{ "objects" : [ { "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 4801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4801", "Disp_Access_No" : "1950.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1830", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1830", "Disp_Title" : "View of Dedham", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Constable", "Sort_Artist" : "Constable, John", "Disp_Dimen" : "9 1/2 x 12 1/8 in. (24.1 x 30.8 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "W. G. Constable identified the scene as the valley of the Stour in Essex; Dedham too is in Essex County", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22752", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4964", "Disp_Access_No" : "1957.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1899", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1899", "Disp_Title" : "Interior of a Mosque", "Alt_Title" : "Mosque at Cairo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Léon Gérôme", "Sort_Artist" : "Gérôme, Jean-Léon", "Disp_Dimen" : "23 3/8 x 35 3/8 in. (59.4 x 89.9 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "35 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An enthusiastic amateur archaeologist, Gérôme painted dozens of Eastern scenes over his long career, including a number of mosque interiors. Although the mosque seen here has not been identified, the artist was known to have travelled in Asia Minor, the Middle East, and North Africa, and it is believed that this elaborate interior is a composite, made up of details from a number of specific sites. The worshippers assume accurate postures for their devotions, from the initial upright recitation of vows to the final prostration before God. Gérôme was a firm proponent of the Academic style: he taught at the Ecole des Beaux-Arts in Paris, and won national honors and the patronage of royalty. Although his pupils had included icons of modernism such as Fernand Leger and Everett Shinn, Gérôme was initially opposed to any challenges to the supremacy of the Academy. In the face of increasing opposition to his conservative viewpoint, he declared that the work of the Impressionists was “insipid and badly executed.” [Gallery label text, 2011]", "Dedication" : "Gift of Mr. and Mrs. F. Harper Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38927", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency", "View" : "" } , ] },{ "embark_ID" : 4969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4969", "Disp_Access_No" : "1939.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Rocks at Pourville, Low Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 5/16 x 31 in. (64.3 x 78.7 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting belongs to a series of works produced during the spring and summer of 1882, while Monet visited Pourville, a town on the Normandy coast. As he explored the beach and the rocks exposed at low tide, Monet found a startling diversity of viewpoints that enabled him to create some of his most dramatic and unexpected compositions. In all of them, Monet placed himself far out across the beach, a little to the east of Pourville. He juxtaposed the cliffs in the far distance with the fragmented forms of the rock shelves in the foreground, using unique brushstrokes to convey the movement and light of the water and clouds. Monet’s technique gradually changed from completing paintings out of doors to one of making hundreds of concentrated studies on location. He then compiled and reworked these many sketches in his studio, where he created the final canvases. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Recorrected from M1 image as there was no print master version. A new JPG was derived from the new print master.", "View" : "" } , ] },{ "embark_ID" : 5065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5065", "Disp_Access_No" : "1950.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "15 7/8 x 12 5/8 in. (40.3 x 32.1 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rococo, from the French word rocaille (rockwork or shell), was an 18th century decorative style that reacted against the classical tradition of the Academy and instead stressed color, light, movement, and a frank pleasure in living. The easy flowing brushwork and the luminous colors show the influence of Rubens. As a rococo painter, François Boucher worked primarily in the service of Madame de Pompadour, mistress to Louis XV. His paintings satisfied the taste of a sophisticated public which was sensitive to the most subtle relations of color and liked pictures hung on the light paneling of even the smallest room. This intimate painting of "Venus and Cupid," with its sensuously modeled nudes, embodies the French 18th century tendency to transform the Baroque style into one of more delicate elaboration and elegance. An 18th-century engraving, which P. Aveline made after the painting, is inscribed "F. Boucher pinxit." [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painting has been cut down and relined onto a new canvas and stretcher, so only the picture itself is original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43849", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , ] },{ "embark_ID" : 5123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5123", "Disp_Access_No" : "1925.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Girl Playing Guitar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan Mestrovic", "Sort_Artist" : "Mestrovic, Ivan", "Disp_Dimen" : "18 1/2 x 10 x 6 in. (47 x 25.4 x 15.2 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In April, 1925, the Memorial Art Gallery mounted an exhibition of Mestrovic’s sculpture. Like [Gaston] Lachaise, Mestrovic created emotionally evocative work, which may have influenced the many Rochesterians who contributed funds to purchase this sculpture and two others for MAG’s permanent collection. [Gallery label text, 2005]", "Dedication" : "Gift of Helen and Margaret Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36917", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5157", "Disp_Access_No" : "1947.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1848", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1853", "Disp_Title" : "Portrait of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Couture", "Sort_Artist" : "Couture, Thomas", "Disp_Dimen" : "18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5162", "Disp_Access_No" : "1954.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "At Court (Au Tribunal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "22 x 27 5/8 in. (55.9 x 70.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5163", "Disp_Access_No" : "1955.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Pierre-François Bernier (1779-1803)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-August-Dominique Ingres", "Sort_Artist" : "Ingres, Jean-August-Dominique", "Disp_Dimen" : "18 1/4 x 15 in. (46.4 x 38.1 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.176_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.176_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.176_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.176_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. 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(52.1 x 38.1 x 27.9 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Examples of prehistoric cave painting and rock art indicate humans have always recognized the divine bond between a mother and her child. With his austere modernist figures, Ivan Mestrovic sought to capture a universal spiritual feeling. His unique style clearly affected the many Rochesterians who donated money to purchase this piece from a popular exhibition of the artist’s sculpture held at the Gallery in 1925. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Subscription fund contributed by a group of donors", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39346", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5223", "Disp_Access_No" : "1953.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "The Abandoned", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Rouault", "Sort_Artist" : "Rouault, Georges", "Disp_Dimen" : "25 5/16 x 19 3/8 in. 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(81 x 100.3 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Charles A. Dewey Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6578", "Disp_Access_No" : "1951.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907-1919", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1919", "Disp_Title" : "Near Cagnes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "18 3/8 x 22 in. 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[Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15967", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6620, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6620", "Disp_Access_No" : "1945.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Woman Leaning on Her Elbows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This figure appears to have been cut down from a larger canvas of sketches, published in the Renoir c.r. (vol. 4, 2012: no. 3216). See curatorial file.", "Images": [ ] },{ "embark_ID" : 7281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7281", "Disp_Access_No" : "1931.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "24 1/2 x 18 1/2 in. (62.2 x 47 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "cardboard", "Disp_Medium" : "Gouache, watercolor on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35306", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These photos (master, print and access) were derived from post-conservation treatment photography (jpg) provided by Patricia Hamm, paper conservator, Fine Arts Conservation.", "View" : "" } , ] },{ "embark_ID" : 8116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8116", "Disp_Access_No" : "1936.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "The End of the Workday (La fin de la journée)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "overall", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and crayon on paper", "Info_Page_Comm" : "On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.” The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8249", "Disp_Access_No" : "1936.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1845", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1850", "Disp_Title" : "Remembrance of Tuscany (Souvenir de Toscane)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "7 9/16 x 11 in. (19.2 x 27.9 cm)", "Disp_Height" : "7 9/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8255", "Disp_Access_No" : "1948.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1828", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1833", "Disp_Title" : "Wild Horse (Cheval Sauvage)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Delacroix", "Sort_Artist" : "Delacroix, Eugene", "Disp_Dimen" : "14 3/16 x 10 11/16 in. (36 x 27.1 cm)", "Disp_Height" : "14 3/16 in.", "Disp_Width" : "10 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22762", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }