{ "objects" : [ { "embark_ID" : 1142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1142", "Disp_Access_No" : "1960.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "The Radiant Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Ackermann", "Sort_Artist" : "Ackermann, Max", "Disp_Dimen" : "29 1/2 x 23 7/16 in. (74.9 x 59.5 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "23 7/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This print was for a time misidentified as 93.31. 60.4 is the correct number. The 93.31 record has been removed from Embark.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29633", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 1147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1147", "Disp_Access_No" : "1975.150", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spatial Concept", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Ahlgren", "Sort_Artist" : "Ahlgren, Roy", "Disp_Dimen" : "17 x 16 3/4 in. (43.2 x 42.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "When you first approach this print by Roy Ahlgren, you might see a hallway covered in a brightly colored pattern. A closer look might reveal a more complex environment in which different flat surfaces meet in improbable ways. How does the artist use color and form to suggest this unreal space? Here, Ahlgren demonstrates how the human visual system prefers to interpret a complex shape as a regular shape perceived from a different angle or position. Look at the lower left corner of this print. Do you see a flat image of ovals and diamonds? Or a three-dimensional space where different flat surfaces, each covered in a pattern of circles and squares, meet? When you look at this image, you are most likely picking up on these spatial cues, and interpreting a complex three-dimensional space, rather than a flat image composed of different shapes. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.150_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.150_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.150_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.150_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1156", "Disp_Access_No" : "1970.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1969", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1974", "Disp_Title" : "Silver Moons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edna Wright Andrade", "Sort_Artist" : "Andrade, Edna Wright", "Disp_Dimen" : "29 x 29 in. (73.7 x 73.7 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Shape, color, and pattern all play a role in perceiving spatial depth in a two-dimensional image. When you look at this print by Victor Vasarely, do you see a layer of smaller green circles over a layer of larger blue circles, and on top of a green background? Or a blue gear-like shape on a green background with a semicircular border? If you see the former, you are inferring that there is a separate layer of green circles even though they are not clearly distinguished from the same green background. Why might you do this? The human visual system tends to prefer simple shapes over complex ones and regular patterns over irregularities, sometimes interpreting these preferences when evidence for them is inconclusive. In this case, your visual system completes the pattern set up by the smaller green circles that appear to sit on top of the larger blue circles. Your brain fills in the picture, creating a pattern where one might exist. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "MSearl added a creation date to the record on May 8, 2012, as Andrade''s painting, Cool Circuit, was made in 1969 and the print, Silver Moons, is clearly related to the painting: http://www.icaphila.org/exhibitions/past/andrade.php ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1163", "Disp_Access_No" : "1979.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Spectral Cadmium Suite, Plate #3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "28 x 28 in. (71.1 x 71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12845", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1162", "Disp_Access_No" : "1979.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Spectral Squares", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "26 x 26 in. (66 x 66 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Look closely at the center four squares at the center of this image. Does the yellowish color appear to be the same in all four squares, or is it different in each one? If you look closely, you might notice that all four squares feature the same yellow-orange color. However, what might make them appear different are the surrounding blue and green outlines, which are distinct in each square. Inspired by the teaching of Josef Albers, Spectral Squares is a lesson in color interaction, and how the perception of a single color can be affected by others adjacent to it. [Label copy from Seeing in Color and Black and White, 2018] Richard Anuszkiewicz is interested in what he calls “color systems” that he uses to create an environment; color is always the main concern in his work. Anuszkiewicz received his graduate degree from Yale in 1954, where he studied color interaction with Josef Albers. During this period, he also read and was influenced by Rudolph Arnheim's writings about art and psychology in Art and Visual Perception: A Psychology of the Creative Eye. Upon leaving school, he began to paint with complimentary colors of full intensity and observed their dynamic effect. He continued to explore the effects of combinations of colors, using simplified forms, mainly the square. He begins his paintings by choosing the colors very carefully under controlled lighting, calling the colors his “cast of characters” and then begins the painting. [Label Copy, Collection Connections - Psychedelic, installed September 15, 2010 Curated by Cynthia Culbert]", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.24_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12846", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1160", "Disp_Access_No" : "1970.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "18 1/16 x 15 in. (45.9 x 38.1 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From Spectral Cadmium Suite portfolio, 1968", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6344, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6344", "Disp_Access_No" : "1997.181", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Yellow Face", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karel Appel", "Sort_Artist" : "Appel, Karel", "Disp_Dimen" : "31 1/2 x 23 1/4 in. (80 x 59.1 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler in memory of Karl W. Taylor", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.181_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.181_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.181_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.181_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1187", "Disp_Access_No" : "1975.159", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Eye of the Moth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Baeumler", "Sort_Artist" : "Baeumler, Robert", "Disp_Dimen" : "33 x 39 1/2 in. (83.8 x 100.3 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.159_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.159_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.159_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.159_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 1322, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1322", "Disp_Access_No" : "1958.