{ "objects" : [ { "embark_ID" : 2302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2302", "Disp_Access_No" : "1980.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Violent Turn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "36 1/2 x 73 3/4 in. (92.7 x 187.3 cm)", "Disp_Height" : "36 1/2 in.", "Disp_Width" : "73 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Lithograph", "Info_Page_Comm" : "The violence inherent in a machine of steel and glass designed to reach speeds of over 75 miles per hour is the subject of James Rosenquist’s abstract print, <em>Violent Turn</em>. This billboard-sized image highlights the danger such a machine—irrational, destructive—holds for a human body of flesh and bone. This was a threat the artist experienced first-hand in 1971 when he, his wife, and his son were all badly injured in a tragic car accident. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }