{ "objects" : [ { "embark_ID" : 206, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/206", "Disp_Access_No" : "1966.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "Unknown Gentleman", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Benbridge", "Sort_Artist" : "Benbridge, Henry", "Disp_Dimen" : "29 1/4 x 19 1/4 in. (74.3 x 48.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This portrait was attributed to the German artist Johann Zoffany when it was acquired by Memorial Art Gallery in 1966. Prompted by MAG director Harris Prior, Smithsonian curator Robert Stewart investigated further and came to the conclusion that the American-born portraitist Henry Benbridge was the true artist. Shortly thereafter, this portrait was loaned to an exhibit of Benbridge’s work in the National Portrait Gallery in Washington, DC. Stewart described it as “one of the nicest of what I call his ‘portraits in the small.’” The elongated forehead, proportionately small body, and decorative plant matter in the foreground are hallmarks of Benbridge’s style. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "listed in bill of sale as painting by Zoffany", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 357, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/357", "Disp_Access_No" : "1957.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Mary Smith Booth (1744-1824)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Earl", "Sort_Artist" : "Earl, Ralph", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4805", "Disp_Access_No" : "1978.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Mrs. William Provis of Bath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "29 1/2 x 24 in. (74.9 x 61 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[ Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "39387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3734", "Disp_Access_No" : "1991.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "John Beale Bordley (1727-1804)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson Peale", "Sort_Artist" : "Peale, Charles Willson", "Disp_Dimen" : "1 5/16 x 1 1/8 in. (3.3 x 2.9 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "Bordley was a childhood friend of Peale and an early patron.", "Dedication" : "Gift of Mr. and Mrs. Lester Eber", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "According to Curator of American Art, David Brigham (Worcester Art Museum), who visited MAG on 3/26/00, Peale miniatures usually have a blue cast, due to the monochromatic underpainting which is a cool blue-gray. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/639", "Disp_Access_No" : "1981.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Captain John Barry", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Matthew Pratt", "Sort_Artist" : "Pratt, Matthew", "Disp_Dimen" : "29 3/4 x 25 in. (75.6 x 63.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Peter Barry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4233", "Disp_Access_No" : "1977.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "Miss Sophia Hoare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Joshua Reynolds", "Sort_Artist" : "Reynolds, Joshua", "Disp_Dimen" : "36 x 28 in. (91.4 x 71.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn. The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.” [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1911 exhibition catalogue lists the sitter as Miss Sophia Hoare and says she sat for the painting in October 1782. See photocopy in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4592", "Disp_Access_No" : "1948.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Sir Joshua Reynolds (1723-1792) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "11 13/16 x 19 1/2 in. (30 x 49.5 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6940", "Disp_Access_No" : "1927.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Smart", "Sort_Artist" : "Smart, John", "Disp_Dimen" : "2 x 1 5/8 x 3/16 in. (5.1 x 4.1 x 0.5 cm)", "Disp_Height" : "2 in.", "Disp_Width" : "1 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "On verso: silhouette portrait of a woman surrounded by floral garlands, possibly by another artist", "Dedication" : "Gift of Mrs. A. C. Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.5_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "30611", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 4594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4594", "Disp_Access_No" : "1941.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Lady Gertrude Villiers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Wilkins", "Sort_Artist" : "Wilkins, Charles", "Disp_Dimen" : "15 x 14 5/8 in. (38.1 x 37.1 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Stipple engraving", "Info_Page_Comm" : "", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: Stipple engraving. Open letter proof. (Knoedler)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28920", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temorary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8830, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8830", "Disp_Access_No" : "1946.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1744", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1749", "Disp_Title" : "Pierre Mignard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "19 1/2 x 14 1/4 in. (49.5 x 36.2 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Steel engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Karl Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "33244", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8263", "Disp_Access_No" : "1950.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1723", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1723", "Disp_Title" : "Bishop Jacques-Bénigne Bossuet (1627-1704)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Imbert Drevet", "Sort_Artist" : "Drevet, Pierre-Imbert", "Disp_Dimen" : "20 3/8 x 13 3/4 in. (51.8 x 34.9 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "After a 1723 portrait by Rigaud", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "29235", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8653", "Disp_Access_No" : "1989.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1720", "_Disp_Start_Dat" : "1715", "_Disp_End_Date" : "1725", "Disp_Title" : "Johann Joachin Haller (1645-1720)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Johann Kenckel", "Sort_Artist" : "Kenckel, Johann", "Disp_Dimen" : "18 x 13 1/2 in. (45.7 x 34.3 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10561", "Disp_Access_No" : "1993.16", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "15 15/16 x 12 11/16 in. (40.5 x 32.2 cm)", "Disp_Height" : "15 15/16 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31249", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image not for print or web", "View" : "" } , ] },{ "embark_ID" : 8373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8373", "Disp_Access_No" : "1994.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1777", "_Disp_Start_Dat" : "1777", "_Disp_End_Date" : "1777", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet the Elder", "Sort_Artist" : "Ravenet the Elder, Simon Francois", "Disp_Dimen" : "9 3/8 x 5 7/8 in. (23.8 x 15 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "5 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Reproduced in "L'Europe," 1777, vol. 4", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The print is marked "Boiseau del." at lower left below the image, but no artist named Boiseau could be found on the Getty ULAN database or in Benezit-- possibly Louis-Simon Boizot (1743-1809)?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31264", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 8266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8266", "Disp_Access_No" : "1994.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "10 5/8 x 7 13/16 in. 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