{ "objects" : [ { "embark_ID" : 892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/892", "Disp_Access_No" : "1979.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Eva May", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Darryl Abraham", "Sort_Artist" : "Abraham, Darryl", "Disp_Dimen" : "12 1/2 x 20 1/2 x 12 1/2 in. (31.8 x 52.1 x 31.8 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not photographed during inventory 6/13/11 due to plexi case", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/187", "Disp_Access_No" : "1975.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Sunny Ducks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Arthur Allen", "Sort_Artist" : "Allen, Daniel Arthur", "Disp_Dimen" : "5 3/16 x 3 7/16 in. (13.1 x 8.8 cm)", "Disp_Height" : "5 3/16 in.", "Disp_Width" : "3 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "Nearly 40 years after it entered MAG’s collection, Daniel Allen’s tiny painting was re-discovered by an intern updating records for the museum website. Its quirky sense of humor and mysterious narrative caught her eye. Intern Sarah Gerin says: “Sunny Ducks’ intrigue lies in its ambiguity. It is kind and comforting, yet still forlorn and remote. In the painting, there is no context for what interaction is taking place, where it is taking place, or even its significance. With its enigmatic imagery and striking sense of both kindness and solitude, this scene reveals a clever and playful approach to the universal themes of isolation, alienation, and human relationships.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of William Whiting and the Arthur Allen family in memory of Daniel Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/211", "Disp_Access_No" : "1951.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Boomtown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "46 1/8 x 54 1/4 in. (117.2 x 137.8 cm)", "Disp_Height" : "46 1/8 in.", "Disp_Width" : "54 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg yolk and oil", "Support" : "canvas", "Disp_Medium" : "Egg yolk and oil on canvas", "Info_Page_Comm" : "Early in his career, Thomas Hart Benton was involved in the American abstract movement, Synchromism. In the 1920s, Benton embarked on a style that incorporated Synchromist rhythmic line and expressive color with representational imagery of rural America. With this major shift in style, Benton established the Regionalist movement. Many consider Boomtown to be the artist’s first Regionalist masterpiece. [Gallery label text, 2007] Boomtown is one of the masterpieces of the Gallery's collection because of its impressive and unique depiction of an American landscape. When Thomas Hart Benton sketched this panoramic scene from a second floor window, the smoky fire on the horizon signified progress, not pollution. Borger, Texas was a boomtown that sprang to life in 1926 after a refinery company hit a gusher that produced 5000 gallons of oil a day. Benton is one of the three major American Regionalists (the other two are Grant Wood and John Steuart Curry), so called because most of their subjects were about life in the rural heartland of America. While Benton was not a fan of contemporary modernist painting, and in fact disdained artists who painted in the abstract style, he couldn't help but be influenced by the curvy and streamlined aesthetic of his times and the way in which artists were reinterpreting three-dimensional space. Consider the way in which the people, buildings and landscape are layered from top to bottom on the canvas, rather than being laid out carefully from front to back in the manner of traditional artistic renderings. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12375", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Transparency rescanned at much larger size for publication as _P2 image", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "29920", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A10.jpg", "PreviewPath" : 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"https://webkiosk.gallerysystems.com/Media/Previews/51.1_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "29946", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "37729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "37730", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "37731", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "37732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R5.tif", "IsPrimary" : "0", "_SurrogateID" : "37733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 6782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6782", "Disp_Access_No" : "1913.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Morning Star", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugen Bracht", "Sort_Artist" : "Bracht, Eugen", "Disp_Dimen" : "29 3/4 x 34 1/2 in. (75.6 x 87.6 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "34 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20064", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 3572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3572", "Disp_Access_No" : "1978.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Melon Glow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jon Carsman", "Sort_Artist" : "Carsman, Jon", "Disp_Dimen" : "22 5/8 x 30 5/16 in. (57.5 x 77 cm)", "Disp_Height" : "22 5/8 in.", "Disp_Width" : "30 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Harrison H. Shoulders", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39095", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3887", "Disp_Access_No" : "1998.