{ "objects" : [ { "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/192", "Disp_Access_No" : "1934.1", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1831", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Colonel Nathaniel Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This formal gentleman was the founder of the city of Rochester, New York. His portrait was originally thought to have been painted by John James Audubon, but current scholarship has weighed in against that opinion. Nathaniel Rochester was an enterprising individual, which was a characteristic of many early settlers. He founded businesses and churches, and held governmental positions. He was the first president of the Rochester Athenaeum, the precursor to the Rochester Institute of Technology, and he was instrumental in the organization of Monroe County and the building of the Erie Canal. His practical and inventive bent may have led him to wear four-lens spectacles, which allowed him to read small print and see at a distance using the same pair of glasses. [Gallery label text, 2007]", "Dedication" : "Gift of Thomas J. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conversation between Marjorie Searl and Holly Cumberland (Rochester family descendant) regarding acquisition and attribution of painting (December 7, 2009); Holly wanted to alert us to the book "Nathaniel" written by her grandfather, Rochester Rogers, whose son Nathaniel died of throat cancer in 1945. In the book, Rogers alludes to the painting of Nathaniel Rochester, and that it was acquired for MAG by Thomas Watson. Holly''s contention is that Thomas Watson bought the painting believing that it was by Audubon, and that as Rochester Rogers and Thomas Watson were friends, there would have been ample opportunity for Watson to have ascertained from his friend Rogers that it was in fact by Audubon. However, as I explained to Holly, it was Rochester Rogers'' sister Helen who strongly supported the Audubon attribution, so this comment does not change the fact that there is virtually no objective and external evidence pointing to this portrait''s being by Audubon, other than an anonymous inscription on the back of the painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/199", "Disp_Access_No" : "1965.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Steamship James Fisk, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Bard", "Sort_Artist" : "Bard, James", "Disp_Dimen" : "29 1/4 x 49 1/2 in. (74.3 x 125.7 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "49 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The large steamship in this painting, the James Fisk, Jr., was a ferryboat with a side paddlewheel, decorated with oversized flags and at least six gold eagles. It was named for its owner, a powerful financier who lived a colorful life that was ended by a scandalous shooting. Fisk also owned the Bristol, which can be seen in the distance. Known for his pristine depictions of ferries and steamboats, self-taught artist James Bard painted so accurately that it was said that shipbuilders could rebuild their boats based on his works. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5155, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5155", "Disp_Access_No" : "1963.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "African Elephant Running", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Louis Barye", "Sort_Artist" : "Barye, Antoine Louis", "Disp_Dimen" : "10 x 13 1/2 in. (25.4 x 34.3 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5158", "Disp_Access_No" : "1955.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Panther Attacking a Stag", "Alt_Title" : "Elk and Cougar", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Louis Barye", "Sort_Artist" : "Barye, Antoine Louis", "Disp_Dimen" : "18 x 19 in. (45.7 x 48.3 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15936", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/202", "Disp_Access_No" : "1978.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Night Before the Battle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Henry Beard", "Sort_Artist" : "Beard, James Henry", "Disp_Dimen" : "30 1/2 x 44 1/2 in. (77.5 x 113 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "James Beard had first-hand experience as a captain in the Union army during the Civil War. This painting, completed in the year the war ended, is a dramatic statement about the ever-present possibility of death on the battlefield. [Gallery label text, 2007] Were it not for details like the skeleton keeping vigil behind the cannon, the cruciform composition of the flag draped over the sleeping soldier, and the scattered playing cards suggestive of luck and chance, this painting would be a simple narrative about the Civil War. However, such potent symbolism imbues the work with layers of spiritual significance. Perhaps the reminders of death and sacrifice that the artist included in his masterful painting emerged from his firsthand experience in the Union Army during the Civil War. The meticulously selected and carefully arranged details attest to the poignancy of the soldiers' situation and contrast with the implied violence that will occur on the morrow. [Gallery label text]", "Dedication" : "Gift of Dr. Ronald M. Lawrence", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "New access image derived by Lu Harper from Master scan", "View" : "" } , ] },{ "embark_ID" : 214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/214", "Disp_Access_No" : "1992.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Sierras Near Lake Tahoe, California", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "14 15/16 x 21 1/16 in. (38 x 53.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "21 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Bierstadt was one of the most gifted artists to depict the stunning mountain views of the expanding frontier, far west of the Hudson River region that had inspired earlier American landscape painters. He was a member of the generation of artist-explorers who traveled with expeditions or in their footsteps and recorded the visual experience. MAG's painting quietly but masterfully convinces us of the grandeur of mountains and sky by including the tiny deer to give a sense of scale, and by suffusing the surface of the painting with a warm, glowing palette. ", "Dedication" : "Clara and Edwin Strasenburgh Fund and Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Master image contains wrong accession # from photoshoot: 75.21. Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/218", "Disp_Access_No" : "1974.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Afternoon Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "16 1/8 x 24 1/16 in. (41 x 61.1 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "24 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This brooding, moody canvas was created by one of the most haunted souls in the history of American art. Ralph Blakelock, a man diagnosed as a paranoid schizophrenic and placed in a sanitarium for fifteen years, painted some of the most mysterious, expressive and poetic paintings in 19th century America. Indeed, his interest in and exploration of the unknown and the expressive were deeply admired by such radical 20th century abstract painters as Willem deKooning, Jackson Pollock and Franz Kline.... [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. 714 in the Nebraska Blakelock Inventory at the University of Nebraska.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12462", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/854", "Disp_Access_No" : "1994.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880 - 1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Landscape with Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "8 x 12 1/4 in. (20.3 x 31.1 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "University of Nebraska Blakelock inventory No. 1587", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4858", "Disp_Access_No" : "1973.155", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Butterfly", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardus-Johannes Blommers", "Sort_Artist" : "Blommers, Bernardus-Johannes", "Disp_Dimen" : "16 x 19 in. (40.6 x 48.3 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.155_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.155_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.155_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.155_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/222", "Disp_Access_No" : "1941.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1862-1863", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1863", "Disp_Title" : "Trial Scene ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Gilmour Blythe", "Sort_Artist" : "Blythe, David Gilmour", "Disp_Dimen" : "22 1/4 x 27 in. (56.5 x 68.6 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics. [Gallery label text, 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial before any other use.", "View" : "" } , ] },{ "embark_ID" : 4954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4954", "Disp_Access_No" : "1955.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Washerwomen of Fouesnant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "30 x 23 5/8 in. (76.2 x 60 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Fouesnant, a bay in Brittany, Bouguereau found the source material that would fuel his work for years to come. Academic artists viewed scenes of peasants performing their usual daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. Despite their circumstances, peasants in Academic paintings were usually depicted as clean, well-fed and neatly dressed. Here a girl carrying laundry resembles a caryatid, a classical figure used to support an architectural pediment. [Gallery label text, 2011]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1993 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 5205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5205", "Disp_Access_No" : "1957.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1893 (cast 1930)", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Young Warrior with Sword", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Bourdelle", "Sort_Artist" : "Bourdelle, Antoine", "Disp_Dimen" : " ", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37407", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.16_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.16_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.16_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.16_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/228", "Disp_Access_No" : "1984.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "The Indian Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "DeWitt Clinton Boutelle", "Sort_Artist" : "Boutelle, DeWitt Clinton", "Disp_Dimen" : "32 5/8 x 47 1/8 in. (82.9 x 119.7 cm)", "Disp_Height" : "32 5/8 in.", "Disp_Width" : "47 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses. Color was adjusted closer to the scan in the Seeing America book...less yellow than Access image shown here.", "View" : "" } , ] },{ "embark_ID" : 234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/234", "Disp_Access_No" : "1997.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Mr. Gerald Fowler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Bradley", "Sort_Artist" : "Bradley, John", "Disp_Dimen" : "34 x 28 in. (86.4 x 71.1 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and distemper on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "235", "Rel_Obj_Title" : "Mrs. Gerald (Catherine) Fowler" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 5166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5166", "Disp_Access_No" : "1964.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1857", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1862", "Disp_Title" : "Religious Procession", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules-Adolphe-Aimé Louis Breton", "Sort_Artist" : "Breton, Jules-Adolphe-Aimé Louis", "Disp_Dimen" : "15 x 18 in. (38.1 x 45.7 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A detail of the central figures from Breton's Blessing of the Wheat in Artois, 1857, at the Musee d'Orsay", "Dedication" : "Gift of Mrs. John Finigan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/916", "Disp_Access_No" : "1963.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "Cigar Store Indian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas V. Brooks", "Sort_Artist" : "Brooks, Thomas V.", "Disp_Dimen" : "85 x 24 3/8 x 26 1/2 in. (215.9 x 61.9 x 67.3 cm)", "Disp_Height" : "85 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "If you approached 50 West Main Street in Rochester late in the 19th century, you would have seen this figure standing in front of the tobacco shop located there. So that no one would miss the point that tobacco products were sold inside, it was purchased to stand outside and advertise the shop’s wares. The carving included stylized tobacco leaves and a tobacco box held in the figure’s outstretched right hand. Carvers capitalized early on the relationship between Native Americans and the tobacco that they grew for sacred practices. Carvings of Native Americans were used by the 18th century in British tobacco shops, reflecting the growth of the transatlantic trade. With laws restricting sidewalk signs, and the decline of tobacco shops due to public health awareness, the once-ubiquitous cigar store Indian has become a rarity. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "43078", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "43079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "43080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "43081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/251", "Disp_Access_No" : "1989.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1859-1860", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1860", "Disp_Title" : "The Clipper Ship "Flying Cloud" off the Needles, Isle of Wight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Buttersworth", "Sort_Artist" : "Buttersworth, James E.", "Disp_Dimen" : "12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4956", "Disp_Access_No" : "1966.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Love's Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicola Cantalamessa-Papotti", "Sort_Artist" : "Cantalamessa-Papotti, Nicola", "Disp_Dimen" : "85 in. (215.9 cm)", "Disp_Height" : "85 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "When Rochester businessman and art collector Daniel Powers brought this piece home from the Centennial Exposition in Philadelphia in 1876, it made local headlines. One newspaper article admired its “grace and life-likeness rarely met with in modern composition.” The sculpture was on view at Powers’ own gallery downtown for many years, for an admission charge of $.25. Cantalamessa-Papotti also made a portrait of Powers and the monuments for the families of Rochester nurserymen Ellwanger and Barry, at Mt. Hope and Holy Sepulchre cemeteries. Interpretations of the figures vary: the Powers Gallery catalogue identified the subject as Cupid giving a girl her first lesson in love by means of a mirror, but the figures may in fact be Cupid with his mother Venus, who is often shown holding a mirror. Mythological and allegorical characters were beloved of academic artists, who could illustrate an abstract quality such as vanity while demonstrating their prowess at depicting the human figure. [Gallery label text, 2011]", "Dedication" : "Gift of the Isaac Gordon estate", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. I under "Statuary" in Daniel Powers'' collection catalogue as of 1877. Continuing in later catalogues", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , ] },{ "embark_ID" : 5169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5169", "Disp_Access_No" : "1969.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "The Breton Poet (The Smoker) (Le Fumeur)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Carpeaux", "Sort_Artist" : "Carpeaux, Jean Baptiste", "Disp_Dimen" : "19 3/4 in. (50.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No basis for this work''s title "The Breton Poet" could be found. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 1420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1420", "Disp_Access_No" : "1954.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1889", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1894", "Disp_Title" : "The Mandolin Player", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "9 3/8 x 6 1/4 in. (23.8 x 15.9 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "Although Cassatt began her artistic training in Pennsylvania, from an early age she frequently traveled and lived in Europe. She settled in Paris in 1874, where she became a close friend of Edgar Degas. She soon became affiliated with the French Impressionists and exhibited with them from 1879 until 1886. Here, the mandolin player holds her instrument as though she were actually playing it while looking at the music on the stand. She is seated on an upholstered settee in a room with a framed picture and a fan on the wall behind her. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/255", "Disp_Access_No" : "1941.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1857", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1857", "Disp_Title" : "Shooting Flamingoes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Catlin", "Sort_Artist" : "Catlin, George", "Disp_Dimen" : "19 x 26 1/2 in. (48.3 x 67.3 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Shooting Flamingoes is a shocking and confusing painting to 21st century sensibilities. To our eyes, the mass killing of the flamingoes is unthinkable, sensitive as we are to the role hunting has played in the extinction of many species over the past century and a half. To our eyes, the startled native guide is an offensive stereotype, a comic, cartoon-like character next to the upright, composed figure of the hunter. In pre-Civil War America, George Catlin, a well-known artist of the period, was commissioned to create a nine-part series to glorify the Colt rifle. Shooting Flamingoes was one image in that advertising campaign. While the original intent of this painting doesn’t invalidate our contemporary reactions, it does set the piece within a historical context that explains its initial point-of-view. [Gallery label text, 2004]", "Dedication" : "R. T. Miller Fund, 1941, transferred to Marion Stratton Gould Fund, 1949", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12355", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4957", "Disp_Access_No" : "1948.95", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Charles Cazin", "Sort_Artist" : "Cazin, Jean-Charles", "Disp_Dimen" : "18 1/4 x 22 in. (46.4 x 55.9 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "On loan to Eastman House from 1979 until at least 1988. Paperwork in the curatorial file indicates this work was approved for deaccessioning in May 1977, but recommended for reaccessioning in October 1981. It had come in on loan in 1948 (L1.48) but was somehow accessioned at that time. It was formally presented at Art Committee of March 1967.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/258", "Disp_Access_No" : "1967.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Still Life with Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bryant Chapin", "Sort_Artist" : "Chapin, Bryant", "Disp_Dimen" : "10 x 15 1/8 in. (25.4 x 38.4 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "15 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. F. Bradley Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3061", "Disp_Access_No" : "1951.42", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1897", "Disp_Title" : "A Summer Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Merritt Chase", "Sort_Artist" : "Chase, William Merritt", "Disp_Dimen" : "16 1/8 x 20 in. (41 x 50.8 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "canvas", "Disp_Medium" : "Pastel on canvas", "Info_Page_Comm" : "Painter William Merritt Chase and his family summered in a home built for them by the distinguished architect Stanford White in Shinnecock Hills. In that small community near Southampton, Long Island, Chase had established a summer school of art. Hundreds of students convened in the region from 1891 - 1902, dotting the landscape with their easels as they attempted to capture on canvas the truth of nature en plein air ("in the open air"). Typical of this period are the artist's paintings and drawings of his three young daughters exploring the landscape near their vacation retreat. High-keyed summery colors and rapid Impressionistic strokes convey the brilliance of the sky, the wildflowers and the ocean. [Gallery label text]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/278", "Disp_Access_No" : "1994.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1846-1847", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1847", "Disp_Title" : "Genesee Scenery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Cole", "Sort_Artist" : "Cole, Thomas", "Disp_Dimen" : "6 1/4 x 4 3/8 in. (15.9 x 11.1 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Like many artists, Thomas Cole traveled extensively, sketching views that he would later include in finished (and much larger) paintings. On a trip to the Upstate New York region, he sketched Deh-ga-ya-soh Creek at what is now Letchworth State Park in Mount Morris. Later that year, he used the sketch to create this study, which ultimately became the subject of the 'Genesee Scenery' (1847, 51 x 39 1/2 inches, owned by the Museum of Art, Rhode Island School of Design). [Adapted from gallery label text, 2007]", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Thomas Cole: Landscape into History" has picture of the finished version, ''Genesee Scenery,'' 1847, which is owned by The Museum of Art, Rhode Island School of Design, Providence. Subject of the painting is Oay-ga-ya-soh Creek at Letchworth State Park in Mount Morris, New York, identified by Letchworth park rangers.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "THIS PAINTING IS NOT IN THE MAG COLLECTION. complete credit line: Museum of Art, Rhode Island School of Design; Jesse Metcalf Fund", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_A1.jpg", "IIIF_URL": 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(21.9 x 33.5 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "cardstock", "Disp_Medium" : "Oil on cardstock mounted on canvas", "Info_Page_Comm" : "Corot’s practice of painting directly from nature lasted throughout his long career. His ability to paint the transitory effects of light with subtlety and sensitivity is most characteristic in his landscapes. The simple composition of The Mill Wheel, with its subtle tonal and almost monochromatic color gradations, also shows Corot’s interest in the new medium of photography. ", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/932", "Disp_Access_No" : "1969.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Evangeline", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Couper", "Sort_Artist" : "Couper, William", "Disp_Dimen" : "21 1/4 in. (54 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Harry Beardsley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45038", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These photos and variants can be found on the disk entitled "MAG 160210"", "View" : "" } , ] },{ "embark_ID" : 4137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4137", "Disp_Access_No" : "1943.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "The Stonebreaker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustave Courbet", "Sort_Artist" : "Courbet, Gustave", "Disp_Dimen" : "17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting is an essentially concrete art and can only consist in the representation of real and existing things. - Gustave Courbet (1861) Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class. The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5157", "Disp_Access_No" : "1947.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1848", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1853", "Disp_Title" : "Portrait of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Couture", "Sort_Artist" : "Couture, Thomas", "Disp_Dimen" : "18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/301", "Disp_Access_No" : "1973.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Chenango River, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Francis Cropsey", "Sort_Artist" : "Cropsey, Jasper Francis", "Disp_Dimen" : "10 3/8 x 16 7/8 in. (26.4 x 42.9 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "16 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.40_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.40_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.40_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.40_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44770", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from Jim Via''s transparency, as previous scan seemed very dark. TIF and JPG derived from rescan.", "View" : "" } , ] },{ "embark_ID" : 300, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/300", "Disp_Access_No" : "1973.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1857-1858", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1858", "Disp_Title" : "The Hudson River, New York", "Alt_Title" : "Gates of the Hudson from Fort Putnam, West Point", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Francis Cropsey", "Sort_Artist" : "Cropsey, Jasper Francis", "Disp_Dimen" : "10 3/8 x 16 7/8 in. (26.4 x 42.9 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "16 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 5167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5167", "Disp_Access_No" : "1969.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1867-1899", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1899", "Disp_Title" : "Worker Bundling Sticks", "Alt_Title" : "Harvester", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aimé-Jules Dalou", "Sort_Artist" : "Dalou, Aimé-Jules", "Disp_Dimen" : "4 x 4 in. (10.2 x 10.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The terra cotta model for this piece is in the collection of the Petit Palais, Paris. It probably relates to an unrealized monumental piece honoring workers, planned by Dalou from about 1889. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5150", "Disp_Access_No" : "1978.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Near Andresy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "17 x 32 1/2 in. 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(29.8 x 51.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6652", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Conceited Lawyer (L'Avocat suffisant)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "10 9/16 x 8 in. (26.8 x 20.3 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "laid paper", "Disp_Medium" : "Gray ink with gray and black washes over traces of black chalk on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1959.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1898-1912", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1912", "Disp_Title" : "Dancer Holding Her Right Foot in Her Right Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 1/2 in. (49.5 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6655", "Disp_Access_No" : "1987.65", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1881", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1881", "Disp_Title" : "Dancer, Seen from Behind (Danseuse vue de dos)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 3/16 x 11 11/16 in. (48.7 x 29.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "11 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Chalk", "Support" : "paper", "Disp_Medium" : "Black chalk and pastel on faded blue laid paper, laid down to two more sheets", "Info_Page_Comm" : "Often called “the painter of modern life,” Edgar Degas filled his canvases with images from the vibrant world of performance and spectacle in the clubs and theaters of Paris during the latter part of the 1800s. Ballet dancers appealed to Degas as a pictorial subject for two key reasons: they represented modern subjects, and they offered female bodies that could be naturally observed in a host of complicated poses. Drawing from innumerable studies, he created light-filled images that represent the essence of natural movement. Dancer, Seen from Behind is a study for a figure in the far right of Dancers in the Rehearsal Room, with a Double Bass, which is now in the Metropolitan Museum of Art. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.65_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "26219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3096", "Disp_Access_No" : "1955.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Head of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Silver point", "Support" : "board", "Disp_Medium" : "Silver point on gesso-coated wood-pulp paper board", "Info_Page_Comm" : "Head of a Young Woman is the only silver point drawing in MAG’s collection. It is also the only American artwork that was given to the Gallery by Bertha Buswell, whose taste ran nearly exclusively to European fine and decorative arts. Unfortunately, we do not know anything about how or why she acquired such an anomaly, albeit a beautiful one, for her collection. Silver point was a technique used extensively in the Renaissance and revived in the United States in the late 19th century. Every line was created by dragging a silver stylus across the surface of a specially-prepared paper. The stylus left a trail of silver on the paper, requiring perfect control by the artist, as this was not a forgiving medium where mistakes could be corrected with an eraser. With exposure to the air, the silver tarnished and created a warm brown tone. Because of the fragility of the silver and the paper, this lovely work is rarely exhibited. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3605", "Disp_Access_No" : "1970.64", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roses in a White Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andrew Jackson Downing", "Sort_Artist" : "Downing, Andrew Jackson", "Disp_Dimen" : "6 7/8 x 18 7/16 in. (17.5 x 46.9 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "18 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38482", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3903", "Disp_Access_No" : "1998.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "A Parisian Woman Out Walking (Une Parisienne en Promenade (Madame Duez))", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Ange Duez", "Sort_Artist" : "Duez, Ernest Ange", "Disp_Dimen" : "20 x 13 1/16 in. (50.8 x 33.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.45_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5161", "Disp_Access_No" : "1959.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1850-1858", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1858", "Disp_Title" : "The Fisherman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "9 1/2 x 13 in. (24.1 x 33 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "not for publication", "View" : "" } , ] },{ "embark_ID" : 353, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/353", "Disp_Access_No" : "1981.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1854", "_Disp_Start_Dat" : "1854", "_Disp_End_Date" : "1854", "Disp_Title" : "Cows in the Valley, Watering", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asher Brown Durand", "Sort_Artist" : "Durand, Asher Brown", "Disp_Dimen" : "16 3/4 x 23 3/4 in. (42.5 x 60.3 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of I. Austin Kelly, III in honor of Marion J. Hawks", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/352", "Disp_Access_No" : "1974.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Genesee Oaks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asher Brown Durand", "Sort_Artist" : "Durand, Asher Brown", "Disp_Dimen" : "28 1/4 x 42 in. (71.8 x 106.7 cm)", "Disp_Height" : "28 1/4 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Asher B. Durand was commissioned to paint this magnificent vista overlooking the Genesee River Valley in Geneseo, New York, by a member of the Wadsworth family, the village founders. At one time, they owned all the land from Geneseo to Rochester. [Gallery label text, 2007] No matter what the weather, this view across the Genesee Valley near Geneseo is as breathtaking now as it was over two hundred years ago, when landowner James S. Wadsworth commissioned Hudson River school founder Asher B. Durand to record the beauty of the landscape in a painting. In the summer of 1859, Durand traveled from New York City to the Genesee Valley to make preparatory sketches. Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. (Rochester, NY: The Memorial Art Gallery, 1988). p.182-3.", "Dedication" : "Gift of the Women's Council in honor of Harris K. Prior", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/359", "Disp_Access_No" : "1973.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wyatt Eaton", "Sort_Artist" : "Eaton, Wyatt", "Disp_Dimen" : "19 x 22 in. (48.3 x 55.9 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.156_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.156_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.156_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.156_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13072", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3635", "Disp_Access_No" : "1914.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Burning Brush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "16 1/4 x 20 1/4 in. (41.2 x 51.4 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "20 1/4 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Erickson Perkins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.44_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41310", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.44_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.44_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.44_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.44_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54498", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1597", "Disp_Access_No" : "1972.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Cover of the Rochester Union and Advertiser for May 1895", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "34 15/16 x 23 1/8 in. (88.8 x 58.7 cm)", "Disp_Height" : "34 15/16 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the James Somerville family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3637", "Disp_Access_No" : "1942.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "Farm Pond, Evening", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 3/8 x 16 3/8 in. (28.9 x 41.6 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "16 3/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Charles Wright Dodge", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.67_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.67_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.67_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.67_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.67_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.67_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.67_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.67_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54500", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3636", "Disp_Access_No" : "1922.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Little Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 x 15 7/16 in. (28 x 39.2 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "15 7/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, pastel and charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17682", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3111", "Disp_Access_No" : "1972.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Man in Fighting Stance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "15 1/4 x 9 1/8 in. (38.7 x 23.2 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3634", "Disp_Access_No" : "1914.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "Mending Nets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "16 7/8 x 21 7/8 in. (42.9 x 55.5 cm)", "Disp_Height" : "16 7/8 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. James G. Cutler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41309", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3107, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3107", "Disp_Access_No" : "1958.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Night Study of the New York Central and Hudson River Railroad Station, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "10 9/16 x 14 5/8 in. (26.9 x 37.2 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly the work referred to in a Times-Union review of December 6, 1930, as "the atmospheric, mystifyingly beautiful color study of "The New York Central Train Shed." If so, Claude Bragdon is listed there as the owner at the time; James Arnold, MAG''s donor, was a friend and colleague of Bragdon, and it is possible that Bragdon gave or left the drawing to Arnold who later gave it to MAG.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.113_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.113_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.113_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.113_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27812", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.113_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.113_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.113_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.113_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3638, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3638", "Disp_Access_No" : "1956.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Road to Market", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "17 7/16 x 21 7/8 in. (44.3 x 55.6 cm)", "Disp_Height" : "17 7/16 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Chandler Bragdon in memory of his father, Claude Fayette Bragdon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.83_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.83_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.83_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.83_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41316", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.83_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.83_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.83_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.83_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3640", "Disp_Access_No" : "1964.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "Summerville Pier and Lighthouse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 3/8 x 17 3/8 in. (28.9 x 44.2 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14736", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27816", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3113", "Disp_Access_No" : "1972.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "The Old Rochester Art Club Studio in Reynolds Arcade", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 1/4 x 11 9/16 in. (28.5 x 29.3 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "11 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite with charcoal and white gouache on tan wove paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files. Listed in checklist for that 1972 exhition, so may have been at MAG prior to 1972 but only accessioned in that year.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.93_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27824", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.93_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.93_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.93_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.93_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3639", "Disp_Access_No" : "1958.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "The Trap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3110", "Disp_Access_No" : "1972.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Young Boy in Costume", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 15/16 x 8 3/16 in. (35.4 x 20.8 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "8 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4846", "Disp_Access_No" : "1986.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Tea and Tea-Noisette Roses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Fantin-Latour", "Sort_Artist" : "Fantin-Latour, Henri", "Disp_Dimen" : "18 3/4 x 14 3/4 in. (47.6 x 37.5 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph on heavy wove paper or card stock", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.111_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.111_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.111_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.111_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12994", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/380", "Disp_Access_No" : "1971.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Still Life with Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Francis", "Sort_Artist" : "Francis, John", "Disp_Dimen" : "25 3/16 x 30 3/8 in. (64 x 77.2 cm)", "Disp_Height" : "25 3/16 in.", "Disp_Width" : "30 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At first glance, it is tempting to interpret this painting as a celebration of mid-century American bounty. However, a second look finds half-eaten fruit pierced by a knife, bruised peaches, and a hungry hornet, images that suggest overripeness and decay. These elements can be traced back to 16th and 17th century Dutch still life traditions, particularly vanitas paintings that warned of the ephemeral nature of life. Whether or not John Francis – originally an itinerant, self-taught portrait painter – was consciously invoking old master painting traditions, his involvement with the artistic community in Philadelphia would have exposed him to sophisticated subjects and tastes that, perhaps, he incorporated into his work. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/382", "Disp_Access_No" : "1936.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Sketch of a Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Freeman", "Sort_Artist" : "Freeman, James E.", "Disp_Dimen" : "11 1/2 x 12 in. (29.2 x 30.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Frances DuPuy Fletcher", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31323", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken by Fine Arts Conservation after treatment. A digital file was provided to MAG that was already color-corrected. It does not contain a color bar, gray scale, or accessio number. This digital file was preserved as 36.20_P2.TIF and an access image was derived from it for web access use. This file is not for publication purposes.", "View" : "" } , ] },{ "embark_ID" : 3881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3881", "Disp_Access_No" : "1999.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1884", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1894", "Disp_Title" : "Bust of Ralph Waldo Emerson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Chester French", "Sort_Artist" : "French, Daniel Chester", "Disp_Dimen" : "22 in. (55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the family of Alan Underberg, in his memory", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8273", "Disp_Access_No" : "1977.147.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1893-1894", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1894", "Disp_Title" : "The Creation of the Universe (L'Univers est créé)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Gauguin", "Sort_Artist" : "Gauguin, Paul", "Disp_Dimen" : "8 x 13 7/8 in. (20.3 x 35.2 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut with selective coloring on Japan paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.147.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.147.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.147.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.147.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "16009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8272", "Disp_Access_No" : "1977.147.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1893-1894", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1894", "Disp_Title" : "The Creation of the Universe (L'Univers est créé)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Gauguin", "Sort_Artist" : "Gauguin, Paul", "Disp_Dimen" : "8 x 13 13/16 x 15/16 in. (20.3 x 35.1 x 2.4 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Endgrain boxwood", "Support" : "", "Disp_Medium" : "Carved endgrain boxwood woodblock", "Info_Page_Comm" : "Constructed by Kiessling, Paris", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Printmaking Equipment", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.147.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.147.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.147.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.147.