{ "objects" : [ { "embark_ID" : 6921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6921", "Disp_Access_No" : "1928.75", "_AccNumSort1" : "", "Disp_Create_DT" : "before 79 CE", "_Disp_Start_Dat" : "69", "_Disp_End_Date" : "78", "Disp_Title" : "Fresco Fragment with Cupid Holding a Mask ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "8 1/16 x 5 3/16 x 3/4 in. (20.4 x 13.1 x 1.9 cm)", "Disp_Height" : "8 1/16 in.", "Disp_Width" : "5 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Paint", "Support" : "plaster", "Disp_Medium" : "Paint on plaster", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "At time of 1977 University of Michigan exhibition, MAG provided the venue with a date for this piece of 63-79 AD, but it is unclear where such precise dating came from. Nothing in the file previously specifies a date other than "first century." --KSchauber, Curatorial Research Ass''t Per registrar''s ledger: from a decorated wall in Pompeii", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7889", "Disp_Access_No" : "1930.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1350-1757", "_Disp_Start_Dat" : "1350", "_Disp_End_Date" : "1757", "Disp_Title" : "Head of a Buddha", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Thai", "Sort_Artist" : "Unknown, Thai", "Disp_Dimen" : "12 1/2 x 8 1/4 x 8 1/2 in. (31.8 x 21 x 21.6 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Thai", "Department" : "", "Obj_Name" : "", "Period" : "Ayudhya Period (1350-1757 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14695", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/192", "Disp_Access_No" : "1934.1", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1831", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Colonel Nathaniel Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This formal gentleman was the founder of the city of Rochester, New York. His portrait was originally thought to have been painted by John James Audubon, but current scholarship has weighed in against that opinion. Nathaniel Rochester was an enterprising individual, which was a characteristic of many early settlers. He founded businesses and churches, and held governmental positions. He was the first president of the Rochester Athenaeum, the precursor to the Rochester Institute of Technology, and he was instrumental in the organization of Monroe County and the building of the Erie Canal. His practical and inventive bent may have led him to wear four-lens spectacles, which allowed him to read small print and see at a distance using the same pair of glasses. [Gallery label text, 2007]", "Dedication" : "Gift of Thomas J. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conversation between Marjorie Searl and Holly Cumberland (Rochester family descendant) regarding acquisition and attribution of painting (December 7, 2009); Holly wanted to alert us to the book "Nathaniel" written by her grandfather, Rochester Rogers, whose son Nathaniel died of throat cancer in 1945. In the book, Rogers alludes to the painting of Nathaniel Rochester, and that it was acquired for MAG by Thomas Watson. Holly''s contention is that Thomas Watson bought the painting believing that it was by Audubon, and that as Rochester Rogers and Thomas Watson were friends, there would have been ample opportunity for Watson to have ascertained from his friend Rogers that it was in fact by Audubon. However, as I explained to Holly, it was Rochester Rogers'' sister Helen who strongly supported the Audubon attribution, so this comment does not change the fact that there is virtually no objective and external evidence pointing to this portrait''s being by Audubon, other than an anonymous inscription on the back of the painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5179", "Disp_Access_No" : "1942.21", "_AccNumSort1" : "", "Disp_Create_DT" : "early 13th Century", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1232", "Disp_Title" : "Bodhisattva Guanyin on Mount Potala", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "45 1/2 x 26 3/8 x 20 1/2 in. (115.6 x 67 x 52.1 cm)", "Disp_Height" : "45 1/2 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gold", "Info_Page_Comm" : "This aspect of Guanyin, enthroned on his legendary mountain abode, Potala, was especially favored in China during the 12th and 13th centuries. The figure is seated in a position of Royal Relaxation. Its rustic base, visible at the left, symbolizes a rocky ledge of the mountain paradise, from which Guanyin beholds with sublime compassion the sufferings of earthly beings. Public temple images such as this, gilt and richly polychromed, were often installed in an elaborate naturalistic setting. They combined the two concepts of the immutability of the Divine and the transitory nature of the world. [Gallery label text, undated]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Southern Song Dynasty (1127-1279 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "36505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "36508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7811", "Disp_Access_No" : "1944.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 650 BCE-330 BCE", "_Disp_Start_Dat" : "650 BCE", "_Disp_End_Date" : "330 BCE", "Disp_Title" : "Tribute Bearer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Persian", "Sort_Artist" : "Unknown, Persian", "Disp_Dimen" : "22 5/8 x 12 5/8 in. (57.5 x 32 cm)", "Disp_Height" : "22 5/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "without mount", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "The Tribute Bearer, shown wearing a typical Persian costume and ascending a staircase with his offering, was one of hundreds of brightly-painted stone relief sculptures on the palace walls and stairways of Persepolis, the spiritual center of the Achaemenid Empire. The figure represents one of 23 tribute-bearing delegations from all parts of the Empire that arrived at Persepolis for the annual spring New Year’s festival. [Gallery label text, 2009] ", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29016", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image modified in Photoshop by Andy Olenick to minimize contrast of filled crack perpendicular to right edge. On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 4135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4135", "Disp_Access_No" : "1949.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1650", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Davidsz. de Heem", "Sort_Artist" : "Heem, Jan Davidsz. de", "Disp_Dimen" : "14 1/2 x 18 in. (36.8 x 45.7 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6634", "Disp_Access_No" : "1949.64", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincenzo di Biagio Catena", "Sort_Artist" : "Catena, Vincenzo di Biagio", "Disp_Dimen" : "12 3/4 x 10 1/4 in. (32.4 x 26 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Vicenzo Catena was active a generation after Hans Memling, the Northern Renaissance artist who inspired Kehinde Wiley’s contemporary portrait nearby. Despite a difference of 500 years in the creation of Catena’s and Wiley’s portraits, the similarities are striking. Both are three-quarter profiles of young men of their day, set in a distant landscape. The sitters are linked not by social status but by their stillness and intensity of gaze, and by their immediate relationship to the viewer. Catena’s patrons were primarily members of the aristocratic and wealthy classes of Venice, Italy, of which the sitter for "Portrait of a Young Man" was certainly a member. The portrait’s aesthetic appeal derives from the simple, crisp composition; high level of craftsmanship; strong characterization of the sitter; and fluid use of brilliant and contrasting oil glazes. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18777", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Inhouse scan from after treatment photography from Williamstown. Transparency in object file with conservation record.", "View" : "" } , ] },{ "embark_ID" : 5136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5136", "Disp_Access_No" : "1949.76", "_AccNumSort1" : "", "Disp_Create_DT" : "early 13th century", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1232", "Disp_Title" : "Console with Doubting Thomas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "24 x 17 11/16 x 18 1/2 in. (61 x 45 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone, polychromy", "Info_Page_Comm" : "This early Gothic console originally supported a vaulting rib in the sacristy of the small French church of St. Martin-de-Candes. The sculpture, which retains much of its original coloring, illustrates the story of Doubting Thomas, an episode described in the New Testament gospel book of John. The apostle Thomas refused to accept that Christ had appeared to his other followers after the Resurrection, saying “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe it.” Christ appeared to them again one week later and told Thomas “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.” The sculptor has utilized the architectural form of the console to depict this story. On the left, Thomas, his head now broken, places his finger in Christ’s wound; Mary Magdalen, to whom Christ also appeared after the Resurrection, stands behind him. The apostle on the other side of Christ is Saint Peter, who holds the key to heaven. The remaining figures are apostles who serve as witnesses to the miracle. The figure of Christ originally carried a cross-staff, symbolizing his victory over death. [Gallery label text, June 2013]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "33546", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "33547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "33548", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "33549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "33550", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "33551", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "33552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , ] },{ "embark_ID" : 617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/617", "Disp_Access_No" : "1951.11a", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Jawbone and Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "17 x 20 in. (43.2 x 50.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With her unique vision and expression, Georgia O’Keeffe epitomizes the modern American artist. Her simple, pared down shapes and closely cropped still-lifes of bones and flowers turn objects into landscapes of their own. [Gallery label text, 2007] Painting on the verso, 51.11b.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "11221", "Rel_Obj_Title" : "Untitled (Abstraction)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11a_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6020", "Disp_Access_No" : "1951.204", "_AccNumSort1" : "", "Disp_Create_DT" : "1275 BCE-1225 BCE", "_Disp_Start_Dat" : "1275 BCE", "_Disp_End_Date" : "1225 BCE", "Disp_Title" : "Krater", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Mycenaean", "Sort_Artist" : "Unknown, Mycenaean", "Disp_Dimen" : "17 1/2 in. (44.5 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, paint", "Info_Page_Comm" : "A krater is a large, wide-mouthed jar, often used for mixing wine and water. These two kraters [51.203, 51.204] were found on Cyprus, an important island in the trade routes of the ancient Mediterranean and location of a significant Mycenaean colony. They likely served a funerary function, holding wine at the funeral feast, or containing the cremated remains of the deceased. The similar scenes on these two kraters represent the popular Mycenaean decorative motif of horse-drawn war chariots. The vase painter represented the two horses as a single body with two heads, two tails, and two pairs of forelegs and hind legs. The scene may refer to honors for a fallen warrior as described by Homer in the Iliad, where, during the Trojan War, the Greek hero Achilles led a solemn chariot procession in tribute to his dead companion Patroclus. [Gallery label text, 2009]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Mycenaean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly from a tomb opened at Enkomi, Cyprus, in 1896; see Rystedt in 1988 Medelhavsmuseet bulletin. Markings seem very similar to those illustrated in that article. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "29039", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "29040", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "29041", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "29042", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29043", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "29044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "29045", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "29046", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "29047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "29048", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "29049", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.204_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.204_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.204_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.204_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "29050", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.203-204_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.203-204_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.203-204_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.203-204_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "29074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "51.203 and 51.204 photographed together. On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 5049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5049", "Disp_Access_No" : "1953.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1635", "Disp_Title" : "Two Musicians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)", "Disp_Height" : "45 5/8 in.", "Disp_Width" : "47 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience. The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period. As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life. [Gallery label text] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per catalogue raisonne, one of eighteen versions of this scene.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7701", "Disp_Access_No" : "1961.9", "_AccNumSort1" : "", "Disp_Create_DT" : "11th century", "_Disp_Start_Dat" : "1000", "_Disp_End_Date" : "1099", "Disp_Title" : "Torso of an Attendant Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Sandstone", "Support" : "", "Disp_Medium" : "Sandstone", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "Candela Dynasty (11th century CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2886", "Disp_Access_No" : "1968.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Chilkat Robe (Naaxéin)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Tlingit", "Sort_Artist" : "Unknown, Tlingit", "Disp_Dimen" : "52 3/4 x 62 1/2 in. (134 x 158.8 cm)", "Disp_Height" : "52 3/4 in.", "Disp_Width" : "62 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Wool", "Support" : "", "Disp_Medium" : "Wool, cedar bark, natural dyes", "Info_Page_Comm" : "Living along the Chilkat River of Southern Alaska, the Chilkat people are a single kwan, or geographical grouping, of the larger Tlingit culture. Male and female clan leaders honor their ancestors, both human and animal, by wearing Chilkat robes at festivals called potlatches and other important events. The Chilkat robe (or naaxéin) is a woven ceremonial cape traditionally worn and danced by the chief and other important members of Tlingit society. When danced, the motions of the performer include the dramatic manipulation of the long fringe, further enlivening the animal forms on the robe. The patterns on Chilkat robes represent animals important to Tlingit clans. These designs manipulate and rearrange specific animal forms, often adding additional faces and multiple eyes. This Chilkat robe features a diving humpback whale in the center panel. The whale is pictured both from above and in profile. Seated ravens shown in profile fill the two side panels of the robe. The arrangement of the overall design takes into account the position of these individual components when the robe is worn. [Gallery label text, 2009] ", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "May represent a diving whale. See photocopies in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of center panel. On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "28362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of left panel. On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "28363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of right panel. On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "28364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of left half of center panel. On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.35_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.35_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.35_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.35_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "28365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of right half of center panel. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 5262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5262", "Disp_Access_No" : "1969.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1000-1350", "_Disp_Start_Dat" : "1000", "_Disp_End_Date" : "1350", "Disp_Title" : "Jaguar Vessel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greater Nicoya", "Sort_Artist" : "Unknown, Greater Nicoya", "Disp_Dimen" : "14 x 9 3/4 x 11 1/2 in. (35.6 x 24.8 x 29.2 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay, pigment", "Info_Page_Comm" : "This vessel has all the features of a jaguar: ferocious snarling face, sharp teeth, long tail and golden black-spotted coat. The hollow legs and the mouth contain small clay balls that rattle when the jar is shaken, in imitation of the jaguar’s growl. Admired for their strength and agility, jaguars were a powerful and ubiquitous symbol frequently adopted by shamans as an alter-ego. Here the jaguar is depicted in a human-like crouch with the “hands” placed on the knees – a position not possible for this animal. In fact, what we’re witnessing is a typical meditation pose of a shaman and the transformation into his/her animal form. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund ", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Costa Rican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "Pataky", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.90_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.90_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.90_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.90_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.90_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.90_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.90_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.90_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.90_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.90_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.90_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.90_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20165", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.90_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.90_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.90_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.90_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20166", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.90_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.90_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.90_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.90_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "20167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4910", "Disp_Access_No" : "1969.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask: Male Antelope (Chi Wara)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "40 9/16 x 2 15/16 x 13 9/16 in. (103 x 7.5 x 34.5 cm)", "Disp_Height" : "40 9/16 in.", "Disp_Width" : "2 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, fiber, and metal", "Info_Page_Comm" : "In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes the mask a fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. Chi wara masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride. The small pieces of red cloth attached to the snout of this male Chi Wara may have originated in the woolen bandages imported by the French during the First World War. In Bamana culture, red is the color of danger and is often restricted to men of certain status. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "28368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "28370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "At the left, with 93.14 on the right. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 1053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1053", "Disp_Access_No" : "1970.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Crested Swans", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Scholl", "Sort_Artist" : "Scholl, John", "Disp_Dimen" : "84 1/4 x 33 x 30 1/2 in. (214 x 83.8 x 77.5 cm)", "Disp_Height" : "84 1/4 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "For approximately sixteen years before he died at age 88, John Scholl created over forty imaginative sculptures that he stored in the parlor of his home in Germania, Potter County, Pennsylvania. A builder by trade, Scholl seemed to create these architectural forms as an extension of the decorative fretwork and scrollwork seen on the porches and gables of Victorian homes, many of which were made from pattern book templates. Incorporated into the whimsical creations were traditional European folk art motifs: birds, stars, and sunbursts. Scholl was proud of his work, and enjoyed showing people through the collection; in good weather, he moved some it out into his yard. When he died of pneumonia, contracted after shoveling snow, Crested Swans was one of the pieces that surrounded Scholl's casket during the wake. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "note that on close examination you can see that the black background is uneven", "View" : "" } , ] },{ "embark_ID" : 7828, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7828", "Disp_Access_No" : "1973.138", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Body Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "96 in. (243.8 cm)", "Disp_Height" : "96 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Cane", "Support" : "", "Disp_Medium" : "Cane fibers, shells, feathers, pigment", "Info_Page_Comm" : "In earlier times, masks like this one were used in traditional initiation ceremonies in which young boys became men. Skulls of ancestors sometimes adorned the masks to reinforce their role as benevolent ancestral spirits. The dancer would have looked out of the eyes of the lower face and treated as handles the holes hidden below the small patches of grass. As it was created in the 20th century, we know this body mask was made by artists specifically for sale. Even as social changes affect a culture, the traditional arts of a people can become representations of ethnic identity and potent symbols of familiar values and vaunted ideals of an earlier time. This mask was made by people living on the Sepik River, the major trade and communications artery of Papua New Guinea. Today, it is on the Sepik that most westerners experience Papua New Guinea as cruise lines travel up and down the river, stopping at villages where local artists sell their work. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Basketry", "Creation_Place2" : "New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.138_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.138_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.138_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.138_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "28659", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5190", "Disp_Access_No" : "1974.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1100-1199", "_Disp_Start_Dat" : "1100", "_Disp_End_Date" : "1199", "Disp_Title" : "Bodhisattva Kannon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "56 1/8 x 14 15/16 x 14 15/16 in. (142.5 x 38 x 38 cm)", "Disp_Height" : "56 1/8 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "with base", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, gesso, polychromy", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund and gift of a Friend of the Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Late Heian Period (898-1185 CE)", "Style" : "", "Edition" : "", "Curator" : "Extensively restored; torso and head original. Probably originally part of a three-figure group with Buddha Amida.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.83_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25906", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1031", "Disp_Access_No" : "1987.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Convergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "107 x 77 1/2 x 16 1/2 in. (271.8 x 196.9 x 41.9 cm)", "Disp_Height" : "107 in.", "Disp_Width" : "77 1/2 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Forged steel, polychromed", "Info_Page_Comm" : "", "Dedication" : "Gift in honor of Herbert W. Vanden Brul made possible by Harris Corporation-RF Communications Division, Vanden Brul family members and friends, and the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3226", "Rel_Obj_Title" : "Convergence" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/214", "Disp_Access_No" : "1992.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Sierras Near Lake Tahoe, California", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "14 15/16 x 21 1/16 in. (38 x 53.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "21 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Bierstadt was one of the most gifted artists to depict the stunning mountain views of the expanding frontier, far west of the Hudson River region that had inspired earlier American landscape painters. He was a member of the generation of artist-explorers who traveled with expeditions or in their footsteps and recorded the visual experience. MAG's painting quietly but masterfully convinces us of the grandeur of mountains and sky by including the tiny deer to give a sense of scale, and by suffusing the surface of the painting with a warm, glowing palette. ", "Dedication" : "Clara and Edwin Strasenburgh Fund and Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Master image contains wrong accession # from photoshoot: 75.21. Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 3889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3889", "Disp_Access_No" : "1998.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "The Printseller's Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Goodman", "Sort_Artist" : "Goodman, Walter", "Disp_Dimen" : "52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s. A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes. Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 2000 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 10408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10408", "Disp_Access_No" : "2000.11.2", "_AccNumSort1" : "", "Disp_Create_DT" : "332 BCE-30 BCE", "_Disp_Start_Dat" : "332 BCE", "_Disp_End_Date" : "30 BCE", "Disp_Title" : "Inner Coffin of Pa-debehu-Aset", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "72 1/16 x 20 7/8 x 18 7/8 in. (183 x 53 x 48 cm)", "Disp_Height" : "72 1/16 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gilding, with glass, stone and shell inlay", "Info_Page_Comm" : "This pair of nesting coffins once held the mummy of Pa-debehu-Aset, an Egyptian official from the city of Asyut, midway down the River Nile. Pa-debehu-Aset’s mummy, now lost, would have been placed in the anthropoid, or human-shaped, coffin. The anthropoid coffin would have nested in and been protected by the rectangular outer coffin, called a shrine coffin because it resembles the sacred shrine of a god. Both of Pa-debehu-Aset’s coffins are decorated with images and symbols of the gods, goddesses, spells and prayers that would guide his soul into the afterlife. Like all ancient Egyptians, Pa-debehu-Aset believed that the mummy was the eternal dwelling place for the spirits of the deceased. The divine powers of gods and goddesses would protect him during his life and after his death. Because of its human shape, the anthropoid coffin could serve as a substitute body should Pa-debehu-Aset’s mummy be destroyed. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Ptolemaic Period (332 -30 BCE)", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "10407", "Rel_Obj_Title" : "Shrine Coffin of Pa-debehu-Aset" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "13001", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original scan in Tiff format on Inhouse56, filename inner_coffin_backview-2.tif", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.2_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "13002", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original scan in Tiff format on Inhouse56 filename inner_coffin_sideview.tif", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "13003", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original scan in Tiff format on Inhouse56, filename inner_coffin_detail1.tif", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.2_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.2_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.2_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.2_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "13004", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original scan in Tiff format on Inhouse 56, filename inner_coffin_detail2.tif", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13007", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original scan in Tiff format on Inhouse56, filename inner_coffin_frontview.tif", "View" : "" } , ] },{ "embark_ID" : 13365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13365", "Disp_Access_No" : "2005.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Pittsford on the Erie Canal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Harvey", "Sort_Artist" : "Harvey, George", "Disp_Dimen" : "17 1/2 x 23 1/2 in. (44.5 x 59.7 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This scene is thought to be in the vicinity of King’s Bend Park just outside of Pittsford Village. [Gallery label text, 2007]", "Dedication" : "Gift of the Margaret M. McDonald Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.33_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.33_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.33_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.33_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "27616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] }, ] }