{ "objects" : [ { "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5169", "Disp_Access_No" : "1969.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "The Breton Poet (The Smoker) (Le Fumeur)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Carpeaux", "Sort_Artist" : "Carpeaux, Jean Baptiste", "Disp_Dimen" : "19 3/4 in. (50.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No basis for this work''s title "The Breton Poet" could be found. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 3900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3900", "Disp_Access_No" : "1998.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Affairements", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Dubuffet", "Sort_Artist" : "Dubuffet, Jean", "Disp_Dimen" : "25 13/16 x 19 3/4 in. (65.5 x 50.1 cm)", "Disp_Height" : "25 13/16 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary Orwen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4131", "Disp_Access_No" : "1984.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Alt_Title" : "", "Obj_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Series_Title" : "", "Disp_Maker_1" : "Bernard Duvivier", "Sort_Artist" : "Duvivier, Bernard", "Disp_Dimen" : "45 x 58 in. (114.3 x 147.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Duvivier received his initial training in Bruges and then moved to Paris, where he assimilated the severe Neoclassical style perfected by Jacques-Louis David. In this early work, Duvivier combined the poses of several antique statues to illustrate an episode recounted in Plutarch's "Life of Mark Anthony." Following Anthony's suicide, a Roman soldier attempts to forestall the Egyptian queen's own death by promising that Octavian Caesar will show her clemency. The subtle, glowing colors, precise attention to detail, and impeccable draughtsmanship presage the artist's occasional work as a miniaturist. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 6684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6684", "Disp_Access_No" : "1989.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Geraniums", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "19 13/16 x 15 7/8 in. (50.3 x 40.3 cm)", "Disp_Height" : "19 13/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Pastel", "Support" : "board", "Disp_Medium" : "Pastel on thin pasteboard with a fibrous blue-beige surface", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.50_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master is Museum Print Editions Scan purchased by Store for production purposes. Access image derived from Print Master.", "View" : "" } , ] },{ "embark_ID" : 5136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5136", "Disp_Access_No" : "1949.76", "_AccNumSort1" : "", "Disp_Create_DT" : "early 13th century", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1232", "Disp_Title" : "Console with Doubting Thomas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "24 x 17 11/16 x 18 1/2 in. (61 x 45 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone, polychromy", "Info_Page_Comm" : "This early Gothic console originally supported a vaulting rib in the sacristy of the small French church of St. Martin-de-Candes. The sculpture, which retains much of its original coloring, illustrates the story of Doubting Thomas, an episode described in the New Testament gospel book of John. The apostle Thomas refused to accept that Christ had appeared to his other followers after the Resurrection, saying “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe it.” Christ appeared to them again one week later and told Thomas “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.” The sculptor has utilized the architectural form of the console to depict this story. On the left, Thomas, his head now broken, places his finger in Christ’s wound; Mary Magdalen, to whom Christ also appeared after the Resurrection, stands behind him. The apostle on the other side of Christ is Saint Peter, who holds the key to heaven. The remaining figures are apostles who serve as witnesses to the miracle. The figure of Christ originally carried a cross-staff, symbolizing his victory over death. [Gallery label text, June 2013]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "33546", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "33547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "33548", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "33549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "33550", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "33551", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.76_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.76_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.76_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.76_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "33552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1 and 2", "View" : "" } , ] },{ "embark_ID" : 5101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5101", "Disp_Access_No" : "1928.466", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1340-1350", "_Disp_Start_Dat" : "1340", "_Disp_End_Date" : "1350", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "54 x 18 1/4 x 11 in. (137.2 x 46.4 x 27.9 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "18 1/4 in.", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone, polychromy, gilding", "Info_Page_Comm" : "This beautiful representation of the Madonna and Child is typical of a type known as the “Virgin of Tenderness,” which developed in France in the early- and mid-1300s. The elegant quality of the Virgin’s dress and her courtly stance suggest her elevated status and nobility, while the Christ Child’s pose and the manner in which his mother supports him evokes an informal, tender mood. The Virgin’s crown, which alludes to her role as Queen of Heaven, rests on a veil that symbolizes her humility. Although only a small fragment now survives, the Virgin initially held a flower in her right hand, probably a rose or lily, while the Christ Child holds a bird. In Christian tradition, these symbols refer to the story of Christ’s birth and sacrificial death. 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