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(47.5 x 36 cm)", "Disp_Height" : "18 11/16 in.", "Disp_Width" : "14 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29601", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4040", "Disp_Access_No" : "1998.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Sketch from Nature", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Taylor Arms", "Sort_Artist" : "Arms, John Taylor", "Disp_Dimen" : "10 3/8 x 11 15/16 in. 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[Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31434", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 6226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6226", "Disp_Access_No" : "1960.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1951", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1951", "Disp_Title" : "Constellation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Arp", "Sort_Artist" : "Arp, Jean", "Disp_Dimen" : "22 x 15 in. 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Stern Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Arntz catalogue raisonne 328c", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29635", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 9736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9736", "Disp_Access_No" : "1973.172", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: Lend the way they Fight - Buy Bonds to your UTMOST", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edmund (Edward) M. Ashe", "Sort_Artist" : "Ashe, Edmund (Edward) M.", "Disp_Dimen" : "41 1/4 x 27 1/4 in. (104.8 x 69.2 cm)", "Disp_Height" : "41 1/4 in.", "Disp_Width" : "27 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "American World War I posters depicting men, while idealized, often focused on real life figures like soldiers, workers, and fathers. Women, on the other hand, were most often represented as personifications - of our country, humanity, or the Red Cross. This poster moves beyond the abstract realm and thrusts the viewer into a gritty reality. A torn and tattered soldier fights for his life on the battlefield. Wielding both rifle and grenade, this dynamic figure fearlessly crosses "No Man's Land" to attack the enemy trench. A reminder to those at home-men are giving their lives in the trenches, the least you can do is lend your money to support their sacrifices. [Gallery label text, 2006]", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.172_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.172_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.172_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.172_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 6250, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6250", "Disp_Access_No" : "1962.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Michel Atlan", "Sort_Artist" : "Atlan, Jean-Michel", "Disp_Dimen" : "16 3/4 x 22 7/8 in. 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(97.7 x 32.5 cm)", "Disp_Height" : "38 7/16 in.", "Disp_Width" : "12 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.70.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.70.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.70.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.70.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31284", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 1252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1252", "Disp_Access_No" : "1996.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Country Scene", "Alt_Title" : "Along the Hudson", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 7/16 x 15 7/8 in. (29.1 x 40.3 cm)", "Disp_Height" : "11 7/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs,, at http://hdl.handle.net/2097/19686, p. 17, no.62. Note that the title as given in the Associated American Artist''s catalogue is "Along the Hudson," not "Country Scene" as written on our print.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12955", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1251", "Disp_Access_No" : "1975.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Duck Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 1/2 x 15 15/16 in. (29.2 x 40.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 134, no. 1222. and notes 24-25, p. 308. While the work is listed as published by AAA in 1954, the creation date could have been as early as 1939, per the notes.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12921", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1253", "Disp_Access_No" : "1973.26.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Red Cross Christmas Roll Call - December 16th to 23rd", "Alt_Title" : "", "Obj_Title" : "Poster: Red Cross Christmas Roll Call - December 16th to 23rd - Where Columbia Sets Her Name, Let Every One of You Follow Her", "Series_Title" : "", "Disp_Maker_1" : "Edwin Howland Blashfield", "Sort_Artist" : "Blashfield, Edwin Howland", "Disp_Dimen" : "28 x 18 1/4 in. 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(50.2 x 33 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Emily Genauer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Lithuanian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.2.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.2.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.2.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.2.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30124", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 9481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9481", "Disp_Access_No" : "1972.2.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Fernand Léger", "Alt_Title" : "Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arbit Blatas", "Sort_Artist" : "Blatas, Arbit", "Disp_Dimen" : "19 3/4 x 13 in. 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(30.5 x 22.4 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Cassebeer''s second lithograph; commissioned for private distribution by Mr. Adler who owned the stone", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18026", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1423", "Disp_Access_No" : "1916.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Lower Falls of the Genesee", "Alt_Title" : "", "Obj_Title" : "Lower Falls of the Genesee, Lithographs of Rochester", "Series_Title" : "", "Disp_Maker_1" : "Walter Henry Cassebeer", "Sort_Artist" : "Cassebeer, Walter Henry", "Disp_Dimen" : "12 3/8 x 9 9/16 in. (31.5 x 24.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "9 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. James G. 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(15.8 x 22.4 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "From Cadwallader Colden, Memoir...of the Completion of the New York Canals (N.Y.: W.H. 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(35 x 43.2 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25049", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1455", "Disp_Access_No" : "1937.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mexican Puppets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Charlot", "Sort_Artist" : "Charlot, Jean", "Disp_Dimen" : "16 x 23 1/4 in. (40.6 x 59.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18864", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2001.20.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "A Proletarian Prayer for Pious Preachers", "Alt_Title" : "", "Obj_Title" : "The letter &#1055; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. As in many other images from the alphabet, the Roman Catholic pope is shown as a dangerous figure; a large knife attached to his rosary substitutes for the traditional Christian cross. Here, however, the pope is unsuccessful in his mission: the large boot of the young anti-religious protagonist from <em>The Anti-Religious Alphabet</em> forcefully removes him from the premises.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11789", "Disp_Access_No" : "2001.20.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Believing is Bad for you, Badder than Booze", "Alt_Title" : "", "Obj_Title" : "The letter &#1042; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Recognized as a capitalist by his top hat and monocle, the sneering man at the top of the image sprays three figures with liquid from a pressurized canister-- perhaps one similar to those used to ferment alcohol-- labeled "religion." The three figures beneath are engaged in stereotypical self-destructive and frenetic, seemingly drunken, activities related to their religious beliefs. The colorful man at the left is probably a Mongolian who pierces himself with knives; the old peasant woman bangs her head on the ground while praying; and the <em>kulak</em>, or wealthy landowner, flagellates himself with a whip. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11796", "Disp_Access_No" : "2001.20.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Blacksmith, Beat the Bells into Ballbearings", "Alt_Title" : "", "Obj_Title" : "The letter &#1050; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. On January 30, 1929, the Presidium, one organ of the Soviet government, banned the pealing of church bells, and within the next three years, hundreds of churches were demolished or closed and looted. Massive numbers of bells and icons were destroyed; the metal was used to support industrialization efforts. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11808", "Disp_Access_No" : "2001.20.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Churches are Chains that Choke and Chafe", "Alt_Title" : "", "Obj_Title" : "The letter &#1062; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious campaigners believed that the common man was enslaved by the church, and that his freedom could only be obtained by embracing the doctrine of atheist communism. The man in this image, blindfolded and chained to the dome of a church, wears the traditional tunic and hairstyle of a Russian peasant. The cross that he wears on the chain around his neck is the same one that extends from the top of the church dome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11788", "Disp_Access_No" : "2001.20.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Comrades, Clean out the Cult's Claptrap!", "Alt_Title" : "", "Obj_Title" : "The letter &#1041 from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The red color of the large silhouetted broom links it to the Soviet government, which, beginning in 1929, actively set out to close and destroy churches, bells and objects used in the practice of religion. Some religious objects, such as icons, crosses and bibles, were relocated in special anti-religious museums where they were displayed as artifacts of an ancient cult. Here, the broom sweeps the floor to remove an icon with an image of the Virgin Mary, a censer used in Orthodox religious rituals, a bible, and a chotki, or prayer rope used for saying repetitive private devotional prayers. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11812", "Disp_Access_No" : "2001.20.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Extract the Exploiters with Electric Excavators", "Alt_Title" : "", "Obj_Title" : "The letter &#1069; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The electrification of the countryside, intended to defeat the ignorance of the populace by bringing agricultural communities into the Machine Age, was a primary goal of the Soviet government. Here, the electric excavator forcefully removes two of the key opponents to the Soviet effort: the <em>kulak</em>, or wealthy landowner, and the low-level village priest. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11806", "Disp_Access_No" : "2001.20.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Ford's Factories are Fascist Forts ", "Alt_Title" : "", "Obj_Title" : "The letter &#1060; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, which addresses the threat of Nazi Germany to the Soviet Union, the hat of the American icon Uncle Sam is crowned with a Nazi swastika. The soldiers on the brim of the hat fire machine guns into the populace on the ground. The figure of Uncle Sam holds a Bible open to a page that assures "All men are brothers." The caption for this image refers to Henry Ford, the founder of the American automotive industry and one of the wealthiest businessmen in the world. In 1931, Ford, a staunch supporter of Hitler, established a factory in Cologne, Germany, which, along with the factories of General Motors, provided many of the trucks that eventually motorized the Nazi attempt to conquer Europe. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11813", "Disp_Access_No" : "2001.20.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "How Humble, How Holy He is! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1070; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. One of the key changes that the Soviet government made to agriculture was to replace individual land ownership with the collective farm, or <em>kolkhoz</em>. Here, the fist at the right, crowned with the cap of the <em>kulak</em>, or rich landowner, manipulates a village "holy fool" with strings like those of a marionette. Holy fools traveled itinerantly throughout the countryside and were often seen as prophets of wisdom. Here, the holy fool is crying out to an old peasant woman "Don't join the <em>kolkhoz</em>," which was the obvious desire of the <em>kulak</em>. The artist Cheremnykh used word play to strengthen the imagery: in Russian, <em>kulak</em> is also the word for fist. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27460", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11810", "Disp_Access_No" : "2001.20.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pierce the Pack of Priestly Pretenders ", "Alt_Title" : "", "Obj_Title" : "The letter &#1064; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Armed with a shield in the form of the journal <em>The Godless</em>, the official publication of the activist "League of the Militant Godless," our young protagonist aggressively attacks the figureheads of the key religions seen as threats to the Soviet government. Seen from left to right are a mullah, the Pope, a Russian Orthodox priest, a shaman (shamanism was still practiced among Siberian tribes), and a rabbi. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11791, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11791", "Disp_Access_No" : "2001.20.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Prohibit Prehistoric Peasant Prejudices", "Alt_Title" : "", "Obj_Title" : "The letter &#1044; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Along with the church, the <em>kulak</em>, or wealthy landowner, and the village priest were seen as key impediments to the Soviet anti-religious campaign. In this image, the giant silhouetted tractor, symbolic of the Soviet government by both its red color and the sign of the hammer and sickle, mows down a church as well as the <em>kulak</em> and the priest. The fields in the background, delineated by barbed wire, refer to the land owned by the <em>kulak</em>, who was the primary opponent to true agricultural collectivization. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2001.20.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pull the Plug on the Parasites' Paradise", "Alt_Title" : "", "Obj_Title" : "The letter &#1056; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, the religious clergy of Western Catholicism are shown as propagandists at the service of capitalism. The shark-toothed man at the bottom of the image, recognized as a capitalist by his hat and monocle, holds a stick topped by a cloud labeled "Paradise." At the top of the cloud is Christ, who is stretching his hands out toward the people running to meet him. The offer of religious paradise to the masses, though, is shown here as a devious trap: the people are being forcibly driven to the edge of a cliff by the pope (recognized by his crown) and western monks and priests (recognized by their costume and the cross of Western Christianity). The gap between the edge of the cliff and paradise is too wide, and they fall directly into the mouth of the capitalist. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "2001.20.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Read it Loud and Clear! Rosaries are Rubbish!", "Alt_Title" : "", "Obj_Title" : "The letter &#1063; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Like the rosaries of Roman Catholicism, the <em>chotki</em>, or prayer ropes, of Russian Orthodox Christianity are strings of beads used by the religious faithful to recite a series of predetermined prayers. Because of the Western rather than Orthodox cross on the end of the beads, this image could refer to the Roman pope's mandate for Catholics to say the Rosary "for the conversion of Russia," which was seen as a symbol of western aggression by the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11804", "Disp_Access_No" : "2001.20.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sack the Saints-Sow the Seeds ", "Alt_Title" : "", "Obj_Title" : "The letter &#1059; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Russian peasants frequently planted their crops based on a belief in superstitions and the power of divine forces rather than scientific methods. This image juxtaposes the old way of farming with the new and technologically advanced. On the left, two saints identified by their halos as Nicholas and Elijah are watering wilted crops and swinging a censer used in church rituals. On the right, a full field of healthy wheat serves as a backdrop to a book with the words "Agrotechnology" and "Fertilizers." The drawing is of a Machine Tractor Station (MTC). ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11802", "Disp_Access_No" : "2001.20.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sacred Stories are So Silly! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1057; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Although our protagonist is clearly reading, which is the point of learning the alphabet, he is also laughing at the religious stories he finds in the Bible. The premise of the Soviet educational movement can be summarized with another well-used slogan of the time: "Literacy: The Path to Communism." Students were expected to read selectively in a way that would advance the industrialization of society and the principles of atheist materialism.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11794", "Disp_Access_No" : "2001.20.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Substitute Science for the Sorcerer's Spells", "Alt_Title" : "", "Obj_Title" : "The letter &#1047; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In many Russian rural communities, peasants consulted the village sorcerer as frequently as they consulted the village priest. The toothless and unkempt man on the left-- the sorcerer-- is shown with various tools of his trade: a rat, a bone, seeds, and a candle. A bottle labeled with the symbol of the Russian Orthodox cross is probably holy water, linking the magic of the sorcerer with the sorcery of the church. The scientific alternatives to magic, including the "new bible" <em>Political Education</em>, a microscope, and a draftsman's triangle are shown on the right. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11803", "Disp_Access_No" : "2001.20.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "That's the Way to Till, Comrade Tractor!", "Alt_Title" : "", "Obj_Title" : "The letter &#x1058; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In the Russian countryside, the <em>kulak</em>, or wealthy landowner, the village priest, and elderly peasant women who persisted in their religious beliefs were considered the three holdouts to both the Soviet anti-religious campaign and the move toward collective farming and industrialization. Here, despite the three characters' attempts at restraining the tiller, the tractor going around the circumference of the circle clears the <em>kulak</em>'s land of individual plots, replacing them with a single one filled with golden wheat. The word "collectivization" is written on the tiller. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11787", "Disp_Access_No" : "2001.20.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Anti-Religious Alphabet ", "Alt_Title" : "", "Obj_Title" : "The letter &#1040; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This young and cheerful boy, dressed in a Soviet military costume and carrying a school blackboard, plays the protagonist of <em>The Anti-Religious Alphabet<em>. Although he only appears in five of the posters, he serves as both role model for and link between readers and the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11792, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11792", "Disp_Access_No" : "2001.20.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Faithful Friars' Frequent Fasting ", "Alt_Title" : "", "Obj_Title" : "The letter &#1045; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The fast, or sacrificial self-denial of food, is a traditional method of religious observance in most faiths. The irony in this image is clear: the priest who is in theory serving the faith and the faithful through sacrifice is in reality a glutton. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11795, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11795", "Disp_Access_No" : "2001.20.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Jury's Judgment: Jeers for a Judas", "Alt_Title" : "", "Obj_Title" : "The letter &#1048; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The religious faith and passive resistance movement of Mahatma Gandhi, the Hindu leader who was an activist for the rights of Indians under British colonial rule, was in direct opposition to the philosophy of the militant Soviet anti-religious campaign. On the left, Gandhi is shown with his hand outstretched, receiving money from the bejeweled hand of a capitalist; on the right, masses of Indians carrying the Soviet flag with its sign of the hammer and sickle raise their fists in anger. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11790", "Disp_Access_No" : "2001.20.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lord's Law Lauds the Lords", "Alt_Title" : "", "Obj_Title" : "The letter &#1043; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The wealthy and fat capitalist, riding heavily on the back of a common man, points to a Bible opened to the words "Be patient." According to the anti-religious campaigners, the acceptance of Christian belief resulted in the enslavement of the masses, shown here by the whip that the capitalist wields. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11797", "Disp_Access_No" : "2001.20.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lurid Lava of Loathsome Lies ", "Alt_Title" : "", "Obj_Title" : "The letter &#1051; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious movement was directed at all religions, including Judaism, Islam, Western Catholicism, and Russian Orthodox Christianity. The headdresses of the four figures spewing liquid from their mouths indicate that they are leaders within their particular faith: from left to right are a rabbi, an Orthodox priest, a mullah, and the Pope. The protagonist of <em>The Anti-Religious Alphabet</em>, armed with his blackboard and umbrella, shows how the power of education can counter and protect against religious propaganda. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11798", "Disp_Access_No" : "2001.20.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Mass's Martyrs Meet the Might of the Masses", "Alt_Title" : "", "Obj_Title" : "The letter &#1052; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This image juxtaposes stragglers going to church, seduced by the holy relics of martyrs, with the massive numbers of workers heading into a factory. The powerful factory whistle blasts its call to labor; the fractured and broken lines around the church bell suggest the weakness of both its sound and effectiveness in an industrialized society. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2001.20.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Merry Monks' Mendacious Miracles", "Alt_Title" : "", "Obj_Title" : "The letter &#1054; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Icons-- images of the Virgin Mary, Christ, or holy saints-- are important devotional objects in Russian Orthodox Christianity. Because believers communicate through them with the divine world, they are sometimes seen as magical. Here, the magic is revealed as the outright trickery of the clergy. Although this image of the Virgin Mary seems to weep genuine tears, in reality a monk is pouring a bucket of water into a vessel attached to the back of the icon. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27447", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11793, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11793", "Disp_Access_No" : "2001.20.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Saintly Spiders Sting the Stragglers", "Alt_Title" : "", "Obj_Title" : "The letter &#1046; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The old peasant woman on pilgrimage, a sack on her back and carrying a walking stick, travels along a path that connects at the far right with an enormous spider's web. The spider, his head crowned with the black headdress of a high-level member of the Orthodox clergy, lays in wait. As bait, he dangles religious icons as she approaches the web. Icons like these were purchased by the religious faithful at various pilgrimage sites dedicated to saints and miracles of the Church. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "2001.20.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Tongs! Trim Their Twisted Tentacles! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1065; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. By the time the <em>Anti-Religious Alphabet</em> was produced in 1932, Adolph Hitler's rise to power was almost complete. Hitler was elected Chancellor of Germany in January 1933; his regime immediately implemented the mass arrests of communists and socialists, imprisoning them in the Nazi concentration camp at Dachau. In this image, an enormous yellow one-eyed octopus, its top hat marked with a Nazi swastika, stretches four bristled tentacles across a map of Europe. At the end of each tentacle is a figure that symbolizes both real and perceived threats to the Soviet Union. From left to right are a Japanese soldier, a member of the out-of-favor Soviet Socialist Democratic Party, another soldier (nationality unknown), and a member of the Russian Orthodox clergy. By snipping the tentacles at the source of the threat, the giant red pincers halt both the internal and external threats to the Soviet government. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11814, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11814", "Disp_Access_No" : "2001.20.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Vile and Virulent is the Viper's Venom", "Alt_Title" : "", "Obj_Title" : "The letter &#1071; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Pope Pius XI, the leader of the Catholic Church at the time Cheremnykh designed <em>The Anti-Religious Alphabet</em>, was openly critical of the atheistic doctrine of the Soviet Union. He condemned communism as the most persistent enemy of Christianity, calling it a "satanic scourge" from which the common man must be saved. The pope was seen as a grave threat to Soviet society; this image presents Pius XI's words as a writhing, dangerous snake waiting to strike. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11807", "Disp_Access_No" : "2001.20.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Waving the Word While Wielding the Whip", "Alt_Title" : "", "Obj_Title" : "The letter &#1061; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. An important tenet of the anti-religious movement was the intertwined relationship between Christian beliefs and capitalism, a relationship that was dangerous to the freedom of the common man. In this image, a slave, perhaps from one of the African or Caribbean nations colonized by Europeans, is chained and whipped by the wealthy capitalist. A Franciscan friar, symbolizing the missionary preachers of the Catholic Church, displays a Bible opened to the words "love one another." Men bent over from the weight of their burdens are seen in the background. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9744, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9744", "Disp_Access_No" : "1973.180", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Clear-The-Way!! Buy Bonds - Fourth Liberty Loan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Howard Chandler Christy", "Sort_Artist" : "Christy, Howard Chandler", "Disp_Dimen" : "30 x 20 in. (76.2 x 50.8 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "The Christy Girl-part goddess, part girl-next-door-was a popular figure created by illustrator Howard Chandler Christy. In his war posters, the artist often used the Christy Girl, plus a heady dose of sex appeal, to convey the message "real men go to war." In Clear-The-Way!! Columbia wears an alluring, diaphanous white dress as she presides over muscled, testosterone-fueled soldiers manning guns on a ship. The contradiction is palpable; Columbia calls the virile soldiers to war as her soft lines and open mouth beckon to the viewer. [Gallery label text, 2006] Printed by Forbes, Boston.", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.180_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.180_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.180_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.180_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 9745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9745", "Disp_Access_No" : "1973.181", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: Fight or Buy Bonds - Third Liberty Loan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Howard Chandler Christy", "Sort_Artist" : "Christy, Howard Chandler", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Printed by Forbes, Boston", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.181_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.181_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.181_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.181_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 8247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8247", "Disp_Access_No" : "1991.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "The Kidnappers (Les voleurs d'Enfants)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Cocteau", "Sort_Artist" : "Cocteau, Jean", "Disp_Dimen" : "19 11/16 x 25 11/16 in. (50 x 65.2 cm)", "Disp_Height" : "19 11/16 in.", "Disp_Width" : "25 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Sylvia Davis in memory of Alan Davis", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.44_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1479", "Disp_Access_No" : "1992.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Third Avenue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Glenn O. Coleman", "Sort_Artist" : "Coleman, Glenn O.", "Disp_Dimen" : "15 7/16 x 21 5/8 in. (39.2 x 55 cm)", "Disp_Height" : "15 7/16 in.", "Disp_Width" : "21 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33259", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1488", "Disp_Access_No" : "1975.179", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Somersault", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lila Copeland", "Sort_Artist" : "Copeland, Lila", "Disp_Dimen" : "16 7/16 x 12 11/16 in. (41.8 x 32.3 cm)", "Disp_Height" : "16 7/16 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 164, no.1491", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.179_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.179_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.179_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.179_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4535", "Disp_Access_No" : "1926.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Horse Rake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Copley", "Sort_Artist" : "Copley, John", "Disp_Dimen" : "12 1/2 x 17 in. (31.8 x 43.2 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Gertrude Herdle in memory of Ella E. See", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9729", "Disp_Access_No" : "1973.165", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: The Sword is Drawn...The Navy Upholds It!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kenyon Cox", "Sort_Artist" : "Cox, Kenyon", "Disp_Dimen" : "42 1/16 x 28 1/16 in. (106.8 x 71.3 cm)", "Disp_Height" : "42 1/16 in.", "Disp_Width" : "28 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Columbia (the female personification of the United States of America) is strong and powerful in this Navy recruiting poster. The bold and graphic style of the poster contributes to the sense of her overwhelming presence. [Gallery label text, 2006]", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.165_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.165_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.165_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.165_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22170", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. 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(37 x 29.5 cm)", "Disp_Height" : "14 9/16 in.", "Disp_Width" : "11 5/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Lithograph on handmade paper with colored pulp", "Info_Page_Comm" : "", "Dedication" : "1996 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16272", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8254", "Disp_Access_No" : "1981.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1877-1878", "_Disp_Start_Dat" : "1877", "_Disp_End_Date" : "1878", "Disp_Title" : "Mademoiselle Bécat at the Café Ambassadeurs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "13 7/16 x 10 3/4 in. 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[Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1596, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1596", "Disp_Access_No" : "1972.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Cover of the Rochester Herald for September 26, 1895", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "23 11/16 x 16 7/16 in. 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(50.2 x 60.3 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.332.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.332.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.332.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.332.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1636", "Disp_Access_No" : "1971.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Books Wanted for Our Men in Camp And "Over There" ", "Alt_Title" : "", "Obj_Title" : "Books Wanted For Our Men In Camp And "Over There" - Take Your Gifts To The Public Library", "Series_Title" : "", "Disp_Maker_1" : "Charles Buckles Falls", "Sort_Artist" : "Falls, Charles Buckles", "Disp_Dimen" : "41 3/4 x 28 in. (106 x 71.1 cm)", "Disp_Height" : "41 3/4 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "The vertical, smiling soldier in Books Wanted highlights the soldier's intellectual and emotional needs. Falls was a master at using composition, color and text to make his posters to convey a message. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22178", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 4846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4846", "Disp_Access_No" : "1986.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Tea and Tea-Noisette Roses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Fantin-Latour", "Sort_Artist" : "Fantin-Latour, Henri", "Disp_Dimen" : "18 3/4 x 14 3/4 in. (47.6 x 37.5 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph on heavy wove paper or card stock", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.111_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.111_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.111_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.111_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12994", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1614", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "East Side, Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 3/8 x 15 7/8 in. (28.9 x 40.3 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During the many hours that Harold Faye spent exploring New York City and recording its dens and denizens, he created work that demonstrated ‘enthusiasm of place and period,’ in the words of one art historian. In East Side, Night, he emphasized the city’s hard metallic elements – the fire escape, the sturdy supports for the El, railings, cars, barrels – but tempered them with the softness of the lithographic crayon. Off and on during the Depression, Harold Faye found employment with the Graphic Division of the Federal Art Project of the Works Progress Administration. This government agency was set up as part of the New Deal to create jobs. Typically, artists submitted drawings to supervisors who would either approve them, in which case the artists would go ahead and print multiple copies, or the work would be disapproved and shelved or discarded. Nearly 4,000 artists were given work thanks to this program, including Jacob Lawrence, Mark Rothko, and Jackson Pollock. [Label text, 2003]", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1613", "Disp_Access_No" : "1986.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "Transients", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "14 1/16 x 19 1/16 in. (35.7 x 48.4 cm)", "Disp_Height" : "14 1/16 in.", "Disp_Width" : "19 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.9_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "30664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 12882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12882", "Disp_Access_No" : "2005.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Forbidden Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Elizabeth Fife", "Sort_Artist" : "Fife, Mary Elizabeth", "Disp_Dimen" : "11 1/4 x 15 5/8 in. (28.6 x 39.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Jeannot Barr in settlement of funds not received. 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(28.5 x 38.9 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Jeannot Barr in settlement of funds not received. See inc. 4905, December 15, 1994", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1631", "Disp_Access_No" : "1973.26.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Have you answered the Red Cross Christmas Roll Call?", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harrison Fisher", "Sort_Artist" : "Fisher, Harrison", "Disp_Dimen" : "30 x 28 in. (76.2 x 71.1 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1918 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22180", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 2539, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2539", "Disp_Access_No" : "1973.26.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Universal Membership Week ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harrison Fisher", "Sort_Artist" : "Fisher, Harrison", "Disp_Dimen" : "8 1/2 x 42 in. (21.6 x 106.7 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 1633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1633", "Disp_Access_No" : "1971.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: I Want You For U.S. Army", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Montgomery Flagg", "Sort_Artist" : "Flagg, James Montgomery", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In the most famous of American recruiting posters, Uncle Sam (the male personification of the United States of America) demands your participation in the U.S. Army. The Army printed over four million copies of I Want You during the First World War. James Montgomery Flagg's depiction of Uncle Sam, reportedly modeled on the artists' own features, has become iconic. Uncle Sam's paternal appearance and forceful call to action heroized soldiers and one's duty to the country. [Gallery label text, 2006]", "Dedication" : "Gift of Mr. and Mrs. Howard Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22899", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9740, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9740", "Disp_Access_No" : "1973.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: The Navy Needs You! 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I have washed my feet, am I to dirty them again? My love thrust his hand through the hole in the door; I trembled to the core of my being. 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(23.8 x 29.8 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19062", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1770, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1770", "Disp_Access_No" : "1940.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "St. Thomas, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "8 x 10 5/8 in. (20.3 x 27 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1771", "Disp_Access_No" : "1940.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "The Service Flag", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "6 x 8 7/8 in. (15.2 x 22.5 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19064", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1772", "Disp_Access_No" : "1940.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "The Spar Shop, Gloucester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "9 3/4 x 18 in. (24.8 x 45.7 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19065", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1791, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1791", "Disp_Access_No" : "1975.41", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1934", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1939", "Disp_Title" : "Wind and Rain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert William Heckman", "Sort_Artist" : "Heckman, Albert William", "Disp_Dimen" : "11 15/16 x 16 3/4 in. (30.3 x 42.5 cm)", "Disp_Height" : "11 15/16 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Edition info about this print can be found in the supplement to Art for Every Home: Associated American Artists 1934-2000, at http://hdl.handle.net/2097/19686, p. 12, no. 17. Please note that this source gives the edition size as 119 instead of the usual 250 print run for AAA editions, which seems in conflict with our edition numbering of 198.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.41_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "30336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 8053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8053", "Disp_Access_No" : "1959.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Bambino [no.2]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "7 3/16 x 5 5/8 in. (18.3 x 14.3 cm)", "Disp_Height" : "7 3/16 in.", "Disp_Width" : "5 5/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13193", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4636", "Disp_Access_No" : "1998.202", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cliff", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Heliker", "Sort_Artist" : "Heliker, John", "Disp_Dimen" : "10 x 12 11/16 in. (25.4 x 32.2 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.202_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.202_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.202_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.202_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31409", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 4613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4613", "Disp_Access_No" : "1998.110", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "In the Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Heliker", "Sort_Artist" : "Heliker, John", "Disp_Dimen" : "13 1/4 x 9 5/8 in. (33.7 x 24.4 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.110_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.110_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.110_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.110_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 4612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4612", "Disp_Access_No" : "1998.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Heliker", "Sort_Artist" : "Heliker, John", "Disp_Dimen" : "9 15/16 x 13 3/16 in. (25.2 x 33.5 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.109_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "31425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 1802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1802", "Disp_Access_No" : "1975.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Drink", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Hirsch", "Sort_Artist" : "Hirsch, Joseph", "Disp_Dimen" : "13 x 16 15/16 in. (33 x 43 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.168 , no.1520. Note that the AAA catalogue lists the printer as "George C. Miller and Son, New York" rather than "Burr Miller."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.217_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.217_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.217_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.217_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27229", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1885, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1885", "Disp_Access_No" : "1935.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Gardenia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victoria Hutson Huntley", "Sort_Artist" : "Huntley, Victoria Hutson", "Disp_Dimen" : "10 1/2 x 8 7/8 in. (26.7 x 22.5 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13603", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8294", "Disp_Access_No" : "1984.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "The Free Theater (Le Théâtre Libre)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Gabriel Ibels", "Sort_Artist" : "Ibels, Henri Gabriel", "Disp_Dimen" : "9 3/8 x 12 5/8 in. (23.8 x 32.1 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Ibels was a member of the Nabi art movement. 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(42.7 x 73.3 cm)", "Disp_Height" : "16 13/16 in.", "Disp_Width" : "28 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.166_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.166_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.166_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.166_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 2000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2000", "Disp_Access_No" : "1973.26.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: U*S*A Bonds - Third Liberty Loan Campaign - Boy Scouts of America", "Alt_Title" : "", "Obj_Title" : "Poster: U*S*A Bonds - Third Liberty Loan Campaign - Boy Scouts of America - Weapons for Liberty", "Series_Title" : "", "Disp_Maker_1" : "Joseph Christian Leyendecker", "Sort_Artist" : "Leyendecker, Joseph Christian", "Disp_Dimen" : "30 x 20 in. (76.2 x 50.8 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Printed by American Lithographic Co., New York", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. Master version exists on the embark drive: images folder: MasterScans folder: Master file folder.", "View" : "" } , ] },{ "embark_ID" : 2004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2004", "Disp_Access_No" : "1975.239", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "CRAK!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "28 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. Runs: Red, yellow, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.239_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.239_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.239_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.239_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2005, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2005", "Disp_Access_No" : "1975.240", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Crying Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "18 x 24 in. (45.7 x 61 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Offset lithograph: yellow, red, black Produced for the same Leo Castelli Gallery exhibition as "CRAK!," September 28-October 24, 1963", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.240_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.240_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.240_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.240_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12747", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2006", "Disp_Access_No" : "1975.241", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Foot and Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "17 1/4 x 21 1/2 in. (43.8 x 54.6 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Yellow, red, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.241_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.241_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.241_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.241_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2007", "Disp_Access_No" : "1975.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Foot Medication", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "22 15/16 x 16 15/16 in. (58.3 x 43 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "100 without text (signed and numbered); plus unknown number of posters with and without text (some posters without text were signed but not numbered).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.242_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.242_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.242_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.242_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12748", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3938", "Disp_Access_No" : "1999.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Haystack #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 11/16 x 30 5/8 in. (52.5 x 77.8 cm)", "Disp_Height" : "20 11/16 in.", "Disp_Width" : "30 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "Gallery label text 2013: In the 1890s, Impressionist artist Claude Monet completed a series of paintings of haystacks. Monet built up his paint surfaces with rich, textured brushstrokes to capture the unique forms in different times of day and in different weather. Almost seventy-five years later, Roy Lichtenstein translated Monet’s haystacks into Pop art with his characteristic hard-edged dot pattern printed with a commercial silkscreen technique. As with Impressionist paintings, the viewer needs to step back from the Lichtenstein for the image to become fully coherent. ", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 3 colors, in 3 runs, from 2 aluminum plates and 1 screen: Lithograph - red, black Serigraph - white The complete set, of which this is one image, comprised six lithographs and one relief print. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.43_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2018", "Disp_Access_No" : "1992.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Lincoln Center (Poster)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "45 x 29 5/8 in. (114.4 x 75.2 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset color lithograph", "Info_Page_Comm" : "This Pop Art poster was created to advertise the fourth New York film festival at Lincoln Center in 1966. With primary colors and his signature Ben Day dots (used in commercial printing to produce halftones), Lichtenstein integrated bold elements to create an attention-getting image that would be visible on city streets. He was paid to design the poster by the Lincoln Center Poster Project, which was begun by New York philanthropist Vera List. In an interview in 1973, Mrs. List described her reason for creating the project: "I’ve always believed that one’s environment is what stimulates people. It’s what stimulated me as a child…you’d go to Paris and see all the exciting posters around there which were very colorful and stimulating…but you walk around New York, and you see the three-sheeter. So that gave birth to the idea of allocating a certain sum for posters. The idea was to commission the fine artist, the creative artist of the time…to bring to the general public –they walk down the street, they see an image, something would attract them, and something would happen…I always felt that if people’s sensibilities were awakened, they would seek to make the whole city a more amenable place in which to live. So that’s how that started." [Label text, 2003]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2013", "Disp_Access_No" : "1975.328.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Figurine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "46 3/4 x 37 13/16 in. (118.8 x 96 cm)", "Disp_Height" : "46 3/4 in.", "Disp_Width" : "37 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, green, red Serigraph - light pink, light blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2009", "Disp_Access_No" : "1975.328.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Lobster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "38 7/8 x 37 5/8 in. 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Olds", "Sort_Artist" : "Olds, Elizabeth M.", "Disp_Dimen" : "13 x 17 3/8 in. (33 x 44.1 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In <em>White Collar Boys</em>, Elizabeth M. Olds depicts a group of Wall Street men marching down the street with no individuation or sense of independent will. The concept of the automaton—a human/machine amalgamation—was an outgrowth of life in an industrial, urban environment in which almost all facets of life had become automated and removed from nature. In 1922, philosopher and historian Lewis Mumford wrote, “We have had the alternative of humanizing the industrial city or de-humanizing the population. So far we have de-humanized the population.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9739", "Disp_Access_No" : "1973.175", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: For Home and Country - Victory Liberty Loan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Everitt Orr", "Sort_Artist" : "Orr, Alfred Everitt", "Disp_Dimen" : "30 x 20 in. 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Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1918 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.175_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.175_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.175_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.175_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph was taken in preparing for a WWI posters Lockhart show to open October 2006. This photograph can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 14262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14262", "Disp_Access_No" : "2006.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Jose #19", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "29 15/16 x 22 3/8 in. 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Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2199", "Disp_Access_No" : "1972.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: The Girl on the Land Serves the Nation's Need - Apply Y.W.C.A.", "Alt_Title" : "", "Obj_Title" : "Poster: The Girl on the Land Serves the Nation's Need - Apply Y.W.C.A. - Land Service Committee", "Series_Title" : "", "Disp_Maker_1" : "Edward Penfield", "Sort_Artist" : "Penfield, Edward", "Disp_Dimen" : "24 3/4 x 30 in. (62.9 x 76.2 cm)", "Disp_Height" : "24 3/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "America's youth were encouraged to participate in supporting the war. Groups like the Boys' Working Reserve and the Young Women's Christian Association (YWCA) Land Service Committee trained young men and women to relieve the labor shortage on America's farms. In The Girl on the Land, artist Edward Penfield emphasizes the serenity of the scene with cool, bucolic greens and yellows. Far from the battlefield, America's young women serve their nation's need for food production through camaraderie and mutual support. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1918 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22177", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 2200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2200", "Disp_Access_No" : "1917.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1916-1917", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1917", "Disp_Title" : "Balloon Shed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "18 3/8 x 24 in. 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Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18861", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8896, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8896", "Disp_Access_No" : "1936.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wayfarers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustavo Rodella", "Sort_Artist" : "Rodella, Gustavo", "Disp_Dimen" : "17 1/4 x 12 1/2 in. (43.8 x 31.8 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Ernest R. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25948", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11689, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11689", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Esther Rolick", "Sort_Artist" : "Rolick, Esther", "Disp_Dimen" : "21 1/4 x 15 3/8 in. (54 x 39 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Esther Rolick", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17075", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2296", "Disp_Access_No" : "1975.283", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Roman Warriors", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Umberto Roberto Romano", "Sort_Artist" : "Romano, Umberto Roberto", "Disp_Dimen" : "13 x 16 5/8 in. (33 x 42.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "16 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 182, no.1640", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.283_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.283_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.283_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.283_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25199", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 2298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2298", "Disp_Access_No" : "1973.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "A Pale Angel's Halo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "30 1/4 x 22 1/2 in. (76.8 x 57.2 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph and serigraph", "Info_Page_Comm" : "Poet and art critic Nicolas Calas wrote of this image when it was published as part of a portfolio titled Reality and Paradoxes in 1973: “An inward image, transmitted verbally, has the power to transform a common image into an exceptional one. Blue, yellow and red express a divine utterance in primary colors: ‘pale angel.’ Suddenly the yellow is apprehended as gold, the ground as heavenly blue, the handle as the outline of a halo, and also of the back of an angel’s head and ears. The cut away space of the pail’s body recalls the ethereal quality of angels.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl, February 8, 2012: Changed title to A Pale Angel''s Halo...from Pale Angel, per title on the print. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.113_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.113_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.113_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.113_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11582, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11582", "Disp_Access_No" : "2003.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Bunraku", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "32 x 23 1/4 in. (81.3 x 59.1 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2306, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2306", "Disp_Access_No" : "1994.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1991-1993", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1993", "Disp_Title" : "Remembering Home", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cynthia Rubin", "Sort_Artist" : "Rubin, Cynthia", "Disp_Dimen" : "30 1/8 x 44 1/2 in. (76.5 x 113 cm)", "Disp_Height" : "30 1/8 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Iris print", "Info_Page_Comm" : "Cynthia Rubin, a native Rochesterian, has worked exclusively in digital media since 1988, though she studied painting and still identifies with the Abstract Expressionist painters. Like many of those artists, her main concern is color; for her, the computer is a tool that allows endless variations of bright, bold, pure hues. This print predates Photoshop and accurate color scanners. Rubin scanned photographs and drawings into the computer whereby they became semi-abstracted. Then, she began the work of the painter – using her computer as her brush to layer colors, overlap colors in unusual ways, and experiment with color juxtapositions. [Label Copy, Collection Connections - Psychedelic, installed September 15, 2010 Curated by Cynthia Culbert]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "33239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image not for print or web", "View" : "" } , ] },{ "embark_ID" : 4161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4161", "Disp_Access_No" : "1999.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1998-1999", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1999", "Disp_Title" : "Trnava Synagogue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cynthia Rubin", "Sort_Artist" : "Rubin, Cynthia", "Disp_Dimen" : "32 15/16 x 19 in. (83.6 x 48.3 cm)", "Disp_Height" : "32 15/16 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Iris print", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.54_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.54_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.54_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.54_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3940", "Disp_Access_No" : "1999.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "000", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Ruscha", "Sort_Artist" : "Ruscha, Edward", "Disp_Dimen" : "20 1/16 x 28 1/16 in. (51 x 71.3 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "28 1/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Printer's ink on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12730", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2310", "Disp_Access_No" : "1975.120.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "America Her Best Product", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Ruscha", "Sort_Artist" : "Ruscha, Edward", "Disp_Dimen" : "31 3/8 x 23 1/2 in. (79.7 x 59.7 cm)", "Disp_Height" : "31 3/8 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "In the Edward Ruscha catalog raisonne, the following comment appears: "Lorillard, a division of Loews Theatres, Inc., commissioned twelve artists to create prints for a portfolio commemorating the United States' bicentennial. According to the catalogue published to accompany the portfolio, each artist was free to choose his or her subject, with the stipulation that the work answer the question, "What does independence mean to me?" In the response he wrote to accompany his contribution, Ruscha observed, "Somewhere there should be a stamp or impression (I get the impression) that America has made herself. And isn't she her best product?" Other artists represented in the portfolio are Will Barnet, Colleen Browning, Audrey Flack, Red Grooms, Joseph Hirsch, Robert Indiana, Alex Katz, Jacob Lawrence, Marisol (Escobar), larry Rivers, and Fritz Scholder." (Their work is included in the permanent collection of the Memorial Art Gallery.) 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(78.5 x 60 cm)", "Disp_Height" : "30 7/8 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the Corner Club of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29256", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8488", "Disp_Access_No" : "1969.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jean Hading", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : ""Actors and Actresses" series", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "12 13/16 in. (32.6 cm)", "Disp_Height" : "", "Disp_Width" : "12 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8477", "Disp_Access_No" : "1936.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Madame Abdala", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "17 5/16 x 12 1/2 in. (44 x 31.8 cm)", "Disp_Height" : "17 5/16 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. 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(63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8479", "Disp_Access_No" : "1949.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Troupe de Mlle. Eglantine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 1/2 x 21 1/2 in. (62.2 x 54.6 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9737", "Disp_Access_No" : "1973.173", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: U.S. Marine - Be a Sea Soldier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clarence Frederick Underwood", "Sort_Artist" : "Underwood, Clarence Frederick", "Disp_Dimen" : "40 1/4 x 30 in. (102.2 x 76.2 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22127", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 13405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13405", "Disp_Access_No" : "2005.111", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Dahlias", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "9 7/16 x 6 5/8 in. (24 x 16.9 cm)", "Disp_Height" : "9 7/16 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Chromolithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Karl Kabelac''s "Nineteenth-Century Rochester Fruit and Flower Plates," the Stecher Lithographic Company advertised itself in city directories between 1875-1881 as the "Lithographic and Chromo Co."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.111_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.111_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.111_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.111_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is acceptable for web display, but not publication. ", "View" : "" } , ] },{ "embark_ID" : 9731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9731", "Disp_Access_No" : "1973.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1914-1918", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Help Your American Red Cross - Enroll Today $1.00", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "46 x 30 in. (116.8 x 76.2 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.167_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.167_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.167_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.167_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22162", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 9746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9746", "Disp_Access_No" : "1973.182", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: Lend Your Money to Your Government", "Alt_Title" : "", "Obj_Title" : "Poster: Lend Your Money to Your Government - Buy a United States Government Bond - Second Liberty Loan of 1917 - U.S. Treasury will pay you interest every six months", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "36 x 48 in. (91.4 x 121.9 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Printed by American Lithographic Co. for the Publicity Bureau, Treasury Department.", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.182_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.182_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.182_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.182_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 9743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9743", "Disp_Access_No" : "1973.179", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Poster: Remember Your First Thrill of American Liberty", "Alt_Title" : "", "Obj_Title" : "Poster: Remember Your First Thrill of American Liberty - Your Duty - Buy United States Government Bonds - 2nd Liberty Loan of 1917 ", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 20 in. (76.2 x 50.8 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Printed by Sackett & Wilhelms Corp. for the Publicity Bureau, Treasury Department.", "Dedication" : "Gift of Dr. and Mrs. E. Henry Keutmann", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1917 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.179_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.179_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.179_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.179_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22138", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. Master and Print versions exist on the embark drive: images folder: MasterScans folder: Master file folder and Print file folder.", "View" : "" } , ] },{ "embark_ID" : 2538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2538", "Disp_Access_No" : "1973.26.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Poster: The Greatest Brotherhood of All", "Alt_Title" : "", "Obj_Title" : "Poster: The Greatest Brotherhood of All - Answer the Red Cross Christmas Roll Call - December 16-23rd - All You Need is a Heart and a Dollar", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "6 1/4 x 10 in. (15.9 x 25.4 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 2535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2535", "Disp_Access_No" : "1972.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1877", "_Disp_Start_Dat" : "1877", "_Disp_End_Date" : "1877", "Disp_Title" : "Sibley Hall, Rochester, New York...", "Alt_Title" : "", "Obj_Title" : "Sibley Hall, Rochester, New York, from William McIntosh, History of Monroe County, New York", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "9 1/2 x 12 1/2 in. 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Herdle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23210", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2505, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2505", "Disp_Access_No" : "1975.320", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sol Wilson", "Sort_Artist" : "Wilson, Sol", "Disp_Dimen" : "13 3/4 x 9 1/2 in. 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