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "The Admiral's Game", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Cornell", "Sort_Artist" : "Cornell, Joseph", "Disp_Dimen" : "12 x 18 x 4 in. (30.5 x 45.7 x 10.2 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "Romantic and enigmatic, Joseph Cornell’s boxes are filled with fragments of found materials. In The Admiral’s Game, the parallel rods that hold a pair of white balls might suggest a playful arcade game or the timeless and profound idea of an all-powerful creator setting the planets in motion. Cornell made his highly symbolic and mysterious creations at the home that he shared with his mother and brother in Queens, New York. While Cornell was reclusive and essentially an outsider in the art world, his work influenced many important American artists, including Robert Rauschenberg, Jasper Johns, Andy Warhol, and Marcel Duchamp. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38880", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 4211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4211", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Negro Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "24 x 18 1/2 in. (61 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to the [previous owner], Curry met the subject of this painting, a sugar cane worker, on a trip to Cuba. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 3082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3082", "Disp_Access_No" : "1932.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Oxen Under Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "12 5/8 x 9 3/8 in. (32 x 23.8 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39088", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/333", "Disp_Access_No" : "1951.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1931-1932", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1932", "Disp_Title" : "Landscape with Garage Lights", "Alt_Title" : "Garage Lights", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "32 x 41 7/8 in. (81.3 x 106.4 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "41 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Stuart Davis began as a student of the Urban Realist style, but upon seeing the many European modernist works on display at the New York Armory Show of 1913, the artist found his passion for abstraction. The influence of the broken-up and flattened surfaces of Cubism and the syncopated rhythms of American jazz contributed to Davis’ personal style. [Gallery label text, 2007] Gloucester, one of Massachusetts's oldest seaports, was a summer home for painter Stuart Davis from the time he was a young man of twenty-two. This view of the harbor clearly captivated him by the early 1930s, and preliminary studies of this painting reveal how carefully he considered the scene and translated it into paint, all the while deliberately conveying a sense of simplicity and speed in its execution. After a Parisian stay in the late 1920s, Davis returned to the United States with a new way of seeing things. The goal for him was to paint an expressive, abstracted version of the world around him, rather than a photographic simulacrum. As modernism challenged the nature of reality and how it is perceived, Davis reminds us here that it is possible to see two sides of a building at once, and that often it really looks like only half of a ship is in the water even though our brains convince us that the other half is hidden behind the fish warehouse. Flatness and simplification of forms were characteristics that distinguished work of influential European painters like Picasso and Matisse, whose work Davis would have encountered during his stay in France. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3088", "Rel_Obj_Title" : "Study for "Landscape with Garage Lights"" },{ "Rel_Obj_ID" : "3089", "Rel_Obj_Title" : "From Sketchbook 3, Drawing for "Landscape with Garage Lights"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53893", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned transparency at larger size for reproduction. New JPG derived from that larger TIF.", "View" : "" } , ] },{ "embark_ID" : 342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/342", "Disp_Access_No" : "1987.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Snow on Quai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Dickinson", "Sort_Artist" : "Dickinson, Edwin", "Disp_Dimen" : "21 x 18 in. (53.3 x 45.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy Turner in memory of Richard Turner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/348", "Disp_Access_No" : "1951.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Cars in a Sleet Storm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur Dove", "Sort_Artist" : "Dove, Arthur", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in Geneva, NY, Cars in a Sleet Storm is representative of Arthur Dove’s personalized abstract vocabulary with which he responded to the world around him. Dove, along with Georgia O’Keeffe and Marsden Hartley, were members of a group of modernist American artists championed by the photographer Alfred Stieglitz in his 291 Gallery in Manhattan. [Gallery label text, 2007] Arthur G. Dove was a native of Geneva, New York, about 46 miles from Rochester. Early on, rural New York State did not satisfy Dove's desire for a more engaged artistic life, and a few years after the turn of the 20th century, he moved to New York City and then to Paris. On his return to the United States in 1910, he began to paint abstract landscapes, and is considered one of America's first abstract painters. Dove's work was actively exhibited by photographer Alfred Stieglitz in his Gallery 291 and Intimate Gallery, major centers of avant-garde art in the United States. Stieglitz also showed the work of Georgia O'Keeffe whom he married in 1924. Cars in a Sleet Storm was painted at the end of Dove's years in Geneva, where he had returned to manage his father's estate. Dove's own words align him with the 20th century movement away from identifiable subject matter:"I would like to make something that is real in itself, that does not remind anyone of any other thing, and that does not have to be explained like the letter A, for instance." He also commented, "… I no longer observed in the old way, and not only began to think subjectively but also to remember certain sensations purely through their form and color, that is, by certain shapes, planes of light, or character lines determined by the meeting of such planes." [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from 1999 James Via transparency", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color-corrected and cropped from M1 file as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 3900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3900", "Disp_Access_No" : "1998.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Affairements", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Dubuffet", "Sort_Artist" : "Dubuffet, Jean", "Disp_Dimen" : "25 13/16 x 19 3/4 in. (65.5 x 50.1 cm)", "Disp_Height" : "25 13/16 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary Orwen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1644, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1644", "Disp_Access_No" : "1975.329.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Air Frame", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Frankenthaler", "Sort_Artist" : "Frankenthaler, Helen", "Disp_Dimen" : "22 x 16 15/16 in. (55.9 x 43 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/418", "Disp_Access_No" : "1951.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "The Opposition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "28 x 38 in. (71.1 x 96.5 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.” [Gallery label text, 2007] William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view: "I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department." Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "1714", "Rel_Obj_Title" : "The Opposition" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States. [Gallery label text, 2007] Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4130", "Disp_Access_No" : "1957.37", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Fairy Tales (Märchen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Klee", "Sort_Artist" : "Klee, Paul", "Disp_Dimen" : "8 1/2 x 10 1/4 in. (21.6 x 26 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12402", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 8706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8706", "Disp_Access_No" : "1937.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Maria und Elisabeth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "15 3/4 x 16 1/4 in. (40 x 41.3 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Charles Hoeing in Memory of Dr. Ewald Eisenhardt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39089", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hilton Kramer, author of "The Sculpture of Gaston Lachaise" (New York, Eakins Press Publishers, 1967) said "Lachaise created numerous reclining ''Mountain'' figures in varying sizes in stone and bronze - the first in 1913, the last and largest at the end of his life."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15903", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 4510, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4510", "Disp_Access_No" : "2000.13", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Nofreelunch Basket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John McQueen", "Sort_Artist" : "McQueen, John", "Disp_Dimen" : "23 x 17 x 17 in. (58.4 x 43.2 x 43.2 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "overall", "Medium" : "Willow and waxed string", "Support" : "", "Disp_Medium" : "Willow and waxed string", "Info_Page_Comm" : "John McQueen is credited with the contemporary revival of basketry, one of the most ancient crafts. He lives in Saratoga Springs, where he grows and gathers the natural materials that he incorporates into his works. In the Gallery’s piece, the artist has incorporated text into the body of the work. While three complete phrases can be decoded – A PIECE OF CAKE, MISSING THE BOAT, AND A PRIZE AT A PRICE – a sense of the fragmentary quality of individual words is created as each one is picked out. The negative space of the letters suggests the way in which words are openings for ideas, while the interlocked forms of the willow branches recall calligraphic forms. [Gallery label text, 2004] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Basketry", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Top layer: Piece of Cake Middle layer: Missing the Boat Bottom layer: A Prize at a Price", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 2139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2139", "Disp_Access_No" : "1975.335.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Motherwell", "Sort_Artist" : "Motherwell, Robert", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1025", "Disp_Access_No" : "1960.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Calligraphics", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isamu Noguchi", "Sort_Artist" : "Noguchi, Isamu", "Disp_Dimen" : "70 5/8 x 18 x 3 5/8 in. (179.4 x 45.7 x 9.2 cm)", "Disp_Height" : "70 5/8 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Iron, wood and rope", "Support" : "", "Disp_Medium" : "Cast iron, wood and rope", "Info_Page_Comm" : "Isamu Noguchi’s father was a Japanese poet and his mother was an American writer. Although he was born in California and lived much of his life in the U.S., Noguchi’s travels reflected his own East-West duality. The artist spent his childhood traveling throughout Japan with his mother. As a young man he went to Paris to study with the abstract sculptor Constantin Brancusi. In China, he studied the ancient art of calligraphy. In the sleek, mid-century forms of Calligraphics, Noguchi combined his love of modern sculpture and calligraphy. The two shapes suggest abstract versions of Japanese characters: ni meaning “the sun” (like the red sun on the flag of Japan) and hon meaning “the origin” (perhaps his own). [Summer 2015]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Chiyo Ueyama notes that the sculpture suggests abstracted versions of the characters for "nihon," the Japanese name for Japan: the two characters translate to "the sun" (ni) and "the origin" (hon).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2177", "Disp_Access_No" : "1975.264", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Mystic", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thom O'Connor", "Sort_Artist" : "O'Connor, Thom", "Disp_Dimen" : "16 7/8 x 12 5/8 in. (42.8 x 32 cm)", "Disp_Height" : "16 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.181 , no.1632", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.264_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.264_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.264_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.264_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27234", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/637", "Disp_Access_No" : "1986.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The Beginning of the Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fairfield Porter", "Sort_Artist" : "Porter, Fairfield", "Disp_Dimen" : "52 x 76 1/8 in. (132.1 x 193.4 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "76 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.132_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.132_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.132_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.132_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6684", "Disp_Access_No" : "1989.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Geraniums", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "19 13/16 x 15 7/8 in. (50.3 x 40.3 cm)", "Disp_Height" : "19 13/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Pastel", "Support" : "board", "Disp_Medium" : "Pastel on thin pasteboard with a fibrous blue-beige surface", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.50_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master is Museum Print Editions Scan purchased by Store for production purposes. Access image derived from Print Master.", "View" : "" } , ] },{ "embark_ID" : 675, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/675", "Disp_Access_No" : "1962.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "In the Nevada Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sven Birger Sandzén", "Sort_Artist" : "Sandzén, Sven Birger", "Disp_Dimen" : "32 x 48 in. (81.3 x 121.9 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of G. S. Soderlund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 686, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/686", "Disp_Access_No" : "1977.204", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Polgrennow Farm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "30 x 36 1/8 in. (76.2 x 91.8 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "36 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Buswell-Hochstetter Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Displayed with other Schofield paintings at ACM 5-10-1977 for deacession consideration This Schofield painting had a credit line of “anonymous gift” and the ledger said the source is unknown—found in storage, in the collection by 1977. But in the file there is an e-mail to Lu Harper from a scholar who gives a reference to the painting being reproduced in 1923 in Buffalo’s “Academy Notes” where it says it was then owned by Mrs. Henry Buswell (=Bertha). In the Buswell donor file, on an inventory of her estate is indeed listed a landscape by Schofield, and no other Schofield at MAG came from her. Ledger does not show a Schofield painting accessioned in 1955. Credit line changed to the standard Buswell credit line 12/2015. KSchauber, Curatorial Research Ass''t.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.204_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.204_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.204_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.204_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment was performed on this object by Susan Blakney of West Lake Conservators in January 2008 (small tear/puncture in lower center of canvas repaired).", "View" : "" } , ] },{ "embark_ID" : 707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/707", "Disp_Access_No" : "1941.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Election Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "26 3/8 x 32 1/4 in. (67 x 81.9 cm)", "Disp_Height" : "26 3/8 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene, nearly unintelligible in its crowding and confusion, is Sloan’s celebration of the furor of the city on election night. [Gallery label text, 2007] John Sloan met Robert Henri in Philadelphia, and from early on maintained a friendship and correspondence with him until Henri died in 1929. He moved to New York City at Henri’s urging. On November 5, 1907, he wrote: “Election Day… saw the noisy trumpet blowers, confetti throwers and the 'ticklers' in use - a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it was impossible to control one's movement.” The location, Herald Square at 34th and Broadway, was close by the New York Herald Building as well as Macy's. The elevated railroad tracks loomed overhead, increasing the suggestion of noise and activity in the scene. Sloan included Election Night as one of his entries in the 1908 exhibition at Macbeth Gallery. In his estimation, it was “…one of my best things. So that I felt happy in the evening, that good all over feeling that only comes from satisfaction in work - the real happiness, the joy of accomplishing or thinking that one has accomplished, which amounts to the same thing.” [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 848, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/848", "Disp_Access_No" : "1992.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Fork", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Stewart", "Sort_Artist" : "Stewart, William", "Disp_Dimen" : "83 x 19 x 10 in. (210.8 x 48.3 x 25.4 cm)", "Disp_Height" : "83 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of the Dawson Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lifting glaze is the intent of artist (he told me so when installed)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17118", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/849", "Disp_Access_No" : "1992.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Rake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Stewart", "Sort_Artist" : "Stewart, William", "Disp_Dimen" : "74 x 21 1/2 x 10 in. (188 x 54.6 x 25.4 cm)", "Disp_Height" : "74 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of the Dawson Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.85_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.85_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.85_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.85_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17119", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3299", "Disp_Access_No" : "1986.131", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "The Plumed Helmet: Study for "The Parting"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joyce Treiman", "Sort_Artist" : "Treiman, Joyce", "Disp_Dimen" : "30 3/8 x 22 in. (77.2 x 55.9 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite and pastel on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Grant Holcomb in honor of his children", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "743", "Rel_Obj_Title" : "The Parting" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "7944", "Rel_Obj_Title" : "Studies for "Parting" and "Hercules Cycle"" },{ "Rel_Obj_ID" : "11667", "Rel_Obj_Title" : "Studies for "Parting" and "Hercules Cycle"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.131_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.131_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.131_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.131_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12498", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4910", "Disp_Access_No" : "1969.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask: Male Antelope (Chi Wara)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "40 9/16 x 2 15/16 x 13 9/16 in. (103 x 7.5 x 34.5 cm)", "Disp_Height" : "40 9/16 in.", "Disp_Width" : "2 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, fiber, and metal", "Info_Page_Comm" : "In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes the mask a fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. Chi wara masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride. The small pieces of red cloth attached to the snout of this male Chi Wara may have originated in the woolen bandages imported by the French during the First World War. In Bamana culture, red is the color of danger and is often restricted to men of certain status. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "28368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "28370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "At the left, with 93.14 on the right. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/851", "Disp_Access_No" : "1993.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask: Female Antelope (Chi Wara)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "30 1/2 x 7 5/8 x 8 in. (77.5 x 19.4 x 20.3 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, cane, shell, yarn and brass", "Info_Page_Comm" : "In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes them fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. The masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride. [Gallery label text, 2009] ", "Dedication" : "Gift of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28377", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "28379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On the right, with 69.107 on the left. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/777", "Disp_Access_No" : "1986.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "St. Fichera", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Witkin", "Sort_Artist" : "Witkin, Jerome", "Disp_Dimen" : "50 1/4 x 48 1/4 in. (127.6 x 122.6 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "48 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Eric Greenleaf", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.135_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.135_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.135_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.135_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39390", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] }, ] }