Joaquin", "Disp_Dimen" : "29 x 43 in. (73.7 x 109.2 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents. [adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7281", "Disp_Access_No" : "1931.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "24 1/2 x 18 1/2 in. (62.2 x 47 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "cardboard", "Disp_Medium" : "Gouache, watercolor on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35306", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These photos (master, print and access) were derived from post-conservation treatment photography (jpg) provided by Patricia Hamm, paper conservator, Fine Arts Conservation.", "View" : "" } , ] },{ "embark_ID" : 6594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6594", "Disp_Access_No" : "1936.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "The Coast of Brittany", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Cottet", "Sort_Artist" : "Cottet, Charles", "Disp_Dimen" : "31 x 23 in. (78.7 x 58.4 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "Charles Cottet was particularly well known for his landscapes and stormy seascapes of Brittany, where he spent several months a year. The dark tones and strong values of his work belong to the tradition of Realism, an artistic movement that emphasized objective representations of the world based on the impartial observation of contemporary life. He studied and exhibited with artists such as Edouard Vuillard. [adapted from gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.62_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.62_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.62_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.62_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 8382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8382", "Disp_Access_No" : "1948.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Female Bather, Three-Quarter Length (Baigneuse debout, a mi-jambes)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "9 3/4 x 7 7/16 in. (24.8 x 18.9 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "7 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7203", "Disp_Access_No" : "1949.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Peat-cutting, Leba (Beim Torfstechen, Leba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "18 9/16 x 24 15/16 in. (47.1 x 63.3 cm)", "Disp_Height" : "18 9/16 in.", "Disp_Width" : "24 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and black crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Rudolph Hofeinz in memory of her son", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.81_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.81_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.81_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.81_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7205", "Disp_Access_No" : "1949.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "The Red Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Schmidt-Rottluff", "Sort_Artist" : "Schmidt-Rottluff, Karl", "Disp_Dimen" : "18 3/4 x 23 3/4 in. 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Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19267", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5212", "Disp_Access_No" : "1981.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "In a Happy Mood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexei von Jawlensky", "Sort_Artist" : "Jawlensky, Alexei von", "Disp_Dimen" : "11 1/2 x 11 in. (29.2 x 27.9 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Arthur L. and Molly S. Stern", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14521", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4975, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4975", "Disp_Access_No" : "1991.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1911", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1911", "Disp_Title" : "The Pond at Chaville (L'Étang de Chaville)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "18 3/16 x 22 in. (46.2 x 55.9 cm)", "Disp_Height" : "18 3/16 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.87_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.87_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.87_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.87_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16792", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11787", "Disp_Access_No" : "2001.20.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Anti-Religious Alphabet ", "Alt_Title" : "", "Obj_Title" : "The letter &#1040; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This young and cheerful boy, dressed in a Soviet military costume and carrying a school blackboard, plays the protagonist of <em>The Anti-Religious Alphabet<em>. Although he only appears in five of the posters, he serves as both role model for and link between readers and the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11788", "Disp_Access_No" : "2001.20.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Comrades, Clean out the Cult's Claptrap!", "Alt_Title" : "", "Obj_Title" : "The letter &#1041 from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The red color of the large silhouetted broom links it to the Soviet government, which, beginning in 1929, actively set out to close and destroy churches, bells and objects used in the practice of religion. Some religious objects, such as icons, crosses and bibles, were relocated in special anti-religious museums where they were displayed as artifacts of an ancient cult. Here, the broom sweeps the floor to remove an icon with an image of the Virgin Mary, a censer used in Orthodox religious rituals, a bible, and a chotki, or prayer rope used for saying repetitive private devotional prayers. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11789", "Disp_Access_No" : "2001.20.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Believing is Bad for you, Badder than Booze", "Alt_Title" : "", "Obj_Title" : "The letter &#1042; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Recognized as a capitalist by his top hat and monocle, the sneering man at the top of the image sprays three figures with liquid from a pressurized canister-- perhaps one similar to those used to ferment alcohol-- labeled "religion." The three figures beneath are engaged in stereotypical self-destructive and frenetic, seemingly drunken, activities related to their religious beliefs. The colorful man at the left is probably a Mongolian who pierces himself with knives; the old peasant woman bangs her head on the ground while praying; and the <em>kulak</em>, or wealthy landowner, flagellates himself with a whip. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11790", "Disp_Access_No" : "2001.20.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lord's Law Lauds the Lords", "Alt_Title" : "", "Obj_Title" : "The letter &#1043; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The wealthy and fat capitalist, riding heavily on the back of a common man, points to a Bible opened to the words "Be patient." According to the anti-religious campaigners, the acceptance of Christian belief resulted in the enslavement of the masses, shown here by the whip that the capitalist wields. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11791, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11791", "Disp_Access_No" : "2001.20.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Prohibit Prehistoric Peasant Prejudices", "Alt_Title" : "", "Obj_Title" : "The letter &#1044; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Along with the church, the <em>kulak</em>, or wealthy landowner, and the village priest were seen as key impediments to the Soviet anti-religious campaign. In this image, the giant silhouetted tractor, symbolic of the Soviet government by both its red color and the sign of the hammer and sickle, mows down a church as well as the <em>kulak</em> and the priest. The fields in the background, delineated by barbed wire, refer to the land owned by the <em>kulak</em>, who was the primary opponent to true agricultural collectivization. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11792, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11792", "Disp_Access_No" : "2001.20.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Faithful Friars' Frequent Fasting ", "Alt_Title" : "", "Obj_Title" : "The letter &#1045; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The fast, or sacrificial self-denial of food, is a traditional method of religious observance in most faiths. The irony in this image is clear: the priest who is in theory serving the faith and the faithful through sacrifice is in reality a glutton. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11793, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11793", "Disp_Access_No" : "2001.20.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Saintly Spiders Sting the Stragglers", "Alt_Title" : "", "Obj_Title" : "The letter &#1046; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The old peasant woman on pilgrimage, a sack on her back and carrying a walking stick, travels along a path that connects at the far right with an enormous spider's web. The spider, his head crowned with the black headdress of a high-level member of the Orthodox clergy, lays in wait. As bait, he dangles religious icons as she approaches the web. Icons like these were purchased by the religious faithful at various pilgrimage sites dedicated to saints and miracles of the Church. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11794", "Disp_Access_No" : "2001.20.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Substitute Science for the Sorcerer's Spells", "Alt_Title" : "", "Obj_Title" : "The letter &#1047; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In many Russian rural communities, peasants consulted the village sorcerer as frequently as they consulted the village priest. The toothless and unkempt man on the left-- the sorcerer-- is shown with various tools of his trade: a rat, a bone, seeds, and a candle. A bottle labeled with the symbol of the Russian Orthodox cross is probably holy water, linking the magic of the sorcerer with the sorcery of the church. The scientific alternatives to magic, including the "new bible" <em>Political Education</em>, a microscope, and a draftsman's triangle are shown on the right. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11795, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11795", "Disp_Access_No" : "2001.20.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Jury's Judgment: Jeers for a Judas", "Alt_Title" : "", "Obj_Title" : "The letter &#1048; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The religious faith and passive resistance movement of Mahatma Gandhi, the Hindu leader who was an activist for the rights of Indians under British colonial rule, was in direct opposition to the philosophy of the militant Soviet anti-religious campaign. On the left, Gandhi is shown with his hand outstretched, receiving money from the bejeweled hand of a capitalist; on the right, masses of Indians carrying the Soviet flag with its sign of the hammer and sickle raise their fists in anger. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11796", "Disp_Access_No" : "2001.20.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Blacksmith, Beat the Bells into Ballbearings", "Alt_Title" : "", "Obj_Title" : "The letter &#1050; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. On January 30, 1929, the Presidium, one organ of the Soviet government, banned the pealing of church bells, and within the next three years, hundreds of churches were demolished or closed and looted. Massive numbers of bells and icons were destroyed; the metal was used to support industrialization efforts. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11797", "Disp_Access_No" : "2001.20.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lurid Lava of Loathsome Lies ", "Alt_Title" : "", "Obj_Title" : "The letter &#1051; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious movement was directed at all religions, including Judaism, Islam, Western Catholicism, and Russian Orthodox Christianity. The headdresses of the four figures spewing liquid from their mouths indicate that they are leaders within their particular faith: from left to right are a rabbi, an Orthodox priest, a mullah, and the Pope. The protagonist of <em>The Anti-Religious Alphabet</em>, armed with his blackboard and umbrella, shows how the power of education can counter and protect against religious propaganda. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11798", "Disp_Access_No" : "2001.20.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Mass's Martyrs Meet the Might of the Masses", "Alt_Title" : "", "Obj_Title" : "The letter &#1052; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This image juxtaposes stragglers going to church, seduced by the holy relics of martyrs, with the massive numbers of workers heading into a factory. The powerful factory whistle blasts its call to labor; the fractured and broken lines around the church bell suggest the weakness of both its sound and effectiveness in an industrialized society. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2001.20.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Merry Monks' Mendacious Miracles", "Alt_Title" : "", "Obj_Title" : "The letter &#1054; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Icons-- images of the Virgin Mary, Christ, or holy saints-- are important devotional objects in Russian Orthodox Christianity. Because believers communicate through them with the divine world, they are sometimes seen as magical. Here, the magic is revealed as the outright trickery of the clergy. Although this image of the Virgin Mary seems to weep genuine tears, in reality a monk is pouring a bucket of water into a vessel attached to the back of the icon. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27447", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2001.20.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "A Proletarian Prayer for Pious Preachers", "Alt_Title" : "", "Obj_Title" : "The letter &#1055; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. As in many other images from the alphabet, the Roman Catholic pope is shown as a dangerous figure; a large knife attached to his rosary substitutes for the traditional Christian cross. Here, however, the pope is unsuccessful in his mission: the large boot of the young anti-religious protagonist from <em>The Anti-Religious Alphabet</em> forcefully removes him from the premises.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2001.20.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pull the Plug on the Parasites' Paradise", "Alt_Title" : "", "Obj_Title" : "The letter &#1056; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, the religious clergy of Western Catholicism are shown as propagandists at the service of capitalism. The shark-toothed man at the bottom of the image, recognized as a capitalist by his hat and monocle, holds a stick topped by a cloud labeled "Paradise." At the top of the cloud is Christ, who is stretching his hands out toward the people running to meet him. The offer of religious paradise to the masses, though, is shown here as a devious trap: the people are being forcibly driven to the edge of a cliff by the pope (recognized by his crown) and western monks and priests (recognized by their costume and the cross of Western Christianity). The gap between the edge of the cliff and paradise is too wide, and they fall directly into the mouth of the capitalist. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11802", "Disp_Access_No" : "2001.20.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sacred Stories are So Silly! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1057; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Although our protagonist is clearly reading, which is the point of learning the alphabet, he is also laughing at the religious stories he finds in the Bible. The premise of the Soviet educational movement can be summarized with another well-used slogan of the time: "Literacy: The Path to Communism." Students were expected to read selectively in a way that would advance the industrialization of society and the principles of atheist materialism.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11803", "Disp_Access_No" : "2001.20.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "That's the Way to Till, Comrade Tractor!", "Alt_Title" : "", "Obj_Title" : "The letter &#x1058; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In the Russian countryside, the <em>kulak</em>, or wealthy landowner, the village priest, and elderly peasant women who persisted in their religious beliefs were considered the three holdouts to both the Soviet anti-religious campaign and the move toward collective farming and industrialization. Here, despite the three characters' attempts at restraining the tiller, the tractor going around the circumference of the circle clears the <em>kulak</em>'s land of individual plots, replacing them with a single one filled with golden wheat. The word "collectivization" is written on the tiller. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11804", "Disp_Access_No" : "2001.20.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sack the Saints-Sow the Seeds ", "Alt_Title" : "", "Obj_Title" : "The letter &#1059; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Russian peasants frequently planted their crops based on a belief in superstitions and the power of divine forces rather than scientific methods. This image juxtaposes the old way of farming with the new and technologically advanced. On the left, two saints identified by their halos as Nicholas and Elijah are watering wilted crops and swinging a censer used in church rituals. On the right, a full field of healthy wheat serves as a backdrop to a book with the words "Agrotechnology" and "Fertilizers." The drawing is of a Machine Tractor Station (MTC). ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11806", "Disp_Access_No" : "2001.20.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Ford's Factories are Fascist Forts ", "Alt_Title" : "", "Obj_Title" : "The letter &#1060; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, which addresses the threat of Nazi Germany to the Soviet Union, the hat of the American icon Uncle Sam is crowned with a Nazi swastika. The soldiers on the brim of the hat fire machine guns into the populace on the ground. The figure of Uncle Sam holds a Bible open to a page that assures "All men are brothers." The caption for this image refers to Henry Ford, the founder of the American automotive industry and one of the wealthiest businessmen in the world. In 1931, Ford, a staunch supporter of Hitler, established a factory in Cologne, Germany, which, along with the factories of General Motors, provided many of the trucks that eventually motorized the Nazi attempt to conquer Europe. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11807", "Disp_Access_No" : "2001.20.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Waving the Word While Wielding the Whip", "Alt_Title" : "", "Obj_Title" : "The letter &#1061; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. An important tenet of the anti-religious movement was the intertwined relationship between Christian beliefs and capitalism, a relationship that was dangerous to the freedom of the common man. In this image, a slave, perhaps from one of the African or Caribbean nations colonized by Europeans, is chained and whipped by the wealthy capitalist. A Franciscan friar, symbolizing the missionary preachers of the Catholic Church, displays a Bible opened to the words "love one another." Men bent over from the weight of their burdens are seen in the background. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11808", "Disp_Access_No" : "2001.20.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Churches are Chains that Choke and Chafe", "Alt_Title" : "", "Obj_Title" : "The letter &#1062; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious campaigners believed that the common man was enslaved by the church, and that his freedom could only be obtained by embracing the doctrine of atheist communism. The man in this image, blindfolded and chained to the dome of a church, wears the traditional tunic and hairstyle of a Russian peasant. The cross that he wears on the chain around his neck is the same one that extends from the top of the church dome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "2001.20.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Read it Loud and Clear! Rosaries are Rubbish!", "Alt_Title" : "", "Obj_Title" : "The letter &#1063; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Like the rosaries of Roman Catholicism, the <em>chotki</em>, or prayer ropes, of Russian Orthodox Christianity are strings of beads used by the religious faithful to recite a series of predetermined prayers. Because of the Western rather than Orthodox cross on the end of the beads, this image could refer to the Roman pope's mandate for Catholics to say the Rosary "for the conversion of Russia," which was seen as a symbol of western aggression by the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11810", "Disp_Access_No" : "2001.20.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pierce the Pack of Priestly Pretenders ", "Alt_Title" : "", "Obj_Title" : "The letter &#1064; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Armed with a shield in the form of the journal <em>The Godless</em>, the official publication of the activist "League of the Militant Godless," our young protagonist aggressively attacks the figureheads of the key religions seen as threats to the Soviet government. Seen from left to right are a mullah, the Pope, a Russian Orthodox priest, a shaman (shamanism was still practiced among Siberian tribes), and a rabbi. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "2001.20.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Tongs! Trim Their Twisted Tentacles! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1065; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. By the time the <em>Anti-Religious Alphabet</em> was produced in 1932, Adolph Hitler's rise to power was almost complete. Hitler was elected Chancellor of Germany in January 1933; his regime immediately implemented the mass arrests of communists and socialists, imprisoning them in the Nazi concentration camp at Dachau. In this image, an enormous yellow one-eyed octopus, its top hat marked with a Nazi swastika, stretches four bristled tentacles across a map of Europe. At the end of each tentacle is a figure that symbolizes both real and perceived threats to the Soviet Union. From left to right are a Japanese soldier, a member of the out-of-favor Soviet Socialist Democratic Party, another soldier (nationality unknown), and a member of the Russian Orthodox clergy. By snipping the tentacles at the source of the threat, the giant red pincers halt both the internal and external threats to the Soviet government. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11812", "Disp_Access_No" : "2001.20.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Extract the Exploiters with Electric Excavators", "Alt_Title" : "", "Obj_Title" : "The letter &#1069; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The electrification of the countryside, intended to defeat the ignorance of the populace by bringing agricultural communities into the Machine Age, was a primary goal of the Soviet government. Here, the electric excavator forcefully removes two of the key opponents to the Soviet effort: the <em>kulak</em>, or wealthy landowner, and the low-level village priest. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11813", "Disp_Access_No" : "2001.20.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "How Humble, How Holy He is! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1070; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. One of the key changes that the Soviet government made to agriculture was to replace individual land ownership with the collective farm, or <em>kolkhoz</em>. Here, the fist at the right, crowned with the cap of the <em>kulak</em>, or rich landowner, manipulates a village "holy fool" with strings like those of a marionette. Holy fools traveled itinerantly throughout the countryside and were often seen as prophets of wisdom. Here, the holy fool is crying out to an old peasant woman "Don't join the <em>kolkhoz</em>," which was the obvious desire of the <em>kulak</em>. The artist Cheremnykh used word play to strengthen the imagery: in Russian, <em>kulak</em> is also the word for fist. 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", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10405", "Disp_Access_No" : "2001.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "The Soil of Postwar Capitalist "Prosperity" ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Russian", "Sort_Artist" : "Unknown, Russian", "Disp_Dimen" : "20 x 13 5/8 in. 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Lenin", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4581", "Disp_Access_No" : "1926.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Stone Pines in Moonlight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Hartley", "Sort_Artist" : "Hartley, Alfred", "Disp_Dimen" : "9 1/8 x 10 15/16 in. 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Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25948", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6736", "Disp_Access_No" : "1932.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Women of the Galician Countryside or Galician Market", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carlos Maside", "Sort_Artist" : "Maside, Carlos", "Disp_Dimen" : "6 3/8 x 7 3/16 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26027", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9914", "Disp_Access_No" : "1991.103.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Placemat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "10 1/2 x 16 1/2 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9969", "Disp_Access_No" : "1991.103.7", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Pair of Lappets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Scandinavian", "Sort_Artist" : "Unknown, Scandinavian", "Disp_Dimen" : "4 3/16 x 41 in. (10.7 x 104.1 cm)", "Disp_Height" : "4 3/16 in.", "Disp_Width" : "41 in.", "Dimen_Extent" : "overall", "Medium" : "Embroidery", "Support" : "tambour net", "Disp_Medium" : "Embroidery on tambour net", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate, and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26026", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9984", "Disp_Access_No" : "1991.103.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1920", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1920", "Disp_Title" : "Lace-Trimmed Handkerchief", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Spanish", "Sort_Artist" : "Unknown, Spanish", "Disp_Dimen" : "10 x 10 1/4 in. (25.4 x 26 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Linen", "Support" : "", "Disp_Medium" : "Linen and lace", "Info_Page_Comm" : "What are called “the needle arts,” in particular embroidery and lace-making, were the domain of women throughout centuries of European and American history. As early as the 1500s, a young girl was trained in these arts by nuns, tutors, and her female relatives; her prowess was often a measure of both her breeding and suitability for marriage. The making of lace, which developed from the art of embroidery, was intimately tied to fashion and social status. The addition of lace to collars, handkerchiefs, and other costumes established the wearer as a person of wealth. The industrial revolution transformed the lace-making industry; although elaborate handmade lace was still a mark of status, mass production also made it available to those of lesser means. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate, and David S. 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Jessica Marten, Assistant Curator February 9, 2006", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.29.1-.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.29.1-.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.29.1-.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.29.1-.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo contains 91.103.29.1-.7.", "View" : "" } , ] },{ "embark_ID" : 8432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8432", "Disp_Access_No" : "1991.103.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1920", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1920", "Disp_Title" : "Lace-Trimmed Handkerchief", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "10 1/2 x 10 1/2 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26040", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8437", "Disp_Access_No" : "1991.103.38", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Bertha", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "17 1/2 x 23 in. (44.4 x 58.4 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Linen coarse Bruges lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26042", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8435", "Disp_Access_No" : "1991.103.36.1-.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Medallion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "2 3/8 x 2 3/8 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.36.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.36.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.36.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.36.1-.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10197", "Disp_Access_No" : "1991.103.39.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 36 15/16 in. (1.9 x 93.9 cm)", "Disp_Height" : "3/4 in.", "Disp_Width" : "36 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Point de Paris and Binche Lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26043", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 10198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10198", "Disp_Access_No" : "1991.103.39.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 40 in. (1.9 x 101.6 cm)", "Disp_Height" : "3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Point de Paris and Binche Lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 10199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10199", "Disp_Access_No" : "1991.103.39.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 40 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26045", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 10202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10202", "Disp_Access_No" : "1991.103.39.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 40 1/4 in. (1.9 x 102.2 cm)", "Disp_Height" : "3/4 in.", "Disp_Width" : "40 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Point de Paris and Binche Lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26048", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 10201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10201", "Disp_Access_No" : "1991.103.39.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 55 1/4 in. (1.9 x 140.3 cm)", "Disp_Height" : "3/4 in.", "Disp_Width" : "55 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Point de Paris and Binche Lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 8440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8440", "Disp_Access_No" : "1991.103.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Handkerchief Border", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "10 1/8 x 10 1/8 in. (25.7 x 25.7 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Binche and point de fée lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22012", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "The image was taken during the 2005-2006 textile storage inventory.", "View" : "" } , ] },{ "embark_ID" : 8439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8439", "Disp_Access_No" : "1991.103.40", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "12 3/4 x 15 in. (32.4 x 38.1 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Bruges bobbin lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "The image was taken during the 2005-2006 textile storage inventory.", "View" : "" } , ] },{ "embark_ID" : 10200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10200", "Disp_Access_No" : "1991.103.39.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lace Yardage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "3/4 x 40 1/2 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.39.1-.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.39.1-.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.39.1-.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.39.1-.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26046", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is for all objects 91.103.39.1-.6.", "View" : "" } , ] },{ "embark_ID" : 8441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8441", "Disp_Access_No" : "1991.103.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Lace-Trimmed Handkerchief", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "5 1/2 x 5 1/2 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8443", "Disp_Access_No" : "1991.103.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1850-1940", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1940", "Disp_Title" : "Handkerchief Border", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "9 1/2 x 9 1/2 in. 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Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26049", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8445, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8445", "Disp_Access_No" : "1991.103.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1900s", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "Large Doily", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "26 1/2 x 26 1/2 in. (67.3 x 67.3 cm)", "Disp_Height" : "26 1/2 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Old Flanders and Rosaline perlé lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22030", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9880", "Disp_Access_No" : "1991.103.53.1-.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Set of Twelve Finger Bowl Doilies", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "6 x 6 in. (15.2 x 15.2 cm)", "Disp_Height" : "", "Disp_Width" : "6 in.", "Dimen_Extent" : "diameter", "Medium" : "Linen", "Support" : "", "Disp_Medium" : "Linen with bobbin lace and embroidery", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate, and David S. 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(12.7 x 12.7 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Linen Turnhout and point de Paris lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26407", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10541, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10541", "Disp_Access_No" : "2002.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Pilot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anders Zorn", "Sort_Artist" : "Zorn, Anders", "Disp_Dimen" : "15 1/16 x 10 1/16 in. (38.2 x 25.5 cm)", "Disp_Height" : "15 1/16 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Joanna and Christopher Hodgman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swedish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13533", "Disp_Access_No" : "2005.178", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1938", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1937", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Liberty & Co.", "Sort_Artist" : "Liberty & Co.", "Disp_Dimen" : "7 1/8 x 4 x 2 7/8 in. (18.1 x 10.2 x 7.3 cm)", "Disp_Height" : "7 1/8 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "overall", "Medium" : "Pewter", "Support" : "", "Disp_Medium" : "Pewter", "Info_Page_Comm" : "Liberty & Co., founded in London by Arthur Lasenby Liberty in 1875, was a purveyor of Japanese objects, exotic fabrics, and Art Nouveau silver and pewter. This vase is #030 in Liberty’s “Tudric” line of pewterware, introduced in 1901 and manufactured for them by W. H. Haseler, a Birmingham jeweler and silversmith. The stamp on the bottom tells us that it was made prior to 1914. The unplanished hammer marks are typical of the aesthetic of the time, which celebrated the mark of the craftsman’s hand. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bequest of Isabel C. 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(35.6 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. 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(48.3 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze (one of six casts)", "Info_Page_Comm" : "", "Dedication" : "R. T. 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(105.7 x 236.2 x 121.9 cm)", "Disp_Height" : "41 5/8 in.", "Disp_Width" : "93 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Joseph C. Wilson by a group of his friends", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "37666", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Object being installed into the Fountain base", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_A15.jpg", "IsPrimary" : "1", "_SurrogateID" : "38871", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "38872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 6336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6336", "Disp_Access_No" : "1976.112", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Miss America", "Alt_Title" : "Sweet Doll Mis America", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allen Jones", "Sort_Artist" : "Jones, Allen", "Disp_Dimen" : "23 15/16 x 20 in. 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Herdle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34808", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8741", "Disp_Access_No" : "1994.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Working Woman in Left Profile (Arbeitfrau im Profil nach Links)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "19 13/16 x 14 15/16 in. (50.3 x 37.9 cm)", "Disp_Height" : "19 13/16 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph in brown ink on wove paper", "Info_Page_Comm" : "In this image, Kollwitz depicts a private moment of a single woman. The figure's illuminated face and hands stand out from her dark surroundings. Seemingly unaware of the viewer's presence, this solitary figure conveys a sense of dignity and burden. Oversized, roughened hands are a common feature of Kollwitz' figures. By highlighting her large capable hands, Kollwitz reminds the viewer of this laborer's toil.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8736", "Disp_Access_No" : "1974.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1929-1930", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1930", "Disp_Title" : "Self-Portrait in profile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "15 1/2 x 11 1/4 in. 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(12.7 x 15.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Gertrude H. Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8730", "Disp_Access_No" : "1963.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Working Woman with a Blue Shawl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "17 1/8 x 12 1/2 in. (43.5 x 31.7 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Carl F.W. Kaelber Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26728", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8641", "Disp_Access_No" : "1977.193", "_AccNumSort1" : "", "Disp_Create_DT" : "1929 (dated 1930)", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Young Clown (Junger Clown)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Erich Heckel", "Sort_Artist" : "Heckel, Erich", "Disp_Dimen" : "12 x 12 in. (30.5 x 30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "newsprint", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Carl Dilcer in memory of Dorothy Dilcer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.193_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.193_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.193_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.193_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24154", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8699", "Disp_Access_No" : "1936.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "The Mothers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "19 11/16 x 21 7/16 in. (50 x 54.5 cm)", "Disp_Height" : "19 11/16 in.", "Disp_Width" : "21 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This image is from a series of seven woodcuts called "War". Rather than a depiction of the violence of combat, this series focuses upon the horrors of war as parents and families experience it at home. By choosing the stark black and white style of the woodcut, Kollwitz created universally understood images. The women in The Mothers act as a unified force in protecting their children. Kollwitz made clear her intentions for the series, "I have repeatedly attempted to give form to the war. I could never grasp it. Now finally I have finished a series of woodcuts, which in some measure say what I wanted to say...These sheets should travel throughout the entire world and should tell all human beings comprehensively: that is how it was - we have all endured that throughout these unspeakably difficult years."", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8832", "Disp_Access_No" : "1958.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Diabolo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Massimo Campigli", "Sort_Artist" : "Campigli, Massimo", "Disp_Dimen" : "23 1/4 x 17 3/4 in. (59.1 x 45.1 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Diabolo is a game played with a spool on a string controlled by two sticks.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25949", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8639", "Disp_Access_No" : "1971.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Open Exhibition (Juryfreie Ausstellung)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Erich Hartmann", "Sort_Artist" : "Hartmann, Erich", "Disp_Dimen" : "31 3/8 x 22 1/4 in. (79.7 x 56.5 cm)", "Disp_Height" : "31 3/8 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In the late 19th and early 20th centuries, exhibitions played an essential role in disseminating the work of individual artistic groups to a wider public, thus both bypassing and providing an alternative to traditional academic venues. Posters for these exhibitions, usually designed by the artists themselves, not only provide a unique record of the exhibition but represent some of the finest work of the period. This poster advertises an open, or unjuried, exhibition of works by Hamburg artists who had been released from military service ("Open exhibition of the works of the fine artists of Hamburg and the region who have been released from military service, to take place in the Kunsthalle, Hamburg"). [Adapted from gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24162", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8574", "Disp_Access_No" : "1981.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1910-1923", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1923", "Disp_Title" : "Untitled", "Alt_Title" : "Blessed Virgin ? resting on clouds, holding flowers; crosses and trees on ground below", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gertraud Brausewetter", "Sort_Artist" : "Brausewetter, Gertraud", "Disp_Dimen" : "14 1/4 x 9 1/2 in. (36.2 x 24.1 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25959", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8555", "Disp_Access_No" : "1935.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "The Bridge (Grosse Brücke)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Beckmann", "Sort_Artist" : "Beckmann, Max", "Disp_Dimen" : "18 7/8 x 12 1/4 in. (47.9 x 31.1 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This depicts the “Eiserne Steg” or iron bridge in Frankfurt am Main", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Published by [Peter] Zingler''s Kabinett, Frankfurt, in collaboration with I. B. Newmann, Berlin. Based on a painting of the same year (print reversed from painting''s composition). The same bridge appears in at least two other prints. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9349", "Disp_Access_No" : "1979.89b", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Drummer, from Permanentszene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andre Thomkins", "Sort_Artist" : "Thomkins, Andre", "Disp_Dimen" : "9 1/16 x 6 11/16 in. (23 x 17 cm)", "Disp_Height" : "9 1/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "Linocut made to accompany a special edition of Permanentszene, 1978", "Dedication" : "Gift of the Martin S. Ackerman Foundation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.89b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.89b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.89b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.89b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34789", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7201", "Disp_Access_No" : "1967.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Woman and Flowers (Frau und Blumen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Nolde", "Sort_Artist" : "Nolde, Emil", "Disp_Dimen" : "18 x 13 in. (45.7 x 33 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14738", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12276, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12276", "Disp_Access_No" : "2008.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Italian House with Tree [Settignano, Florence]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paride Castellan", "Sort_Artist" : "Castellan, Paride", "Disp_Dimen" : "15 3/16 x 19 1/16 in. (38.6 x 48.4 cm)", "Disp_Height" : "15 3/16 in.", "Disp_Width" : "19 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Pen and ink with black wash", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8556, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8556", "Disp_Access_No" : "1985.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "The Carousel (Das Karussell)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Beckmann", "Sort_Artist" : "Beckmann, Max", "Disp_Dimen" : "20 3/4 x 15 in. (52.7 x 38.1 cm)", "Disp_Height" : "20 3/4 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "Plate 7 of "Jahrmarkt" portfolio ("Annual Fair"), a group of ten drypoints issued in an edition of 125. In 1914, Max Beckmann enlisted in the military at the outbreak of World War I; by 1915 he was discharged due to a nervous breakdown. Much of Beckmann's post-war work was affected by the trauma of his experience, and seemingly innocuous subject matter took on an ominous feel, often reading as an allegory of the inhumanity in the world. In "The Carousel," for example, his use of visual compression, violent angularity, and distorted perspective heighten a sense of frantic movement. Grotesque and indifferent adults, rather than children, whirl about this "wheel of life," while Beckmann, seated at the lower left, grimaces over his shoulder. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Purchased after "Patron''s Purchase Party," where patrons could vote on which works were to be added to the collection.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24158", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8809", "Disp_Access_No" : "1983.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Béla Kádár", "Sort_Artist" : "Kádár, Béla", "Disp_Dimen" : "8 3/8 x 9 5/8 in. (21.3 x 24.4 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Mark Altschule in memory of Hilda Altschule Coates", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Hungarian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.106_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24151", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5216, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5216", "Disp_Access_No" : "1959.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Nana (A Girl)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerhard Marcks", "Sort_Artist" : "Marcks, Gerhard", "Disp_Dimen" : "38 1/2 in. (97.8 cm)", "Disp_Height" : "38 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16821", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6933", "Disp_Access_No" : "1947.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Revelation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis le Brocquy", "Sort_Artist" : "Brocquy, Louis le", "Disp_Dimen" : "7 1/8 x 6 3/8 in. (18.1 x 16.2 cm)", "Disp_Height" : "7 1/8 in.", "Disp_Width" : "6 3/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor, ink and wax", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Irish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27536", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8906", "Disp_Access_No" : "1970.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "The Concert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gino Severini", "Sort_Artist" : "Severini, Gino", "Disp_Dimen" : "13 5/8 x 18 7/8 in. (34.6 x 47.9 cm)", "Disp_Height" : "13 5/8 in.", "Disp_Width" : "18 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25952", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8997", "Disp_Access_No" : "1951.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Acrobat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marc Chagall", "Sort_Artist" : "Chagall, Marc", "Disp_Dimen" : "16 3/8 x 12 1/2 in. (41.6 x 31.8 cm)", "Disp_Height" : "16 3/8 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32628", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8704, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8704", "Disp_Access_No" : "1937.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "14 15/16 x 10 5/8 in. (38 x 27 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "vellum", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Kollwitz created this unflinching self-portrait at age 67, one year after Hitler came to power in Germany. Kollwitz' art was seen as degenerate by the Nazi regime. She was forced to resign her teaching position and was prohibited from exhibiting and publishing her work. In addition to the oppression of the Nazi regime, Kollwitz was struggling with the difficulty of aging. On New Year's Day, 1932, Kollwitz wrote in her diary, "Age remains age, that is, it pains, torments and subdues. When others see my scant achievements, they speak of a happy old age. I doubt that there is such a thing as happy old age...At the very point when death becomes visible behind everything, it disrupts the imaginative process." Despite her own feelings of exhaustion and hopelessness, Kollwitz continued to create art until she was 76.", "Dedication" : "Gallery purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22321", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7229", "Disp_Access_No" : "1974.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Brown Cavalier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "24 1/2 x 17 1/4 in. (62.2 x 43.8 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Barry J. Fenton", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6273", "Disp_Access_No" : "1982.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1922", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1927", "Disp_Title" : "Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Russian", "Sort_Artist" : "Unknown, Russian", "Disp_Dimen" : "1 1/2 x 9 3/4 x 9 3/4 in. (3.8 x 24.8 x 24.8 cm)", "Disp_Height" : "1 1/2 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Porcelain", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Helen C. Ellwanger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8996", "Disp_Access_No" : "1949.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "The Father (Der Vater)", "Alt_Title" : "", "Obj_Title" : "Man with Samovar", "Series_Title" : "", "Disp_Maker_1" : "Marc Chagall", "Sort_Artist" : "Chagall, Marc", "Disp_Dimen" : "17 5/8 x 13 3/4 in. (44.8 x 34.9 cm)", "Disp_Height" : "17 5/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "From My Life (Mein Leben), an autobiographical portfolio of etchings, made in 1922 and published in 1923.