{ "objects" : [ { "embark_ID" : 5044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5044", "Disp_Access_No" : "1955.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "St. George and the Dragon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fanelli", "Sort_Artist" : "Fanelli, Francesco", "Disp_Dimen" : "8 1/4 in. (21 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5050", "Disp_Access_No" : "1968.2", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Abduction of Proserpina", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Lorenzo Bernini", "Sort_Artist" : "Bernini, Giovanni Lorenzo", "Disp_Dimen" : "32 in. (81.3 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18562", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5078", "Disp_Access_No" : "1981.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "The Trinity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Corrado", "Disp_Dimen" : "30 x 30 in. (76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "diameter", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "“The Holy Trinity,” the concept that there are three Persons in the unity of God, is the central doctrine of the Christian religion. Although these three Persons—the Father, the Son and the Holy Spirit—are distinct from each other, the Christian faith holds that there are not three gods but one. In Christian art, three elements represent the Trinity. The image of an older patriarch refers to God the Father; God the Son, or Christ, is usually shown either crucified on a cross or, as in this painting, after his death; and the Holy Spirit appears as a dove in flight. During the Counter-Reformation, images of the Trinity emphasized the physical nature of Christ by focusing on his suffering and death. Like other dramatic works of Counter-Reformation art, the intent was to evoke an emotional response from the faithful that would lead to increased devotion. This painting is one of several variations of Giaquinto’s Dead Christ with the Trinity (1741-1742), a fresco he painted in the apse of S. Giovanni Calibita in Rome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Another master scan is saved as 81.2_M2.tif", "View" : "" } , ] },{ "embark_ID" : 13366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13366", "Disp_Access_No" : "2005.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1650-1653", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1653", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "115 1/4 x 79 1/2 in. (292.7 x 201.9 cm)", "Disp_Height" : "115 1/4 in.", "Disp_Width" : "79 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally an altarpiece, this painting illustrates the New Testament scene of the Entombment of Christ, one of the most emotional and dramatic events in the Christian faith. Joseph of Arimathea, who is holding Jesus and clasping him in a shroud, and Nicodemus, who supports Jesus’ legs, are placing him in a stone sarcophagus. Saint John the Evangelist, cloaked in red, is in the foreground with his back to the viewer. Christ’s mother, the Virgin Mary, dressed in a blue robe, collapses in despair at the left. She is surrounded by Holy Women, including Mary Magdalene who wrings her hands in sorrow. Other grieving figures in the background of the painting engage each other in conversation, enhancing both the devotional and dramatic character of the painting. Luca Giordano was one of the most celebrated artists in Naples. He produced a huge quantity of work, including altarpieces, mythological paintings and decorative fresco cycles. Giordano was internationally successful and traveled widely, working in Naples, Venice, Florence and Madrid. This altarpiece was painted early in Giordano’s career when he was only in his late teens. It shows the influence of the equally well-known and prolific painter Jusepe de Ribera, with whom he may have trained. [Gallery label] ", "Dedication" : "Marion Stratton Gould Fund, Maurice R. and Maxine B. Forman Fund, Gallery Purchase Fund, gift of Whitney F. Hoyt, by exchange, gift of Mr. and Mrs. Hollister Spencer, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "21376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "21378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5056, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5056", "Disp_Access_No" : "1970.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Glauber", "Sort_Artist" : "Glauber, Jan", "Disp_Dimen" : "38 3/4 x 52 1/2 in. (98.4 x 133.4 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "52 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the figures in this idealized pastoral landscape seem almost incidental to the painting, they represent the biblical story of Tobias and the Angel. The angel Raphael tells Tobias that he is destined to marry Sara, even though each of her previous seven husbands had died by the hand of an evil spirit on their wedding night. When Tobias survived the marriage, his new father-in-law was so elated that he gave Tobias half his wealth, including money, servants, farm animals and household possessions. This painting shows the angel Raphael guiding the joyful Tobias with Sara and his newfound riches along a winding road as they journey safely home. Jan Glauber, one of the most widely traveled of all Dutch painters, specialized in landscapes that were influenced by his visits to France and Italy. This painting was probably intended to decorate a private home. [Gallery label text] ", "Dedication" : "Given in memory of Irene Comfort Jones by her husband, Robcliff V. Jones", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "7/09: There are listings for a painting or paintings of Tobias (or Tobit) and the Angel by Glauber on the Getty Provenance Database, but all list dimensions much smaller than this canvas. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5079", "Disp_Access_No" : "1982.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Giorgio Maggiore, Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Guardi", "Sort_Artist" : "Guardi, Francesco", "Disp_Dimen" : "17 1/8 x 24 1/2 in. (43.5 x 62.2 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05; another master is saved on the image server as 82.6_M2.tif, GF6P0295.tif, .jpg on CD, a third master is save on the server as 82.6_M5.tif. ", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5060", "Disp_Access_No" : "1975.117", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Dido Contemplating the Portrait of Aeneas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willem van Mieris", "Sort_Artist" : "Mieris, Willem van", "Disp_Dimen" : "17 x 12 1/2 in. (43.2 x 31.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Rex Wood", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.117_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.117_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.117_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.117_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05. 2 additional master scans have been saved to the image server, 75.117_M2 and _M3.tif", "View" : "" } , ] },{ "embark_ID" : 5033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5033", "Disp_Access_No" : "1946.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1620 (?)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos de Momper", "Sort_Artist" : "Momper, Joos de", "Disp_Dimen" : "18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5051", "Disp_Access_No" : "1977.140", "_AccNumSort1" : "", "Disp_Create_DT" : "1696", "_Disp_Start_Dat" : "1696", "_Disp_End_Date" : "1696", "Disp_Title" : "Harpsichord", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mondini", "Sort_Artist" : "Mondini, Joseph", "Disp_Dimen" : "35 13/16 x 10 1/4 x 96 1/4 in. (91 x 26 x 244.5 cm)", "Disp_Height" : "35 13/16 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gilding", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Musical Instrument", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.140_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.140_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.140_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.140_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16008", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1977.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1633-1637", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1637", "Disp_Title" : "Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Paolini", "Sort_Artist" : "Paolini, Pietro", "Disp_Dimen" : "49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)", "Disp_Height" : "49 3/4 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.103_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.103_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.103_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.103_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 to create a file of a size suitable for publication.", "View" : "" } , ] },{ "embark_ID" : 6560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6560", "Disp_Access_No" : "1961.27", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1625", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1635", "Disp_Title" : "Ulysses Landing on the Island of the Phaeacians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "67 x 99 in. 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In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy. [Gallery label text]", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "21430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "21433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "21446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 5049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5049", "Disp_Access_No" : "1953.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1635", "Disp_Title" : "Two Musicians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)", "Disp_Height" : "45 5/8 in.", "Disp_Width" : "47 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience. The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period. As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life. [Gallery label text] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per catalogue raisonne, one of eighteen versions of this scene.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4262", "Disp_Access_No" : "1938.28", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1605 - 1610", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1610", "Disp_Title" : "The Apparition of the Virgin to St. Hyacinth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenikos Theotocopoulos", "Sort_Artist" : "Theotocopoulos, Domenikos", "Disp_Dimen" : "39 3/8 x 24 3/8 in. (100 x 61.9 cm)", "Disp_Height" : "39 3/8 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, El Greco expresses spiritual drama by his distinctive use of line, light and color. St. Hyacinth kneels in awed wonder before a mystical vision of the Virgin and Child. The scene takes place in a church interior with pillars and a patterned floor; a shadowy, monochrome figure or statue of a bishop, identifiable by his hooked staff, stands behind the enraptured saint. According to Christian legend, Hyacinth, a Polish Dominican priest who lived from 1185-1287, witnessed a miraculous apparition of the Virgin Mary on the feast day of her Assumption—the day she was “taken up body and soul into heavenly glory.” In 1594, shortly before El Greco painted this work, Hyacinth was granted sainthood by Pope Clement VIII. El Greco (“The Greek”) is the popular name of Domenikos Theotokopoulos, an artist born in Crete but who lived and studied in Venice and Rome. In 1575, he moved to Toledo, Spain, the center of the Catholic Church’s Counter-Reformation activities. During his career, El Greco developed a unique and dramatically spiritual style of painting that is often considered the forerunner of Baroque art. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3897", "Disp_Access_No" : "1999.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1580-1610", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1610", "Disp_Title" : "Sacrifice to Ceres", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Flemish", "Sort_Artist" : "Unknown, Flemish", "Disp_Dimen" : "29 1/4 x 39 1/2 x 1 in. 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(231.1 cm)", "Disp_Height" : "91 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Samuel Gould in memory of her daughter, Marion Stratton Gould", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5045", "Disp_Access_No" : "1959.20", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Hercules and Antaeus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "18 1/2 in. 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