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16010", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George Barlow Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "392", "Rel_Obj_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4964", "Disp_Access_No" : "1957.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1899", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1899", "Disp_Title" : "Interior of a Mosque", "Alt_Title" : "Mosque at Cairo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Léon Gérôme", "Sort_Artist" : "Gérôme, Jean-Léon", "Disp_Dimen" : "23 3/8 x 35 3/8 in. (59.4 x 89.9 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "35 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An enthusiastic amateur archaeologist, Gérôme painted dozens of Eastern scenes over his long career, including a number of mosque interiors. Although the mosque seen here has not been identified, the artist was known to have travelled in Asia Minor, the Middle East, and North Africa, and it is believed that this elaborate interior is a composite, made up of details from a number of specific sites. The worshippers assume accurate postures for their devotions, from the initial upright recitation of vows to the final prostration before God. Gérôme was a firm proponent of the Academic style: he taught at the Ecole des Beaux-Arts in Paris, and won national honors and the patronage of royalty. Although his pupils had included icons of modernism such as Fernand Leger and Everett Shinn, Gérôme was initially opposed to any challenges to the supremacy of the Academy. In the face of increasing opposition to his conservative viewpoint, he declared that the work of the Impressionists was “insipid and badly executed.” [Gallery label text, 2011]", "Dedication" : "Gift of Mr. and Mrs. F. Harper Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38927", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency", "View" : "" } , ] },{ "embark_ID" : 5884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5884", "Disp_Access_No" : "1977.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Portrait of Dr. Gachet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincent van Gogh", "Sort_Artist" : "Gogh, Vincent van", "Disp_Dimen" : "13 x 9 11/16 in. (33 x 24.6 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.151_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.151_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.151_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.151_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25934", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3889", "Disp_Access_No" : "1998.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "The Printseller's Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Goodman", "Sort_Artist" : "Goodman, Walter", "Disp_Dimen" : "52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s. A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes. Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 2000 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 399, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/399", "Disp_Access_No" : "1964.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "A Brace of Ducks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard LaBarre Goodwin", "Sort_Artist" : "Goodwin, Richard LaBarre", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund ", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20135", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.39_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.39_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.39_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.39_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20136", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "1966.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "The West Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)", "Disp_Height" : "70 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag. When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words: O Wind, If Winter comes, can Spring be far behind? [Gallery label text, 2004] ", "Dedication" : "Gift of the Isaac Gordon Estate through the Lincoln Rochester Trust Company", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. II under "Statuary" in Daniel Powers'' collection catalogue of 1888. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image derived from Seeing America tiff", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "28576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , ] },{ "embark_ID" : 8282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8282", "Disp_Access_No" : "1994.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "The Morphine Addict (Morphinomane)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugène Samuel Grasset", "Sort_Artist" : "Grasset, Eugène Samuel", "Disp_Dimen" : "22 5/16 x 16 13/16 in. (56.7 x 42.7 cm)", "Disp_Height" : "22 5/16 in.", "Disp_Width" : "16 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph on wove paper", "Info_Page_Comm" : "Printed by Auguste Clot", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1692", "Disp_Access_No" : "1972.76", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cernay la Ville", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eliza Pratt Greatorex", "Sort_Artist" : "Greatorex, Eliza Pratt", "Disp_Dimen" : "4 1/2 x 7 in. (11.4 x 17.8 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Eliza Pratt Greatorex traveled extensively throughout the United States and Europe. Much of her art reflects her peripatetic life, such as this view of a pond in the village of Cernay la Ville, on the outskirts of Paris. [Gallery label text]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13598", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3653", "Disp_Access_No" : "1973.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Dutch Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "17 x 25 1/2 in. (43.2 x 64.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer indicates that George Eastman''s payment for this painting included a Kodak camera.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.159_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.159_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.159_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.159_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3654, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3654", "Disp_Access_No" : "1979.42", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Interior of a Barn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "11 3/8 x 9 1/16 in. (28.9 x 23 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "9 1/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Winifred M. Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16286", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/432", "Disp_Access_No" : "1965.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "Torn-in-Transit with Woman's Photograph", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Haberle", "Sort_Artist" : "Haberle, John", "Disp_Dimen" : "14 x 12 1/8 in. (35.6 x 30.8 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 2009 G. Sill catalogue cites exhibition review from New Haven Register "ca. 1895" entitled "By Local Artists-- Cutler''s Second Exhibit-- The Labors of New Haven Professionals... in Oil and Watercolor Crayon and Poker Work, Pencil and Etching-- First Exhibit of Its Kind Here." This article could not be found in historic New Haven Register online, so bibliographic citation not added to record.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3657", "Disp_Access_No" : "1991.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Village Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Landseer Harris", "Sort_Artist" : "Harris, Edwin Landseer", "Disp_Dimen" : "11 13/16 x 18 in. (30 x 45.7 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor on board", "Info_Page_Comm" : "", "Dedication" : "Sara Quinlan Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16288", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/442", "Disp_Access_No" : "1976.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Hummingbird with Cattleya and Dendrobium Orchids", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "22 1/4 x 14 3/8 in. (56.5 x 36.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "14 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Two masterpieces of nature – the hummingbird and the orchid – were subjects that Martin Johnson Heade painted repeatedly. Beginning in 1863, Heade made the first of three trips to Brazil to paint the bird that remained a life-long obsession. Heade wrote, “A few years after my appearance in this breathing world I was attacked by the all-absorbing hummingbird craze and it has never left me since.” The exotic South American jungle was a far cry from the marshes and fields of Heade’s native New England, but both landscapes inspired his passion for the natural world and nurtured the intertwined development of his scientific interest and his artistic brilliance. [Gallery label, 2009]", "Dedication" : "Harris K. Prior Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The hummingbird in this painting is a Calliphlox amethystina", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12471", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/441", "Disp_Access_No" : "1975.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Newbury Hayfield at Sunset", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "11 1/4 x 25 3/16 in. (28.6 x 64 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "25 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James T. and Jacqueline S. Adams in memory of Mr. and Mrs. Frederick M. Stemmler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12467", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5201", "Disp_Access_No" : "1987.34.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Returning Sails at Takanawa", "Alt_Title" : "", "Obj_Title" : "Returning Sails at Takanawa from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.3 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Returning Sails at Takanawa" adapts the classical trope of "Returning Sails at a Distant Bay" (enpo kihan) to the well-known view of Edo bay along a stretch of the Tôkaidô Road at Takanawa in the Shiba district of Edo. Smaller boats with white sails ferry goods to shore from the large dark ocean-going vessels anchored in the bay. In the unceasing traffic along the Tôkaidô Road, the major highway leading in and out of the city to the south, we see a mounted samurai and his servant in the lower-left corner passing through the granite sides of the gated portal to the city. Coming towards them is a group of pilgrims dressed in white, followed by two more samurai borne in palanquins, and another two palanquins are parked at the side of the teahouse. Large hand-carts for carrying building materials are seen in the lower right-hand corner, while at the right workers appear to be building a larger restaurant or teahouse. Two sign-boards next to a mile-post at the seating area carry official regulations pertaining to travelers entering Edo—these signs were a common sight at every bridge and approach to the city, along with the heads of executed criminals.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16690", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4286", "Disp_Access_No" : "1997.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1856-1858", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1858", "Disp_Title" : "Eitai Bridge, Tsukuda Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "100 Views of Edo", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "14 1/2 x 9 15/16 in. (36.8 x 25.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "Reproduction. For the original, see 97.41. Title listed on www.hiroshige.org.uk as "Tsukuda Island from Eitai Bridge" but could not be determined how authoritative the information is", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14267", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4267", "Disp_Access_No" : "1997.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1856-1858", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1858", "Disp_Title" : "Eitai Bridge, Tsukuda Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "100 Views of Edo", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "13 3/16 x 8 11/16 in. (33.5 x 22.1 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "From "One Hundred Famous Views of Edo" series.", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "There is also a reproduction of this print (see 97.42). Title listed on www.hiroshige.org.uk as "Tsukuda Island from Eitai Bridge" but could not be determined how authoritative the information is.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16037", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8926", "Disp_Access_No" : "1987.34.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Night Rain on Akabane", "Alt_Title" : "", "Obj_Title" : "Night Rain on Akabane from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 1/4 in. (24.9 x 36.2 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Night Rain on the Xiao and Xiang" becomes "Night Rain on Akabane." The white cartouche at the approach to the bridge carries the seal and name of Echizen-ya Heisaburô, publisher of the series, with the round official "approved" (<em>aratame</em>) seal of the government censor. In the upper left corner are Hiroshige's signature and seal and the seal of the publisher Izumi-ya Ichibei. In the lower left corner is Akabane Bridge across the Meguro River (now little more than a small canal under a superhighway). We are looking south across the river at the outer military barracks of the mansion of the Arima of Kurume, low white buildings set with red gates and roofed with blue tiles. Since 1688 the samurai Arima family was charged with fire prevention at the important Zôjôji temple nearby that is now behind the viewer (see "Evening Bell at Mt. San'en," 87.34.5), and on a hill behind the compound looms their fire-watch tower (<em>hinomi yagura</em>)—these tall watch-towers were among the most familiar sights in the combustible city of Edo. ", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "16691", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5200", "Disp_Access_No" : "1987.34.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Evening Glow on Jinmei Shrine", "Alt_Title" : "", "Obj_Title" : "Evening Glow on Jinmei Shrine from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 3/4 x 14 5/16 in. (24.8 x 36.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Evening Glow on a Fishing Village" has become "Evening Glow on Jinmei Shrine." Jinmei, which literally means "God-bright," was a term used to indicate the chief of all Shintô deities, Amaterasu no Ômikami, who is enshrined here. The Jinmei Shrine, also called the Great Shrine of Shiba (<em>Shiba Dai Jingû</em>), was one of Edo's most popular places for outings, and its popularity made it a favorite place as well for particularly brazen prostitutes who were parodied in poetry: <blockquote><span class="small"><em>Jinmei wo</em>                Even worshipping<br> <em>Ogandeiru ni mo</em>     At the Jinmei shrine—<br> <em>Mosshimoshi</em>          "Well hell-lo there"</span></blockquote> ", "Dedication" : "Gift of Dr. James B. 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(27.9 x 20 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," July 10, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.81_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.81_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.81_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.81_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13550", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1822", "Disp_Access_No" : "1986.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Advance Guard of the Grand Army of the U. S. Crossing the Long Bridge", "Alt_Title" : "", "Obj_Title" : "The Advance Guard of the Grand Army of the United States Crossing the Long Bridge", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Winslow Homer brought the Civil War to the home front with his illustrations in Harper’s Weekly magazine, including this one from June 8, 1861, shortly after the fighting had begun. The following commentary about the crossing from Washington, D.C. to Alexandria, Virginia appeared in the June 8, 1861 issue: The scene at the bridges was grand and impressive beyond description…The night was cool and clear, thousands of men were drawn up in a line and defiling past, but hardly a whisper was heard from among them. They all preserved a solemn silence, as though sensible of the momentousness of the occasion; but the rumbling of artillery, the clatter of cavalry, the muskets and ordnance glittering in the moonlight, the suppressed commands of the officers, imparted, nevertheless, a liveliness to the imposing spectacle. Among the groups of soldiers making the crossing were regiments from New York State. 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Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual. The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery label text, 2006] M. W. Hopkins American, 1789 - 1844 Ann Gennett Pixley Lacey (1809 - 1841) ca. 1835 - 1836 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.187 Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby. In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence. Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18240", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/613", "Disp_Access_No" : "1978.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Eliza Pixley Lacey (1834 - 1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "M. W. Hopkins American, 1789 - 1844 Eliza Pixley Lacey (1834 - 1839) ca. 1835 - 36 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.188 M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter. Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs. Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. 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Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "42 x 30 1/8 in. (106.7 x 76.5 cm)", "Disp_Height" : "42 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek. Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist. For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation. As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics. Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog. When Pierrepont was fifteen, his family moved to Marshall, Michigan. He grew up, married, and was the father of one son. Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad. [Gallery label text, 2000] Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes. Gun, the family dog, was most likely a restless subject for the artist to capture, as well. There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs. All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics. MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon. [Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial] The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. 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(18.2 x 35.5 cm)", "Disp_Height" : "7 3/16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ada Howe Kent was a Rochester painter and watercolorist who exhibited nationally with the American Water Color Society. Having studied with James McNeill Whistler in Paris, Kent became enamored of oriental art and accumulated an extensive collection of Japanese prints. A daughter of John H. Kent, first vice-president of the Eastman Dry-plate and Film Company (forerunner of the Eastman Kodak Company), the artist was known for her philanthropic activities, most significantly for the gift of Kent Hall in 1916 to the Rochester Y.W.C.A. as a residence for women. [Gallery label text, 2004]", "Dedication" : "Gift of Mrs. James Haas from the collection of her father, James Somerville", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.191_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2865", "Disp_Access_No" : "1978.191", "_AccNumSort1" : "", "Disp_Create_DT" : "1819", "_Disp_Start_Dat" : "1819", "_Disp_End_Date" : "1819", "Disp_Title" : "Sampler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ann Gennett Pixley Lacey", "Sort_Artist" : "Lacey, Ann Gennett Pixley", "Disp_Dimen" : "10 1/4 x 10 3/4 in. (26 x 27.3 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "linen", "Disp_Medium" : "Silk thread cross-stitch on linen", "Info_Page_Comm" : "The Memorial Art Gallery is fortunate to have in its collection both a portrait of Ann Gennett Lacey and an example of her needlework made when she was only ten years old (see row seven of her sampler). She was probably enrolled at a female academy in Riga, west of Rochester, where she was taught these skills. Following the American Revolution, schools for young women began to flourish, and fine needlework was one of the subjects (as well as music, reading, writing, and arithmetic) included in the curriculum. The stitching of samplers was believed to be a sign of virtue, achievement and industry, stitched more to demonstrate education than to preserve a skill. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert Dunn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12757", "Rel_Obj_Title" : "Better Things - On Reading (with text) " } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.191_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13887", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18243", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 4811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4811", "Disp_Access_No" : "1978.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Admiral Frank Sotheron (1765-1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Thomas Lawrence", "Sort_Artist" : "Lawrence, Thomas", "Disp_Dimen" : "49 1/2 x 39 in. (125.7 x 99.1 cm)", "Disp_Height" : "49 1/2 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 1994-95 correspondence with the National Maritime Museum suggests that this painting could not date to 1809 because Sotheron did not become a Rear-Admiral until 1811 and the painting shows him in the full-dress coat of a Rear Admiral. Correspondence also suggests that conservators found evidence of change in the epaulettes and buttonholes, suggesting the costume was altered after the original painting was made. See correspondence in curatorial file. --KSchauber, Curatorial Research Ass''t, Nov 2019 This painting does not appear in Knoedler lists of George Eastman''s purchases nor in Knoedler stockbooks online-- where did he buy it?", "Images": [ ] },{ "embark_ID" : 4965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4965", "Disp_Access_No" : "1937.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "The Washerwomen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Léon-Augustin Lhermitte", "Sort_Artist" : "Lhermitte, Léon-Augustin", "Disp_Dimen" : "30 3/8 x 37 3/4 in. (77.2 x 95.9 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "37 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although he was of the same generation as Monet and Renoir, Lhermitte chose to follow the path of traditional realism, rather than the Impressionists' experimentation with color. He did practice the fluid brushwork that they had popularized, however. Like Sorolla... Lhermitte specialized in scenes of rural workers. However, his keen eye caught the contrasting colors and textures of sun-bathed landscape and figures in much greater detail. Sorolla concentrated more on the colors and effect of the light rather than on the details of form. [Gallery label text, 1999]", "Dedication" : "Gift of Mr. and Mrs. Edmund Lyon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Jan-Piet Filedt-Kok of the Rijksmuseum noted that the artist was a friend of van Gogh and that the van Gogh museum bought a number of works by Lhermitte in the 1990s.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned from slide at a print resolution. Should eventually be replaced.", "View" : "" } , ] },{ "embark_ID" : 938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/938", "Disp_Access_No" : "1971.40", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Merry-Go-Round Goat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Looff", "Sort_Artist" : "Looff, Charles", "Disp_Dimen" : "72 1/4 in. (183.5 cm)", "Disp_Height" : "72 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "In the second half of the nineteenth century, with the rising popularity of resort communities on streetcar routes, carvers began to specialize in carousel and merry-go-round figures to populate the musical rides. Unfortunately, we don’t know the original location of MAG’s Goat. Based on the style of the carving of the saddle and bridle, it is likely that it was made by Charles Looff, whose company manufactured the first carousel at Coney Island. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 872, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/872", "Disp_Access_No" : "1996.46", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Coachman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 3/16 x 7 7/8 in. (25.9 x 20 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/537", "Disp_Access_No" : "1951.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "London Bus Driver", "Alt_Title" : "Cabby or London Cabby", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The painting is also known as ''Cabby'' and ''London Cabby''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12390", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3197", "Disp_Access_No" : "1948.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Bank and the Teller", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "13 9/16 x 9 15/16 in. (34.4 x 25.2 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3198", "Disp_Access_No" : "1948.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Ticker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "14 3/4 x 11 1/2 in. (37.5 x 29.2 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/873", "Disp_Access_No" : "1996.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Woman at Table", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 1/8 x 7 11/16 in. (25.7 x 19.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1001", "Disp_Access_No" : "1986.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Nathan Hale (1755 - 1776)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.” [Gallery label text, 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3962", "Disp_Access_No" : "1998.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Pan of Rohallion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "30 x 9 3/4 x 12 in. (76.2 x 24.8 x 30.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Original concept designed for Rohallion, the estate of Howard Adams in Seabright, New Jersey. MAG's version is a maquette based on that work.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30244", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Please note 98.68_M3.DNG has the color bar and grey scale. This master file is for color correction purposes - P3 and A3 image files do not exist.", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6532", "Disp_Access_No" : "1978.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "18 1/4 x 30 in. (46.4 x 76.2 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13081", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5172", "Disp_Access_No" : "1978.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Harbor Town", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "14 1/4 x 23 1/2 in. (36.2 x 59.7 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26153", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/554", "Disp_Access_No" : "1936.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Normandy Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "27 1/2 x 35 1/4 in. (69.9 x 89.5 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "35 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5151", "Disp_Access_No" : "1936.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Harrowing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "23 x 33 in. (58.4 x 83.8 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 7050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7050", "Disp_Access_No" : "1959.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "On the Heath", "Alt_Title" : "Evening, Country Road", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "11 x 18 in. (27.9 x 45.7 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13065", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5153", "Disp_Access_No" : "1936.67", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "15 x 27 in. (38.1 x 68.6 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13059", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7045", "Disp_Access_No" : "1959.64", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sheep in Winter Landscape", "Alt_Title" : "Winter in Holland", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "15 x 22 in. (38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35435", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/593", "Disp_Access_No" : "1948.52", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1846", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1856", "Disp_Title" : "Portrait of Daniel Webster (after F. DeBourg Richards)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George T. Deming", "Sort_Artist" : "Deming, George T.", "Disp_Dimen" : "8 9/16 x 6 1/4 in. (21.7 x 15.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "Orator, lawyer, statesman, and senator Daniel Webster (1782–1852) was the subject of many portraits, but none more charming than this one, informally titled Dan. Information on the back says the painting was copied from an engraving, which was no doubt itself a copy of an 1840s daguerreotype by F. DeBourg Richards. Chief curator Marjorie Searl has determined that the original attribution to G. K. Merrick is incorrect. Markings on the back of the portrait were misleading; the signature for Merrick, an attorney in Wellsboro, PA, probably indicated ownership. Another inscription, “painted from an engraving by George Deming, Wellsboro, Pennsylvania,” most likely led to the interpretation that Deming was the engraver and Merrick was the painter. Thanks to the internet and Ancestry.com, we can now safely say that Deming was the painter, and we can speculate that Merrick purchased it from him. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Suggested by Mr. Beaumont Newhall, Curator of Eastman House , Inc. to be from a popular daguerreotype of Webster from which other portraits were painted. Research revealed to be after a daguerreotype by Frederick DeBourg Richards.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37950", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8116", "Disp_Access_No" : "1936.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "The End of the Workday (La fin de la journée)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "overall", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and crayon on paper", "Info_Page_Comm" : "On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.” The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8363", "Disp_Access_No" : "1957.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1865", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1865", "Disp_Title" : "Washerwomen by Moonlight (Les laveuses au clair de lune)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "17 x 12 in. (43.2 x 30.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4968", "Disp_Access_No" : "1971.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rural Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Ferdinand Monchablon", "Sort_Artist" : "Monchablon, Jean Ferdinand", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Elizabeth Weis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4969", "Disp_Access_No" : "1939.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Rocks at Pourville, Low Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 5/16 x 31 in. (64.3 x 78.7 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting belongs to a series of works produced during the spring and summer of 1882, while Monet visited Pourville, a town on the Normandy coast. As he explored the beach and the rocks exposed at low tide, Monet found a startling diversity of viewpoints that enabled him to create some of his most dramatic and unexpected compositions. In all of them, Monet placed himself far out across the beach, a little to the east of Pourville. He juxtaposed the cliffs in the far distance with the fragmented forms of the rock shelves in the foreground, using unique brushstrokes to convey the movement and light of the water and clouds. Monet’s technique gradually changed from completing paintings out of doors to one of making hundreds of concentrated studies on location. He then compiled and reworked these many sketches in his studio, where he created the final canvases. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Recorrected from M1 image as there was no print master version. A new JPG was derived from the new print master.", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4971", "Disp_Access_No" : "1951.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Harvest Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Monticelli", "Sort_Artist" : "Monticelli, Adolphe", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3730", "Disp_Access_No" : "1956.85", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pasture Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie (Nina) Moore", "Sort_Artist" : "Moore, Annie (Nina)", "Disp_Dimen" : "7 5/8 x 11 1/2 in. (19.3 x 29.2 cm)", "Disp_Height" : "7 5/8 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the children of Dr. and Mrs. William Gannett", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.85_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.85_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.85_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.85_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37953", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2132", "Disp_Access_No" : "1947.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Tween the Gloaming and the Mirk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Nimmo Moran", "Sort_Artist" : "Moran, Mary Nimmo", "Disp_Dimen" : "7 3/4 x 11 9/16 in. (19.7 x 29.4 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 9/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching, roulette, sandpaper and drypoint", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.91_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.91_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.91_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.91_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/581", "Disp_Access_No" : "1983.112", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset over the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "5 1/8 x 10 1/4 in. (13 x 26 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Dr. James Sibley Watson and Hildegarde Lasell Watson by their daughter-in-law, Nicoleta Z. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8366", "Disp_Access_No" : "1972.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Berthe Morisot Drawing, with her Daughter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Berthe Morisot", "Sort_Artist" : "Morisot, Berthe", "Disp_Dimen" : "7 7/16 x 5 1/2 in. (18.9 x 14 cm)", "Disp_Height" : "7 7/16 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This work was not published during Morisot's lifetime; this edition was published in December 1907 in the Gazette des Beaux-Arts Berthe Morisot was a founding member of the Impressionist group and exhibited regularly at their exhibitions. Although best known for her fresh, light-filled oil paintings, she also produced a number of etchings. Her favorite subjects were women in domestic settings. This print is a self-portrait of the artist with her daughter. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.73_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/586", "Disp_Access_No" : "1930.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1830", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1830", "Disp_Title" : "Antoinette Pierson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sidney Mount", "Sort_Artist" : "Mount, William Sidney", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Antoinette Pierson resided in nearby Canandaigua, New York. She was eight years old when this portrait was painted. [Gallery label text, 2007]", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12349", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5171", "Disp_Access_No" : "1973.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bread and Butter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Neuhuys", "Sort_Artist" : "Neuhuys, Albert", "Disp_Dimen" : "52 x 42 in. (132.1 x 106.7 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.148_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.148_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.148_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.148_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17848", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "orientation incorrect on cd; corrected in Print Master 73.148_P1.tif", "View" : "" } , ] },{ "embark_ID" : 628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/628", "Disp_Access_No" : "1964.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1857-1858", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1858", "Disp_Title" : "Still Life Number 26: Silver Basket of Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rubens Peale", "Sort_Artist" : "Peale, Rubens", "Disp_Dimen" : "13 7/8 x 20 in. (35.2 x 50.8 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "tin", "Disp_Medium" : "Oil on tin", "Info_Page_Comm" : "In March, 1856, Rubens Peale wrote: “I painted all day on Number 15 and Number 26 as it has been very stormy today, nothing going on out doors…. After this, however, visitors came to stay and part of the house was given over to them.” What is somewhat surprising is that Peale, a member of the illustrious family of artists and naturalists, did not begin painting until he was seventy-one. Until then, his work had focused on museums and farming. Considering the artist’s limited visual acuity, the texture and color of the fruit and basket in this quiet still life are all the more remarkable. [Gallery label text, 2005] ", "Dedication" : "Gift of Helen C. Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4039", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1832", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1837", "Disp_Title" : "Nathaniel Hurd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3229", "Disp_Access_No" : "1914.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "St. Pauls' Chapel", "Alt_Title" : "", "Obj_Title" : "St. Pauls' Chapel, Gloucester Cathedral, for Century Magazine, March, 1890", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "17 1/2 x 19 in. (44.5 x 48.3 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Black ink with brush and graphite", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.40_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14586", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.40_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.40_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.40_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.40_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/635", "Disp_Access_No" : "1965.3", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1890", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1900", "Disp_Title" : "Articles Hung on a Door", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Peto", "Sort_Artist" : "Peto, John Frederick", "Disp_Dimen" : "30 x 21 3/4 in. (76.2 x 55.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/633", "Disp_Access_No" : "1984.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1834", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1839", "Disp_Title" : "Old Woman with a Bible", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ammi Phillips", "Sort_Artist" : "Phillips, Ammi", "Disp_Dimen" : "33 1/2 x 28 in. (85.1 x 71.1 cm)", "Disp_Height" : "33 1/2 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "We take for granted the ability to record our families' faces. Even the likenesses of those long-dead are etched in our memories by their photographs. But before cameras and film, the only way to save a "likeness" was to create a life or death mask, draw or paint a picture, or make a sculpture. In rural New York State, many portraits were done by painters like Ammi Phillips who had a minimal amount of training. Their customers, in turn, passed paintings down through the generations until all too often, the identity of the sitters was lost. If we don't know whose portrait this was, and if Ammi Phillips was not an academically trained artist, why do we continue to appreciate this work and keep it in a museum? The directness of human spirit that these paintings convey combined with the intricacy of design and patterning create a work filled with the "visual delight" that we search for in a work of art. [Gallery label text, 2008] This woman’s identity has not been preserved, but we might speculate with confidence that she was a devout person, as her arm is placed so firmly on the Bible. Notice, too, how carefully the artist painted the fabric of her day-cap, the embroidery on her shawl, and even the tasseled trim of the curtains. [Gallery label text, 2008]", "Dedication" : "Beatrice M. Padelford Trust", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7943", "Disp_Access_No" : "2001.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1844", "Disp_Title" : "Portrait of a Dark-haired Man Reading the "Genesee Farmer"", "Alt_Title" : "possible portrait of Luther Tucker, editor of the "Genesee Farmer"", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asahel Lynde Powers", "Sort_Artist" : "Powers, Asahel Lynde", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Until the invention of photography, portraits were the primary means of recording human likeness. Asahel Powers, like many self-taught artists, traveled the countryside in search of portrait commissions. Many of these paintings were passed down through families. Over time, however, the names of the sitters were often lost. The Genesee Farmer, first published in western New York in January 1831, was written and edited by Luther Tucker. The newspaper was a well-known local and international resource for farmers. Given the newspaper’s stature, the “dark-haired” man of this portrait could be one of the newspaper’s owners or editors, perhaps even Luther Tucker himself. [Forman Gallery, Summer 2015]", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20143", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2255", "Disp_Access_No" : "1919.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895-1897", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1897", "Disp_Title" : "The Ships", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "15 3/8 x 10 15/16 in. (39.1 x 27.8 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "Japanese paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Corrected and cropped from 19.29_M1.tif as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 4813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4813", "Disp_Access_No" : "1978.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Mrs. Johnston of Straiton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "35 x 27 in. (88.9 x 68.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below. This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted. [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 1042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1042", "Disp_Access_No" : "1955.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "The Broncho Buster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederic Remington", "Sort_Artist" : "Remington, Frederic", "Disp_Dimen" : "22 1/2 x 20 in. (57.2 x 50.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8384, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8384", "Disp_Access_No" : "1983.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Standing Woman Bather (Baigneuse debout, en pied)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "For Ambroise Vollard's third "Album des Peintres-Gravures," unpublished.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.121_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.121_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.121_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.121_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13394", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8385", "Disp_Access_No" : "1990.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "The Directors of the Paris Opera", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Renouard", "Sort_Artist" : "Renouard, Charles Paul", "Disp_Dimen" : "12 3/8 x 17 1/2 in. (31.5 x 44.5 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "From "32 Eaux fortes sur l'opera (in five original parts)."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3738", "Disp_Access_No" : "1980.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "St. Michael's Mount, Cornwall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "3 1/8 x 4 7/8 in. (7.9 x 12.4 cm)", "Disp_Height" : "3 1/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Joseph H. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.73_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.73_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.73_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.73_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "37960", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3246", "Disp_Access_No" : "1913.31.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1868-1869", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1869", "Disp_Title" : "Pages from 'A Germantown Sketchbook'", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "6 1/16 x 9 1/8 in. (15.4 x 23.2 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.31.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.31.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.31.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.31.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14688", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8387", "Disp_Access_No" : "1981.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Love Makes the World Go 'Round", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "11 x 14 1/8 in. (27.9 x 35.8 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "14 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This print marked Rodin's first attempt at drypoint etching.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25935", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1047", "Disp_Access_No" : "1951.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Taking the Oath and Drawing Rations", "Alt_Title" : "", "Obj_Title" : "Taking the Oath and Drawing Rations", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion. Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art. [Gallery label text, 2002]", "Dedication" : "Gift of M. Gertrude Deavenport", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented January 30, 1866 Cost $15.00 - 1866 $20.00 - 1871-1876 $15.00 - 1877-1895", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.310_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.310_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.310_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.310_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1050", "Disp_Access_No" : "1993.24", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1855", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1865", "Disp_Title" : "Nydia, the Blind Flower Girl of Pompeii", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Randolph Rogers", "Sort_Artist" : "Rogers, Randolph", "Disp_Dimen" : "36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers. Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mr. and Mrs. William Wisner Chapin lived at 110 South Fitzhugh Street. The home, originally built in 1830, was expanded with a music room, possibly designed by Andrew Jackson Warner, an architect who wrote an essay about the room for a small pamphlet entitled "The Pipe Organ in the Home of Mr. Chapin". The sculpture of Nydia now owned by the Memorial Art Gallery was located in the Chapins'' music room. MAG also has in its records a photograph of the sculpture in the music room. The home is no longer standing. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master scan shows more of base of statue, although it is blocked by the color bar. Print master scan has color bar & base of statue cropped out.", "View" : "" } , ] },{ "embark_ID" : 6513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6513", "Disp_Access_No" : "1966.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "La Bionda del Balcone", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dante Gabriel Rossetti", "Sort_Artist" : "Rossetti, Dante Gabriel", "Disp_Dimen" : "13 3/4 x 14 7/8 in. (34.9 x 37.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor and gouache on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12573", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned by the Rossetti Archive (see PRR notes)", "View" : "" } , ] },{ "embark_ID" : 5165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5165", "Disp_Access_No" : "1939.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wooded Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Théodore Rousseau", "Sort_Artist" : "Rousseau, Théodore", "Disp_Dimen" : "6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Gade, Mrs. O'Donnell Iselin, and Mr. F. Harper Sibley in memory of their father, Hiram W. Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not cited in Schulman''s 1999 catalogue raisonne.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 3275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3275", "Disp_Access_No" : "1977.150", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890-1900", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Flying Dutchman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert P. Ryder", "Sort_Artist" : "Ryder, Albert P.", "Disp_Dimen" : "7 5/16 x 7 15/16 in. (18.6 x 20.2 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite, pen and india ink with scraping on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.150_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.150_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.150_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.150_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12475", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4976, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4976", "Disp_Access_No" : "1974.127", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape Near Guillena", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sanchez-Perrier", "Sort_Artist" : "Sanchez-Perrier, Emilio", "Disp_Dimen" : "10 1/2 x 13 7/8 in. (26.7 x 35.2 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Guillena is in the province of Seville, in Andalusia, Spain", "Dedication" : "Gift of Gallery Council", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in storage in 1974. Note from Bernard Barryte in curatorial file indicates he believes the work may have originally come in in 1956, but it is unclear why he thought that. No record of its acquisition in 1956 could be found. An undated typed list of objects [found in Registrar''s office files] recommended for disposal includes a listing for “E. Sanchez Perrier River Scene—oil on wood” which is listed as having come from the Council—“left from Flea Market, April in Paris.” That may be this work; the April in Paris event was indeed in 1956. A Sanchez-Perrier landscape was included in a Rochester Art Club exhibition in 1895 (Sixteenth Annual Exhibition and Art Loan Exhibition, no. 48), lent by Mrs. Granger Hollister-- was that the same work, and is that then the source of this painting? As the original donor could not be determined, Gallery Council was credited with this gift. --KSchauber, Curatorial Research Ass''t ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.127_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.127_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.127_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.127_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20620", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 2869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2869", "Disp_Access_No" : "1977.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "Floral Wreath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Katherine Schneider", "Sort_Artist" : "Schneider, Katherine", "Disp_Dimen" : "12 1/2 x 14 in. (31.8 x 35.6 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Needlepoint", "Support" : "flannel", "Disp_Medium" : "Needlepoint and embroidery on flannel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Robert F. Metzdorf", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12988", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , ] },{ "embark_ID" : 713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/713", "Disp_Access_No" : "1951.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "The Farm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Somerville", "Sort_Artist" : "Somerville, James", "Disp_Dimen" : "6 x 12 in. (15.2 x 30.5 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14720", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6777", "Disp_Access_No" : "1973.153", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cows in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Stortenbeker", "Sort_Artist" : "Stortenbeker, Pieter", "Disp_Dimen" : "18 x 15 in. (45.7 x 38.1 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "The watercolorist, lithographer, and painter Pieter Stortenbeker created some of the finest work of The Hague School, a movement of Dutch painters who worked around The Hague from about 1860–1900. They were interested in realistic rather than romantic imagery, and their subjects included Dutch scenes of daily life, landscapes, animals, and sea- and cityscapes. Early on, the work of The Hague School artists tended toward an overwhelming gray color, which explains why the movement is sometimes also called the “gray school.” Stortenbeker was highly regarded during his lifetime. He studied at the Royal Academy of Art in The Hague, received the gold medal of honor at a major exhibition there in 1861, and was made a Knight of the Order of the Oak Crown in Brussels in 1863. His work is found in many museums and private collections, including those of the Dutch royal family. (label text, 2020)", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.153_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.153_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.153_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.153_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/727", "Disp_Access_No" : "1941.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 23 1/8 in. (73 x 58.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "726", "Rel_Obj_Title" : "Russell Sturgis (1750 - 1826)" } ], "Curator" : "Portrait of Elizabeth Perkins Sturgis (Mrs. Russell Sturgis), companion portrait to that of Russell Sturgis. Elizabeth Perkins Sturgis was born in Boston in 1756. Married Russell Sturgis in 1773 and died in Boston in 1843. She is dressed in a brown silk dress with black lace shawl and white fichu and is painted against an olive-grey background seated in a green brocade chair. She wears a be-ribboned, white lace cap. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/729", "Disp_Access_No" : "1967.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Boat Race at Skaneateles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry J. Sunter", "Sort_Artist" : "Sunter, Harry J.", "Disp_Dimen" : "25 x 33 in. (63.5 x 83.8 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Depicts the Great Scull Race of July 4, 1878 at Skaneateles, NY", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Inscribed on pennants of boats, right: Glenhaven; left: Echo", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17277", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17278", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17279", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.36_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.36_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.36_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.36_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17281", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , ] },{ "embark_ID" : 4979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4979", "Disp_Access_No" : "1973.151", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Stream", "Alt_Title" : "Bridge and Stream (from MAG label on backing board)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frits Thaulow", "Sort_Artist" : "Thaulow, Frits", "Disp_Dimen" : "23 3/4 x 28 3/4 in. (60.3 x 73 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thaulow spent much time painting in France. This scene probably represents Manéhouville, a village on the Schie River near Dieppe in Normandy. A friend of many of the Impressionists, although he did not experiment with colors of light as they did, Thaulow convinced Claude Monet to visit Norway one winter to paint the snow. [Gallery label text, 1999] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Norwegian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.151_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.151_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.151_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.151_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26146", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/730", "Disp_Access_No" : "1951.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Anne Mumford Palmer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abbott Handerson Thayer", "Sort_Artist" : "Thayer, Abbott Handerson", "Disp_Dimen" : "24 x 19 1/2 in. (61 x 49.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A vision of fresh beauty in her portrait, Anne Mumford Palmer lived a life that was hardly placid. Born to a Rochester lawyer and his wife, Palmer moved to New York City after her father became the treasurer of Western Union. She was a good friend of the distinguished American writer Henry Adams and his wife, Clover. An adventurous marriage to Englishman E. Nelson Fell included draining swamps in Florida to build a British colony called Fellsmere. Four years were spent with their three children on the Siberian steppes where Nelson Fell supervised a mining operation. When Anne Mumford Palmer, age 22, was painted by Abbott Thayer, newly returned from studying in France, her life lay ahead of her like a limitless ocean. When she sold the painting to MAG founder Emily Sibley Watson in 1930, she was nearing the end of her remarkable journey, and would die seven years later. More remains to be learned about an interesting life. [Gallery label text, 2009]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image (loaded 7/19/00) to be replaced with professional scan.", "View" : "" } , ] },{ "embark_ID" : 2680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2680", "Disp_Access_No" : "1960.50.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Candlestick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "4 5/16 x 4 1/4 x 4 1/4 in. (10.9 x 10.8 x 10.8 cm)", "Disp_Height" : "4 5/16 in.", "Disp_Width" : "4 1/4 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "one of a pair", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2679", "Disp_Access_No" : "1960.50.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Compote", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "2 15/16 x 12 x 12 in. (7.5 x 30.5 x 30.5 cm)", "Disp_Height" : "2 15/16 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2682", "Disp_Access_No" : "1960.50.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "2 7/16 x 2 11/16 x 2 11/16 in. (6.2 x 6.8 x 6.8 cm)", "Disp_Height" : "2 7/16 in.", "Disp_Width" : "2 11/16 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Thelma Salter", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.50.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.50.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.50.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.50.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2684", "Disp_Access_No" : "1965.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "4 7/16 x 3 7/8 x 3 7/8 in. (11.3 x 9.9 x 9.9 cm)", "Disp_Height" : "4 7/16 in.", "Disp_Width" : "3 7/8 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2678", "Disp_Access_No" : "1951.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Candlestick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "5 5/8 x 5 1/16 x 5 1/16 in. (14.3 x 12.8 x 12.8 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "5 1/16 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per ledger: presented anonymously June 1, 1951", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3898, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3898", "Disp_Access_No" : "1998.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "Stained Glass Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "36 x 19 in. (91.4 x 48.3 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass and lead", "Info_Page_Comm" : "Rochester tycoon William Kimball, owner of the Kimball Tobacco Factory, hired Louis Comfort Tiffany to design his home and its furnishings on 145 Troup Street in Corn Hill. The opulent residence, called Kimball’s Castle, housed an art collection and a pipe organ. The window installed here was rescued by Harold Rand during the building’s unfortunate demolition to make way for Route 490. Our thanks go to Valerie O’Hara from Pike Stained Glass Studio for her generous conservation of the window. [Gallery label text, 2002]", "Dedication" : "Gift of Ruth Rand Rapport in memory of Harold S. Rand", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38878", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed, with backlighting", "View" : "" } , ] },{ "embark_ID" : 8492, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8492", "Disp_Access_No" : "1982.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "At the Café Ambassadeurs (Aux Ambassadeurs)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "19 1/16 x 15 3/16 in. (48.4 x 38.6 cm)", "Disp_Height" : "19 1/16 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph on wove paper", "Info_Page_Comm" : "From the sixth album of André Marty's "L'Estampe Original," Paris, 1894, printed by Ancourt.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8488", "Disp_Access_No" : "1969.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jean Hading", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : ""Actors and Actresses" series", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "12 13/16 in. (32.6 cm)", "Disp_Height" : "", "Disp_Width" : "12 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8490", "Disp_Access_No" : "1981.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 13/16 x 19 3/8 in. (63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/747", "Disp_Access_No" : "1916.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The White Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Twachtman", "Sort_Artist" : "Twachtman, John Henry", "Disp_Dimen" : "30 1/4 x 25 1/8 in. (76.8 x 63.8 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism, a radically modern style upon its inception in France in the 1860s, came late to American shores. The Impressionist artist sought to capture impressions of light, color, and shape in a spontaneous way. [Gallery label text, 2007] John Twachtman’s finest paintings were inspired by the beauty of the land on which he lived with his family. Located in Greenwich, Connecticut, the picturesque property included a portion of Horseneck Brook, across which Twachtman built an ornamental but functional footbridge. Here, his children swam in the summer and rowed their boat beneath the bridge’s arched deck. The bridge may have been inspired by similar structures in Venice, where the artist lived in the 1880s and 90s. Twachtman was one of America’s premier impressionist painters and a founding member of the Ten American Painters, a group that included Thomas Dewing and William Merritt Chase, artists whose works are also on view at MAG. The White Bridge’s bright colors, energetic brushwork, and light-filled canvas link Twachtman’s work with that of French impressionist Claude Monet. [Gallery label text, 2004]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/811", "Disp_Access_No" : "1977.196", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1851", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1861", "Disp_Title" : "American Harvesting (after Jasper Cropsey)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "32 1/2 x 44 1/4 in. (82.6 x 112.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "44 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While we may not know who painted this work, we can trace its inspiration. In 1851 Jasper Cropsey's painting American Harvesting was in the American Art-Union's annual exhibition in New York. The American Art-Union, formed in 1844, promoted American artists by purchasing and exhibiting their works. To familiarize more Americans with these artists, engravings were made and distributed to members. Possibly, one of these engravings was owned by the artist who did the Gallery's painting. Several other versions of this work exist and were most likely inspired by the same print. A version of the this image was printed by Currier & Ives, entitled 'A Summer Landscape: Haymaking." Cropsey's painting is currently in the collection of the <a href="http://www.artmuseum.iu.edu">Indiana University Art Museum</a>. [Gallery label text, 2002]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "21368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image of American Harvesting in the collection of the Indiana University Art Museum. Approved by IUAM to go on our website as a detail image", "View" : "" } , ] },{ "embark_ID" : 1089, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1089", "Disp_Access_No" : "1954.31.2", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Decoy: Blue Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "40 1/2 x 38 3/4 in. (102.9 x 98.4 cm)", "Disp_Height" : "40 1/2 in.", "Disp_Width" : "38 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly from Long Island or New Jersey", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.31.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.31.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.31.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.31.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12397", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1088", "Disp_Access_No" : "1954.31.1", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Decoy: Blue Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "32 1/8 x 42 5/8 in. (81.6 x 108.3 cm)", "Disp_Height" : "32 1/8 in.", "Disp_Width" : "42 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly from Long Island or New Jersey", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.31.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.31.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.31.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.31.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12396", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1111", "Disp_Access_No" : "1971.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hobby Horse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "27 in. (68.6 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "Children around the world have played with toy horses for centuries. Egyptian children in the fifth century, Viking children in the eleventh century, and American children today enjoy riding toy horses and pulling them along on wheels. This horse, with its horsehair tail, glass eyes, and leather seat, originally might have been created to move on a wheeled platform. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13876", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1128", "Disp_Access_No" : "1985.22", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th Century - early 20th Century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1932", "Disp_Title" : "Optometrist's Trade Sign", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "17 3/4 x 30 1/2 in. (45.1 x 77.5 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "30 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, iron and paint", "Info_Page_Comm" : "", "Dedication" : "Given in honor of Isabel Herdle's 80th birthday by a group of her friends", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12753", "Rel_Obj_Title" : "Better Things - Introduction, viii, ix" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1116", "Disp_Access_No" : "1973.9", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Santo (Crucifix)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "37 x 24 in. (94 x 61 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The image of Christ on the cross is fundamental to Christian belief and the art that expresses it. The nearby Tramp Art Shrine, made in the northeastern United States, as well as many European works on the second floor of the Gallery, incorporate images similar to this santo made by an unknown santero. Santero is the traditional name for the carver of santos, which are typically figures of Christ or saints. When European missionaries brought Catholicism across the ocean to the New World, they also brought with them traditional forms of religious iconography and woodcarving techniques. Spanish friars were the original santeros, carving the figures to decorate mission churches; during the 19th century, lay people became santeros, and santos became part of the domestic religious tradition. [Gallery label text, 2002]", "Dedication" : "Gift of the Women's Council in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "American, Southwest, possibly Franciscan", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1113", "Disp_Access_No" : "1971.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trade Sign for a Hat Maker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "21 3/4 x 24 x 30 in. (55.2 x 61 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Tin", "Support" : "", "Disp_Medium" : "Tin and paint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1129", "Disp_Access_No" : "1987.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1900", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1900", "Disp_Title" : "Tramp Art Shrine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "43 1/2 x 26 1/4 x 19 in. (110.5 x 66.7 x 48.3 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paper and mirror", "Info_Page_Comm" : "Tramp art, originally thought to have been a style of woodworking used by hoboes to make gifts for people who provided them with hospitality, is now understood to encompass a broader group of work by self-taught artisans. Typically using found materials, the creators used a chip or notch carving technique and layering of materials to create optically dazzling patterns and designs. In this work, an Armour meat packing box was used for the body of the shrine, to which layers of intricately decorated details were added. In the interior are references from the New Testament to the betrayal and death of Jesus, among them the cross, the cock, the ladder and the spear. While we do not know the artist’s name, the degree of his piety communicates itself through his painstaking creation of this personal shrine. [Gallery label text, 2002]", "Dedication" : "Lillian Utz Fund and Tribute Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per dealer, found in western Pennsylvania. Partly made from Armour crate.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3476", "Disp_Access_No" : "1953.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1880-1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1885", "Disp_Title" : "Valentine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "9 x 7 3/8 in. (22.9 x 18.7 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor and pen with brown ink", "Support" : "paper", "Disp_Medium" : "Watercolor and pen with brown ink on paper, metal applique, satin and embossment", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. C. Schuyler Davis", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12814", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1122", "Disp_Access_No" : "1975.108", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1810", "_Disp_Start_Dat" : "1805", "_Disp_End_Date" : "1815", "Disp_Title" : "Weathervane: Angel Gabriel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "21 x 66 1/2 in. (53.3 x 168.9 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "66 1/2 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron and paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund; Acquired in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the Congregational Church of Bristol, New York", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19263", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "rotated image", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "38546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1109", "Disp_Access_No" : "1970.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Weathervane: Liberty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "39 1/4 in. (99.7 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "One of 9 figures of "Liberty" holding aloft American Flag, designed for 1876 Centennial, New England", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17117", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1112", "Disp_Access_No" : "1971.42", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Steer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 1/4 x 24 1/2 in. (31.1 x 62.2 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper and bronze with paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 6633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6633", "Disp_Access_No" : "1991.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1895-1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1900", "Disp_Title" : "Harem Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Israel", "Sort_Artist" : "Israel, Daniel", "Disp_Dimen" : "35 1/2 x 23 1/2 in. (90.2 x 59.7 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The scene depicted here is an example of Orientalism, the portrayal of Eastern figures and scenes-both real and imagined-by western artists. This was a popular aspect of Academic painting. Here a girl tries on jewelry while an older woman, perhaps her maid, looks on approvingly. The intimate alcove of a vast, columned interior allows the artist to show his skill at rendering the patterned fabrics, such as the hanging drapery and the maid's robe, and the jewels that spill from the inlaid chest behind the girl. The 19th century provided many opportunities for artists to travel to Asia and Africa as those lands were being explored, exploited and colonized by European countries. While some paintings were anthropologically correct, based on the artists' experiences, others chose to portray the people of these faraway lands in settings and poses that demonstrated the vast perceived difference between their circumstances and Europeans'. Women, especially, were held up as object lessons of decadence and sensuality in ways Europeans would not have been. [Gallery label text, 2011]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Note in file from 8/19/91 to send the painting to (T287) to Williamstown for treatment. It also says "Let''s accession the painting with the number 91.15 -- worksheet attached to Lee''s copy of this memo for completion. mv"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.15_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26155", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 7639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7639", "Disp_Access_No" : "1994.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1900", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1900", "Disp_Title" : "Hanukkiah or Candelabra", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "26 1/4 x 23 1/2 x 9 3/4 in. (66.7 x 59.7 x 24.8 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "", "Dedication" : "Anonymous Gift", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Formerly T96-- source unknown, found in storage", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.53_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.53_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.53_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.53_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16210", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3925", "Disp_Access_No" : "1996.73", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century - early 20th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1932", "Disp_Title" : "Crown from a Bodhisattva Statue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Himalayan", "Sort_Artist" : "Unknown, Himalayan", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Himalayan", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31822", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.73_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.73_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.73_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.73_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31823", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6799", "Disp_Access_No" : "1928.440", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Krishna and Two Women", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "10 7/8 x 12 1/2 in. (27.6 x 31.8 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, and gold paint on paper", "Info_Page_Comm" : "Krishna is one of the most popular and revered gods in the Hindu religion, worshipped as the eighth avatar, or incarnation, of the god Vishnu. In art, Krishna, which literally means "black" or "dark as a cloud," is usually portrayed with blue-black skin. As a youth, he appears as the divine lover surrounded by adoring gopis, or female cowherds. Although Krishna's favorite of his many lovers was the beautiful gopi Radha, he was frequently careless of her affections. This image probably refers to a specific episode in their relationship: Radha, jealous of Krishna's attentions to other gopis, refuses to rejoin him in the forest. Krishna in turn makes an impassioned plea to Radha's friend, who intervenes and encourages their reunion. The cult of Krishna held as a distinctive trait the exploration of divine and human love. In literature and myth, his youthful flirtations with the gopis are interpreted as symbolic of the loving interplay between God and the human soul. ", "Dedication" : "Gift of Mrs. Samuel Gould", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "Rajput School (1500-1899)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.440_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.440_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.440_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.440_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rephotograph-- slightly blurry", "View" : "" } , ] },{ "embark_ID" : 5195, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5195", "Disp_Access_No" : "1983.44", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Krishna Raising Mount Govardhana", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "11 3/4 x 9 1/2 in. (29.8 x 24.1 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, and silver paint on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen H. Reiff in memory of Robert F. Reiff", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.44_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.44_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.44_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.44_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44979", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-treatment photo in natural light, taken at time of conservation. Color bar included; color-corrected and cropped at MAG. See images numbered 142497 on disk entitled "Indian Miniatures Documentation 2015"", "View" : "" } , ] },{ "embark_ID" : 4784, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4784", "Disp_Access_No" : "1983.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1900", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1900", "Disp_Title" : "Rama, Sita and Lakshmana Return to Ayodhya", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "11 1/4 x 17 15/16 in. (28.6 x 45.6 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, silver and gold paint on paper", "Info_Page_Comm" : "This painting shows a scene at the end of the epic Indian poem, The Ramayana. Rama and Lakshmana have saved Sita and they all fly home on the aerial chariot Pushpaka to see Rama crowned king of Ayodhya. They ride with twenty-three million monkeys and bears who helped them defeat the demon king Ravana. When Ravana asked Brahma to make him indestructible to gods and demons, he underestimated the power of ordinary men and animals, who became his downfall after his abduction of Rama's wife, Sita.", "Dedication" : "Gift of Helen H. Reiff in memory of Robert F. Reiff", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "55110", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2848, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2848", "Disp_Access_No" : "1922.32", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Clam Basket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Native American", "Sort_Artist" : "Unknown, Native American", "Disp_Dimen" : "12 1/4 x 11 x 14 1/2 in. (31.1 x 27.9 x 36.8 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Bark", "Support" : "", "Disp_Medium" : "Cherry bark fibers, mountain grass", "Info_Page_Comm" : "This basket from an unidentified Coast Salish group was probably used to collect clams, mussels, small fish, seaweed and other saltwater resources. The open twined container provided drainage and also helped prevent mold and insect infestation when used for food storage. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Henry A. Strong", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Basketry", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25810", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7905", "Disp_Access_No" : "1953.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Comb", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Tlingit or Haida", "Sort_Artist" : "Unknown, Tlingit or Haida", "Disp_Dimen" : "5 1/8 in. (13 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bone", "Support" : "", "Disp_Medium" : "Bone", "Info_Page_Comm" : "Combs were worn by shamans during curing ceremonies as well as when they were not practicing. Decorated with both spirit helpers and crest emblems, they were also used by chiefs and women of status. [Gallery label text, 2009]", "Dedication" : "Presented by the Rochester Historical Society", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Decorative Arts", "Creation_Place2" : "Native American or First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.62_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.62_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.62_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.62_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25820", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7486", "Disp_Access_No" : "1984.45", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Face Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Nuxálk", "Sort_Artist" : "Unknown, Nuxálk", "Disp_Dimen" : "29 1/2 x 18 x 11 in. (74.9 x 45.7 x 27.9 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "The Nuxalkmc (Nuxálk people) were once referred to as the "Bella Coola." Their homeland and territory are located in and around the Bella Coola valley on the central coast of what is now known as British Columbia, Canada. A rugged inland area located 75 miles from the Pacific Ocean, the region features high mountains rising steeply from the shores of inlets. Nuxálk traditional stories are filled with fabulous beings, many human in form and represented by masked performers in ceremonial dance dramas. Both natural and commercial pigments were used in the decoration of masks, and the characteristic blue, vermilion and black painting is dramatic and distinctive. Very little is known about this mask that is too large to have been worn. [Gallery label text, 2009]", "Dedication" : "Gift of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Art Committee minutes of Oct 1984, purchased by Ms. Herdle at a Rochester art fair, from a man whose grandfather had acquired it while building the Canadian-Pacific railroad.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26809", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7256", "Disp_Access_No" : "1934.18", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Two Men Under a Cherry Tree", "Alt_Title" : "", "Obj_Title" : "Miniature Painting (Two Seated Figures)", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Persian", "Sort_Artist" : "Unknown, Persian", "Disp_Dimen" : "6 5/16 x 4 1/2 in. (16 x 11.5 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor with gold on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marion Hunter Wright", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24987", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7867", "Disp_Access_No" : "1953.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ceremonial Canoe Paddle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austral Islander", "Sort_Artist" : "Unknown, Austral Islander", "Disp_Dimen" : "41 1/4 x 9 in. (104.8 x 22.9 cm)", "Disp_Height" : "41 1/4 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "Based on the size and intricately carved surface it is unlikely that this was ever used as a canoe paddle. Although knowledge of their original function is lost, it is believed that paddles like this may have been used to accentuate a dancer’s movements during ritual performances. By the late 19th century Austral artists recognized Westerners’ interest in the paddles fine carving and craftsmanship and began making them for the market. [Gallery label text, 2009]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Woodwork", "Creation_Place2" : "Austral Islander", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31027", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7893", "Disp_Access_No" : "1996.77", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century - 20th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1999", "Disp_Title" : "Bodhisattva", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Thai", "Sort_Artist" : "Unknown, Thai", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Thai", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31825", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2598", "Disp_Access_No" : "1973.141", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1900", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1900", "Disp_Title" : "Jar (Olla)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Zuni Pueblo", "Sort_Artist" : "Unknown, Zuni Pueblo", "Disp_Dimen" : "8 7/8 x 13 3/4 in. (22.5 x 35 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay and mineral paint", "Info_Page_Comm" : "Focusing more on design motifs and less on symmetry of form, a Zuni jar often combines lyrical figures with geometric abstractions. This jar depicts a distinctive Zuni design, a painting of a deer with a heart-line: a red arrow of life or breath that extends from its mouth to its chest. [Gallery label text, 2009]", "Dedication" : "Gift of Mr. and Mrs. Harris K. Prior", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.141_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.141_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.141_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.141_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25824", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.141_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.141_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.141_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.141_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25825", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9053", "Disp_Access_No" : "1984.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Brawl (La Rixe) ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Felix Vallotton", "Sort_Artist" : "Vallotton, Felix", "Disp_Dimen" : "10 5/8 x 14 1/8 in. (27 x 35.9 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "14 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "General Acqusitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/751", "Disp_Access_No" : "1971.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Wadsworth Meadow, Geneseo, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "18 x 30 in. (45.7 x 76.2 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is really splotchy.", "View" : "" } , ] },{ "embark_ID" : 3894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3894", "Disp_Access_No" : "1998.37.1-2a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Life Mask and Hands of Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonard Wells Volk", "Sort_Artist" : "Volk, Leonard Wells", "Disp_Dimen" : "9 3/4 x 8 1/8 x 5 5/8 in. (24.8 x 20.6 x 14.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Head", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1 - life mask .2a&b - hands", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.37.1-2a-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.37.1-2a-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.37.1-2a-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.37.1-2a-b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12541", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4133", "Disp_Access_No" : "1972.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "Aurélien-Marie Lugné-Poë (1869-1940)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edouard Vuillard", "Sort_Artist" : "Vuillard, Edouard", "Disp_Dimen" : "8 3/4 x 10 1/2 in. (22.2 x 26.7 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on panel", "Info_Page_Comm" : "This likeness captures the intense fervor of the artist's friend and patron, Aurélien-Marie Lugné-Poë (1869-1940), an actor and daring theatrical producer who helped Vuillard obtain his first commission for a theatrical poster. The artist's use of broad areas of flat color to define form and volume in this intimate portrait is typical of the Nabis painters, a group of artists influenced by Paul Gauguin and with whom Vuillard was aligned. [Gallery label text, 1999]", "Dedication" : "Gift of Fletcher Steele", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.18_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.18_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.18_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.18_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "39026", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 72.18_M1; no print level photography was made at the time this photo was made, so a new print image was derived from the _M1 and then a JPG from that TIF. 8/31/12 KS", "View" : "" } , ] },{ "embark_ID" : 3760, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3760", "Disp_Access_No" : "1954.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Stream", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "C. D. Wader", "Sort_Artist" : "Wader, C. D.", "Disp_Dimen" : "8 x 13 1/8 in. (20.3 x 33.3 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. H.H. Wickes", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.65_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.65_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.65_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.65_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "34474", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6949", "Disp_Access_No" : "1936.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "The Flock of Geese", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Horatio Walker", "Sort_Artist" : "Walker, Horatio", "Disp_Dimen" : "14 x 18 in. (35.6 x 45.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13058", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/761", "Disp_Access_No" : "1947.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Outlet of Lake George", "Alt_Title" : "Outlet of Lake George - Rogers Rock in the Distance", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob C. Ward", "Sort_Artist" : "Ward, Jacob C.", "Disp_Dimen" : "21 3/4 x 30 in. (55.2 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Sometimes referred to as "Outlet of Lake George - Rogers Rock in the Distance" From "The New Yorker," April 25, 1840, p. 81 "The Wilds of Lake George." "[Suggested by a Painting of ''The Outlet of Lake George,'' engraved for the Title-Page of the Quarto New-Yorker, Vol. VIII., just issued.--by Alfred B. Street.]" "Grand pomp of the Wilderness! solemn and wild, Magnificent temple, for the Solitude piled! Its columns the rocks, and canopy, sky; Its huge mountain-altar reared proudly on high. Round circle the Seasons: Spring dances along-- It is breathing with fragrance and vocal with song; Its grass-carpet lifts to the steps of her showers; At the wand of her sunbeam come thronging its flowers. Bright, beautiful Summer her thick garlands weaves, And its depths are made dim with her mantle of leaves; There''s dancing of shadows in ebony gloss, And gold-slants and sprinkles on blossoms and moss. Gay alchymist Autumn transmutes, and behold! The emerald changed to rich crimson and gold; There''s a glitter of gems--a proud blazon of hues, And silver mists forming, to melt with the dews; The Moon''s splendor streams with more pomp from on high, And the star-clusters glow with more light in the sky. Wild Winter on rushes, with clouds o''er his brow, His war-steed the tempest--his banner the snow; The temple stands blighted and mute at his glance, The glitter has faded, and past is the dance, Till Spring, with her soft looks and sweet smiles, again Breathes joy, as the Despot abandons his reign. And music, sweet music, the temple gives forth When Winter has reached his stern home in the North; The torrent-like stream, as, mad-foaming, it bounds, Loud raises, unceasing, its organ-like sounds; There are voices of birds, and a murmur of bees, And soft strains of wind-harps breathed low through the trees, And thunder o''er rolling, and lanching its crash, And the strong sheeted rains, as fierce downward they dash, And the wild blast, as onward it rages and shoots, Whirling boughs from their trees--wrenching trees from their roots-- The bee-song--the blast hymn--the chant of the flood, Send upward in praise to their Maker and God. And other sounds forth, too, this temple hath cast, Stern, loud as the thunder, and fierce as the blast, When Tyranny''s hordes, grasping fetters, were led O''er a region that shuddered in wrath at their tread; In an air that grew black, as their banners it fanned, Till the fierce storm of Vengeance thick curtained the land. ''T was the war-shout of Freedom! and echoed by men She poured down the mountain and rallied in glen, As proudly she spread her pure flag for the fray, And her young Eagle stretched his strong wings on her way. Oh, what though to earth that starred banner was cast! Oh, what though those wings were crushed down by the blast! Brave hearts bore that banner--''t was lifted anew; High hopes cheered those pinions--more lofty they flew; Till Victory, loud as the roar of the sea, In heart bursts was shouted by men that were Free!", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/767", "Disp_Access_No" : "1964.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Study for "Christ Rejected"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benjamin West", "Sort_Artist" : "West, Benjamin", "Disp_Dimen" : "30 7/8 x 42 1/8 in. (78.4 x 107 cm)", "Disp_Height" : "30 7/8 in.", "Disp_Width" : "42 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on panel", "Info_Page_Comm" : "According to the Christian gospels, Jesus was brought before Caiaphus and his fellow high priests, who rejected Jesus and gave him to Pilate to be crucified. Even today, among contemporary clergy and theologians, there is debate about the historical circumstances of Christ's death. Benjamin West depicted the traditional narrative in a compressed manner, bringing together elements of the events that were to follow: the crucifix and the instruments of the passion lie in the foreground; Mary, the mother of Jesus, and Mary Magdalene anticipate Jesus' suffering with looks of sorrow and horror; Roman soldiers stand by with spears. The artist was born in pre-Revolutionary Philadelphia, studied in Italy, and settled permanently in England, where he became the second president of the Royal Academy of Arts. He became known for his dramatic historical and religious subjects. West taught the first generation of American artists, including Gilbert Stuart and Matthew Pratt. The finished version of Christ Rejected is monumental, at 16' x 23', and it hangs at the Pennsylvania Academy of the Fine Arts in Philadelphia. [Gallery label text, 2004] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3767", "Disp_Access_No" : "1976.85", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Forget-Me-Not", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "10 x 7 in. (25.4 x 17.8 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Arthur S. Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Verso: watercolor study of young woman in white dress with black jacket and hat", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.85_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.85_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.85_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.85_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12472", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2487", "Disp_Access_No" : "1948.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "The Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 9/16 x 7 15/16 in. 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(23.2 x 33.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Henry Bragdon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per correspondence with the donor, this piece hung in Claude Bragdon''s living room on Castle Park for many years.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.51_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.51_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.51_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.51_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.51_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27821", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4403, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4403", "Disp_Access_No" : "1997.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1825-1835", "_Disp_Start_Dat" : "1825", "_Disp_End_Date" : "1835", "Disp_Title" : "Danjuro IV (beauty compared to a Kabuki actor of the past)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Utagawa Toyokuni II", "Sort_Artist" : "Toyokuni II", "Disp_Dimen" : "14 1/2 x 9 7/8 in. 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Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17230", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1514", "Disp_Access_No" : "1985.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Death of President Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "10 x 14 in. 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(33.2 x 45.8 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of William Balkan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17674", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2494, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2494", "Disp_Access_No" : "1985.53", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1844", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1849", "Disp_Title" : "Falls of the Genesee, Rochester, N.Y.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Whitefield", "Sort_Artist" : "Whitefield, Edwin", "Disp_Dimen" : "8 1/16 x 11 1/16 in. 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(44.2 x 32.4 cm)", "Disp_Height" : "17 3/8 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink, charcoal and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly the work referred to as "Reflections" in a Dec 6, 1930 Times-Union exhibition review, then owned by Mrs. Watson. Mrs. Watson bought that work at Brodhead Gallery in 1907. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.107_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.107_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.107_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.107_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "40142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.107_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.107_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.107_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.107_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1040", "Disp_Access_No" : "1930.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Francis Granger (1792 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hiram Powers", "Sort_Artist" : "Powers, Hiram", "Disp_Dimen" : "23 x 17 x 11 in. (58.4 x 43.2 x 27.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "“Now then for a small piece of vanity—Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.” New York Congressman and Canandaigua resident Francis Granger was one of many prominent American politicians to sit for a classical-style portrait bust by Hiram Powers. Many Grand Tourists made Powers’ sculpture studio in Florence, Italy, a stop on their travels, to witness the artist at work, view his latest creations, or commission a personal artwork. [Label text from It Came From the Vault exhibition, 2013] Why do portrait busts often have blank eyeballs? Here’s one theory: originally, many ancient Greek and Roman sculptures were painted, including the eyes, but over the years the paint has faded so that by the 19th century, the eyes appeared to be blank. While 19th century artists often modeled their portrait busts of important political figures on these Classical forms, they did not know that the eyes had been painted originally, so they left them blank. Only with current technology has it been possible to understand how the older sculptures actually appeared. The subject of this sculpture, Francis Granger (1792 – 1868), was born a decade after the American Revolution and died right after the Civil War. A congressman from nearby Canandaigua when he posed for this sculpture in 1837, he said: “Now then for a small piece of vanity – Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. 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(71.8 x 55.6 cm)", "Disp_Height" : "28 1/4 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Irene Adams Sillay", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1512", "Disp_Access_No" : "1985.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "General Grant at the Tomb of Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "General Grant at the Tomb of Abraham Lincoln, Oak Ridge Cemetery, Springfield, Illinois", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "9 3/4 x 13 15/16 in. (24.8 x 35.4 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "13 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2542", "Disp_Access_No" : "1984.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Genesee Falls at Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "6 5/8 x 9 3/4 in. (16.8 x 24.8 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Hand-colored steel engraving", "Support" : "paper", "Disp_Medium" : "Hand-colored steel engraving on paper", "Info_Page_Comm" : "From "Smith's Gazetteer."", "Dedication" : "Gift of Dr. and Mrs. Frank Lovejoy, Jr.", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Smith''s Gazeteer", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33256", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2571, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2571", "Disp_Access_No" : "1986.136", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1902", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1907", "Disp_Title" : "Gourd Form Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Sicard", "Sort_Artist" : "Sicard, Jacques", "Disp_Dimen" : "16 7/8 x 11 in. (42.9 x 27.9 cm)", "Disp_Height" : "16 7/8 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic with iridescent glaze", "Info_Page_Comm" : "", "Dedication" : "Gift of E. Martin and Angeline Guzzetta Jones in memory of John W. Guzzetta", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.136_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.136_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.136_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.136_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1137", "Disp_Access_No" : "1994.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1900", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "Hettie Sherman Evarts Beaman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustus Saint-Gaudens", "Sort_Artist" : "Saint-Gaudens, Augustus", "Disp_Dimen" : "22 1/4 x 20 x 3/8 in. (56.5 x 50.8 x 1 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary Ellen Gaylord", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17120", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6352", "Disp_Access_No" : "1983.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Man and Woman in Canoe with Totemic Animals", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Haida", "Sort_Artist" : "Unknown, Haida", "Disp_Dimen" : "4 x 2 1/4 x 13 7/8 in. (10.2 x 5.7 x 35.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "2 1/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Argillite", "Info_Page_Comm" : "Argillite, a fine-grained sedimentary rock sometimes called “black slate,” is mined in the Queen Charlotte Islands, the only mineable source in North America. These small and easily transportable sculptures were first made by the Haida in the early 19th century for trade with outsiders. Here the canoe is filled with a raven, a bear and two human paddlers. The animals are totemic figures, relating to matrilineal clans; the human figure with longer hair may be a shaman. These sculptures are still being made today in an array of figure groupings and materials. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25830", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.17_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.17_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.17_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.17_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25831", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6773, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6773", "Disp_Access_No" : "1977.37", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard George Matthews", "Sort_Artist" : "Matthews, Richard George", "Disp_Dimen" : "6 7/8 x 8 3/8 in. (17.5 x 21.2 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor on wove paper laid down on heavy paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Robert F. Metzdorf", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37958", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3752", "Disp_Access_No" : "1913.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1900", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "Landscape with a White Farm House", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Sterner", "Sort_Artist" : "Sterner, Albert", "Disp_Dimen" : "9 7/8 x 14 in. (25.1 x 35.6 cm)", "Disp_Height" : "9 7/8 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37947", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11703, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11703", "Disp_Access_No" : "2003.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Lincoln and His Family", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Samuel Bell Waugh", "Sort_Artist" : "Waugh, Samuel Bell", "Disp_Dimen" : "22 1/16 x 27 15/16 in. (56 x 71 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "27 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Steel engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard S. Merritt in memory of Florence H. Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17931", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3150", "Disp_Access_No" : "1959.80", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Moravian Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "18 x 12 7/8 in. (45.7 x 32.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "laid paper", "Disp_Medium" : "Graphite on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.80_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3279", "Disp_Access_No" : "1970.52", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "Mrs. Charles Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "23 3/4 x 18 3/8 in. (60.3 x 46.7 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Charcoal", "Support" : "paper", "Disp_Medium" : "Charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James O. Belden in memory of Evelyn Berry Belden", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43299", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from transparency as digital image was very light/brown and needed to be blacker.", "View" : "" } , ] },{ "embark_ID" : 678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/678", "Disp_Access_No" : "1957.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1896", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1901", "Disp_Title" : "Mrs. William Shakespeare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "29 3/8 x 24 1/2 in. (74.6 x 62.2 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Singer Sargent was the most fashionable portrait painter working in England and the United States in the late 1800s. He was not only a gifted artist, but an accomplished pianist and linguist. The novelist Henry James once remarked that London society at the turn of the century saw John Singer Sargent and his friends “…all swimming just now in a sea of music,” with Sargent being “as much a player as a painter.” The sitter of this portrait, Louise Weiland (c. 1850–1911), was brought up at the court of Dresden, Germany. She married the British singer, composer, and conductor William Shakespeare, one of Sargent’s closest friends, in 1875. Mrs. Shakespeare was best known for the musical salons she held in her London home, which brought together artists, musicians, and members of high society. She was described by her friend Eva Ducat as a quiet woman who “hid brilliant gifts under a gentle, deprecating manner.” According to Ducat, Sargent tried to capture Mrs. Shakespeare’s characteristic wistful expression by telling her sad stories as he painted her portrait. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Sargent catalogue raisonne lists a different provenance than MAG records list. C.r. notes a replica painted for another family member which has been unaccounted for since 1912-- provenance may have been mixed up between the two? --KSchauber", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2863", "Disp_Access_No" : "1942.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "Sampler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Hudson", "Sort_Artist" : "Hudson, Mary", "Disp_Dimen" : "16 5/8 x 13 1/8 in. (42.2 x 33.3 cm)", "Disp_Height" : "16 5/8 in.", "Disp_Width" : "13 1/8 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "linen", "Disp_Medium" : "Silk thread needlepoint on linen", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Samuel Weil", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.46_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "19123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.46_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.46_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.46_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.46_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3555", "Disp_Access_No" : "1958.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ludwig Bemelmans", "Sort_Artist" : "Bemelmans, Ludwig", "Disp_Dimen" : " ()", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "The creator of the beloved Madeline stories had a sharp and satirical eye for the scenes that he found around him in his adopted city of New York. In addition to his children’s books, Bemelmans illustrated for the New Yorker, Vogue, and Holiday magazines. Currently, the curator is trying to determine if this artwork was designed for a New Yorker cover. Upscale New York restaurant were familiar territories for Bemelmans. At age 14, he was apprenticed to his uncle, a hotelier in the Tyrol. The young Bemelmans’ lack of success – and outright bad behavior – contributed to his emigration to America, where he sought his fortune as a waiter at the Ritz-Carlton hotel in New York City. After serving in World War I, he opened and decorated his own restaurant. When a friend in the publishing business suggested that he turn his whimsical paintings into stories, Bemelmans wrote his first children’s book – Hansi. In 1939, Madeline appeared. He went on to write for adults, and in 1941, wrote Hotel Splendide, a fictional account of a grand hotel with an elegant, but problem-ridden restaurant. Bemelmans is buried at Arlington National Cemetery. His public work survives in the 1947 mural commission for the Hotel Carlyle on Madison Avenue – in what is now called Bemelmans Bar. 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(37 x 74.8 cm)", "Disp_Height" : "14 9/16 in.", "Disp_Width" : "29 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.212_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.212_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.212_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.212_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image has under glass distortion along top edge. 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The artist represents himself as the figure in the stovepipe hat seated on the courthouse steps, attended by a friendly dog and two men in white hats who pause to look over his shoulder. John Sartain was a highly successful engraver and publisher. He is well-known for his mezzotints of paintings by some of America’s major artists, including Emanuel Leutze and Thomas Sully. His descendants continued to make important contributions to the world of 19th century American art. [Gallery label text, October 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18944", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4337", "Disp_Access_No" : "1997.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1847-1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1852", "Disp_Title" : "The Drunkard of Edo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Eight Cups of Drunkeness", "Disp_Maker_1" : "Utagawa Kuniyoshi", "Sort_Artist" : "Utagawa Kuniyoshi", "Disp_Dimen" : "13 11/16 x 9 3/4 in. 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(52.1 x 62.2 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Samuel Gould", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17110", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6873", "Disp_Access_No" : "1983.52", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800-1850", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1850", "Disp_Title" : "The God Shiva, His Consort Parvati, and a Musician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "7 1/2 x 10 5/8 in. 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The white bull in the lower corner is Nandi, Shiva's vahana or vehicle, who, in India, is often worshiped in Shiva's place.", "Dedication" : "Gift of Helen H. Reiff in memory of Robert F. Reiff", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14767", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1524", "Disp_Access_No" : "1985.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1867", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1867", "Disp_Title" : "The Lincoln Family", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "13 x 16 1/16 in. 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Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.36_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17939", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1379, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1379", "Disp_Access_No" : "1988.77", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Two Figures in Wooded Setting, One Playing a Reed Instrument", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "10 x 13 11/16 in. 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Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "3 7/16 x 4 15/16 in. 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(24.6 x 11.2 x 11.2 cm)", "Disp_Height" : "9 11/16 in.", "Disp_Width" : "4 7/16 in.", "Dimen_Extent" : "", "Medium" : "Favrile glass", "Support" : "", "Disp_Medium" : "Favrile glass", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2686, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2686", "Disp_Access_No" : "1975.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1900", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "4 7/16 x 4 5/16 x 4 5/16 in. (11.2 x 11 x 11 cm)", "Disp_Height" : "4 7/16 in.", "Disp_Width" : "4 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Ellen Eber in memory of Pearl Weinrich Strauss", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11702, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11702", "Disp_Access_No" : "2003.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "View in Hadley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "9 1/2 x 15 in. (24.2 x 38.1 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Grant Holcomb in honor of Susan Schilling", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17924", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2198", "Disp_Access_No" : "1946.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "View Near the Upper Falls of the Genesee River (From a Drawing by D. Wadsworth)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Wadsworth", "Sort_Artist" : "Wadsworth, Daniel", "Disp_Dimen" : "17 5/16 x 13 1/4 in. (44 x 33.7 cm)", "Disp_Height" : "17 5/16 in.", "Disp_Width" : "13 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 773, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/773", "Disp_Access_No" : "1973.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "View of the Pitkin House and East Avenue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson", "Sort_Artist" : "Willson, Charles", "Disp_Dimen" : "20 3/8 x 30 1/4 in. (51.8 x 76.8 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The building that currently is the Boy Scout headquarters – 474 East Avenue, near Prince Street – was formerly a private home. It was originally built for William Pitkin, a druggist who became banker, mayor of the city, and married Sophia Rochester, daughter of Rochester’s founder. After the Pitkins moved closer to downtown (legend says that Sophia missed living near her parents, who lived on Spring Street – East Avenue was considered out in the country in those days), the home became the residence of Daniel Powers, self-made millionaire. In 1906, a third story was added to the building. [Gallery label text, 2007] ", "Dedication" : "Gift of Maurice R. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Also known as the Gilman Perkins House", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17283", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17284", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17285", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17287", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20954", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. [Gallery label text, 2004]", "Dedication" : "Given in loving memory of Cornelia Robinson and Henry Douglas Buell by their daughter Jane Buell Ward and family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9332", "Disp_Access_No" : "1947.71", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "West Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Butts", "Sort_Artist" : "Butts, Alfred", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "Like Rochesterian Walter Cassebeer, Alfred Butts was also an architect in New York City. He lost his job in 1929, and it may have been during the early 1930s that he created prints like this one of West Street in Lower Manhattan to generate some income. In addition to using his artistic skills to solve his financial problems, he turned his attention to the creation of a game that would capitalize on his love of crossword puzzles – and that game became Scrabble®. West Street, the subject of this print, did not have as successful an outcome. A portion of it is within the security perimeter of the of the World Trade Center site, and a number of the landmark buildings on West Street sustained significant damage. There has been a movement to rename the street “Highway of Heroes” to commemorate efforts of the many valiant people who responded during the 9/11 disaster. [Label text, 2003]", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.71_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.71_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.71_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.71_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31605", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. Macdowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement. [Gallery label text, 2007] Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 3677, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3677", "Disp_Access_No" : "1989.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Youth and Old Age", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie H. Williams Howell", "Sort_Artist" : "Howell, Annie H. Williams", "Disp_Dimen" : "8 1/8 x 11 3/8 in. (20.7 x 28.9 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "celluloid", "Disp_Medium" : "Watercolor with graphite on celluloid", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. From handwritten list in Registrar''s deaccessioning file: "Lent by Mrs. Emily Somerville Haas through the courtesy of James Haas." Was gift ever made official?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7720", "Disp_Access_No" : "1958.29", "_AccNumSort1" : "", "Disp_Create_DT" : "19th century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Treasure Chest", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "10 x 11 x 11 in. (25.4 x 27.9 x 27.9 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "", "Dedication" : "R.T. 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(24.9 x 40.9 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "16 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper", "Info_Page_Comm" : "", "Dedication" : "Transfer from Rush Rhees Library, Claude Bragdon Papers", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Andrea Reithmayr believes these katagami may have been given by Cleome Carroll (Wadsworth) to Bragdon, although there does not seem to be any documentation of this. Carroll and Bragdon lived in the Shelton Hotel in New York at the same time and collaborated on the article "Art and Industry." See e-mail from Andrea in curatorial file. --KSchauber, Research Ass''t, July 2014", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.15.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.15.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.15.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.15.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17210", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11721", "Disp_Access_No" : "1984.15.5", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Stencil (Katagami)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "13 1/2 x 16 1/4 in. (34.3 x 41.3 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper", "Info_Page_Comm" : "", "Dedication" : "Transfer from Rush Rhees Library, Claude Bragdon Papers", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Andrea Reithmayr believes these katagami may have been given by Cleome Carroll (Wadsworth) to Bragdon, although there does not seem to be any documentation of this. Carroll and Bragdon lived in the Shelton Hotel in New York at the same time and collaborated on the article "Art and Industry." See e-mail from Andrea in curatorial file. --KSchauber, Research Ass''t, July 2014", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.15.5_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.15.5_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.15.5_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.15.5_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "17214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3932", "Disp_Access_No" : "1996.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1800-1899", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Kakubha Ragini, Love in Loss", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "12 7/8 x 8 3/4 in. (32.7 x 22.2 cm)", "Disp_Height" : "12 7/8 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "with mount", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, and gold paint on paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.68_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.68_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.68_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.68_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44993", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-treatment photo in natural light, taken at time of conservation. Color bar included; color-corrected and cropped at MAG. See images numbered 142510 on disk entitled "Indian Miniatures Documentation 2015"", "View" : "" } , ] },{ "embark_ID" : 8936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8936", "Disp_Access_No" : "1972.90", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Workers Dyeing Cloth", "Alt_Title" : "", "Obj_Title" : "Illustration from the series "One Hundred Poems by One Hundred Poets as Explained by the Nurse"", "Series_Title" : "", "Disp_Maker_1" : "Katsushika Hokusai", "Sort_Artist" : "Katsushika Hokusai", "Disp_Dimen" : "10 3/16 x 14 13/16 in. (25.9 x 37.7 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "14 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "This print illustrates the text of a poem by the Empress Jitô, who ruled Japan from 690 to 697. In translation, the poem reads <blockquote>The spring has passed And the summer come again; For the silk-white robes, So they say, are spread to dry On the "Mount of Heaven's Perfume."</blockquote> The "Mount of Heavenly Perfume" is the name of a hill southeast of the ancient capital of Nara. According to legend, the villagers of the region spread their winter clothing on the slopes of the mountain to dry. This print seems to show people bringing clothes to wash in the river and dry on poles in the background. What is actually shown, though, is the manufacture of linen cloth from flax fiber, a process that produces a very foul odor. In the original Japanese, the Empress has used the words <em>ama</em> and <em>kagu</em>, which mean respectively both "heaven and flax" and "to smell good and to smell bad." The last line of the poem, then, can also read "On the Mount of Flax's Stench," a verbal pun that Hokusai translates into a visual one. ", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.90_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.90_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.90_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.90_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16686", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8927", "Disp_Access_No" : "1987.34.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Geese Descending on Gotenyama", "Alt_Title" : "", "Obj_Title" : "Geese Descending on Gotenyama from the series "Eight Views of the Shiba District in the Capital City" ", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.4 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Geese Descending on Gotenyama" plays on the classical "Geese Descending on a Sand Bar." The view here is from from Mt. Goten (Gotenyama), overlooking Edo Bay from above the spit of land that can be seen in the far distance in the right of the first print in this series. Gotenyama means "The Shogun's Mountain," so named because the first Tokugawa Shogun, Ieyasu (1542-1616), built a mansion (<em>goten</em>) for hunting on this elevation. Cherry-trees from Yoshino near Kyoto were planted here 1661-73, making it a favorite sightseeing spot. More than twenty years later Hiroshige was to recycle this scene in his "Hundred Views of Edo: View North from Mt. Asuka" (<em>Meisho Edo hyakkei: Asukayama kita no chôbô</em>), with one crucial change: rather than Edo Bay here, the later view is of the mountains northeast of the city.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16692", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8928", "Disp_Access_No" : "1987.34.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Autumn Moon at Tamachi", "Alt_Title" : "Tamachi-no Shugetsu", "Obj_Title" : "Autumn Moon at Tamachi from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.4 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Autumn Moon at Tamachi" echoes "Autumn Moon over Lake Dongting." This print contains the publisher's seal only of Echizen-ya Heisaburô. The script near the roof-beam of the red shrine names the building as the Hachiman Shrine, also known as Samezu Jinja or "Shark's Head Shrine" for the statue of the sacred Buddhist deity Kannon that a founding legend of Edo claims fishermen found in the belly of a shark pulled from the bay near this spot. The light of the harvest moon in this lovely autumn night view makes the city rooftops appear to glow whitely below the shrine to Hachiman, the god of war and one of the important cult deities of the Tokugawa house.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16693", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8929", "Disp_Access_No" : "1987.34.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Evening Bell at Mt. San'en", "Alt_Title" : "", "Obj_Title" : "Evening Bell at Mt. San'en from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 3/16 in. (25 x 36.1 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Evening Bell at Mt. San'en" shows as its "distant temple" the Sangedatsumon (Gate of Freedom from the Three Misperceptions), the main gate (<em>sanmon</em>) of Zôjôji, the burial temple of the Tokugawa shoguns. This gate, originally built in 1622, is one of the few monuments of Edo still extant today; the rest of this magnificent temple disappeared, along with much of Tokyo, in the Allied bombing raids on the city during WWII. This print shows people walking at dusk in the "Field of One Hundred Pines" that stretched in front of the temple's main gate. The characters "mountain ties" used to write the word <em>san'en</em> in the title of the print are properly written with the homophonic characters "three ties," which in the Jôdo sect of Buddhism refers to the three duties of its main devotional rite, one of which is <em>zôjô-en</em> or the duty of reciting the name of Amida Buddha—the source of the name of Zôjôji temple shown here.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16694", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8930, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8930", "Disp_Access_No" : "1987.34.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Night Snow over Mt. Atago", "Alt_Title" : "", "Obj_Title" : "Night Snow over Mt. Atago from the series "Eight Views of the Shiba District in the Capital City" ", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 3/4 x 14 1/4 in. (24.8 x 36.2 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Night Snow over Mt. Atago" replaces "Night Snow over a River Sky," and the script near the treetops tells us that the scene is of the year-end fair on this Shiba height with its unparalleled view over the bay. In his "Hundred Views of Edo" Hiroshige will turn this view into a dramatic closeup of the owner of a famous teashop atop this hill as he stands impressively against the New Years dawn over the bay. One of the temple buildings is shown here with donated paintings called <em>ema</em> arrayed under its eaves, while the masses of people move among the temporary stalls set up under the snow-covered trees to sell every sort of trinket and food. These same stalls can still be found selling pretty much the same things in the famous "inner shops" (<em>nakamise</em>) of the Asakusa Sensôji temple. A few of Edo's ubiquitous fire watch-towers can be seen sketched in down in the flatlands along the bay where the merchant class lived and worked. ", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16695", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5199", "Disp_Access_No" : "1987.34.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Clearing Storm at Shirogane", "Alt_Title" : "", "Obj_Title" : "Clearing Storm at Shirogane from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 3/4 x 14 5/16 in. (24.8 x 36.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Clearing Storm at Shirogane" features the local shrine to "Lord Kiyomasa" (Katô Kiyomasa), whose martial valor was and is worshipped here, together with the deity Bishamonten, one of the "Seven Lucky Gods" (<em>shichifukujin</em>). The trees are printed using an innovative application of black ink that conveys the impression of thick foliage and dense shadow.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19916", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3930, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3930", "Disp_Access_No" : "1996.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman and Child on a Verandah", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "20 1/4 x 14 1/4 in. (51.4 x 36.2 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Ink", "Support" : "glass", "Disp_Medium" : "Ink and color on glass", "Info_Page_Comm" : "Reverse glass painting is a technique by which the artist applies paint, usually oil, on the back of a clear glass panel. The pigment adheres to the smooth surface of the glass, retaining a fresh color similar to that of enamels. The glass becomes part of the picture by providing the ground for the paint as well as the cover for the artwork. Although examples of this technique exist from the Roman period of European history, reverse glass painting was first introduced into Asia in the early 1700s. By the early 1800s, there was a large market for these paintings among European and American traders and travelers to China; most were made by Chinese artists specifically for export to the West. The most popular subjects were portraits, images of children playing at the Imperial palace, and landscape and harbor scenes. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39558", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from inventory shot 96.65_I1; not for publication use, as no color bars included in inventory shot. Exists only as JPG. Per Carol Acquilano, this is a good representation of the painting, better than the 96.65_A1 image, which was scanned from a dark slide.", "View" : "" } , ] },{ "embark_ID" : 20788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20788", "Disp_Access_No" : "2007.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1800-1850", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1850", "Disp_Title" : "A Royal Couple on a Terrace", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "7 1/4 x 5 1/2 in. (18.4 x 14 cm)", "Disp_Height" : "7 1/4 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "case", "Medium" : "Gouache", "Support" : "ivory", "Disp_Medium" : "Gouache on ivory in a late 19th century velvet and cloth lined presentation case", "Info_Page_Comm" : "", "Dedication" : "Bequest of Faye Gonsenhauser", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }