{ "objects" : [ { "embark_ID" : 1533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1533", "Disp_Access_No" : "1971.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Landscape III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "39 7/8 x 29 13/16 in. (101.3 x 75.7 cm)", "Disp_Height" : "39 7/8 in.", "Disp_Width" : "29 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color Serigraph", "Info_Page_Comm" : "Allan D’Arcangelo’s <em>Landscape III</em> is a consideration of the new American landscape of highways, suspended bridges, traffic signs, and billboards. A minor border of sky and grass surround a traffic sign that normally indicates a hairpin curve. Turned on its side and placed over another arrow sign pointing in the opposite direction, the sign’s meaning becomes unclear and potentially dangerous. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }