{ "objects" : [ { "embark_ID" : 22368, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22368", "Disp_Access_No" : "1955.170.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Glass Medallion of Otto IV", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austrian", "Sort_Artist" : "Unknown, Austrian", "Disp_Dimen" : "5 3/8 x 5 3/8 in. (13.7 x 13.7 cm)", "Disp_Height" : "", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass, paint and enamel", "Info_Page_Comm" : "This small glass roundel, probably created for an armorial window, depicts Otto IV of Brunswick (1175–1218), who served as the King of Germany, the King of Italy, and emperor of the Holy Roman Empire. Although Otto lived during the middle Medieval period in Europe, the artist has shown him in the guise of an emperor of ancient Rome. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Buswell-Hochstetter Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "55.170 was accessioned as "10 small medallions." Note on object card dated 6/30/83: "only 6 medallions found." During 2009 inventory of small object storage, only 6 medallions were found. At this time the embark object record was broken out to individual records for 55.170.1-.6. No records were created for the missing four medallions. Jessica Marten, Asst. Curator 12/15/09", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.170.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.170.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.170.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.170.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31727", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22360", "Disp_Access_No" : "1942.33.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Panel with Classical Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austrian", "Sort_Artist" : "Unknown, Austrian", "Disp_Dimen" : "6 7/8 x 4 7/8 in. (17.5 x 12.4 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Paint", "Support" : "glass", "Disp_Medium" : "Glass, vitreous paint", "Info_Page_Comm" : "The history of European stained glass in American museums is by its nature a history of fragments, as these works are completely removed from their architectural context. Determining their date and nationality is further complicated by the popularity that stained glass enjoyed in the post-Renaissance period as well as the disastrous impact of revolution and on the windows of European homes and churches. The painted panels with classical figures [42.33.1-3] were never intended to represent medieval or Renaissance glass, as were those on the previous page; the figural style suggests an origin in the 1800s. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.33.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.33.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.33.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.33.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31715", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22359", "Disp_Access_No" : "1942.33.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Panel with Classical Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austrian", "Sort_Artist" : "Unknown, Austrian", "Disp_Dimen" : "6 7/8 x 4 7/8 in. (17.5 x 12.4 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Paint", "Support" : "glass", "Disp_Medium" : "Glass, vitreous paint", "Info_Page_Comm" : "The history of European stained glass in American museums is by its nature a history of fragments, as these works are completely removed from their architectural context. Determining their date and nationality is further complicated by the popularity that stained glass enjoyed in the post-Renaissance period as well as the disastrous impact of revolution and on the windows of European homes and churches. The painted panels with classical figures [42.33.1-3] were never intended to represent medieval or Renaissance glass, as were those on the previous page; the figural style suggests an origin in the 1800s. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.33.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.33.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.33.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.33.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31714", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6758, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6758", "Disp_Access_No" : "1942.33.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Panel with Classical Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austrian", "Sort_Artist" : "Unknown, Austrian", "Disp_Dimen" : "6 7/8 x 4 7/8 in. (17.5 x 12.4 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Paint", "Support" : "glass", "Disp_Medium" : "Glass, vitreous paint", "Info_Page_Comm" : "The history of European stained glass in American museums is by its nature a history of fragments, as these works are completely removed from their architectural context. Determining their date and nationality is further complicated by the popularity that stained glass enjoyed in the post-Renaissance period as well as the disastrous impact of revolution and on the windows of European homes and churches. The painted panels with classical figures [42.33.1-3] were never intended to represent medieval or Renaissance glass, as were those on the previous page; the figural style suggests an origin in the 1800s. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.33.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.33.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.33.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.33.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31713", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }