{ "objects" : [ { "embark_ID" : 7824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7824", "Disp_Access_No" : "1970.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hook Figure (Yipwon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Arambak", "Sort_Artist" : "Unknown, Arambak", "Disp_Dimen" : "85 in. (215.9 cm)", "Disp_Height" : "", "Disp_Width" : "85 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, shell", "Info_Page_Comm" : "This hook figure, or yipwon, is a 20th century reproduction of old, powerful figures believed to guide and assist tribes in hunting and warfare. The hooks represent ribs which surround the central element of the heart. The large yipwon were kept in the sacred space of the Men’s House where it acted as a vessel to house primordial ancestral spirits. These spirits were called into the yipwon prior to battle by a senior man who activated the figure by rubbing it with powerful substances. If the battle was a success, returning warriors smeared it with the blood of their victims. Particularly effective yipwon were handed down for generations. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7857, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7857", "Disp_Access_No" : "1987.84", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Board (Gope)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "54 x 12 3/4 in. (137.2 x 32.4 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "Traditionally, spirit or gope boards were considered dwelling places for individual spirits. Each spirit was linked to specific parts of the land, river or sea associated with the clan. They were kept in each clan’s cubicle within the larger Men’s House along with other items such as human and animal skulls meant to honor various spirits within their clan. The boards' highly stylized imagery is believed to represent the way the spirit looks. While the imagery reflects certain consistencies within clans, their varied style and appearance reflects individual artists’ representations of individual spirits. Despite differences, every board has a face and a navel. The navel was particularly important because it served as the access point through which the spirit entered the board. [Gallery label text, 2009]", "Dedication" : "Gift of James and Denise Wasserstrom", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These images are smaller than the usual in-house registration photographs because they were taken with Jessica Marten''s personal Canon camera which does not have a raw file format. But because they were taken with accession numbers and color bars, it was determined it was best to create master, print, access files, rather than just access files. These are not appropriate for publication, but are perfectly good for web display.", "View" : "" } , ] }, ] }