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In the meantime, Herdle sought the opinion of painter Elmer Schofield, who “thought the criticism not well made.” The director quickly assured Dougherty that all was well, overrode the Committee’s objections, and acquired this painting with funds donated by Eastman. 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(24.1 x 33 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "not for publication", "View" : "" } , ] },{ "embark_ID" : 359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/359", "Disp_Access_No" : "1973.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wyatt Eaton", "Sort_Artist" : "Eaton, Wyatt", "Disp_Dimen" : "19 x 22 in. 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A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "29 1/2 x 24 in. (74.9 x 61 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[ Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "39387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3653", "Disp_Access_No" : "1973.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Dutch Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "17 x 25 1/2 in. (43.2 x 64.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer indicates that George Eastman''s payment for this painting included a Kodak camera.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.159_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.159_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.159_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.159_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. 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(38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.147_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.147_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.147_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.147_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 6532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6532", "Disp_Access_No" : "1978.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "18 1/4 x 30 in. 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(43.2 x 30.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5336", "Disp_Access_No" : "1948.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Sir Henry Irving", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Nicholson", "Sort_Artist" : "Nicholson, William", "Disp_Dimen" : "10 3/8 x 9 7/8 in. (26.4 x 25.1 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13060", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4813", "Disp_Access_No" : "1978.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Mrs. Johnston of Straiton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "35 x 27 in. (88.9 x 68.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below. This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted. [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4233", "Disp_Access_No" : "1977.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "Miss Sophia Hoare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Joshua Reynolds", "Sort_Artist" : "Reynolds, Joshua", "Disp_Dimen" : "36 x 28 in. (91.4 x 71.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn. The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.” [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1911 exhibition catalogue lists the sitter as Miss Sophia Hoare and says she sat for the painting in October 1782. See photocopy in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/671", "Disp_Access_No" : "1973.149", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "In the Woods", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Percival L. Rosseau", "Sort_Artist" : "Rosseau, Percival L.", "Disp_Dimen" : "21 x 25 1/2 in. (53.3 x 64.8 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.149_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.149_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.149_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.149_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6777", "Disp_Access_No" : "1973.153", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cows in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Stortenbeker", "Sort_Artist" : "Stortenbeker, Pieter", "Disp_Dimen" : "18 x 15 in. (45.7 x 38.1 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "The watercolorist, lithographer, and painter Pieter Stortenbeker created some of the finest work of The Hague School, a movement of Dutch painters who worked around The Hague from about 1860–1900. They were interested in realistic rather than romantic imagery, and their subjects included Dutch scenes of daily life, landscapes, animals, and sea- and cityscapes. Early on, the work of The Hague School artists tended toward an overwhelming gray color, which explains why the movement is sometimes also called the “gray school.” Stortenbeker was highly regarded during his lifetime. He studied at the Royal Academy of Art in The Hague, received the gold medal of honor at a major exhibition there in 1861, and was made a Knight of the Order of the Oak Crown in Brussels in 1863. His work is found in many museums and private collections, including those of the Dutch royal family. (label text, 2020)", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.153_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.153_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.153_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.153_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6949", "Disp_Access_No" : "1936.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "The Flock of Geese", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Horatio Walker", "Sort_Artist" : "Walker, Horatio", "Disp_Dimen" : "14 x 18 in. (35.6 x 45.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13058", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4592", "Disp_Access_No" : "1948.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Sir Joshua Reynolds (1723-1792) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "11 13/16 x 19 1/2 in. (30 x 49.5 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2487", "Disp_Access_No" : "1948.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "The Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 9/16 x 7 15/16 in. (29.4 x 20.2 cm)", "Disp_Height" : "11 9/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24294", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 769, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/769", "Disp_Access_No" : "1973.157", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Cattle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carleton Wiggins", "Sort_Artist" : "Wiggins, Carleton", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.157_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.157_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.157_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.157_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13073", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5043", "Disp_Access_No" : "1968.101", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1655-1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1660", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Hals", "Sort_Artist" : "Hals, Frans", "Disp_Dimen" : "30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5052", "Disp_Access_No" : "1968.98", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Portrait of a Young Man in an Armchair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "41 x 33 1/2 in. (104.1 x 85.1 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "33 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.98_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.98_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.98_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.98_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34706", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that this image has been lightened to be more appropriate for reproduction. The actual painting is darker than this.", "View" : "" } , ] },{ "embark_ID" : 6813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6813", "Disp_Access_No" : "1968.97", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Venetian Patrician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Robusti Tintoretto", "Sort_Artist" : "Tintoretto, Jacopo Robusti", "Disp_Dimen" : "44 3/4 x 35 in. (113.7 x 88.9 cm)", "Disp_Height" : "44 3/4 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This work may have been included in an 1857 exhibition at Manchester, England ("Art Treasures"); a work by Tintoretto titled "A Senator" and owned by the Marquess of Abercorn was no. 300 in that exhibition. It is unknown when the Dukes of Abercorn acquired MAG''s work. Betsy Brayer descibes a letter from Joseph Duveen to Eastman in which Duveen claims that this portrait "was a small section cut from a huge group portrait of senators that covered a whole wall. That wily old collector, Joseph Duveen, informed Eastman of this and wrote that he too, owned a cut-down portrait from the same grouping."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5171", "Disp_Access_No" : "1973.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bread and Butter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Neuhuys", "Sort_Artist" : "Neuhuys, Albert", "Disp_Dimen" : "52 x 42 in. (132.1 x 106.7 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.148_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.148_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.148_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.148_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17848", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "orientation incorrect on cd; corrected in Print Master 73.148_P1.tif", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/439", "Disp_Access_No" : "1976.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1916", "Disp_Title" : "Spring", "Alt_Title" : "From the Garden", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Webster Hawthorne", "Sort_Artist" : "Hawthorne, Charles Webster", "Disp_Dimen" : "39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/483", "Disp_Access_No" : "1936.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Early Moonrise in Florida", "Alt_Title" : "July Moonrise in Florida (Eastman Catalog)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "24 3/8 x 36 1/4 in. (61.9 x 92.1 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "36 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For George Inness, an adherent of the mystical Swedenborgian faith, landscape elements and colors had specific symbolic qualities. For example, he wrote that the moon is a ‘natural emblem of faith,’ reassuring the faithful that divine light still exists even though it is not directly visible in the night sky. In Inness’s philosophical system, blue is the color of faith. [Gallery label text, 2007]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "36.61_M1 color-corrected and cropped to create new Print Master as none existed. JPG derived from that Print Master", "View" : "" } , ] },{ "embark_ID" : 329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/329", "Disp_Access_No" : "1973.152", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "The Archer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "22 x 17 in. (55.9 x 43.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.152_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.152_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.152_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.152_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5151", "Disp_Access_No" : "1936.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Harrowing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "23 x 33 in. (58.4 x 83.8 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 8116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8116", "Disp_Access_No" : "1936.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "The End of the Workday (La fin de la journée)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "overall", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and crayon on paper", "Info_Page_Comm" : "On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.” The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1968.99", "_AccNumSort1" : "", "Disp_Create_DT" : "after ca. 1652", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1662", "Disp_Title" : "View off the Dutch Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Cappelle", "Sort_Artist" : "Cappelle, Jan van de", "Disp_Dimen" : "30 1/2 x 39 1/8 in. (77.5 x 99.4 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "39 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The popularity of seascapes in seventeenth-century Holland reflected the wealth and power engendered by that nation's naval superiority. Although he was primarily a merchant and only an amateur painter, van de Cappelle is generally recognized as among the most proficient artists to specialize in this genre. The subtle color harmonies and quiet serenity of this scene are typical of his accomplishment. [Gallery label text, 1989]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that the Getty Provenance Database indicates a sale of a van de Cappelle "Sea Piece" by McLarren to Robinson as lot no. 92 on February 21, 1833 at Edward Foster, London. It could not be detemined if that painting was this one, nor if the Robinson mentioned was Joseph B. Robinson, previous owner of the MAG painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4979", "Disp_Access_No" : "1973.151", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Stream", "Alt_Title" : "Bridge and Stream (from MAG label on backing board)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Thaulow", "Sort_Artist" : "Thaulow, Fritz", "Disp_Dimen" : "23 3/4 x 28 3/4 in. (60.3 x 73 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thaulow spent much time painting in France. This scene probably represents Manéhouville, a village on the Schie River near Dieppe in Normandy. A friend of many of the Impressionists, although he did not experiment with colors of light as they did, Thaulow convinced Claude Monet to visit Norway one winter to paint the snow. [Gallery label text, 1999] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Norwegian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.151_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.151_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.151_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.151_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26146", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/679", "Disp_Access_No" : "1973.150", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1875", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1880", "Disp_Title" : "In Algiers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sartain", "Sort_Artist" : "Sartain, William", "Disp_Dimen" : "25 3/8 x 30 3/8 in. (64.5 x 77.2 cm)", "Disp_Height" : "25 3/8 in.", "Disp_Width" : "30 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.150_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.150_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.150_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.150_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo is the after treatment photography taken at West Lake Conservators in 2007. Because this photo is now more true/accurate to the appearance of the object after conservation, this will be used as the new registration photography of this object until it is professionally photographed. This photograph is acceptable for web display, but NOT for publication (as it is only a small jpg with 72 dpi resolution).The jpg from which this was derived has a color bar and can be found on the embark drive: images folder: Conservation Photos folder: 73.150 folder.", "View" : "" } , ] },{ "embark_ID" : 4589, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4589", "Disp_Access_No" : "1984.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "Sir Henry Raeburn (1756-1823) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Walker", "Sort_Artist" : "Walker, William", "Disp_Dimen" : "23 1/4 x 17 1/4 in. (59.1 x 43.8 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Stipple engraving", "Info_Page_Comm" : "", "Dedication" : "George Eastman collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }