{ "objects" : [ { "embark_ID" : 203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/203", "Disp_Access_No" : "1970.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Gospel Song", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romare Bearden", "Sort_Artist" : "Bearden, Romare", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "board", "Disp_Medium" : "Mixed media on board", "Info_Page_Comm" : "Gallery labet text 2013 Influenced by the Harlem Renaissance of the 1920s, Bearden was friendly with the writer Langston Hughes and jazz musicians Duke Ellington and Fats Waller. He was fascinated by jazz, trying his hand at songwriting for a short time. Bearden’s work bears parallels to the rhythms, intervals, variations, and improvisational devices of music. He stated, “I paint out of the tradition of the blues.” Bearden was a pioneer of the collage style, explaining “The medium I used was chosen intentionally because assemblage forges a variety of contrary images into one unified expression.” Bearden was a founding member of the 1960s Harlem art group, Spiral, formed “for the purpose of discussing the commitment of the Negro artist in the present struggle for civil liberties.” ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/942", "Disp_Access_No" : "1970.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Edmondson", "Sort_Artist" : "Edmondson, William", "Disp_Dimen" : "4 x 8 1/4 x 13 1/2 in. (10.2 x 21 x 34.3 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Sandstone", "Support" : "", "Disp_Medium" : "Carved sandstone", "Info_Page_Comm" : "William Edmondson was a self-taught sculptor from Tennessee, who claimed that God told him to start sculpting. He transformed blocks of stone into his ‘critters’, including this elegant dove. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3283", "Disp_Access_No" : "1971.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Marcus Garvey", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luvon Sheppard", "Sort_Artist" : "Sheppard, Luvon", "Disp_Dimen" : "24 1/16 x 18 1/16 in. (61.1 x 45.9 cm)", "Disp_Height" : "24 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Ink wash on paper", "Info_Page_Comm" : "Now a professor of art at RIT, Luvon Sheppard was MAG’s coordinator of neighborhood services when he drew this portrait of the controversial Jamaican orator and activist. Marcus Garvey was perhaps best known for founding the Back-to-Africa movement, which called for a return of the African diaspora to its ancestral homelands. He famously feuded with W. E. B. DuBois, another activist and the first African American to graduate from Harvard, who described him unsympathetically as “a little, fat black man; ugly, but with intelligent eyes and a big head.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "35437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/521", "Disp_Access_No" : "1974.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1954", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1959", "Disp_Title" : "Gamblers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "9 x 12 in. (22.9 x 30.5 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Compare the ominous and somber mood of Jacob Lawrence’s Gamblers with the upbeat and optimistic flavor of his painting Summer Street Scene in Harlem (MAG collection). The still and formal arrangement of figures and cards in Gamblers, the delicate floral vine that arches across the canvas, and the casket or tombstone forms behind the standing men create a scene that is very nearly funereal, perhaps suggesting the idea that life (and death) is a game of chance. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1983", "Disp_Access_No" : "1975.120.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "The 1920's... The Migrants Arrive and Cast Their Ballots", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "34 3/8 x 26 in. (87.3 x 66 cm)", "Disp_Height" : "34 3/8 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "In 1975, Jacob Lawrence and twelve other artists were asked to respond to the question, "What does independence mean to me?" The prints made by the artists comprise the Kent Bicentennial Portfolio: Spirit of Independence, commissioned in honor of the American Bicentennial. Jacob Lawrence's parents migrated from the south to New York City, so the theme of migration was one that had great meaning to his personal history. He said, "During the post World War I period millions of black people left southern communities in the United States and migrated to northern cities. This migration reached its peak during the 1920's. Among the many advantages the migrants found in the north was the freedom to vote. In my print, migrants are represented expressing that freedom." [Gallery label text]", "Dedication" : "Gift of Lorillard, New York", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This print was also published as a poster. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.120.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.120.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.120.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.120.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1666, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1666", "Disp_Access_No" : "1980.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Middleboro", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "22 x 22 in. (55.9 x 55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Collograph with embossing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 4739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4739", "Disp_Access_No" : "1991.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "The Legend of John Brown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "25 11/16 x 19 15/16 in. (65.3 x 50.7 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.9.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.9.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.9.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.9.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43894", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This is the image for 91.1.2, which Courtney Lippa chose 7/15 to represent the whole portfolio", "View" : "" } , ] },{ "embark_ID" : 4745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4745", "Disp_Access_No" : "1991.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "No. 1. John Brown, a man who had a fanatical belief that he was chosen by God...", "Alt_Title" : "", "Obj_Title" : "John Brown, a man who had a fanatical belief that he was chosen by God to overthrow black slavery in America.", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "25 11/16 x 19 15/16 in. (65.2 x 50.6 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Titles taken from the 1978 catalog published by The Detroit Insitute of Arts, "The Legend of John Brown."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.9.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.9.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.9.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.9.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43559", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4746", "Disp_Access_No" : "1991.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "No. 2. For 40 years, John Brown reflected on the hopeless and miserable...", "Alt_Title" : "", "Obj_Title" : "No. 2. For 40 years, John Brown reflected on the hopeless and miserable condition of the slaves.", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "25 11/16 x 19 15/16 in. (65.3 x 50.7 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Titles taken from the 1978 catalog published by The Detroit Insitute of Arts, "The Legend of John Brown."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.9.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.9.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.9.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.9.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43560", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4747", "Disp_Access_No" : "1991.9.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "No. 3. For 12 years, John Brown engaged in land speculations...", "Alt_Title" : "", "Obj_Title" : "No. 3. For 12 years, John Brown engaged in land speculations and wool merchandising; all this to make some money for his greater work which was the abolishment of slavery.", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "19 15/16 x 25 11/16 in. (50.6 x 65.2 cm)", "Disp_Height" : "19 15/16 in.", "Disp_Width" : "25 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Titles taken from the 1978 catalog published by The Detroit Insitute of Arts, "The Legend of John Brown."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.9.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.9.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.9.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.9.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43561", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4748", "Disp_Access_No" : "1991.9.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "No. 4. His adventures failing him, he accepted poverty...", "Alt_Title" : "", "Obj_Title" : "No. 4. His adventures failing him, he accepted poverty.", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "25 11/16 x 19 15/16 in. 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(76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Though largely known for her portraiture, Artis Lane also explores themes of social justice and metaphysics in her art. Here, a figure struggles against vestiges of the materials used to cast bronze sculpture. This symbolic emergence from the burden of material life to a higher spiritual awareness speaks to the artist’s concerns with the history of slavery in America. In 2009, Artis Lane’s bust of abolitionist Sojourner Truth was installed in Emancipation Hall in the Capitol building in Washington, D.C. Michelle Obama, who presided over the unveiling, said, "I hope that Sojourner Truth would be proud to see me, a descendant of slaves, serving as the First Lady of the United States of America." [Gallery label text 2011] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1250, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1250", "Disp_Access_No" : "1997.1.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Hog Series CLIX: Morning Tea II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tarleton Blackwell", "Sort_Artist" : "Blackwell, Tarleton", "Disp_Dimen" : "30 x 22 7/16 in. (76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Blackwell’s memories of growing up on a pig farm in South Carolina are the inspiration for his Hog Series. He states, “I have tried to portray hogs with dignity and respect, while at the same time revealing and sharing some of my past personal experiences.” Blackwell was influenced by the works of the Spanish master Diego Velazquez and explains that “the essence of the Hog Series can be related to the way he depicted jesters and dwarfs of King Philip IV’s court as equals to their master.” This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text, 2013] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1228", "Disp_Access_No" : "1997.1.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "At Risk...", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Biggers", "Sort_Artist" : "Biggers, John", "Disp_Dimen" : "30 x 22 7/16 in. (76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Gallery label text 2012: Biggers is known for his narrative murals dedicated to the depiction of the human condition, "showing the spirit of man struggling above the mundane, above the material, above suffering." His own spirit suffered a blow in 1950, when the Museum of Fine Arts, Houston, awarded Biggers first prize for his crayon drawing of The Cradle; because segregationist policies allowed African American visitors into the museum only on Thursdays, the artist could not attend the show’s opening. This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1480", "Disp_Access_No" : "1997.1.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "I Can't Dance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Colescott", "Sort_Artist" : "Colescott, Robert", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Colescott uses satire and wit to deal with issues that concern him in our multicultural society. He explains that his works on paper “are often the sandbox for ideas that are off the track and something that I may do in paintings.” Here, the artist pokes fun at the cultural stereotype that African Americans are good dancers. In 1997, at the age of seventy-one, Colescott became the first African-American artist to represent the U.S. at the Venice Biennale, the oldest and most renowned contemporary art festival in the world. This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text 2012] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2031", "Disp_Access_No" : "1997.1.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Heart to Heart", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lionel Lofton", "Sort_Artist" : "Lofton, Lionel", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The portfolio is a presentation of lithographs “to document the historical and evolutionary journey of the Black experience,” in the words of the publisher. For the artist Lionel Lofton, whose subjects often include images of family and children, the concepts of inner strength and spirituality are central to his work. In this print, the figures’ solidity and unity express Lofton’s personal convictions. "Heart to Heart" is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio. [Gallery label text 2011]", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36489", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1144", "Disp_Access_No" : "1997.1.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Neptune Washington", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ron Adams", "Sort_Artist" : "Adams, Ron", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "[Gallery label text 2012] “The dignity of the individual …is a predominant theme in Adams’ work. His figures are iconic; their musculature is defined to the point of exaggeration, suggesting prolonged toil and struggle. They seem inward… and they seem larger than life, so that one wants to know their stories and learn from them.” Neptune Washington is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio, a press founded by Ron Adams in Santa Fe. ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2415", "Disp_Access_No" : "1997.1.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "The Trickster on His Throne, with Henchmen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Renée Stout", "Sort_Artist" : "Stout, Renée", "Disp_Dimen" : "30 1/8 x 22 7/16 in. (76.5 x 57 cm)", "Disp_Height" : "30 1/8 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Renée Stout’s art incorporates mystical beings and experiences, like the African trickster deity represented here by the mound of dirt under the cross. For Stout, the cross or crossroads is the juncture of earth and spirit worlds, a place to seek aid from her ancestors in her life choices. She describes 1930s Delta blues singer Robert Johnson as her kindred spirit. He attributed his musical genius to a legendary pact with the devil at a crossroads. Stout states, “Johnson was driven to sing just as I am compelled to make art.” This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text 2012] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2337", "Disp_Access_No" : "1997.1.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Window Moth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John T. Scott", "Sort_Artist" : "Scott, John T.", "Disp_Dimen" : "30 x 22 7/16 in. (76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "[Gallery label text 2012] Born in New Orleans, John T. Scott said that his art training began at home, where he learned embroidery from his mother. He drew upon the city’s rich African-Caribbean culture and musical heritage in creating his abstract sculptures and prints, stating that, “New Orleans is the only city that I’ve been in that if you listen the sidewalks will speak to you.” Scott’s Window Moth is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio, a press founded by Ron Adams in Santa Fe. ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4018", "Disp_Access_No" : "1997.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Harriet Tubman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Margaret Taylor-Burroughs", "Sort_Artist" : "Taylor-Burroughs, Margaret", "Disp_Dimen" : "17 1/2 x 11 1/2 in. (44.5 x 29.2 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4035", "Disp_Access_No" : "1997.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1989", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1994", "Disp_Title" : "Studio Self", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Valerie Maynard", "Sort_Artist" : "Maynard, Valerie", "Disp_Dimen" : "15 9/16 x 18 5/8 in. (39.5 x 47.3 cm)", "Disp_Height" : "15 9/16 in.", "Disp_Width" : "18 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Grant and Siobhan Holcomb in honor of Mayor WIlliam A. Johnson, Jr.", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3771", "Disp_Access_No" : "1998.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Savoy Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Yarde", "Sort_Artist" : "Yarde, Richard", "Disp_Dimen" : "41 9/16 x 29 1/2 in. (105.6 x 74.9 cm)", "Disp_Height" : "41 9/16 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4009", "Disp_Access_No" : "1998.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Won't Dance", "Alt_Title" : "A Hungry Monkey Will Not Dance", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cheryl Warrick", "Sort_Artist" : "Warrick, Cheryl", "Disp_Dimen" : "39 1/16 x 26 1/4 in. (99.2 x 66.7 cm)", "Disp_Height" : "39 1/16 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "wove paper", "Disp_Medium" : "Acrylic on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13593", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4148", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Last Supper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "11 3/8 x 25 5/8 x 3/4 in. (28.9 x 65.1 x 1.9 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "3/30/10 email from Margie Searl, MAG chief curator, to Jessica Marten, MAG assistant curator: The Cheathams came in to the collection from a minister in Rochester, now deceased, [David Romig] who found them literally on the street a number of years ago when he worked at a NYC church. Cheatham had died and his sister was throwing his stuff away. I doubt that anyone exists who would either have a clue about him or who would care that his work was depicted on our website. I suspect that he was an outsider artist who was creating these wonderful things for himself. I only know of the two that we have and one other owned by the donor. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4149", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "12 1/2 x 25 1/4 x 7/8 in. (31.8 x 64.1 x 2.2 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The nativity of Christ has been a popular subject in many artistic traditions. Here, the carver has included all the traditional elements arranged in a simple yet effective way, using few colors and creating the illusion of depth. Gold paint illuminates the baby, above whom an angel watches protectively. Like the carver of the Santo [73.9], or the artisan who built the Tramp Art Shrine [87.4], Oliver Cheatham was an artist who expressed his religious devotion with wood and paint. Little else is known about him. The donor, Reverend Romig, came across a few pieces of his work on a sidewalk in New York City; the artist had died, and his family was throwing his things away. Fortunately, Reverend Romig recognized the beauty of the work, retrieved what he could, and kindly donated two pieces to the Memorial Art Gallery: The Nativity and The Last Supper [99.14], which is being conserved. [Gallery label text, 2002]", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14787", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4157", "Disp_Access_No" : "1999.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Posing Ladies ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thornton Dial", "Sort_Artist" : "Dial, Thornton", "Disp_Dimen" : "30 x 43 3/4 in. (76.2 x 111.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "43 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, pastel and colored pencil on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Donna Howell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4158", "Disp_Access_No" : "1999.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "How Things Survive", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thornton Dial", "Sort_Artist" : "Dial, Thornton", "Disp_Dimen" : "44 5/16 x 30 in. (112.6 x 76.2 cm)", "Disp_Height" : "44 5/16 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite, charcoal and pastel on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Donna Howell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4179", "Disp_Access_No" : "2000.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Frost Avenue and Genesee Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luvon Sheppard", "Sort_Artist" : "Sheppard, Luvon", "Disp_Dimen" : "35 3/8 x 48 1/8 in. (89.9 x 122.2 cm)", "Disp_Height" : "35 3/8 in.", "Disp_Width" : "48 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and pastel", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48072", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11298", "Disp_Access_No" : "2002.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1942-1943", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1943", "Disp_Title" : "Frederick Douglass and Abraham Lincoln Discussing Emancipation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hale Woodruff", "Sort_Artist" : "Woodruff, Hale", "Disp_Dimen" : "11 1/4 x 11 in. (28.6 x 27.9 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "overall", "Medium" : "Tempera", "Support" : "masonite", "Disp_Medium" : "Tempera on masonite", "Info_Page_Comm" : "In 1942-43, a mural competition was held for the newly built Recorder of Deeds Building in Washington, D.C. The topic was "The Contribution of the Negro to the American Nation." Hale Woodruff submitted this imagined grouping of Frederick Douglass, President Lincoln, and members of Lincoln's cabinet. While Woodruff did not win the competition, his mural study is a dramatic reminder of the alliance of two of America's most courageous leaders, Lincoln and Douglass, during a period that threatened to destroy the American union. While Douglass never, in reality, met with Lincoln's cabinet, he did meet with Lincoln and repeatedly urged the president to issue the Emancipation Proclamation. Woodruff stressed the significance of Douglass's role by appropriating the historical image engraved by Ritchie and adding an animated Douglass and the colorful American flag. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17112", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11258", "Disp_Access_No" : "2002.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1999-2000", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "2000", "Disp_Title" : "The Emancipation Approximation (scene 18)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kara Walker", "Sort_Artist" : "Walker, Kara", "Disp_Dimen" : "44 x 34 in. 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(154.9 x 104.5 x 4.4 cm)", "Disp_Height" : "61 in.", "Disp_Width" : "41 1/8 in.", "Dimen_Extent" : "with frame", "Medium" : "Gelatin silver print", "Support" : "", "Disp_Medium" : "Archival gelatin prints under Plexiglas with black vinyl lettering", "Info_Page_Comm" : "Lorna Simpson's art defies easy explanation. Inspired by diverse sources, it contains cinematic allusions, references to popular culture, as well as personal narrative. It is intentionally complex and ambiguous. Simpson's goal is to make the viewer think and reflect - about race, about class, about gender. Untitled (the failure of Sylvester) seems at first glance to be a random grouping of words and images. A closer look reveals that the photographs depict a woman whose face we never quite see - in four of the images, her face is deliberately obscured. Does this suggest that the African-American woman is not actually seen, and is invisible in American culture? What is the meaning of the text? Like the images, the texts are allusions to mainstream perceptions of the African-American. The Failure of Sylvester is the title of a painting by the Ashcan artist Robert Henri. Sylvester, a young African-American and the artist's model for the painting, has fallen asleep - has 'failed' as a model. 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Herdle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.205_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.205_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.205_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.205_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23698", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14287", "Disp_Access_No" : "2006.40", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "Sears Ross tji wara (mother and child)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willie Cole", "Sort_Artist" : "Cole, Willie", "Disp_Dimen" : "47 x 26 x 7 3/4 in. 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Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No master scan with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 21271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21271", "Disp_Access_No" : "2008.15", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "Maquette for "Swing Low"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alison Saar", "Sort_Artist" : "Saar, Alison", "Disp_Dimen" : "22 1/16 x 12 3/16 x 24 in. 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Even her petticoat resembles a train’s cowcatcher, pushing aside all obstacles in its path. Roots signify Tubman’s efforts to uproot slavery, and the uprootedness of the slaves who had to leave everything behind. “Swing Low” is a Negro spiritual said to be one of Tubman’s favorites. [Gallery label, 2008]", "Dedication" : "Maurice R. and Maxine B. 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(74 x 104.6 cm)", "Disp_Height" : "29 1/8 in.", "Disp_Width" : "41 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of George Abraham", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23402", "Disp_Access_No" : "2011.70", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Beauty Above Me, Below Me, and All Around Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luvon Sheppard", "Sort_Artist" : "Sheppard, Luvon", "Disp_Dimen" : "21 3/4 x 30 1/8 in. (55.2 x 76.5 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "Luvon Sheppard was MAG's Neighborhood Services Coordinator in the 1970's and founder of the Allofus Art Workshop. In a centennial What's Up lecture, he spoke of how donor Evar Len Miller, himself of graduate of Yale's art program, had taken watercolor classes from Sheppard at the Allofus Workshop, and subsequently donated this painting to the Gallery.", "Dedication" : "Gift of Evar Len Miller", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per donor, source of title is a Buddhist meditation, which reads, in part: "With beauty above me, may I walk. With beauty below me, may I walk. With beauty all around me, may I walk." See curatorial file. Original frame and frame enclosing painting at time of gift returned to donor 5/12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only. Not for publication uses. Approved for web use October 2013 by Jess Marten until new photograph could be taken.", "View" : "" } , ] },{ "embark_ID" : 24484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24484", "Disp_Access_No" : "2013.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "For "200"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "19 7/8 x 21 15/16 in. (50.5 x 55.8 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "21 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Rosenberg-Passer Gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In gold-colored metal frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45798", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 24485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24485", "Disp_Access_No" : "2013.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "In Celebration", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "32 x 40 1/8 in. (81.3 x 101.9 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Rosenberg-Passer Gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In gold-colored metal frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.9_A1.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.9_A1.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.9_A1.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2013.9_A1.JPG", "IsPrimary" : "1", "_SurrogateID" : "39402", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only. Not for publication. Approved for web use October 2013 by Jess Marten until new photograph could be taken.", "View" : "" } , ] },{ "embark_ID" : 24925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24925", "Disp_Access_No" : "2013.79", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "After Memling’s Portrait of a Man with a Letter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kehinde Wiley", "Sort_Artist" : "Wiley, Kehinde", "Disp_Dimen" : "24 1/2 x 19 3/4 x 4 13/16 in. (62.2 x 50.1 x 12.2 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel in artist-designed hand-fabricated wood frame", "Info_Page_Comm" : "This portrait is one of eight in Kehinde Wiley’s series based upon the work of Northern Renaissance painter Hans Memling (1430–1494). Memling created sensitive, quiet portraits of the growing merchant class of his time set within landscapes and cast in natural light. Here, Wiley blends Memling’s style with contemporary street culture in a way that elevates and immortalizes his modern sitter, a resident of Brooklyn, Rafton Glean (his name is painted on the doors of the frame). Wiley has explained, “I try to use the black body in my work to counter the absence of that body in museum spaces throughout the world.” In 2018, the artist was chosen by President Barack Obama to paint his official portrait (right), now in the collection of the National Portrait Gallery. At the unveiling, the President commended Wiley for his ability to show “the beauty and the grace and the dignity” of black people. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "40610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original JPG provided by gallery Roberts & Tilton, Culver City, CA. Credit line provided: Photo: Max Yawney. Courtesy of Kehinde Wiley Studio and Roberts & Tilton, Culver City, California", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "43854", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "43855", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528. Silhouetted out from background by Andy Olenick. Color looks very different in Embark than in actual JPG and TIF-- why? Very cool and muted thru Embark, warmer in actual files. ", "View" : "" } , ] },{ "embark_ID" : 25427, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25427", "Disp_Access_No" : "2014.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Fixing her Hair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 1/2 x 9 7/16 x 11 5/8 in. (47 x 24 x 29.5 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "9 7/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta with patination", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund, R. T. Miller Fund by exchange, Lyman K. and Eleanore B. Stuart Endowment Fund, Taylor Fund, Thelma M. Knapp Fund, Marion Stratton Gould Fund, Lewis and Jill Katz Norry by exchange, Thomas G. Spencer Bequest by exchange, Richard L. Klein by exchange, Brown Fund, and funds from deaccessioning", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Mexican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In crate with hard white foam inside corners; one piece of white foam inside top of crate; cardboard box, taped shut; inside box:gray foam lining, two pieces of gray foam on top of figure, wads of white tissue filling spaces; figure itself wrapped in Tyvek with masking tape joins.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.43_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "42544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo from Sotheby''s. JPG exists in no other format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.43_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.43_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.43_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.43_A7.jpg", "IsPrimary" : "1", "_SurrogateID" : "46395", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.43_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.43_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.43_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.43_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "52462", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 25526, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25526", "Disp_Access_No" : "2014.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Fishing Well", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "94 x 48 1/2 in. (238.8 x 123.2 cm)", "Disp_Height" : "94 in.", "Disp_Width" : "48 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "birch", "Disp_Medium" : "Acrylic on birch", "Info_Page_Comm" : "Washington D.C.-based Sam Gilliam established himself as a major artist in 1968 when he stopped using wooden stretchers to support his paintings and allowed his vivid rushes of color-stained canvas to hang, billow, and swing through space like drapery. Since that time Gilliam has gone on to create work in an astounding variety of styles while always remaining true to a fundamental disregard for the boundaries that have traditionally separated painting, sculpture, and architecture. In the early 1990s Gilliam adopted birch plywood as a support surface for his paintings, a practice he continues to the present day. In these works Gilliam achieves an architectural physicality by using overtly sculptural material—wood and its relief properties. The surface of Fishing Well is poured acrylic paint. The images, textures, and suggestion of depth derive from the way the artist pushed and pulled the acrylic paint across the wood surface. [Summer 2015]", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.50_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.50_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.50_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.50_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43479", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print version silhouetted out by Andy Olenick", "View" : "" } , ] },{ "embark_ID" : 25771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25771", "Disp_Access_No" : "2015.1", "_AccNumSort1" : "", "Disp_Create_DT" : "2015", "_Disp_Start_Dat" : "2015", "_Disp_End_Date" : "2015", "Disp_Title" : "Portrait of Qusuquzah #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mickalene Thomas", "Sort_Artist" : "Thomas, Mickalene", "Disp_Dimen" : "48 x 36 in. (121.9 x 91.4 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "panel", "Disp_Medium" : "Acrylic, enamel, oil and rhinestones on wood panel", "Info_Page_Comm" : "New-York-based artist Mickalene Thomas is best known for her elaborate paintings composed of rhinestones, acrylic, and oil enamel. Her work introduces a complex vision of what it means to be a woman and expands common definitions of beauty. Thomas’s paintings are based on photographic portraits of models whose qualities allow her to articulate and explore questions of beauty, power, sexuality, and femininity. "I tend to work with the same models. A lot of them are friends.…So it’s women I work with in proximity to and whose energy I enjoy, and they just have a certain charisma that I’m drawn to. Especially Qusuquzah. There’s something about her. She brings something powerful to the image that amazes me through her gaze. I try to pull out those elements. I’m trying to hold onto the truth she brings in the photograph." [Gallery label text, Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "43480", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "53276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190912", "View" : "" } , ] },{ "embark_ID" : 25930, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25930", "Disp_Access_No" : "2015.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Texas Tale", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Melvin Edwards", "Sort_Artist" : "Edwards, Melvin", "Disp_Dimen" : "18 x 8 5/16 x 11 5/16 in. (45.7 x 21.1 x 28.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "8 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Welded steel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund, Maurice R. and Maxine B. Forman Fund, and Lyman K. and Eleanore B. Stuart Endowment Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Two holes on back for hanging. See packing photos at L:\Curatorial\Kerry\active docs\incoming info\6722 Mel Edwards", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "44383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.23_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "46322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.23_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.23_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.23_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.23_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "46323", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , ] },{ "embark_ID" : 25931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25931", "Disp_Access_No" : "2015.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Nam", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Melvin Edwards", "Sort_Artist" : "Edwards, Melvin", "Disp_Dimen" : "14 3/16 x 15 3/8 x 7 5/16 in. (36 x 39 x 18.5 cm)", "Disp_Height" : "14 3/16 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Welded steel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund, Maurice R. and Maxine B. Forman Fund, and Lyman K. and Eleanore B. Stuart Endowment Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hole for hanging at upper back of piece. See packing photos at L:\Curatorial\Kerry\active docs\incoming info\6722 Mel Edwards", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "44384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.24_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "46324", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.24_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "46325", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Also exists as a large TIF for publication; no uncorrected master held at MAG. Courtesy Alexander Gray Associates, New York © 2016 Melvin Edwards/Artists Rights Society (ARS), New York", "View" : "" } , ] },{ "embark_ID" : 26393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26393", "Disp_Access_No" : "2016.180", "_AccNumSort1" : "", "Disp_Create_DT" : "2011", "_Disp_Start_Dat" : "2011", "_Disp_End_Date" : "2011", "Disp_Title" : "The 7 Yard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daze", "Sort_Artist" : "Daze", "Disp_Dimen" : "46 1/16 x 46 1/16 in. (117 x 117 cm)", "Disp_Height" : "46 1/16 in.", "Disp_Width" : "46 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil, spray paint, and acrylic on canvas", "Info_Page_Comm" : "One of the most prominent and influential New York City graffiti artists, Daze is best known for his wall writing and spay-painting on subway cars during the late 1970s and early 1980s. By the mid-1980s he was transitioning to painting on canvas. Daze’s pictures capture the grit and energy of the city he loves. The 7 Yard features the artist’s iconic graffiti markings in acrylic, the soft impression of a young woman’s face rendered in spray-paint, and a hyper-detailed depiction of a train yard in oil paint, which is remarkably similar to the train yard near MAG here in Rochester. Rochester’s WALL\THERAPY project sponsored four large-scale exterior murals by Daze. Visit www.wall-therapy.com for more information. [Gallery wall text October 2016] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.180_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.180_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.180_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2016.180_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "47176", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo on disks labelled "MAG 170607"", "View" : "" } , ] },{ "embark_ID" : 26463, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26463", "Disp_Access_No" : "2017.2", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "Conversations wit de Churen V: As da Art World Might Turn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kalup Linzy", "Sort_Artist" : "Linzy, Kalup", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "Single channel video with sound", "Info_Page_Comm" : "", "Dedication" : "Thelma M. Knapp Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Time-based media art", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "46484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by the artist. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "47453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by the artist. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by the artist. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "47455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by the artist. Exists as TIF and JPG.", "View" : "" } , ] },{ "embark_ID" : 212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/212", "Disp_Access_No" : "1952.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1950-1952", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1952", "Disp_Title" : "Fishwife", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul S. Berry", "Sort_Artist" : "Berry, Paul S.", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For many years, works from the annual Rochester-Finger Lakes Exhibition were purchased by MAG for the permanent collection. Fishwife, by Syracuse artist Paul S. Berry, is an example of such an acquisition made from the 1952 show. Its survival may rest on the fact that it entered the museum’s collection so soon after it was painted, as every August the artist would evaluate the contents of his studio and destroy anything that wasn’t up to his exacting standards. According to Berry’s widow, Fishwife is painted in a style quite different from most of his work. A turbaned Haitian woman lifts an enormous, wide-eyed fish from a wicker basket; the diagonal line of her muscular arm echoes the ramshackle roofline of the building behind her. The influence of photography is seen in the arm of a third person poking in from the left side of the composition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Art Patrons' Purchase Award, 1952 Rochester - Finger Lakes Exhibition", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39601", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 3569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3569", "Disp_Access_No" : "1943.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Benny Carter's Audience", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Prudence Burg", "Sort_Artist" : "Burg, Prudence", "Disp_Dimen" : "19 x 24 in. (48.3 x 61 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Art Patrons' Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25674", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1523", "Disp_Access_No" : "1985.47", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Freedom to the Slaves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "13 3/4 x 10 1/8 in. (34.9 x 25.7 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1530, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1530", "Disp_Access_No" : "1995.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1867", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1867", "Disp_Title" : "Washington at Home (after Edward Savage)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "21 x 26 11/16 in. (53.4 x 67.8 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "26 11/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler in memory of his grandparents, Mr. and Mrs. Charles Burton Feagles", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19855", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4211", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Negro Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "24 x 18 1/2 in. (61 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to the [previous owner], Curry met the subject of this painting, a sugar cane worker, on a trip to Cuba. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/431", "Disp_Access_No" : "1951.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Non-Fiction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Gwathmey", "Sort_Artist" : "Gwathmey, Robert", "Disp_Dimen" : "29 x 24 in. (73.7 x 61 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1940s, Robert Gwathmey focused his artist’s eye upon the lives of African-American sharecroppers in the South. Non-Fiction shows a common sight on southern farms; older children tended to the young when both parents worked all day in the fields. The barbed wire and minstrel figure symbolize the dual oppressions of segregation and racism. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13396", "Disp_Access_No" : "2005.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Cotton Pickers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clare Leighton", "Sort_Artist" : "Leighton, Clare", "Disp_Dimen" : "7 11/16 x 5 7/8 in. (19.5 x 14.9 cm)", "Disp_Height" : "7 11/16 in.", "Disp_Width" : "5 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "1941 Presentation Print of the Print Club of Rochester. Leighton was one of the finest engravers of her time. Born in London, England, she graduated from the Slade School of Art and also attended the Central School of Arts and Crafts in London. She learned wood engraving during a revival of the craft and had access to skilled masters. Leighton began her career reproducing prints in several English publications, and simultaneously developed her work during sketching trips to France, Italy and the Balkans. In 1939 she immigrated to the United States, where she exhibited and lectured widely and won numerous commissions. She was most well-known for writing and illustrating over 65 books reflecting on agricultural lifestyle and the contrasts of urban modernization. Leighton taught at Duke University, lectured at the National Academy of Design and received honorary Doctor of Fine Arts from Colby College in Waterville, Maine. [Gallery label text, Print Club of Rochester exhibition, Lockhart Gallery, 2010-2011]", "Dedication" : "Bequest of Isabel C. Herdle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23678", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/543", "Disp_Access_No" : "1914.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New Orleans Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "22 x 18 in. (55.9 x 45.7 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1047", "Disp_Access_No" : "1951.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Taking the Oath and Drawing Rations", "Alt_Title" : "", "Obj_Title" : "Taking the Oath and Drawing Rations", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion. Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art. [Gallery label text, 2002]", "Dedication" : "Gift of M. Gertrude Deavenport", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented January 30, 1866 Cost $15.00 - 1866 $20.00 - 1871-1876 $15.00 - 1877-1895", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.310_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.310_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.310_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.310_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10398", "Disp_Access_No" : "2001.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Frederick Douglass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth M. Olds", "Sort_Artist" : "Olds, Elizabeth M.", "Disp_Dimen" : "17 7/8 x 14 in. (45.4 x 35.6 cm)", "Disp_Height" : "17 7/8 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2471", "Disp_Access_No" : "1995.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Frederick Douglass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Wells", "Sort_Artist" : "Wells, Charles", "Disp_Dimen" : "17 3/16 x 13 5/16 in. (43.7 x 33.8 cm)", "Disp_Height" : "17 3/16 in.", "Disp_Width" : "13 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "1986 Presentation Print of the Print Club of Rochester", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 2472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2472", "Disp_Access_No" : "1995.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Frederick Douglass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Wells", "Sort_Artist" : "Wells, Charles", "Disp_Dimen" : "19 3/8 x 15 in. (49.2 x 38.1 cm)", "Disp_Height" : "19 3/8 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching on heavy wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Judith and Dennis O'Brien in memory of the artist's son, Quin Wells, 1971-1995", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32650", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 25659, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25659", "Disp_Access_No" : "2014.63", "_AccNumSort1" : "", "Disp_Create_DT" : "2014", "_Disp_Start_Dat" : "2014", "_Disp_End_Date" : "2014", "Disp_Title" : "End Upheld", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nick Cave", "Sort_Artist" : "Cave, Nick", "Disp_Dimen" : "94 x 30 x 25 in. (238.8 x 76.2 x 63.5 cm)", "Disp_Height" : "94 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media including carved stool, light fixtures, ceramic birds, metal flowers", "Info_Page_Comm" : "Nick Cave is an African American sculptor, costume maker, and performance artist. He uses objects he finds at thrift stores, flea markets, garage sales, and the like to create elaborate and decorative works of art that are sometimes beautiful and sometimes troubling. End Upheld has both of these qualities. The sculpture includes a racist image of a male figure of African descent. The object may have once served as a pedestal or a stool. Now it is elevated, sitting atop a stool of its own. Raised to new heights, the figure supports a striking and complex latticework of birds, beads, flowers, stylized lamps, and other ornaments. The title of the sculpture, End Upheld, is a play on words. Just as the figure may have once been a stool for someone to sit on, in this new context it is supporting a world of beauty and light. Through the process of making art, Cave has transformed an object representing a painful, oppressive past into a source of hope and transcendence. [Gallery label text, summer 2015]", "Dedication" : "Bequest of Charles W. Strowger, by exchange, and Thelma M. Knapp Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43137", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Exists as large JPG and smaller JPG derived at MAG. No uncorrected master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2014.63_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "43136", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by dealer. Exists as large JPG and smaller JPG derived at MAG. No uncorrected master.", "View" : "" } , ] },{ "embark_ID" : 26901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26901", "Disp_Access_No" : "2018.31", "_AccNumSort1" : "", "Disp_Create_DT" : "2017", "_Disp_Start_Dat" : "2017", "_Disp_End_Date" : "2017", "Disp_Title" : "Into the Woods", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "59 3/4 x 44 3/4 in. (151.8 x 113.7 cm)", "Disp_Height" : "59 3/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "wood", "Disp_Medium" : "Acrylic on wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preliminary correspondence gave the title of this work as Joycean Parable, but the back of the painting is inscribed with the title Into the Woods, and it was decided to use that inscribed title.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "53204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , ] },{ "embark_ID" : 28224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28224", "Disp_Access_No" : "2018.32", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "304 x 114 1/2 in. (772.2 x 290.8 cm)", "Disp_Height" : "304 in.", "Disp_Width" : "114 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "Cerex nylon", "Disp_Medium" : "Acrylic on Cerex nylon", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32-2018.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32-2018.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32-2018.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32-2018.33_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53205", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "2018.32 and 2018.33 photographed together (2018.33 on the left in this photo) On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53206", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy Olenick disk 191120, held in the Curatorial department. No master with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 28225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28225", "Disp_Access_No" : "2018.33", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "286 1/2 x 118 in. (727.7 x 299.7 cm)", "Disp_Height" : "286 1/2 in.", "Disp_Width" : "118 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "Cerex nylon", "Disp_Medium" : "Acrylic on Cerex nylon", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32-2018.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32-2018.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32-2018.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32-2018.33_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53208", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "2018.32 and 2018.33 photographed together (2018.33 on the left in this photo) On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.33_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.33_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.33_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.33_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53209", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.33_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.33_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.33_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.33_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53792", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy Olenick disk 191120, held in the Curatorial department. No master with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 25774, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25774", "Disp_Access_No" : "2015.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Charlie Parker", "Alt_Title" : "Bird", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Beauford Delaney", "Sort_Artist" : "Delaney, Beauford", "Disp_Dimen" : "28 3/4 x 23 1/2 in. (73 x 59.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Beauford Delaney was a charming, witty, and very well-loved sophisticate who took up residence as a painter in Harlem, New York, in the late 1920s during the Harlem Renaissance. A gay African American, he moved to Greenwich Village in the 1940s and was one of the few cultural figures in New York City at the time to circulate in both the uptown and downtown scenes. In 1957 Delaney traveled to Paris for what he thought would be a brief visit and ended up living and painting there the rest of his life. Delaney made this painting, a portrait of jazz saxophonist Charlie Parker, while in Paris. It was purchased from Delaney by the actor Billy Dee Williams, when Williams was accompanied to Delaney’s studio by the artist’s best friend, the author James Baldwin. Yellow, the color of sunlight, joy, and spiritual revelation, was Delaney’s favorite color. It was symbolic of his optimism as he struggled against the illnesses of alcoholism and depression that plagued him much of his life, eventually leading to his death in St. Anne’s Hospital for the Insane in Paris. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund, Herdle Fund, Lyman K. and Eleanore B. Stuart Endowment Fund, Marion Stratton Gould Fund, and the Estate of Susan Eisenhart Schilling", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See notarized statement in curatorial file from Billy Dee Williams regarding his acquisition of this piece: "April 23, 2011: In 1968 I went to Paris with my good friend, James Baldwin, one of the great American novelists of the 20th Century. James was writing the life story of Malcolm X for Columbia Pictures, and wanted me to play Malcolm X. While we were in Paris Jarnes took me to visit one of his rnentors, Beauford Delaney. Delaney was living in a small atelier on the left bank of Paris. The walls of his atelier were covered with paintings, but this palnting in particular caught my eye. I said, "Wow, that''s a beautitul painting. What''s it about?" "lt''s about Charlie Parker. The title is Bird" Delaney responded. It was a recent painting, and what intrigued me is that it was Delaney''s interpretation of Bird, and anyone interested in Jazz at the time knew rvhat was meant by "Bird". As I stood there admiring it Delaney asked rne if I wanted it. It was a lovely gesture. It has been a treasured piece of my art collection since that time. --Billy Dee Williams.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43482", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by the gallery", "View" : "" } , ] },{ "embark_ID" : 26085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26085", "Disp_Access_No" : "2016.7a", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "Double Quadruple Etcetera Etcetera I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sondra Perry", "Sort_Artist" : "Perry, Sondra", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Digital file", "Support" : "", "Disp_Medium" : "Two-channel video installation, color, silent", "Info_Page_Comm" : "Performed by Danny Giles and Joiri Minaya.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Time-based media art", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Electronic Arts Intermix: Uncompressed digital file with exhibition file and disks", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.7a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.7a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.7a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2016.7a_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "46224", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by Electronic Arts Intermix. Credit line: Sondra Perry. “Double Quadruple Etcetera Etcetera I,” 2013. Courtesy Electronic Arts Intermix (EAI), New York. Print master is 300ppi JPG. No uncorrected master exists.", "View" : "" } , ] },{ "embark_ID" : 26325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26325", "Disp_Access_No" : "2016.7b", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "Double Quadruple Etcetera Etcetera II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sondra Perry", "Sort_Artist" : "Perry, Sondra", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Digital file", "Support" : "", "Disp_Medium" : "Two-channel video installation, color, silent", "Info_Page_Comm" : "Performed by Danny Giles and Joiri Minaya.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Time-based media art", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Electronic Arts Intermix: Uncompressed digital file with exhibition file and disks", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.7b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.7b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.7b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2016.7b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "46225", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by Electronic Arts Intermix. Credit line: Sondra Perry. “Double Quadruple Etcetera Etcetera I,” 2013. Courtesy Electronic Arts Intermix (EAI), New York. Print master is 300ppi JPG. No uncorrected master exists.", "View" : "" } , ] },{ "embark_ID" : 28324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28324", "Disp_Access_No" : "2019.1.1", "_AccNumSort1" : "", "Disp_Create_DT" : "2019", "_Disp_Start_Dat" : "2019", "_Disp_End_Date" : "2019", "Disp_Title" : "Lessons of the Hour—Frederick Douglass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isaac Julien", "Sort_Artist" : "Julien, Isaac", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "Ten-channel color video with sound", "Info_Page_Comm" : "", "Dedication" : "Commissioned and acquired by the Memorial Art Gallery with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, the Zell Family, Ford Foundation, VIA Art Fund, Lori Van Dusen, and Deborah Ronnen and Sherman Levey. The commission and acquisition were also made possible by Barbara and Aaron Levine, the Maurice and Maxine Forman Fund, the Marion Stratton Gould Fund, the Herdle-Moore Fund, the Strasenburgh Fund, and the Lyman K. and Eleanore B. Stuart Endowment Fund at the Memorial Art Gallery, and the Arthur and Margaret Glasgow Endowment at the Virginia Museum of Fine Arts. Production of the work was generously supported by Metro Pictures, New York; Victoria Miro, London/Venice; the Arts Division of the University of California Santa Cruz; and by Eastman Kodak Company, on whose film stock the installation was shot.", "Copyright_Type" : "", "Disp_Obj_Type" : "Time-based media art", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From: Binstock, Jonathan Sent: Wednesday, April 24, 2019 1:12 PM To: Isaac Julien Cc: Ioanna Papapavlou; Garland, Chris; Baker, Siri Subject: MAG credit line Dear Isaac, The following is how I think Lessons of the Hour could be credited when it is exhibited at places other than MAG and VMFA. So, for example, I think you could use this credit line when at Yale, the Royal Academy, the Scottish National Portrait Gallery, LACMA, etc. Commissioned by the Memorial Art Gallery of the University of Rochester with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, the Zell Family, Ford Foundation, VIA Art Fund, Lori Van Dusen, and Deborah Ronnen and Sherman Levey. Such credit could also be added to photo credit captions for images related to the commission. For example: Isaac Julien, “Lessons of The Hour” (Lessons of The Hour), 2019 matte archival paper mounted on aluminum, 63 x 84 inches. Commissioned by The Memorial Art Gallery of the University of Rochester.  (all images © Isaac Julien and courtesy the artist and Metro Pictures, New York unless otherwise noted) [I grabbed this caption from the Hyperallergic article online] What do you think? The full credit line is the following, but this is obviously way too much: Commissioned and acquired by the Memorial Art Gallery with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, the Zell Family, Ford Foundation, VIA Art Fund, Lori Van Dusen, and Deborah Ronnen and Sherman Levey. The commission and acquisition were also made possible by Barbara and Aaron Levine, the Maurice and Maxine Forman Fund, the Marion Stratton Gould Fund, the Herdle-Moore Fund, the Strasenburgh Fund, and the Lyman K. and Eleanore B. Stuart Endowment Fund at the Memorial Art Gallery, and the Arthur and Margaret Glasgow Endowment at the Virginia Museum of Fine Arts. Production of the work was generously supported by Metro Pictures, New York; Victoria Miro, London/Venice; the Arts Division of the University of California Santa Cruz; and by Eastman Kodak Company, on whose film stock the installation was shot.               Thank you! Jonathan Jonathan P. Binstock, Ph.D Mary W. and Donald R. Clark Director Memorial Art Gallery University of Rochester 585.276.8902 http://mag.rochester.edu/", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "52627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by the artist and his gallery. ", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "52626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by the artist and his gallery. ", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "52625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by the artist and his gallery. ", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "52624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by the artist and his gallery. ", "View" : "" } , ] },{ "embark_ID" : 28672, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28672", "Disp_Access_No" : "2019.15", "_AccNumSort1" : "", "Disp_Create_DT" : "2017", "_Disp_Start_Dat" : "2017", "_Disp_End_Date" : "2017", "Disp_Title" : "Giverny I (Negresse Imperiale)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ja'Tovia Gary", "Sort_Artist" : "Gary, Ja'Tovia", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Digital file", "Support" : "", "Disp_Medium" : "Single-channel video with sound, in color and black-and-white", "Info_Page_Comm" : "Ja’Tovia Gary is an American artist and filmmaker whose work investigates the ways in which visual and media cultures shape our perceptions around race, gender, and specifically Blackness. Her poignant and distinctive visual language combines documentary elements, direct animation, and archival footage. Gary created Giverny I (NÉGRESSE IMPÉRIALE) during a 2016 residency at Claude Monet's historic gardens in France as part of the prestigious Terra Summer Fellowship for emerging filmmakers, scholars, and artists. While in this bucolic setting, surrounded by the ponds and water lilies that inspired Monet’s celebrated late paintings, Gary learned about the Pulse nightclub shooting in Florida, as well as the deaths of Philando Castile in Minnesota and Alton Sterling in Louisiana by police gunfire. With its combination of images and quick, crisp editing, the work of art encourages viewers to consider these tragic events in relation to the luxury of the garden, the role of the artist throughout time, and the vulnerability of Gary’s own body. Giverny I (NÉGRESSE IMPÉRIALE) interweaves images of Monet’s garden with archival materials and excerpts from Diamond Reynolds’ Facebook live recording of the death of her boyfriend, public school worker Philando Castile. By contrasting the harrowing experience of Diamond Reynolds and her daughter during the aftermath of Castile’s death with the artist’s own body in the gardens, Gary connects her everyday experience as a Black woman with art history. Other archival footage features slain activist and Black Panther Party leader Fred Hampton discussing the concept of Negro Imperialism and how political education should be a part of organizing efforts towards Black liberation. As Gary has explained, her work recontextualizes archival images to show how connections between colonialism, state violence, and media affect visual perception: how we see, experience, and understand the visual world. (Wall text 2019) ", "Dedication" : "Marion Stratton Gould and Herdle-Moore Funds", "Copyright_Type" : "", "Disp_Obj_Type" : "Time-based media art", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Single-channel video, stereo sound, HD and SD video footage. 1920 x 1080. 16:9 aspect ratio.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "53386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "53388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery. Exists as TIF and JPG.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.15_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "53389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery. Exists as TIF and JPG.", "View" : "" } , ] },{ "embark_ID" : 1482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1482", "Disp_Access_No" : "1975.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Dillinger, The Battle at Little Bohemia II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Warrington Colescott", "Sort_Artist" : "Colescott, Warrington", "Disp_Dimen" : "19 1/4 x 27 3/8 in. (48.9 x 69.5 cm)", "Disp_Height" : "19 1/4 in.", "Disp_Width" : "27 3/8 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and collage", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonne notes initial edition of 20, then second edition of 50-- which is this? Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 172, no.1561", "Images": [ ] },{ "embark_ID" : 1481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1481", "Disp_Access_No" : "1974.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Famous American Riots: Fracas at Calamity's Place", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Warrington Colescott", "Sort_Artist" : "Colescott, Warrington", "Disp_Dimen" : "21 1/4 x 31 in. (54 x 78.7 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52543", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1484", "Disp_Access_No" : "1997.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Suite Louisiana: Family Night at Fred's Pleasure Club", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Warrington Colescott", "Sort_Artist" : "Colescott, Warrington", "Disp_Dimen" : "22 1/4 x 29 11/16 in. 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