{ "objects" : [ { "embark_ID" : 12886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12886", "Disp_Access_No" : "2005.11", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "North River, Marshfield, MA", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carol Acquilano", "Sort_Artist" : "Acquilano, Carol", "Disp_Dimen" : "22 1/4 x 30 in. (56.5 x 76.2 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "sheet", "Medium" : "Paint and ink", "Support" : "paper", "Disp_Medium" : "Sumi ink and acrylic wash on paper", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds contributed in memory of Gallery friend Frank Zahniser", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14277", "Disp_Access_No" : "2006.50", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "The Field by the Tree at the Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carol Acquilano", "Sort_Artist" : "Acquilano, Carol", "Disp_Dimen" : "16 9/16 x 11 1/4 in. (42 x 28.6 cm)", "Disp_Height" : "16 9/16 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Reduction color woodcut", "Info_Page_Comm" : "About this work, the artist said that the location "is not one particular place but rather an amalgamation. It has elements of Keuka Lake, a Canandaigua hillside, a Tuscan row of cypress, a mixture of places where I have been painting and what I find inspirational."", "Dedication" : "2006 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24313", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12527", "Disp_Access_No" : "2004.17", "_AccNumSort1" : "", "Disp_Create_DT" : "2004", "_Disp_Start_Dat" : "2004", "_Disp_End_Date" : "2004", "Disp_Title" : "Arcadia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gregory Amenoff", "Sort_Artist" : "Amenoff, Gregory", "Disp_Dimen" : "33 7/16 x 29 3/4 in. (85 x 75.5 cm)", "Disp_Height" : "33 7/16 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color aquatint and etching", "Info_Page_Comm" : "2003 Presentation Print of the Print Club of Rochester", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1st print published by the Print Club of Rochester", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34575", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10532", "Disp_Access_No" : "2002.1a-d", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Everett Shinn Writes Isabel Herdle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ken Aptekar", "Sort_Artist" : "Aptekar, Ken", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood, bolts, sandblasted glass", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1a-d_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1a-d_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1a-d_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1a-d_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10474", "Disp_Access_No" : "2001.14", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Chair Standing on Its Head", "Alt_Title" : "Chair Standing on its Head", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "43 x 31 x 33 in. (109.2 x 78.7 x 83.8 cm)", "Disp_Height" : "43 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Maple and jelutong", "Support" : "", "Disp_Medium" : "Maple and jelutong", "Info_Page_Comm" : "Wendell Castle’s art delights and surprises us, and this example is no exception. As if made for a topsy-turvy world, the stick-figure chair stands on a tromp-l’oeil (French for “fool the eye”) pillow that seems to be soft and filled with feathers. At the same time, we can see the wood’s grain and joints and know that it is a hard surface. Wendell Castle is an internationally acclaimed artist who is based in nearby Scottsville, New York. In his more than fifty-year career, he has continued to explore the possibilities inherent in the medium of wood, and to expand the conceptual realities that can be expressed with it. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.14_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.14_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.14_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.14_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "43982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12829", "Disp_Access_No" : "2005.263", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "Last Judgment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "84 x 32 x 26 in. (213.4 x 81.3 x 66 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Mahogany, patinated brass", "Info_Page_Comm" : "Wendell Castle, whose studio is in Scottsville, New York, is internationally renowned for his innovative and sculptural approach to furniture design. In Rochester, Castle has been an influential teacher through his affiliations with a number of schools, including the State University of New York at Brockport and Rochester Institute of Technology’s School for American Crafts, where he currently holds the position of artist-in-residence. [Gallery label text, 2007] ", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.263_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.263_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.263_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.263_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10254", "Disp_Access_No" : "2001.6", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Lord Dragonfly Chair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle and William Heyen", "Sort_Artist" : "Wendell Castle and William Heyen", "Disp_Dimen" : "35 x 82 x 24 in. (88.9 x 208.3 x 61 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "82 in.", "Dimen_Extent" : "overall", "Medium" : "Cherry", "Support" : "", "Disp_Medium" : "Cherry and polychromed jetulong", "Info_Page_Comm" : "The Memorial Art Gallery commissioned Lord Dragonfly Chair as a bench for public use. It represents the collaboration of two of Rochester’s luminaries, furniture artist Wendell Castle and poet William Heyen (born 1940). Routed into the back and seat are poems from Heyen’s 1981 book Lord Dragonfly: Five Sequences. Heyen made an initial selection of possible poems, from which Castle chose six. To disguise his handwriting, Castle used his left hand to rout these brief untitled poems into the wood. [Gallery label text, 2008]", "Dedication" : "Gift of Marion J. Hawks in honor of Grant Holcomb, the Mary W. and Donald R. Clark Director, and the Bachman Fund ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14287", "Disp_Access_No" : "2006.40", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "Sears Ross tji wara (mother and child)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willie Cole", "Sort_Artist" : "Cole, Willie", "Disp_Dimen" : "47 x 26 x 7 3/4 in. (119.4 x 66 x 19.7 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Bicycle parts", "Info_Page_Comm" : "Willie Cole’s work explores areas of overlap and intersection among African, American and African American cultures. Cole makes his art from the reused detritus (otherwise known as garbage) of contemporary life. In this sculpture of old bicycle parts, the artist reinterprets the tji wara (also spelled chi wara) masks of the Bamana people of Mali (like MAG's accession number 93.14). With real-time communication, social networking and economic globalization, the internet of the 21st century fosters seamless and near-constant encounters across time and cultures. By Africanizing or ritualizing common western objects, Cole embraces and examines these encounters as he comments upon contemporary society. [Gallery label text, 2009] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No master scan with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 12307, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12307", "Disp_Access_No" : "2004.31", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "First of June", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anne Currier", "Sort_Artist" : "Currier, Anne", "Disp_Dimen" : "21 x 27 x 20 in. (53.3 x 68.6 x 50.8 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "Anne Currier, internationally renowned ceramist and professor of ceramics at Alfred University, was one of six artists included in the first Rochester Biennial exhibition in 2004. She speaks eloquently about her work: "The ceramic sculptures express my curiosity about… the physical and visual exchange of masses and voids in space…how the absence of a shape can assert a presence and define an arcane existence. Projection and recession, hard and soft, light and shadow, substance and impression are dynamics that parallel content and intentions…Color and texture are chosen to enhance the ambiguity between the visual perception of a surface and the reality of touch. There is a compulsion to experience inside and outside, using the simplicity of clay cylinders, cones, planes and edges…Associations with architecture and positions of the human figure found in Buddhist temple friezes are part of an exploration that generates for me an intriguing sense of scale, intimacy and narrative." [Gallery label text]", "Dedication" : "Given in memory of Barbara Dague Powers by the Memorial Art Gallery Docent Class of 2004 and her friends and family; the Mabel Fenner Lyon Fund for Ceramic Art and Maurice and Maxine Forman Fund ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18753", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.31_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18754", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13824", "Disp_Access_No" : "2006.7", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "Found Portraits Collection: from the Cambodian Killing Fields at Tuol Sleng", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Binh Danh", "Sort_Artist" : "Danh, Binh", "Disp_Dimen" : "18 1/8 x 53 1/8 in. (46.1 x 134.9 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "53 1/8 in.", "Dimen_Extent" : "with frame", "Medium" : "Chlorophyll prints on leaves with resin", "Support" : "", "Disp_Medium" : "Chlorophyll prints on leaves with resin", "Info_Page_Comm" : "The faces of prisoners murdered in the Cambodian Killing Fields of the Khmer Rouge are memorialized in Binh Dahn’s series of portraits printed on living leaves. The artist makes his chlorophyll prints by pressing a leaf and a photographic negative together between glass plates and exposing them to sunlight for several months. The natural process of photosynthesis transfers the photographic image to the leaf. After printing, the leaves are suspended and preserved in resin. As many as 30,000 prisoners were held captive at the prison between 1975 and 1979. When the Vietnamese army liberated the prison, 6000 photographs remained to bear witness to the individuals who suffered there. The original negatives are housed in the Tuol Sleng Museum of Genocide, located in the former prison. A catalog of the images can be found at Cornell University. [Gallery label text, 2009] Bin Danh creates what he calls "chlorophyll prints" by pressing a living leaf and a photographic negative between glass plates and exposing them to sunlight. After a period of several months, through the natural process of photosynthesis, the image becomes visible and permanent. For this particular piece, Danh made negatives from photographs taken of prisoners before they were murdered by the Khmer Rouge during the Vietnam War. After being 'printed,' the leaves were suspended in resin. Life, death, and the ways in which we preserve the past are all important considerations in Danh's work. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39395", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "MAG 10/12"", "View" : "" } , ] },{ "embark_ID" : 10258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10258", "Disp_Access_No" : "2001.13", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Accepting the Good with the Bad", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Debra M. Fisher", "Sort_Artist" : "Fisher, Debra M.", "Disp_Dimen" : "21 5/8 x 17 3/4 in. 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[Selwyn Case "Studio Glass Movement" installation, August 2016 - May 2019]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31830", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Not for publication or web use unless reflections of lights can be removed from center", "View" : "" } , ] },{ "embark_ID" : 12444, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12444", "Disp_Access_No" : "2004.32", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "Landscape Sound No. 144", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Frank Moss", "Sort_Artist" : "Moss, Ben Frank", "Disp_Dimen" : "6 9/16 x 5 3/8 in. 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