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From MOMA''s website: Chagall was introduced to printmaking in Berlin in 1922, at the age of thirty-five. (He would eventually complete one hundred twenty-three intaglios and woodcuts, more than eleven hundred lithographs, and thirty-eight illustrated books.) He had arrived there with an autobiographical manuscript he had been working on since 1911. The gallerist Paul Cassirer saw the text, My Life, and hoped to publish a translation of it that would include prints by Chagall. Responding immediately to this new medium of printmaking, the artist completed his first etchings within three weeks. They were issued as a portfolio without text, due to translation difficulties with Chagall''s unusual prose. Drawing on vivid childhood memories of village life in Vitebsk, the artist depicted himself, his wife and child, his parents, his childhood home, local figures such as the teacher of the Talmud, and events that had taken place there. https://www.moma.org/collection/works/22260 ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.89_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.89_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.89_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.89_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8981", "Disp_Access_No" : "1972.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Neutralia (Girls Picking Apples) (Apfelpflücken)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edvard Munch", "Sort_Artist" : "Munch, Edvard", "Disp_Dimen" : "22 1/2 x 20 13/16 in. (57.1 x 52.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 13/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Munch's lithograph poster was originally designed for a poster that advertised a 1915 exhibition of Scandanavian art in Copenhagen, Denmark. This idyllic scene, though, is also a political commentary; the title refes to Denmark and Norway, both of which remained neutral during World War I (1914-1918). The two young girls picking apples symbolize those neutral countries along with their citizens who profited financially from that neutrality. Most telling of this work as a political statement is that, despite the seeming cheerfulness of the scene, the girls remain oblivious to the ship shown sinking in the background. [Adapted from gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Norwegian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Donated by "Artists in the Kitchen" program, gourmet food sales at Clothesline Art Show 1971-78. This work partially funded by Gould Fund and "Munchies for a Munch" at 1971 and 1972 Clothesline sales.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.12_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "24161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9000", "Disp_Access_No" : "1969.39", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "The Israelites Eat the Passover Lamb", "Alt_Title" : "Les Israelites Mangent l'Agneau de la Paque", "Obj_Title" : "", "Series_Title" : "The Bible", "Disp_Maker_1" : "Marc Chagall", "Sort_Artist" : "Chagall, Marc", "Disp_Dimen" : "21 1/16 x 15 5/16 in. (53.5 x 38.9 cm)", "Disp_Height" : "21 1/16 in.", "Disp_Width" : "15 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching, printed in black, hand-colored", "Info_Page_Comm" : "The full set of Chagall's Bible illustrations were reproduced in "Verve" magazine in 1956.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.39_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8174", "Disp_Access_No" : "1983.120", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Frugal Repast (Le Repas Frugal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "23 1/2 x 20 in. (59.7 x 50.8 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint on wove paper", "Info_Page_Comm" : "With its iconic image of a man and woman sitting at a table in a wine shop, a sharp realism evoking the couple’s poverty and despair, "The Frugal Repast" is Picasso’s most famous print. It is especially remarkable because, at the time he created it, the artist had no formal training in printmaking. Beyond its emotional appeal, the fineness of technique is a testament to Picasso’s genius and ability to master a new medium so quickly. Picasso produced only a few copies of this etching and drypoint when he created it in 1904. Almost ten years later, his dealer Ambrose Vollard, well known for his marketing and financial skills, bought the copper plate, strengthened it with steel facing, and, along with 14 smaller etchings, produced an unsigned edition of 250. This series, known as the The Saltimbanque Suite, assured Picasso’s reputation not only as painter, but master printmaker. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.120_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.120_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.120_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.120_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8900", "Disp_Access_No" : "1975.291", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "The City Going Moon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelo Savelli", "Sort_Artist" : "Savelli, Angelo", "Disp_Dimen" : "14 3/4 x 20 in. (37.5 x 50.8 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph and relief", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.291_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.291_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.291_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.291_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25955", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8998", "Disp_Access_No" : "1959.33", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Aleko", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marc Chagall", "Sort_Artist" : "Chagall, Marc", "Disp_Dimen" : "18 3/8 x 20 1/2 in. (46.7 x 52.1 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7266", "Disp_Access_No" : "1992.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Le Rêve -- Les Jeunes Filles ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romain de Tirtoff", "Sort_Artist" : "Erté", "Disp_Dimen" : "14 11/16 x 10 5/8 in. (37.3 x 27 cm)", "Disp_Height" : "14 11/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, gouache, graphite, pen and colored inks on paper", "Info_Page_Comm" : "", "Dedication" : "Jeanne W. Quackenbush Bequest", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2437", "Disp_Access_No" : "1975.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugenio Tomiolo", "Sort_Artist" : "Tomiolo, Eugenio", "Disp_Dimen" : "10 1/16 x 7 11/16 in. (25.5 x 19.5 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching was issued with the November/December 1973 issue of Print Collector magazine. Only the first 250 subscribers received the print.", "Dedication" : "Gift of Print Collector", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38583", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6741", "Disp_Access_No" : "1991.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "9 15/16 x 12 5/8 in. (25.2 x 32.1 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Crayon", "Support" : "wove paper", "Disp_Medium" : "Pastel and Conté crayon on dark-gray wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }