{ "objects" : [ { "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 1983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1983", "Disp_Access_No" : "1975.120.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "The 1920's... The Migrants Arrive and Cast Their Ballots", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "34 3/8 x 26 in. (87.3 x 66 cm)", "Disp_Height" : "34 3/8 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "In 1975, Jacob Lawrence and twelve other artists were asked to respond to the question, "What does independence mean to me?" The prints made by the artists comprise the Kent Bicentennial Portfolio: Spirit of Independence, commissioned in honor of the American Bicentennial. Jacob Lawrence's parents migrated from the south to New York City, so the theme of migration was one that had great meaning to his personal history. He said, "During the post World War I period millions of black people left southern communities in the United States and migrated to northern cities. This migration reached its peak during the 1920's. Among the many advantages the migrants found in the north was the freedom to vote. In my print, migrants are represented expressing that freedom." [Gallery label text]", "Dedication" : "Gift of Lorillard, New York", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This print was also published as a poster. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.120.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.120.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.120.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.120.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4179", "Disp_Access_No" : "2000.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Frost Avenue and Genesee Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luvon Sheppard", "Sort_Artist" : "Sheppard, Luvon", "Disp_Dimen" : "35 3/8 x 48 1/8 in. (89.9 x 122.2 cm)", "Disp_Height" : "35 3/8 in.", "Disp_Width" : "48 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and pastel", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48072", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3283", "Disp_Access_No" : "1971.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Marcus Garvey", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luvon Sheppard", "Sort_Artist" : "Sheppard, Luvon", "Disp_Dimen" : "24 1/16 x 18 1/16 in. (61.1 x 45.9 cm)", "Disp_Height" : "24 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Ink wash on paper", "Info_Page_Comm" : "Now a professor of art at RIT, Luvon Sheppard was MAG’s coordinator of neighborhood services when he drew this portrait of the controversial Jamaican orator and activist. Marcus Garvey was perhaps best known for founding the Back-to-Africa movement, which called for a return of the African diaspora to its ancestral homelands. He famously feuded with W. E. B. DuBois, another activist and the first African American to graduate from Harvard, who described him unsympathetically as “a little, fat black man; ugly, but with intelligent eyes and a big head.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "35437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/203", "Disp_Access_No" : "1970.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Gospel Song", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romare Bearden", "Sort_Artist" : "Bearden, Romare", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "board", "Disp_Medium" : "Mixed media on board", "Info_Page_Comm" : "Gallery labet text 2013 Influenced by the Harlem Renaissance of the 1920s, Bearden was friendly with the writer Langston Hughes and jazz musicians Duke Ellington and Fats Waller. He was fascinated by jazz, trying his hand at songwriting for a short time. Bearden’s work bears parallels to the rhythms, intervals, variations, and improvisational devices of music. He stated, “I paint out of the tradition of the blues.” Bearden was a pioneer of the collage style, explaining “The medium I used was chosen intentionally because assemblage forges a variety of contrary images into one unified expression.” Bearden was a founding member of the 1960s Harlem art group, Spiral, formed “for the purpose of discussing the commitment of the Negro artist in the present struggle for civil liberties.” ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/942", "Disp_Access_No" : "1970.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Edmondson", "Sort_Artist" : "Edmondson, William", "Disp_Dimen" : "4 x 8 1/4 x 13 1/2 in. 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Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 25526, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25526", "Disp_Access_No" : "2014.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Fishing Well", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "94 x 48 1/2 in. (238.8 x 123.2 cm)", "Disp_Height" : "94 in.", "Disp_Width" : "48 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "birch", "Disp_Medium" : "Acrylic on birch", "Info_Page_Comm" : "Washington D.C.-based Sam Gilliam established himself as a major artist in 1968 when he stopped using wooden stretchers to support his paintings and allowed his vivid rushes of color-stained canvas to hang, billow, and swing through space like drapery. Since that time Gilliam has gone on to create work in an astounding variety of styles while always remaining true to a fundamental disregard for the boundaries that have traditionally separated painting, sculpture, and architecture. In the early 1990s Gilliam adopted birch plywood as a support surface for his paintings, a practice he continues to the present day. In these works Gilliam achieves an architectural physicality by using overtly sculptural material—wood and its relief properties. The surface of Fishing Well is poured acrylic paint. The images, textures, and suggestion of depth derive from the way the artist pushed and pulled the acrylic paint across the wood surface. 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(55.9 x 55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Collograph with embossing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22121", "Disp_Access_No" : "1993.21.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Lost and Found", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Valerie Maynard", "Sort_Artist" : "Maynard, Valerie", "Disp_Dimen" : "30 1/16 x 22 5/16 in. (76.3 x 56.7 cm)", "Disp_Height" : "30 1/16 in.", "Disp_Width" : "22 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.21.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.21.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.21.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.21.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1442", "Disp_Access_No" : "1995.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Harriet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 3/8 x 15 1/4 in. 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", "Dedication" : "Gift of Neil and Avram Dorman through the Martin S. Ackerman Foundation, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 25427, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25427", "Disp_Access_No" : "2014.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Fixing her Hair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 1/2 x 9 7/16 x 11 5/8 in. 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[Gallery label text 2011] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1250, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1250", "Disp_Access_No" : "1997.1.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Hog Series CLIX: Morning Tea II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tarleton Blackwell", "Sort_Artist" : "Blackwell, Tarleton", "Disp_Dimen" : "30 x 22 7/16 in. 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He states, “I have tried to portray hogs with dignity and respect, while at the same time revealing and sharing some of my past personal experiences.” Blackwell was influenced by the works of the Spanish master Diego Velazquez and explains that “the essence of the Hog Series can be related to the way he depicted jesters and dwarfs of King Philip IV’s court as equals to their master.” This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text, 2013] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4035", "Disp_Access_No" : "1997.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1989", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1994", "Disp_Title" : "Studio Self", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Valerie Maynard", "Sort_Artist" : "Maynard, Valerie", "Disp_Dimen" : "15 9/16 x 18 5/8 in. 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Johnson, Jr.", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1480", "Disp_Access_No" : "1997.1.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "I Can't Dance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Colescott", "Sort_Artist" : "Colescott, Robert", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Colescott uses satire and wit to deal with issues that concern him in our multicultural society. He explains that his works on paper “are often the sandbox for ideas that are off the track and something that I may do in paintings.” Here, the artist pokes fun at the cultural stereotype that African Americans are good dancers. In 1997, at the age of seventy-one, Colescott became the first African-American artist to represent the U.S. at the Venice Biennale, the oldest and most renowned contemporary art festival in the world. This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text 2012] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2031", "Disp_Access_No" : "1997.1.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Heart to Heart", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lionel Lofton", "Sort_Artist" : "Lofton, Lionel", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The portfolio is a presentation of lithographs “to document the historical and evolutionary journey of the Black experience,” in the words of the publisher. For the artist Lionel Lofton, whose subjects often include images of family and children, the concepts of inner strength and spirituality are central to his work. In this print, the figures’ solidity and unity express Lofton’s personal convictions. "Heart to Heart" is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio. [Gallery label text 2011]", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36489", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1144", "Disp_Access_No" : "1997.1.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Neptune Washington", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ron Adams", "Sort_Artist" : "Adams, Ron", "Disp_Dimen" : "30 3/16 x 22 7/16 in. (76.7 x 57 cm)", "Disp_Height" : "30 3/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "[Gallery label text 2012] “The dignity of the individual …is a predominant theme in Adams’ work. His figures are iconic; their musculature is defined to the point of exaggeration, suggesting prolonged toil and struggle. They seem inward… and they seem larger than life, so that one wants to know their stories and learn from them.” Neptune Washington is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio, a press founded by Ron Adams in Santa Fe. ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2415", "Disp_Access_No" : "1997.1.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "The Trickster on His Throne, with Henchmen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Renée Stout", "Sort_Artist" : "Stout, Renée", "Disp_Dimen" : "30 1/8 x 22 7/16 in. (76.5 x 57 cm)", "Disp_Height" : "30 1/8 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Renée Stout’s art incorporates mystical beings and experiences, like the African trickster deity represented here by the mound of dirt under the cross. For Stout, the cross or crossroads is the juncture of earth and spirit worlds, a place to seek aid from her ancestors in her life choices. She describes 1930s Delta blues singer Robert Johnson as her kindred spirit. He attributed his musical genius to a legendary pact with the devil at a crossroads. Stout states, “Johnson was driven to sing just as I am compelled to make art.” This is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio “to document the historical and evolutionary journey of the Black experience.” [Gallery label text 2012] ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2337", "Disp_Access_No" : "1997.1.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Window Moth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John T. Scott", "Sort_Artist" : "Scott, John T.", "Disp_Dimen" : "30 x 22 7/16 in. (76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "[Gallery label text 2012] Born in New Orleans, John T. Scott said that his art training began at home, where he learned embroidery from his mother. He drew upon the city’s rich African-Caribbean culture and musical heritage in creating his abstract sculptures and prints, stating that, “New Orleans is the only city that I’ve been in that if you listen the sidewalks will speak to you.” Scott’s Window Moth is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio, a press founded by Ron Adams in Santa Fe. ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4018", "Disp_Access_No" : "1997.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Harriet Tubman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Margaret Taylor-Burroughs", "Sort_Artist" : "Taylor-Burroughs, Margaret", "Disp_Dimen" : "17 1/2 x 11 1/2 in. (44.5 x 29.2 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3771", "Disp_Access_No" : "1998.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Savoy Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Yarde", "Sort_Artist" : "Yarde, Richard", "Disp_Dimen" : "41 9/16 x 29 1/2 in. (105.6 x 74.9 cm)", "Disp_Height" : "41 9/16 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4009", "Disp_Access_No" : "1998.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Won't Dance", "Alt_Title" : "A Hungry Monkey Will Not Dance", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cheryl Warrick", "Sort_Artist" : "Warrick, Cheryl", "Disp_Dimen" : "39 1/16 x 26 1/4 in. (99.2 x 66.7 cm)", "Disp_Height" : "39 1/16 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "wove paper", "Disp_Medium" : "Acrylic on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13593", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4148", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Last Supper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "11 3/8 x 25 5/8 x 3/4 in. (28.9 x 65.1 x 1.9 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "3/30/10 email from Margie Searl, MAG chief curator, to Jessica Marten, MAG assistant curator: The Cheathams came in to the collection from a minister in Rochester, now deceased, [David Romig] who found them literally on the street a number of years ago when he worked at a NYC church. Cheatham had died and his sister was throwing his stuff away. I doubt that anyone exists who would either have a clue about him or who would care that his work was depicted on our website. I suspect that he was an outsider artist who was creating these wonderful things for himself. I only know of the two that we have and one other owned by the donor. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4149", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "12 1/2 x 25 1/4 x 7/8 in. (31.8 x 64.1 x 2.2 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The nativity of Christ has been a popular subject in many artistic traditions. Here, the carver has included all the traditional elements arranged in a simple yet effective way, using few colors and creating the illusion of depth. Gold paint illuminates the baby, above whom an angel watches protectively. Like the carver of the Santo [73.9], or the artisan who built the Tramp Art Shrine [87.4], Oliver Cheatham was an artist who expressed his religious devotion with wood and paint. Little else is known about him. The donor, Reverend Romig, came across a few pieces of his work on a sidewalk in New York City; the artist had died, and his family was throwing his things away. Fortunately, Reverend Romig recognized the beauty of the work, retrieved what he could, and kindly donated two pieces to the Memorial Art Gallery: The Nativity and The Last Supper [99.14], which is being conserved. [Gallery label text, 2002]", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14787", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4158", "Disp_Access_No" : "1999.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "How Things Survive", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thornton Dial", "Sort_Artist" : "Dial, Thornton", "Disp_Dimen" : "44 5/16 x 30 in. (112.6 x 76.2 cm)", "Disp_Height" : "44 5/16 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite, charcoal and pastel on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Donna Howell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4157", "Disp_Access_No" : "1999.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Posing Ladies ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thornton Dial", "Sort_Artist" : "Dial, Thornton", "Disp_Dimen" : "30 x 43 3/4 in. (76.2 x 111.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "43 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, pastel and colored pencil on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Donna Howell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "48070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11298", "Disp_Access_No" : "2002.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1942-1943", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1943", "Disp_Title" : "Frederick Douglass and Abraham Lincoln Discussing Emancipation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hale Woodruff", "Sort_Artist" : "Woodruff, Hale", "Disp_Dimen" : "11 1/4 x 11 in. (28.6 x 27.9 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "overall", "Medium" : "Tempera", "Support" : "masonite", "Disp_Medium" : "Tempera on masonite", "Info_Page_Comm" : "In 1942-43, a mural competition was held for the newly built Recorder of Deeds Building in Washington, D.C. The topic was "The Contribution of the Negro to the American Nation." Hale Woodruff submitted this imagined grouping of Frederick Douglass, President Lincoln, and members of Lincoln's cabinet. While Woodruff did not win the competition, his mural study is a dramatic reminder of the alliance of two of America's most courageous leaders, Lincoln and Douglass, during a period that threatened to destroy the American union. While Douglass never, in reality, met with Lincoln's cabinet, he did meet with Lincoln and repeatedly urged the president to issue the Emancipation Proclamation. Woodruff stressed the significance of Douglass's role by appropriating the historical image engraved by Ritchie and adding an animated Douglass and the colorful American flag. 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