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Rain-lit Pier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dorothy Bowman", "Sort_Artist" : "Bowman, Dorothy", "Disp_Dimen" : "18 1/2 x 35 in. (47 x 88.9 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.81_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.81_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.81_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.81_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13521", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1385", "Disp_Access_No" : "1974.126", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1974", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1979", "Disp_Title" : "Configurations on a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robin W. Brown", "Sort_Artist" : "Brown, Robin W.", "Disp_Dimen" : "22 x 15 3/4 in. (55.9 x 40 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1974 Patron Print Award; 1974 Rochester - Finger Lakes Exhibition, sponsored by Flanigan Furniture Stores and Manufacturers Hanover Trust Company", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.126_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.126_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.126_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.126_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11385", "Disp_Access_No" : "1996.5.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Apocalypse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Burroughs", "Sort_Artist" : "Burroughs, William", "Disp_Dimen" : "38 x 38 in. (96.5 x 96.5 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "PVC", "Disp_Medium" : "Serigraph on PVC", "Info_Page_Comm" : "Portfolio of ten serigraphs by Keith Haring with accompanying poem by William Burroughs. 6", "Dedication" : "Gift of Sharon and Neil Norry, and Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11387", "Disp_Access_No" : "1996.5.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Apocalypse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Burroughs", "Sort_Artist" : "Burroughs, William", "Disp_Dimen" : "38 x 38 in. (96.5 x 96.5 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "PVC", "Disp_Medium" : "Serigraph on PVC", "Info_Page_Comm" : "Portfolio of ten serigraphs by Keith Haring with accompanying poem by William Burroughs. 12", "Dedication" : "Gift of Sharon and Neil Norry, and Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11389", "Disp_Access_No" : "1996.5.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Apocalypse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Burroughs", "Sort_Artist" : "Burroughs, William", "Disp_Dimen" : "38 x 38 in. 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(35.4 x 28 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 177, no.1601", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.216_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.216_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.216_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.216_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1889", "Disp_Access_No" : "1975.403", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1971", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1976", "Disp_Title" : "Flower Still I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Scott Hyde", "Sort_Artist" : "Hyde, Scott", "Disp_Dimen" : "20 5/8 x 14 1/2 in. (52.4 x 36.8 cm)", "Disp_Height" : "20 5/8 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.403_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.403_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.403_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.403_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is acceptable for web display, but not publication. ", "View" : "" } , ] },{ "embark_ID" : 1893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1893", "Disp_Access_No" : "1975.335.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Eternal Hexagon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "[Gallery label text 2013] Born Robert Clark, Indiana took the name of his home state to emphasize that his essential subject was American visual culture. He describes himself as a “sign painter.” External Hexagon is one of Indiana’s many precise geometric forms based on numbers. The hexagon, a flat shape with six sides and six angles, is a fundamental organizing structure in nature, and an important symbol in many religions. In the hands of a pop artist who is engaged in commercial graphics, this reference to eternity is ironic. 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The logo did not endear Mr. Indiana to the art establishment, and his star faded in inverse proportion to the success of ''Love.'' ", "Dedication" : "Transfer from the Education Collection", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Education Department''s School Loan materials. Original source unknown.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12709", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9694", "Disp_Access_No" : "2002.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "One", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "26 x 20 in. (66 x 50.8 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Arches paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Gallery label text 2013: Indiana’s attention to American themes, use of bright, vibrating color and formal configurations marked him as one of the central figures of American Pop art. His work often consists of bold, simple, iconic images, especially numbers and short words like EAT, HUG, and, his best known example, LOVE. Indiana was drawn to the existential aspects of numbers, which he regarded as the basic elements structuring our daily lives and representing the spectrum of existence, 1 representing birth and 0 standing between life and death. ", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15915", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "master scan is dirty--needs new photography", "View" : "" } , ] },{ "embark_ID" : 1911, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1911", "Disp_Access_No" : "1975.334.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 7/8 x 20 in. (60.6 x 50.8 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York.", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12743", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/969", "Disp_Access_No" : "1978.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 13/16 x 19 15/16 in. (60.5 x 50.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "acetate", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.90_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1912", "Disp_Access_No" : "1973.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.111_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.111_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.111_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.111_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3862", "Disp_Access_No" : "1995.62.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada in Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "26 x 36 1/16 in. (66 x 91.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "36 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3866", "Disp_Access_No" : "1995.62.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada with Sun Glasses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 24 3/16 in. (91.4 x 61.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1995.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Grey Ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "27 1/2 x 36 in. (69.9 x 91.4 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1987 painting by Katz. Alex Katz's ongoing effort to devalue the subject in his art is most visible in his portraits in which the subject is multiplied, with the result that the image contains more in design than it does in content. A sitter's individuality is diminished one further step, a person's unique character is subsumed to the pattern of the whole. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3861", "Disp_Access_No" : "1995.62.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Orange Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "17 15/16 x 36 1/8 in. 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[Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. 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His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." 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In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be. 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[Gallery label text, Print Club of Rochester exhibition, Lockhart Gallery, 2010-2011]", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31645", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10492, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10492", "Disp_Access_No" : "1977.88.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Title Page: A Suite of Screen Prints - The Streets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Seawell", "Sort_Artist" : "Seawell, Thomas", "Disp_Dimen" : "9 5/8 x 18 1/8 in. 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(55.9 x 43.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12851", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2361, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2361", "Disp_Access_No" : "1975.389", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Covered Bridge, Vermont", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Shokler", "Sort_Artist" : "Shokler, Harry", "Disp_Dimen" : "9 7/8 x 13 in. (25.1 x 33 cm)", "Disp_Height" : "9 7/8 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "1974 Presentation Print of the Print Club of Rochester", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.389_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.389_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.389_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.389_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31631", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8471", "Disp_Access_No" : "1962.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1952-1953", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1953", "Disp_Title" : "Mediterranée", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Staël", "Sort_Artist" : "Staël, Nicolas de", "Disp_Dimen" : "19 11/16 x 25 11/16 in. (50 x 65.2 cm)", "Disp_Height" : "19 11/16 in.", "Disp_Width" : "25 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gallery purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40345", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2406", "Disp_Access_No" : "1975.334.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Fortin de las Flores (First Version)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Stella", "Sort_Artist" : "Stella, Frank", "Disp_Dimen" : "18 x 23 in. (45.7 x 58.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph with graphite", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York. According to the Frank Stella Catalog Raisonne, "For this print Stella submitted a gouache based on the painting Fortin de las Flores of the Concentric Squares and Mitered Mazes Series (1962-63). A second version of this image (Cat. no. 84, 1973) was created by the artist as an offset lithograph for the four-part series Jasper's Dilemma." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "According to the Frank Stella Catalog Raisonne, "For this print Stella submitted a gouache based on the painting Fortin de las Flores of the Concentric Squares and Mitered Mazes Series (1962-63). A second version of this image (Cat. no. 84, 1973) was created by the artist as an offset lithograph for the four-part series Jasper''s Dilemma."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4601, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4601", "Disp_Access_No" : "1975.335.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Untitled (Rabat)", "Alt_Title" : "Rabat", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Stella", "Sort_Artist" : "Stella, Frank", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "This print is an adaptation of a gouache based on the painting Rabat in the Moroccan Series (1964-65). Look at the yellow-blue-yellow vertical striped pattern in the lower left corner for 30 seconds (try not to move your eyes). Then look at the white wall to the left. What do you see? You might see the same stripes but in a different order–now reading blue, yellow, blue. This phenomenon is called an after-image. Two types of photoreceptors are known to contribute to vision in human eyes: cones and rods. Cones, which are used for color vision, come in three types, each of which responds to a particular part of the color spectrum: blue, green, or red. Conversely, rods respond to the brightness of the light source. One of the models of color perception suggests that our visual system processes inputs from these photoreceptors according to three color opponent systems: red-green, blue-yellow, and white-black. These systems work in an oppositional manner, providing the foundations of the after-image effect. Where the eye registers the color blue, the blue pathway is excited while the yellow one is less stimulated. Conversely, where the eye registers yellow, the yellow pathway is excited, while the blue one is less active. How does this explain what you might have experienced? Staring at the saturated blue and yellow color fatigues the respective color-sensitive pathways. When looking at the white wall afterwards, you might not see the color of the wall but the effects of your fatigued color system. The area that tired your blue pathway now only registers yellow, and the area that tired the yellow pathway now only registers blue. The lesson? As artist Josef Albers noted, “no normal eye, even the most trained one, is foolproof against color deception.” [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2412", "Disp_Access_No" : "1975.144", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Big Daddy (w/o lettering)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "May Stevens", "Sort_Artist" : "Stevens, May", "Disp_Dimen" : "28 15/16 x 42 7/8 in. (73.5 x 108.9 cm)", "Disp_Height" : "28 15/16 in.", "Disp_Width" : "42 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "25 w/o lettering, 75 w/ lettering", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.144_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.144_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.144_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.144_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2431", "Disp_Access_No" : "1974.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Half Cakes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Thiebaud", "Sort_Artist" : "Thiebaud, Wayne", "Disp_Dimen" : "30 x 22 1/2 in. (76.2 x 57.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12858", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3793, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3793", "Disp_Access_No" : "1972.98.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1971", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1976", "Disp_Title" : "Ascension #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Vander Sluis", "Sort_Artist" : "Vander Sluis, George", "Disp_Dimen" : "35 1/8 x 23 1/16 in. (89.2 x 58.5 cm)", "Disp_Height" : "35 1/8 in.", "Disp_Width" : "23 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1971 Patron Print Award, 1971 Rochester-Finger Lakes Exhibition, sponsored by Garlock, Inc. and Lincoln Rochester Trust Company", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.98.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.98.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.98.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.98.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16271", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3794", "Disp_Access_No" : "1972.98.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1971", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1976", "Disp_Title" : "Ascension #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Vander Sluis", "Sort_Artist" : "Vander Sluis, George", "Disp_Dimen" : "35 1/8 x 23 1/16 in. 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(65.4 x 72.7 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "related to 69.65 (Space II, 1969, now deaccessioned)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10611", "Disp_Access_No" : "2002.13", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Ruby Loo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Betsy Vaness", "Sort_Artist" : "Vaness, Betsy", "Disp_Dimen" : "13 15/16 x 11 1/8 in. (35.4 x 28.2 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "2000 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33264", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8507", "Disp_Access_No" : "1996.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ondhu", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victor Vasarely", "Sort_Artist" : "Vasarely, Victor", "Disp_Dimen" : "25 x 19 1/2 in. (63.5 x 49.5 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 12834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12834", "Disp_Access_No" : "2004.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Self Portrait #3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kurt Vonnegut", "Sort_Artist" : "Vonnegut, Kurt", "Disp_Dimen" : "17 15/16 x 12 9/16 in. (45.5 x 31.9 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "12 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Grant Holcomb in memory of Edward R. Crone, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22328", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11258", "Disp_Access_No" : "2002.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1999-2000", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "2000", "Disp_Title" : "The Emancipation Approximation (scene 18)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kara Walker", "Sort_Artist" : "Walker, Kara", "Disp_Dimen" : "44 x 34 in. (111.8 x 86.4 cm)", "Disp_Height" : "44 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2458", "Disp_Access_No" : "1975.335.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Birmingham Race Riot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "19 15/16 x 24 in. (50.7 x 61 cm)", "Disp_Height" : "19 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph on paper", "Info_Page_Comm" : "Andy Warhol frequently appropriated images by other artists for his work. In this case, the image was originally a photograph by Charles Moore in "Life" magazine, May 17, 1963. [Gallery label text 2013] This image first appeared in Andy Warhol’s Disasters series, in which the artist selected, cropped, altered, and reproduced mass-circulated news photographs. The series commented upon America’s social ills with photos of suicides, car crashes and nuclear explosions. Birmingham Race Riot captures the racial tensions that gripped the country during the Civil Rights Movement. Warhol was an eager consumer of newspapers and magazines; he likely saw this photo of the Birmingham riot when it was published in LIFE magazine on May 17, 1963, only five days after the event it immortalized. The original photograph was taken by Charles Moore. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2461", "Disp_Access_No" : "1978.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Campbell's Soup Can on Shopping Bag", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "19 1/2 x 16 15/16 in. (49.5 x 43 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "bag without handle", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph on shopping bag", "Info_Page_Comm" : "This bag was published for a Warhol exhibition at the Institute of Contemporary Art in Boston, on view from October 1 - November 6, 1966. Two years earlier, serigraphed shopping bags sporting a Warhol soup can and a Lichtenstein turkey were made for an exhibit entitled "American Supermarket" at the Bianchini Gallery in New York. Signed by the artists, in editions of about 125 each, they cost $12 apiece. Sold as exhibition souvenirs, the shopping bags were an instant hit. People used them until they fell apart and now those novelty items have gained a status completely counter to their original intent. [Gallery label text 2012] Andy Warhol designed this bag with his iconic Campbell’s Soup can for a 1966 exhibition at the Institute of Contemporary Art in Boston. Sold as ephemeral souvenirs, those that have held up the past 45 years have gained a lofty status counter to their original intent. The popularity of these shopping bags and others like them inspired the production of other Pop multiples as seen in the case nearby, including Warhol’s Kiss. ", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Published for a Warhol exhibition at the Institute of Contemporary Art, Boston, MA, October 1 - November 6, 1966. Unknown edition size and an unknown number signed.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12738", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2455", "Disp_Access_No" : "1965.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Jackie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "23 7/8 x 23 1/4 in. (60.6 x 59.1 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic and silkscreen ink on canvas", "Info_Page_Comm" : "Warhol often used an unorthodox approach to portraiture. He borrowed from media photographs of celebrities to construct an individual’s public image instead of using a brush to render an idiosyncratic artistic interpretation of a sitter’s appearance. This work is part of Warhol’s “Jackie” series, which he began shortly after the assassination of President John F. Kennedy in 1963. As the basis for the paintings, he first selected eight photographs from the mass-media coverage of the event. He then cropped the pictures to focus on the President’s widow, Jacqueline Kennedy. Warhol used a commercial silkscreen technique to produce multiple versions of his work. As Warhol described, I wanted something that gave more of an assembly line effect….With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2459", "Disp_Access_No" : "1976.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Jacqueline Kennedy III", "Alt_Title" : "Jacqueline Kennedy III", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "canvas", "Disp_Medium" : "Serigraph on canvas", "Info_Page_Comm" : "The images that Andy Warhol used of Jacqueline Bouvier Kennedy were based on photographs by Fred War in "Life" magazine, December 6, 1963. [Gallery label text] From the portfolio "Eleven Pop Artists, Volume III" Pop Art print rotation, Post-1950 American art gallery, Jessica Marten, Assistant Curator, Oct. 3, 2011 - March 5, 2012: President John F. Kennedy was the first “television president;” he and his wife and children were regulars on our TVs, as if they were our royal family. After the President’s assassination, Warhol treated images of Jacqueline Kennedy as a popular culture commodity much like his ubiquitous Campbell Soup can. Warhol used a commercial silkscreen technique to produce his art. “I wanted something that gave more of an assembly line effect… With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy.” ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Text in Box #280.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.132_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.132_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.132_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.132_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27606", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 1070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1070", "Disp_Access_No" : "1975.333.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Kiss", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "12 3/4 x 8 in. (32.4 x 20.3 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "Plexiglas", "Disp_Medium" : "Serigraph on Plexiglas", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "1413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7951", "Disp_Access_No" : "2000.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Vegetarian Vegetable", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Campbell's Soup II", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "35 x 23 1/16 in. (88.9 x 58.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "23 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Gallery label text 2012: By choosing a common consumer item like a soup can as his subject and using commercial techniques to print it repeatedly, Andy Warhol forever altered the modern concept of art and value. His first Campbell’s Soup cans, painted and exhibited in 1962, consisted of 32 canvases, each one a variety of soup then produced by Campbell’s. They were displayed in a gallery on wall-mounted shelves to mimic their appearance in a grocery store. Over the next 20 years, Warhol repeatedly revisited the subject. In 1969, he made Vegetarian Vegetable as part of his Campbell’s Soup II portfolio. Below are three other prints from the portfolio of ten: ", "Dedication" : "Gift of Ron Kransler in memory of his father John H. Kransler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.38_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2469", "Disp_Access_No" : "1976.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "26 x 19 1/2 in. (66 x 49.5 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.133_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.133_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.133_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.133_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2470", "Disp_Access_No" : "1976.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "22 15/16 x 17 15/16 in. (58.3 x 45.5 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph and flocking on gold paper", "Info_Page_Comm" : "William Weege was always interested in unusual and experimental textures in printmaking. For example, he has been known to adhere cut and sewn pieces of paper to his work, and to print images on objects, like records. During his early career, his work often contained political messages about war and peace. Weege was born in Milwaukee and spent most of his life in Wisconsin. He received his MA and his MFA from the University of Wisconsin at Madison and went on to teach there for most of his career. From 1968 to 1970, Weege served as the Director of the Experimental Workshop at the Smithsonian Institution, at which time he made this print. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.134_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12734", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2468", "Disp_Access_No" : "1975.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Rock of Ages Cleft for Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "23 3/4 x 40 in. (60.3 x 101.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph and lithograph with flocking on silver mylar", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 223, no.2002. Note landscape orientation in catalogue.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.315_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.315_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.315_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.315_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12993", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2478, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2478", "Disp_Access_No" : "1976.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "TV Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tom Wesselmann", "Sort_Artist" : "Wesselmann, Tom", "Disp_Dimen" : "29 x 38 in. (73.7 x 96.5 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "Eleven Pop Artists, Volume III" Gallery label text 2013: In the early 1960s, America’s reliance upon the television for entertainment was established, but with the launch of the Telstar I satellite in 1962 the TV also became a primary source for live, breaking news. Halfway through the decade nearly 90% of American households owned at least a black and white set. TV Still Life may be Tom Wesselmann’s inquiry into what constitutes an appropriate subject for a modern still life. In evidence here is that most compelling quality of Pop art, the potential for conflicting interpretations: is this a celebration of popular culture or a critique? ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.137_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.137_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.137_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.137_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12736", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2521", "Disp_Access_No" : "1974.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "No Challenger", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jack Youngerman", "Sort_Artist" : "Youngerman, Jack", "Disp_Dimen" : "35 1/4 x 26 in. (89.5 x 66 cm)", "Disp_Height" : "35 1/4 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.68_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.68_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.68_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.68_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12737", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23559", "Disp_Access_No" : "2011.99.2", "_AccNumSort1" : "", "Disp_Create_DT" : "2010", "_Disp_Start_Dat" : "2010", "_Disp_End_Date" : "2010", "Disp_Title" : "Colophon: Reunion: Images 2010 Portfolio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "25 1/16 x 19 1/16 in. (63.7 x 48.4 cm)", "Disp_Height" : "25 1/16 in.", "Disp_Width" : "19 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "From Reunion: Images 2010 Portfolio of 33 prints, each by a different artist. This was an exchange portfolio, where artists contributed prints and then each recieved a copy of the portfolio; five sets were to be made available for public collections.", "Dedication" : "Gift of Kathryn Maxwell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.99.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.99.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.99.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.99.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37682", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only. Not for publication. Approved for web use October 2013 by Jess Marten until new photograph could be taken.", "View" : "" } , ] },{ "embark_ID" : 1146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1146", "Disp_Access_No" : "1975.149", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Three Graces", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Ahlgren", "Sort_Artist" : "Ahlgren, Roy", "Disp_Dimen" : "25 1/8 x 18 7/8 in. (63.8 x 47.9 cm)", "Disp_Height" : "25 1/8 in.", "Disp_Width" : "18 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.149_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.149_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.149_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.149_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45771", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9692", "Disp_Access_No" : "2001.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Do III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anni Albers", "Sort_Artist" : "Albers, Anni", "Disp_Dimen" : "25 5/8 x 25 5/8 in. (65.1 x 65.1 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Can you link the distinct elements in Anni Albers’ print to create a single form? It might depend on where you look. For example, the alternating parallelograms of green and light grey create the illusion of steps that move towards the center of the image. Once these regular stepped patterns meet in the center or along the axes of the print, however, the illusion of three-dimensional space breaks and the image flattens out into a series of discreet shapes. As one of the most well-known textile artists of the twentieth century, Anni Albers had an intimate knowledge of patterns—regular and repeatable sequences of forms. Seeing a pattern is one way the brain links discrete elements and makes sense of an image. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Gift of Robert E. and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14289", "Disp_Access_No" : "2006.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "25 x 24 15/16 in. (63.5 x 63.4 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "24 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Josef Albers once stated, “If one says ‘Red’ and there are 50 people listening, it can be expected that there will be 50 reds in their minds. And one can be sure that all these reds will be very different.” In these two prints [2006.59 and 2006.60], Albers has layered four reds of different intensities and values one upon another in increasingly smaller squares. While the four reds are the same, the sequence is different in the two prints. For example, the pale pink on the outer edge in one is the same color as the inner square in the other. Do they appear to be the same color to you? You might find that the boundaries between the distinct colors disappear and emerge depending on your distance from the print. Albers identified these related phenomena as “enhanced contours” and “vanishing boundaries.” Give it a try by moving closer to and farther from the prints! [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Gift of Robert E. and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14290", "Disp_Access_No" : "2006.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "25 1/16 x 24 15/16 in. (63.7 x 63.4 cm)", "Disp_Height" : "25 1/16 in.", "Disp_Width" : "24 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Josef Albers once stated, “If one says ‘Red’ and there are 50 people listening, it can be expected that there will be 50 reds in their minds. And one can be sure that all these reds will be very different.” In these two prints [2006.59 and 2006.60], Albers has layered four reds of different intensities and values one upon another in increasingly smaller squares. While the four reds are the same, the sequence is different in the two prints. For example, the pale pink on the outer edge in one is the same color as the inner square in the other. Do they appear to be the same color to you? You might find that the boundaries between the distinct colors disappear and emerge depending on your distance from the print. Albers identified these related phenomena as “enhanced contours” and “vanishing boundaries.” Give it a try by moving closer to and farther from the prints! [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Gift of Robert E. and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 25649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25649", "Disp_Access_No" : "2014.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1982-1984", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1984", "Disp_Title" : "Stairway to the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Will Barnet", "Sort_Artist" : "Barnet, Will", "Disp_Dimen" : "32 1/2 x 29 1/2 in. (82.6 x 74.9 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Deanne Molinari", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In light wood frame, 41 x 38" - discarded", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.53_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.53_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.53_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.53_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "46220", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10506", "Disp_Access_No" : "1975.30.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Evidence of Swimming in Assyria", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Randolph Carter", "Sort_Artist" : "Carter, John Randolph", "Disp_Dimen" : "38 x 25 1/2 in. (96.5 x 64.8 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Portfolio of eight prints including one text panel.", "Dedication" : "General Acquisitions Fund and Gift of the artist ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.30.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.30.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.30.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.30.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "41180", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10508, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10508", "Disp_Access_No" : "1975.30.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Greetings to the Future President", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Randolph Carter", "Sort_Artist" : "Carter, John Randolph", "Disp_Dimen" : "38 x 25 1/2 in. 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(102.2 x 73.7 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39412", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9007", "Disp_Access_No" : "1991.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Auschwitz Warns: Mona Lisa", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aleksandr Lemberskiy", "Sort_Artist" : "Lemberskiy, Aleksandr", "Disp_Dimen" : "37 x 27 in. (94 x 68.6 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "By the early 1970s, artists in the Soviet Union were creating work reflecting the influence of Pop Art. Vitaly Komar and Alexander Melamid, the fathers of the Soviet offspring of Pop Art, called their new movement "Sots Art." Rather than creating images of Campbell Soup cans and other consumer goods used by their American counterparts, Sots artists appropriated official slogans and images from the political propaganda that confronted them daily. Their new art was often critical of Communism and Fascism, and in the 80s and early 90s, many artists, including Lemberskiy, found it necessary to emigrate to America. Lemberskiy discusses his juxtaposition of images in this poster in the following passage: "Leonardo Da Vinci's "La Gioconda" ["Mona Lisa"] is an image of a woman of the 16th century, noble and convincing. For us she is a symbol executed by a great master. Next to her, the Mona Lisa of the 20th century, just as noble and convincing, has retained her traits in the face of animal-like Fascists who have made her undress and in a few minutes will send her to the gas chamber. Millions of "Giocondas" of the 20th century endured the hardships, suffering, and gas chambers [of the Holocaust]. Teir last path is portrayed through the rhythms and repetitions of one face. In comparing the two characters, one can confidently say that the "new" Mona Lisa is just as magnificent despite the fact that she is not drawn by the great Leonardo. With their similarities, they [both] portray the spirit of their time."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1994, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1994", "Disp_Access_No" : "1975.329.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Untitled #1", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mon Levinson", "Sort_Artist" : "Levinson, Mon", "Disp_Dimen" : "22 1/16 x 16 15/16 in. (56 x 43 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5673, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5673", "Disp_Access_No" : "1984.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Intimacy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Xiuping Liao", "Sort_Artist" : "Liao, Xiuping", "Disp_Dimen" : "15 x 22 1/4 in. (38.1 x 56.5 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph and collograph", "Info_Page_Comm" : "1984 Presentation Print of the Print Club of Rochester", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34541", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3938", "Disp_Access_No" : "1999.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Haystack #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 11/16 x 30 5/8 in. (52.5 x 77.8 cm)", "Disp_Height" : "20 11/16 in.", "Disp_Width" : "30 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "Gallery label text 2013: In the 1890s, Impressionist artist Claude Monet completed a series of paintings of haystacks. Monet built up his paint surfaces with rich, textured brushstrokes to capture the unique forms in different times of day and in different weather. Almost seventy-five years later, Roy Lichtenstein translated Monet’s haystacks into Pop art with his characteristic hard-edged dot pattern printed with a commercial silkscreen technique. As with Impressionist paintings, the viewer needs to step back from the Lichtenstein for the image to become fully coherent. ", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 3 colors, in 3 runs, from 2 aluminum plates and 1 screen: Lithograph - red, black Serigraph - white The complete set, of which this is one image, comprised six lithographs and one relief print. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.43_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2013", "Disp_Access_No" : "1975.328.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Figurine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "46 3/4 x 37 13/16 in. (118.8 x 96 cm)", "Disp_Height" : "46 3/4 in.", "Disp_Width" : "37 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, green, red Serigraph - light pink, light blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2009", "Disp_Access_No" : "1975.328.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Lobster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "38 7/8 x 37 5/8 in. (98.7 x 95.6 cm)", "Disp_Height" : "38 7/8 in.", "Disp_Width" : "37 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, blue, green, red Serigraph - beige, light blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15355", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2012", "Disp_Access_No" : "1975.328.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Pitcher and Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "37 x 52 1/16 in. (94 x 132.3 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "52 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, red, green Serigraph - light blue, blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15358", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2014", "Disp_Access_No" : "1975.328.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "47 3/8 x 37 5/8 in. (120.3 x 95.6 cm)", "Disp_Height" : "47 3/8 in.", "Disp_Width" : "37 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph with debossing", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, red Serigraph - light blue-green, blue Debossing", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2011", "Disp_Access_No" : "1975.328.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Windmill", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "35 7/8 x 44 7/8 in. (91.2 x 114 cm)", "Disp_Height" : "35 7/8 in.", "Disp_Width" : "44 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph with debossing", "Info_Page_Comm" : "Gallery label text 2013: “When we think of a still life, we think of paintings that have a certain atmosphere or ambience. My still life paintings have none of those qualities, they just have pictures of certain things that are in a still life, like lemons and grapefruits and so forth. I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it. 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(43.8 x 56.5 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Arches paper", "Disp_Medium" : "Lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.44_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33266", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 25317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25317", "Disp_Access_No" : "2014.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Untitled (Rosa Luxemburg)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "May Stevens", "Sort_Artist" : "Stevens, May", "Disp_Dimen" : "22 x 29 7/8 in. (55.9 x 75.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "29 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Joan Lyons", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43369", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23502, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23502", "Disp_Access_No" : "2011.40.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Five Woodcuts by Japanese Schoolchildren (portfolio)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "14 3/8 x 10 3/8 in. (36.5 x 26.4 cm)", "Disp_Height" : "14 3/8 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "Folio", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Enclosed in this portfolio: In commemoration of the completion of Asia-Africa Linguistic Institute school building / HANGA by Japanese children / 1961 / Asia Culture Library / Tokyo; back of portfolio: Made by HIMAWARI Art School for Children / Instructed by SHUNICHI IIJIMA", "Dedication" : "Transfer from Rush Rhees Library, Rare Books Department", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8503, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8503", "Disp_Access_No" : "1987.66", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victor Vasarely", "Sort_Artist" : "Vasarely, Victor", "Disp_Dimen" : "28 x 23 5/8 in. (71.1 x 60 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Victor Vasarely was an innovator of Op Art, a movement in the 1960s characterized by engaging the viewer’s perception through the use of illusions. In this print, the artist combines geometric forms in a wide range of saturated colors to create a spatially ambiguous image. For example, look closely at the magenta square with the vermillion diamond in the center. Is this square the front face of a cube that projects towards you? Or the back face of an empty open cube? Space in an image is determined by how you read forms in relation to one another, and follows from a series of cues. You might find yourself being able to see both possibilities in this print because the artist has combined contrasting spatial cues. Because bright tones tend to project forward, you might read the magenta-square as the front face of a cube. However, if you look at the two blue squares in the lower-left, the green sides to the magenta-faced cube appear to be the side and top of two different blue-faced cubes. Now the magenta square is the back face of an empty open cube. Continue looking across the surface of this image. Do the spatial relations between elements change depending on your focus? [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Gift of Roslyn and John Goldman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.66_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12855", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8494, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8494", "Disp_Access_No" : "1968.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled - Blue Repeat Patterns on a Green Square", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victor Vasarely", "Sort_Artist" : "Vasarely, Victor", "Disp_Dimen" : "26 3/8 x 26 1/4 in. (67 x 66.7 cm)", "Disp_Height" : "26 3/8 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Shape, color, and pattern all play a role in perceiving spatial depth in a two-dimensional image. When you look at this print by Victor Vasarely, do you see a layer of smaller green circles over a layer of larger blue circles, and on top of a green background? Or a blue gear-like shape on a green background with a semicircular border? If you see the former, you are inferring that there is a separate layer of green circles even though they are not clearly distinguished from the same green background. Why might you do this? The human visual system tends to prefer simple shapes over complex ones and regular patterns over irregularities, sometimes interpreting these preferences when evidence for them is inconclusive. In this case, your visual system completes the pattern set up by the smaller green circles that appear to sit on top of the larger blue circles. Your brain fills in the picture, creating a pattern where one might exist. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }