{ "objects" : [ { "embark_ID" : 2317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2317", "Disp_Access_No" : "1975.325.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Desert Wreck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Salt", "Sort_Artist" : "Salt, John", "Disp_Dimen" : "25 x 35 1/2 in. (63.5 x 90.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "35 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From the Documenta Portfolio While living and teaching art in America, British artist John Salt created a series of paintings and prints of wrecked cars in an impeccably realistic style. As a Photorealist artist, Salt projects his own photographs onto a surface, and from this projected image he creates his work of art. In technique and subject, Salt’s work represents the camera and the car, two modern machines that have become indispensable and so personally embedded in our lives that they function like extensions of our bodies. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.325.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.325.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.325.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.325.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }