{ "objects" : [ { "embark_ID" : 2478, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2478", "Disp_Access_No" : "1976.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "TV Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tom Wesselmann", "Sort_Artist" : "Wesselmann, Tom", "Disp_Dimen" : "29 x 38 in. (73.7 x 96.5 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "Eleven Pop Artists, Volume III" Gallery label text 2013: In the early 1960s, America’s reliance upon the television for entertainment was established, but with the launch of the Telstar I satellite in 1962 the TV also became a primary source for live, breaking news. Halfway through the decade nearly 90% of American households owned at least a black and white set. TV Still Life may be Tom Wesselmann’s inquiry into what constitutes an appropriate subject for a modern still life. In evidence here is that most compelling quality of Pop art, the potential for conflicting interpretations: is this a celebration of popular culture or a critique? ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.137_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.137_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.137_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.137_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12736", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }