{ "objects" : [ { "embark_ID" : 21671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21671", "Disp_Access_No" : "2008.68", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "Tango", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alison Saar", "Sort_Artist" : "Saar, Alison", "Disp_Dimen" : "29 1/8 x 41 3/16 in. (74 x 104.6 cm)", "Disp_Height" : "29 1/8 in.", "Disp_Width" : "41 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of George Abraham", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11714", "Disp_Access_No" : "2003.4", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Untitled (the failure of Sylvester)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lorna Simpson", "Sort_Artist" : "Simpson, Lorna", "Disp_Dimen" : "61 x 41 1/8 x 1 3/4 in. (154.9 x 104.5 x 4.4 cm)", "Disp_Height" : "61 in.", "Disp_Width" : "41 1/8 in.", "Dimen_Extent" : "with frame", "Medium" : "Gelatin silver print", "Support" : "", "Disp_Medium" : "Archival gelatin prints under Plexiglas with black vinyl lettering", "Info_Page_Comm" : "Lorna Simpson's art defies easy explanation. Inspired by diverse sources, it contains cinematic allusions, references to popular culture, as well as personal narrative. It is intentionally complex and ambiguous. Simpson's goal is to make the viewer think and reflect - about race, about class, about gender. Untitled (the failure of Sylvester) seems at first glance to be a random grouping of words and images. A closer look reveals that the photographs depict a woman whose face we never quite see - in four of the images, her face is deliberately obscured. Does this suggest that the African-American woman is not actually seen, and is invisible in American culture? What is the meaning of the text? Like the images, the texts are allusions to mainstream perceptions of the African-American. The Failure of Sylvester is the title of a painting by the Ashcan artist Robert Henri. Sylvester, a young African-American and the artist's model for the painting, has fallen asleep - has 'failed' as a model. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Photograph", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21967", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12290", "Disp_Access_No" : "2004.2", "_AccNumSort1" : "", "Disp_Create_DT" : "2004", "_Disp_Start_Dat" : "2004", "_Disp_End_Date" : "2004", "Disp_Title" : "Homage to F.K. #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lesley Dill", "Sort_Artist" : "Dill, Lesley", "Disp_Dimen" : "42 7/16 x 32 7/16 in. (107.8 x 82.4 cm)", "Disp_Height" : "42 7/16 in.", "Disp_Width" : "32 7/16 in.", "Dimen_Extent" : "with frame", "Medium" : "Ink", "Support" : "linen", "Disp_Medium" : "Ink and thread on tea-stained linen", "Info_Page_Comm" : "In Homage to F.K.#2, Lesley Dill was inspired by two creative and enigmatic artists: Mexican painter Frida Kahlo (1907 – 1954) and American poet Emily Dickinson (1830 – 1886). With cloth and thread, Dill recreated Kahlo’s bitter self-portrait in which Kahlo depicted herself after cutting off her hair in anger to punish her unfaithful husband, Diego Rivera. On layers of tea-stained linen, Dill applied lines from a 19th century poem by Emily Dickinson, whose words hit the artist “emotionally, like a thunderbolt” upon first reading the book of poetry she received on her birthday from her mother: You cannot put a Fire out -- A Thing that can ignite Can go, itself, without a Fan -- Upon the slowest Night -- You cannot fold a Flood -- And put it in a Drawer -- Because the Winds would find it out -- And tell your Cedar Floor – While Kahlo and Dickinson were women who were clearly passionate about their art, Homage is layered with ambiguities. The flowing threads suggest hair as well as fire and water; the delicate feminine stitchery delineates a woman known to have been bisexual, whose self-portrait is decidedly masculine. 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