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Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. 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(31 x 25 cm)", "Disp_Height" : "12 3/16 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4830, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4830", "Disp_Access_No" : "1984.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1829", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1829", "Disp_Title" : "The Village of Rochester (after Basil Hall)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Home Lizars", "Sort_Artist" : "Lizars, William Home", "Disp_Dimen" : "6 7/16 x 9 5/8 in. 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Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.36_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17939", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2108", "Disp_Access_No" : "1986.105.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "House in Penfield", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "14 13/16 x 9 5/8 in. (37.6 x 24.4 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.105.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.105.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.105.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.105.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44650", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2097, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2097", "Disp_Access_No" : "1986.96", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1951", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1956", "Disp_Title" : "Power Line", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "14 3/16 x 20 1/4 in. (36.1 x 51.5 cm)", "Disp_Height" : "14 3/16 in.", "Disp_Width" : "20 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Priscilla Parker Memorial Fund and Tribute Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.96_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.96_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.96_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.96_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31915", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/630", "Disp_Access_No" : "1981.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Memorial Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl W. Peters", "Sort_Artist" : "Peters, Carl W.", "Disp_Dimen" : "36 x 40 in. (91.4 x 101.6 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "One of Rochester's most picturesque river crossings is the Veterans' Memorial Bridge (Ridge Road), completed in 1931. In this painting, Carl Peters records the complex engineering systems that were used to build the bridge's series of seven granite-faced concrete arches. Most likely, his vantage point was the steep west bank of the Genesee River, whose green waters flow far below; work has been completed on both sides of the river but the bridge is still lacking its large central span. On the bridge is a dedicatory plaque donated by World War I Gold Star Mothers - women who lost sons in World War I. At the dedication, the president of the group said: Great bridges across flowing waters are indicative of the continual labors of life. In the very presence of continual change, they seem to connect the past with the present, even as they connect the East with the West, the North with the South... [Gallery label text, 2009]", "Dedication" : "Gift of Mr. and Mrs. Edwin S. Wiitala in memory of Dr. and Mrs. Charles R. Weeth and Mr. and Mrs. Axel Wiitala", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17339", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , ] },{ "embark_ID" : 7943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7943", "Disp_Access_No" : "2001.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1844", "Disp_Title" : "Portrait of a Dark-haired Man Reading the "Genesee Farmer"", "Alt_Title" : "possible portrait of Luther Tucker, editor of the "Genesee Farmer"", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asahel Lynde Powers", "Sort_Artist" : "Powers, Asahel Lynde", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Until the invention of photography, portraits were the primary means of recording human likeness. Asahel Powers, like many self-taught artists, traveled the countryside in search of portrait commissions. Many of these paintings were passed down through families. Over time, however, the names of the sitters were often lost. The Genesee Farmer, first published in western New York in January 1831, was written and edited by Luther Tucker. The newspaper was a well-known local and international resource for farmers. Given the newspaper’s stature, the “dark-haired” man of this portrait could be one of the newspaper’s owners or editors, perhaps even Luther Tucker himself. 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Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "25 1/2 x 29 1/2 in. (64.8 x 74.9 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "When Director George Herdle invited artists to exhibit their work at the Memorial Art Gallery, he often included an invitation for them to visit Rochester, give a talk, and meet potential patrons. Such was the case with Walter Elmer Schofield's 1915 exhibition. In March, he came to Rochester, spent time braving cold weather in various locales and painted at least two canvases. As he stood by his easel on the Driving Park Bridge overlooking the Lower Falls of the Genesee River, a news photographer happened upon him and took his picture for the March 3, 1915, newspaper. The headline? "Artist Braves March Weather to Paint Lower River". 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