{ "objects" : [ { "embark_ID" : 205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/205", "Disp_Access_No" : "1947.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Evening Group", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "This painting portrays the artist with his wife, Emma, and daughter, Anne, on vacation on Monhegan Island off the coast of Maine. Two neighbor children occupy the right side of the canvas. [Gallery label text, 2007] In the summer of 1914, painter George Bellows convinced his wife, Emma, to travel to Monhegan Island off the coast of Maine along with their young daughter, Anne. There, he hoped to paint more of the stunning seascapes he had worked on so successfully in past years. Evening Group depicts Emma and Anne on the left, the artist in the middle, and two neighbor children on the right. Based in New York City during much of the year, Bellows found that the harsh beauty of places like Monhegan Island provided him with subjects that contrasted dramatically with his acclaimed urban scenes. He first visited the island in 1911 in the company of his teacher and mentor, Robert Henri, and wrote enthusiastically to Emma: “The Island is only a mile wide and two miles long, but it looks as large as the Rocky Mountains. It’s three times as high as Montauk [Long Island] and all black and grey rock. Beautiful pine forests and wonderful varieties of all kinds…” In another letter, he lamented “my head is full of millions of great pictures which I will never have time to paint.” [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3002", "Rel_Obj_Title" : "Study for "Evening Group"" } ], "Curator" : "Note that the online catalogue raisonne lists the inclusion of this work in a 1926 exhibition at the Los Angeles Museum of Art, but an exhibition of that date that might contain this work could not be found.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows1.tif", "IsPrimary" : "0", "_SurrogateID" : "23028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , ] },{ "embark_ID" : 4858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4858", "Disp_Access_No" : "1973.155", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Butterfly", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardus-Johannes Blommers", "Sort_Artist" : "Blommers, Bernardus-Johannes", "Disp_Dimen" : "16 x 19 in. (40.6 x 48.3 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.155_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.155_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.155_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.155_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4954", "Disp_Access_No" : "1955.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Washerwomen of Fouesnant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "30 x 23 5/8 in. (76.2 x 60 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Fouesnant, a bay in Brittany, Bouguereau found the source material that would fuel his work for years to come. Academic artists viewed scenes of peasants performing their usual daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. Despite their circumstances, peasants in Academic paintings were usually depicted as clean, well-fed and neatly dressed. Here a girl carrying laundry resembles a caryatid, a classical figure used to support an architectural pediment. [Gallery label text, 2011]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1993 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/290", "Disp_Access_No" : "1977.15", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Weaving Homespun, Canada", "Alt_Title" : "The Weavers", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "22 x 30 in. (55.9 x 76.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Mrs. A. M. Stewart", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37922", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only; not for web or publication.", "View" : "" } , ] },{ "embark_ID" : 396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/396", "Disp_Access_No" : "1973.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Beach at Blue Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "25 1/4 x 30 1/8 in. (64.1 x 76.5 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Like many American painters, including Winslow Homer, William Glackens was an artist-reporter early in his career. He met Robert Henri in Philadelphia, shared a studio with him, and went to Paris with him in 1895. Upon Glackens's return, he moved to New York City. He exhibited with The Eight in 1908, and chaired the Armory Show in 1913. By 1914, he was devoting all of his time to painting, and espoused subjects like this one, colorful depictions of Americans at play. Many of his paintings reflect the influence of French impressionists, particularly Pierre Auguste Renoir. [Gallery label text, 2003]", "Dedication" : "Elizabeth R. Grauwiller Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1871", "Disp_Access_No" : "1986.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "St. Valentine's Day - The Old Story in All Lands", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 9/16 x 9 in. (34.4 x 22.9 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," February 22, 1868", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13248", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1872, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1872", "Disp_Access_No" : "1986.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "Winter - A Skating Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 x 13 7/8 in. (22.9 x 35.2 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," January 25, 1868", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13247", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46170", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5156", "Disp_Access_No" : "1938.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1880-1889", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1889", "Disp_Title" : "Cottage Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Israels", "Sort_Artist" : "Israels, Josef", "Disp_Dimen" : "8 x 7 in. (20.3 x 17.8 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4965", "Disp_Access_No" : "1937.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "The Washerwomen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Léon-Augustin Lhermitte", "Sort_Artist" : "Lhermitte, Léon-Augustin", "Disp_Dimen" : "30 3/8 x 37 3/4 in. (77.2 x 95.9 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "37 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although he was of the same generation as Monet and Renoir, Lhermitte chose to follow the path of traditional realism, rather than the Impressionists' experimentation with color. He did practice the fluid brushwork that they had popularized, however. Like Sorolla... Lhermitte specialized in scenes of rural workers. However, his keen eye caught the contrasting colors and textures of sun-bathed landscape and figures in much greater detail. Sorolla concentrated more on the colors and effect of the light rather than on the details of form. [Gallery label text, 1999]", "Dedication" : "Gift of Mr. and Mrs. Edmund Lyon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Jan-Piet Filedt-Kok of the Rijksmuseum noted that the artist was a friend of van Gogh and that the van Gogh museum bought a number of works by Lhermitte in the 1990s.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned from slide at a print resolution. Should eventually be replaced.", "View" : "" } , ] },{ "embark_ID" : 8363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8363", "Disp_Access_No" : "1957.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1865", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1865", "Disp_Title" : "Washerwomen by Moonlight (Les laveuses au clair de lune)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "17 x 12 in. (43.2 x 30.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4971", "Disp_Access_No" : "1951.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Harvest Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Monticelli", "Sort_Artist" : "Monticelli, Adolphe", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3891", "Disp_Access_No" : "1998.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Sunday Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "37 1/2 x 44 1/2 in. (95.3 x 113 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.” [Gallery label text, 2007] Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?" Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 5171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5171", "Disp_Access_No" : "1973.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bread and Butter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Neuhuys", "Sort_Artist" : "Neuhuys, Albert", "Disp_Dimen" : "52 x 42 in. (132.1 x 106.7 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.148_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.148_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.148_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.148_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17848", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "orientation incorrect on cd; corrected in Print Master 73.148_P1.tif", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3708", "Disp_Access_No" : "1920.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "The Breadwinner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Emma Lampert of Nunda, NY, studied at the Art Students League and taught at Mechanics Institute (now RIT) before marrying the well-known painter, Colin Campbell Cooper. This view of a Dutch interior was exhibited widely both here and abroad; it garnered several awards, including a medal at the 1893 World’s Columbian Exposition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Colin Campbell Cooper", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment undertaken by Patricia Hamm in 2008.", "View" : "" } , ] },{ "embark_ID" : 5879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5879", "Disp_Access_No" : "1924.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1695", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1695", "Disp_Title" : "The Famous Shoemaker (De Vermaarde Schoenmaaker)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Dusart", "Sort_Artist" : "Dusart, Cornelis", "Disp_Dimen" : "9 15/16 x 7 1/16 in. (25.3 x 17.9 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "7 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the estate of Martin Brewer Anderson, first president of the University of Rochester, by transfer from the University Libraries", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25932", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6574", "Disp_Access_No" : "1936.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "The Washerwomen of Auvers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "11 3/4 x 20 3/8 in. (29.8 x 51.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8116", "Disp_Access_No" : "1936.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "The End of the Workday (La fin de la journée)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "overall", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and crayon on paper", "Info_Page_Comm" : "On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.” The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4137", "Disp_Access_No" : "1943.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "The Stonebreaker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustave Courbet", "Sort_Artist" : "Courbet, Gustave", "Disp_Dimen" : "17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting is an essentially concrete art and can only consist in the representation of real and existing things. - Gustave Courbet (1861) Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class. The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5015", "Disp_Access_No" : "1945.62", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Autumn, from the Four Seasons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano", "Sort_Artist" : "Bassano, Jacopo", "Disp_Dimen" : "17 1/4 x 17 1/8 in. (43.8 x 43.5 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "17 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting was originally one of a set of four that illustrated the four seasons of the year. The scene of wine-making was traditionally associated with autumn. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Federico Zeri website lists this work with previous provenance of the Hermitage, St. Petersburg. 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[Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. 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(55.9 x 40 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1974 Patron Print Award; 1974 Rochester - Finger Lakes Exhibition, sponsored by Flanigan Furniture Stores and Manufacturers Hanover Trust Company", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.126_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.126_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.126_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.126_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1777", "Disp_Access_No" : "1975.122", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "After School", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Dexter Havens", "Sort_Artist" : "Havens, James Dexter", "Disp_Dimen" : "10 1/2 x 7 1/8 in. 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(26 x 27.3 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "linen", "Disp_Medium" : "Silk thread cross-stitch on linen", "Info_Page_Comm" : "The Memorial Art Gallery is fortunate to have in its collection both a portrait of Ann Gennett Lacey and an example of her needlework made when she was only ten years old (see row seven of her sampler). She was probably enrolled at a female academy in Riga, west of Rochester, where she was taught these skills. Following the American Revolution, schools for young women began to flourish, and fine needlework was one of the subjects (as well as music, reading, writing, and arithmetic) included in the curriculum. The stitching of samplers was believed to be a sign of virtue, achievement and industry, stitched more to demonstrate education than to preserve a skill. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert Dunn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12757", "Rel_Obj_Title" : "Better Things - On Reading (with text) " } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.191_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13887", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18243", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 5996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5996", "Disp_Access_No" : "1979.67", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "The Anglers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen von Ostade", "Sort_Artist" : "Ostade, Adriaen von", "Disp_Dimen" : "4 11/16 x 6 3/4 in. (11.9 x 17.1 cm)", "Disp_Height" : "4 11/16 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.67_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.67_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.67_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.67_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8490", "Disp_Access_No" : "1981.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 13/16 x 19 3/8 in. (63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1293", "Disp_Access_No" : "1983.134.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "East River near the Queensborough Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "10 1/4 x 8 1/2 in. (26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. 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