{ "objects" : [ { "embark_ID" : 5555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5555", "Disp_Access_No" : "1951.350", "_AccNumSort1" : "", "Disp_Create_DT" : "14th Century", "_Disp_Start_Dat" : "1300", "_Disp_End_Date" : "1399", "Disp_Title" : "Sgraffiato Ware Pot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sharaf al-Abawani", "Sort_Artist" : "al-Abawani, Sharaf", "Disp_Dimen" : "7 5/16 x 9 9/16 in. (18.5 x 24.3 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "9 9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Glazed ceramic", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per ledger, source unknown-- possibly part of Morgan Collection acquired with Miller Fund in 1951?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.350_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.350_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.350_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.350_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "31564", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-restoration by Barbara Moore, 11/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.350_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.350_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.350_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.350_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "31565", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-restoration by Barbara Moore, 11/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.350_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.350_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.350_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.350_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "31566", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-restoration by Barbara Moore, 11/09", "View" : "" } , ] },{ "embark_ID" : 14291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14291", "Disp_Access_No" : "2006.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Triangulated Intaglio II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anni Albers", "Sort_Artist" : "Albers, Anni", "Disp_Dimen" : "23 15/16 x 19 7/8 in. (60.8 x 50.5 cm)", "Disp_Height" : "23 15/16 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "with frame", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert E. and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23963", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note, per image in catalogue raisonne, this image should be turned 90 degrees counterclockwise.", "View" : "" } , ] },{ "embark_ID" : 185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/185", "Disp_Access_No" : "1967.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Homage to the Square: Soft Resonance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "48 x 48 in. (121.9 x 121.9 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "Have you ever had the experience of picking out an article of clothing in a store and bringing it home, only to find out that it wasn’t the color you thought it was? This is often the result of the effect of different kinds of lighting on our perception of color. Josef Albers spent thirty years studying how our sense of color is influenced and sometimes tricked. As Albers said in his book, Interaction of Color, “color deceives continually.” His Homage to the Square series is an elegant exploration of the way people perceive colors differently depending on the colors nearby. If the same yellow square in the center of this painting were surrounded by a dark red color, do you think the yellow square would appear lighter or darker than it does in this painting? [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 6511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6511", "Disp_Access_No" : "2000.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Umbra 18", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Olga de Amaral", "Sort_Artist" : "Amaral, Olga de", "Disp_Dimen" : "62 1/2 x 21 in. (158.8 x 53.3 cm)", "Disp_Height" : "62 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Fiber", "Support" : "", "Disp_Medium" : "Fiber, gesso, gold leaf and paint", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund, in honor of Susan Eisenhart Schilling", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Colombian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15910", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/194", "Disp_Access_No" : "1963.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Haircut by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "44 x 32 in. (111.8 x 81.3 cm)", "Disp_Height" : "44 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7556, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7556", "Disp_Access_No" : "1926.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Standing Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Barbet", "Sort_Artist" : "Barbet, Jean", "Disp_Dimen" : "45 in. (114.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "This angel is an exact replica of Barbet’s famous original, which is now in the Frick Collection in New York City. Cast for the Memorial Art Gallery in 1926, the sculpture was part of the original decoration of the Fountain Court. [Gallery label text] American sculptor Janet Scudder consulted with Rudier, the Parisian foundry, on behalf of the Gallery during the making of this piece. ", "Dedication" : "Gift of Mr. and Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/199", "Disp_Access_No" : "1965.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Steamship James Fisk, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Bard", "Sort_Artist" : "Bard, James", "Disp_Dimen" : "29 1/4 x 49 1/2 in. (74.3 x 125.7 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "49 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The large steamship in this painting, the James Fisk, Jr., was a ferryboat with a side paddlewheel, decorated with oversized flags and at least six gold eagles. It was named for its owner, a powerful financier who lived a colorful life that was ended by a scandalous shooting. Fisk also owned the Bristol, which can be seen in the distance. Known for his pristine depictions of ferries and steamboats, self-taught artist James Bard painted so accurately that it was said that shipbuilders could rebuild their boats based on his works. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5204", "Disp_Access_No" : "1958.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Reunion (Wiedersehen)", "Alt_Title" : "Meeting Again", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernst Barlach", "Sort_Artist" : "Barlach, Ernst", "Disp_Dimen" : "19 in. (48.3 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze (one of six casts)", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37409", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/897", "Disp_Access_No" : "1986.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grey Barnard", "Sort_Artist" : "Barnard, George Grey", "Disp_Dimen" : "21 x 11 7/8 x 14 7/16 in. (53.3 x 30.2 x 36.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5155, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5155", "Disp_Access_No" : "1963.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "African Elephant Running", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Louis Barye", "Sort_Artist" : "Barye, Antoine Louis", "Disp_Dimen" : "10 x 13 1/2 in. (25.4 x 34.3 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4952", "Disp_Access_No" : "1968.51", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Allegory of Night", "Alt_Title" : "Diana", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "R. Battelli", "Sort_Artist" : "Battelli, R.", "Disp_Dimen" : "44 x 21 in. (111.8 x 53.3 cm)", "Disp_Height" : "44 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "This allegorical sculpture depicts Night as a woman with a star on her brow and a crescent moon curving around her body. These attributes link the figure to the chaste goddess Diana, often depicted wearing a crown in the shape of a crescent moon. Symbolic figures satisfied artists’ desire to portray themes and ideas in tangible ways. Simultaneously, allegorical and mythological subjects lifted the female figure out of the realm of reality and into the sphere of the ideal, where audiences could enjoy the sight of the nude female body without social repercussions. [Gallery label text, 2011]", "Dedication" : "Gift of the Leora M. Dryer estate", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Raffaello Battelli?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/202", "Disp_Access_No" : "1978.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Night Before the Battle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Henry Beard", "Sort_Artist" : "Beard, James Henry", "Disp_Dimen" : "30 1/2 x 44 1/2 in. (77.5 x 113 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "James Beard had first-hand experience as a captain in the Union army during the Civil War. This painting, completed in the year the war ended, is a dramatic statement about the ever-present possibility of death on the battlefield. [Gallery label text, 2007] Were it not for details like the skeleton keeping vigil behind the cannon, the cruciform composition of the flag draped over the sleeping soldier, and the scattered playing cards suggestive of luck and chance, this painting would be a simple narrative about the Civil War. However, such potent symbolism imbues the work with layers of spiritual significance. Perhaps the reminders of death and sacrifice that the artist included in his masterful painting emerged from his firsthand experience in the Union Army during the Civil War. The meticulously selected and carefully arranged details attest to the poignancy of the soldiers' situation and contrast with the implied violence that will occur on the morrow. [Gallery label text]", "Dedication" : "Gift of Dr. Ronald M. Lawrence", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "New access image derived by Lu Harper from Master scan", "View" : "" } , ] },{ "embark_ID" : 4261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4261", "Disp_Access_No" : "1976.13", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1560", "_Disp_Start_Dat" : "1555", "_Disp_End_Date" : "1565", "Disp_Title" : "Portrait of a Boy of the Bracciforte Family of Piacenza", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Girolamo Mazzola Bedoli", "Sort_Artist" : "Bedoli, Girolamo Mazzola", "Disp_Dimen" : "65 x 34 5/8 in. (165.1 x 87.9 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "34 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Every pictorial element in this full-length portrait of a young boy refers to his aristocratic heritage and high status in society. His costume is made of a richly-textured fabric trimmed with buttons of gold; the elegant purse at his waist, his fashionable small plumed hat and the golden hilt of his sword attest to the wealth of his family. The coat of arms on the gilded medallion he holds in his right hand clearly identifies him as a member of the Bracciforte family of Piacenza, one of the richest cities in Renaissance Europe. A book, flute and allegorical statue of Fame, shown here as a winged figure holding two long, thin trumpets, are on a table at his right; they suggest the importance of education and music in the highest strata of Renaissance society. For decades, this portrait was attributed to the painter Niccolò dell’Abate. Recent scholarship, however, has suggested that it is the work of Girolamo Mazzola Bedoli, who was well known for his portraits of the Farnese and other notable and aristocratic families in the Duchy of Piacenza as well as the nearby Duchy of Parma. These two duchies united only a few years after this portrait was painted. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "36526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10476", "Disp_Access_No" : "2001.27", "_AccNumSort1" : "", "Disp_Create_DT" : "October 1922", "_Disp_Start_Dat" : "10/1922", "_Disp_End_Date" : "10/1922", "Disp_Title" : "Autumn Brook", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "16 1/2 x 24 in. (41.9 x 61 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "With his unflinching paintings of brutal boxing matches and urban tenements, George Bellows made a name for himself in the early years of the century as a central Urban Realist artist. In this later painting, "Autumn Brook," the modernist influence of expressive color, space and line is visible in Bellows’ lyrical painting of the countryside near his summer home in Woodstock, NY. [Gallery label text, 2007] "Autumn Brook" contains the archetypal elements present in Bellows's finest Woodstock landscapes, including water, rolling hills, mountains, animal life, vegetation, and a dramatic sky. Bellows's choice of vivid colors celebrates the magnificence of nature and the artist's joy at finding himself immersed in it. The active brush strokes prove his ability to paint with a controlled sense of abandon. [Gallery label text]", "Dedication" : "Bequest of Muriel Englander Klepper and Marion Stratton Gould Fund In honor of Marjorie B. Searl", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/205", "Disp_Access_No" : "1947.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Evening Group", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "This painting portrays the artist with his wife, Emma, and daughter, Anne, on vacation on Monhegan Island off the coast of Maine. Two neighbor children occupy the right side of the canvas. [Gallery label text, 2007] In the summer of 1914, painter George Bellows convinced his wife, Emma, to travel to Monhegan Island off the coast of Maine along with their young daughter, Anne. There, he hoped to paint more of the stunning seascapes he had worked on so successfully in past years. Evening Group depicts Emma and Anne on the left, the artist in the middle, and two neighbor children on the right. Based in New York City during much of the year, Bellows found that the harsh beauty of places like Monhegan Island provided him with subjects that contrasted dramatically with his acclaimed urban scenes. He first visited the island in 1911 in the company of his teacher and mentor, Robert Henri, and wrote enthusiastically to Emma: “The Island is only a mile wide and two miles long, but it looks as large as the Rocky Mountains. It’s three times as high as Montauk [Long Island] and all black and grey rock. Beautiful pine forests and wonderful varieties of all kinds…” In another letter, he lamented “my head is full of millions of great pictures which I will never have time to paint.” [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3002", "Rel_Obj_Title" : "Study for "Evening Group"" } ], "Curator" : "Note that the online catalogue raisonne lists the inclusion of this work in a 1926 exhibition at the Los Angeles Museum of Art, but an exhibition of that date that might contain this work could not be found.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows1.tif", "IsPrimary" : "0", "_SurrogateID" : "23028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , ] },{ "embark_ID" : 4257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4257", "Disp_Access_No" : "1964.21", "_AccNumSort1" : "", "Disp_Create_DT" : "probably 1465-1472", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1472", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Benaglio", "Sort_Artist" : "Benaglio, Francesco", "Disp_Dimen" : "26 5/16 x 16 5/16 in. (66.9 x 41.5 cm)", "Disp_Height" : "26 5/16 in.", "Disp_Width" : "16 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.21_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.21_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.21_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.21_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.21_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.21_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.21_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.21_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.21_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "33968", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.21_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.21_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.21_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.21_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "33970", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/211", "Disp_Access_No" : "1951.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Boomtown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "46 1/8 x 54 1/4 in. (117.2 x 137.8 cm)", "Disp_Height" : "46 1/8 in.", "Disp_Width" : "54 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg yolk and oil", "Support" : "canvas", "Disp_Medium" : "Egg yolk and oil on canvas", "Info_Page_Comm" : "Early in his career, Thomas Hart Benton was involved in the American abstract movement, Synchromism. In the 1920s, Benton embarked on a style that incorporated Synchromist rhythmic line and expressive color with representational imagery of rural America. With this major shift in style, Benton established the Regionalist movement. Many consider Boomtown to be the artist’s first Regionalist masterpiece. [Gallery label text, 2007] Boomtown is one of the masterpieces of the Gallery's collection because of its impressive and unique depiction of an American landscape. When Thomas Hart Benton sketched this panoramic scene from a second floor window, the smoky fire on the horizon signified progress, not pollution. Borger, Texas was a boomtown that sprang to life in 1926 after a refinery company hit a gusher that produced 5000 gallons of oil a day. Benton is one of the three major American Regionalists (the other two are Grant Wood and John Steuart Curry), so called because most of their subjects were about life in the rural heartland of America. While Benton was not a fan of contemporary modernist painting, and in fact disdained artists who painted in the abstract style, he couldn't help but be influenced by the curvy and streamlined aesthetic of his times and the way in which artists were reinterpreting three-dimensional space. Consider the way in which the people, buildings and landscape are layered from top to bottom on the canvas, rather than being laid out carefully from front to back in the manner of traditional artistic renderings. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12375", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Transparency rescanned at much larger size for publication as _P2 image", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "29920", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "29921", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "29945", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "29946", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "37729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "37730", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "37731", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "37732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R5.tif", "IsPrimary" : "0", "_SurrogateID" : "37733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1222", "Disp_Access_No" : "1975.164", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Ten Pound Hammer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "13 3/4 x 9 5/8 in. (34.9 x 24.4 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In <em>Ten Pound Hammer</em>, Thomas Hart Benton explored the machine’s relationship to man and labor in an “old story of my youth – before the steam hammer beat out John Henry.” According to the American folk legend, John Henry was a heroic African-American man and the greatest steel driver in the late-1900s westward expansion of the railroad. In the story, when the railroad owner brought in a steam-powered hammer, John Henry offered to compete against the machine to save his and his men’s jobs. Although he won the race, John Henry died in victory. The legend of John Henry, which may be based in historical events, grew in popular stories and songs as an allegory of the threat of modernization and the umanning of American labor. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.164_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.164_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.164_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.164_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37657", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3006", "Disp_Access_No" : "1977.153", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1926-1928", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1928", "Disp_Title" : "Threshing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "9 x 12 in. (22.9 x 30.5 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite, ink and watercolor ", "Info_Page_Comm" : "Most artists interested in depicting machine subjects looked to the city for inspiration. Thomas Hart Benton’s Regionalist vision looked to the rural areas of middle America for subject matter. In this drawing, Benton illustrates how an engine-powered threshing machine was fundamentally changing agricultural labor. Thomas Hart Benton was less interested in the physicality of the actual machine and more interested in the ways in which machines impacted the lives and labors of man. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012]", "Dedication" : "Gift of Mr. and Mrs. Solomon K. Gross", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.153_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.153_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.153_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.153_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37629", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5050", "Disp_Access_No" : "1968.2", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Abduction of Proserpina", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Lorenzo Bernini", "Sort_Artist" : "Bernini, Giovanni Lorenzo", "Disp_Dimen" : "32 in. (81.3 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18562", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/214", "Disp_Access_No" : "1992.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Sierras Near Lake Tahoe, California", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "14 15/16 x 21 1/16 in. (38 x 53.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "21 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Bierstadt was one of the most gifted artists to depict the stunning mountain views of the expanding frontier, far west of the Hudson River region that had inspired earlier American landscape painters. He was a member of the generation of artist-explorers who traveled with expeditions or in their footsteps and recorded the visual experience. MAG's painting quietly but masterfully convinces us of the grandeur of mountains and sky by including the tiny deer to give a sense of scale, and by suffusing the surface of the painting with a warm, glowing palette. ", "Dedication" : "Clara and Edwin Strasenburgh Fund and Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Master image contains wrong accession # from photoshoot: 75.21. Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/222", "Disp_Access_No" : "1941.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1862-1863", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1863", "Disp_Title" : "Trial Scene ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Gilmour Blythe", "Sort_Artist" : "Blythe, David Gilmour", "Disp_Dimen" : "22 1/4 x 27 in. (56.5 x 68.6 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics. [Gallery label text, 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial before any other use.", "View" : "" } , ] },{ "embark_ID" : 223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/223", "Disp_Access_No" : "1989.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Untitled (Relational Painting)", "Alt_Title" : "", "Obj_Title" : "Untitled (Relational Painting)", "Series_Title" : "", "Disp_Maker_1" : "Ilya Bolotowsky", "Sort_Artist" : "Bolotowsky, Ilya", "Disp_Dimen" : "30 3/8 x 20 in. (77.2 x 50.8 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12647, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12647", "Disp_Access_No" : "2004.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Monument", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Christian Boltanski", "Sort_Artist" : "Boltanski, Christian", "Disp_Dimen" : "77 x 59 in. (195.6 x 149.9 cm)", "Disp_Height" : "77 in.", "Disp_Width" : "59 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Photographs, light bulbs, electrical cord", "Info_Page_Comm" : "The faces of the children included in Christian Boltanski’s Monument seem eerily familiar. While the scale of this piece and the arrangement of the images is reminiscent of a memorial, these same eyes could peer out at us from photo albums or yearbooks; faces of individuals who are still alive but no longer young. Boltanski, who is fascinated with the suggestive power of imagery and the role of memory in shaping our relationship with his work, has said, “What drives me as an artist is that I think everyone is so unique, yet everyone disappears so quickly.” [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Mixed Media", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.13_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "21626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1991.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Linen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Bonnard", "Sort_Artist" : "Bonnard, Pierre", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on board", "Info_Page_Comm" : "As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively. After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature. [Gallery label text, 1999]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4859", "Disp_Access_No" : "1962.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roman Ruins with Card Players ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Both", "Sort_Artist" : "Both, Jan", "Disp_Dimen" : "25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards. Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries. [Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See another version of this painting (or original?) at Bayerische Staatsgemäldesammlungen https://www.sammlung.pinakothek.de/en/artist/jan-both/roemische-volksszene-mit-kartenspielern-vor-dem-saturntempel", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image for this photo has the wrong number on the number bar in the shot: it reads 69.29 rather than 62.29. Frame has been cropped out for this view and print master, but is visible in master image.", "View" : "" } , ] },{ "embark_ID" : 5065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5065", "Disp_Access_No" : "1950.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "15 7/8 x 12 5/8 in. (40.3 x 32.1 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rococo, from the French word rocaille (rockwork or shell), was an 18th century decorative style that reacted against the classical tradition of the Academy and instead stressed color, light, movement, and a frank pleasure in living. The easy flowing brushwork and the luminous colors show the influence of Rubens. As a rococo painter, François Boucher worked primarily in the service of Madame de Pompadour, mistress to Louis XV. His paintings satisfied the taste of a sophisticated public which was sensitive to the most subtle relations of color and liked pictures hung on the light paneling of even the smallest room. This intimate painting of "Venus and Cupid," with its sensuously modeled nudes, embodies the French 18th century tendency to transform the Baroque style into one of more delicate elaboration and elegance. An 18th-century engraving, which P. Aveline made after the painting, is inscribed "F. Boucher pinxit." [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painting has been cut down and relined onto a new canvas and stretcher, so only the picture itself is original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43849", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , ] },{ "embark_ID" : 4954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4954", "Disp_Access_No" : "1955.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Washerwomen of Fouesnant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "30 x 23 5/8 in. (76.2 x 60 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Fouesnant, a bay in Brittany, Bouguereau found the source material that would fuel his work for years to come. Academic artists viewed scenes of peasants performing their usual daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. Despite their circumstances, peasants in Academic paintings were usually depicted as clean, well-fed and neatly dressed. Here a girl carrying laundry resembles a caryatid, a classical figure used to support an architectural pediment. [Gallery label text, 2011]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1993 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 5207, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5207", "Disp_Access_No" : "1977.112", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "Ève", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Bourdelle", "Sort_Artist" : "Bourdelle, Antoine", "Disp_Dimen" : "11 3/8 x 4 3/4 in. (28.9 x 12.1 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Harold Stopp", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.112_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.112_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.112_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.112_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.112_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.112_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.112_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.112_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.112_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.112_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.112_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.112_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "37420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5205", "Disp_Access_No" : "1957.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1893 (cast 1930)", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Young Warrior with Sword", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antoine Bourdelle", "Sort_Artist" : "Bourdelle, Antoine", "Disp_Dimen" : " ", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37407", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.16_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.16_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.16_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.16_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/228", "Disp_Access_No" : "1984.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "The Indian Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "DeWitt Clinton Boutelle", "Sort_Artist" : "Boutelle, DeWitt Clinton", "Disp_Dimen" : "32 5/8 x 47 1/8 in. (82.9 x 119.7 cm)", "Disp_Height" : "32 5/8 in.", "Disp_Width" : "47 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses. Color was adjusted closer to the scan in the Seeing America book...less yellow than Access image shown here.", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 12049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12049", "Disp_Access_No" : "2003.108", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "Crescent-shaped Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sascha Brastoff", "Sort_Artist" : "Brastoff, Sascha", "Disp_Dimen" : "7 1/4 x 5 1/4 x 3 5/16 in. (18.4 x 13.3 x 8.4 cm)", "Disp_Height" : "7 1/4 in.", "Disp_Width" : "5 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1.13.12 Per Marjorie Searl, title changed from bowl/vase to Crescent-shaped Vase, and date changed to circa 1958. Possibility that this mold #F221 was used to make this piece. See similar piece at http://billyblueeye.com/. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31696", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.108_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.108_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.108_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.108_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31697", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4860, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4860", "Disp_Access_No" : "1955.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Child with Cherries", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan de Bray", "Sort_Artist" : "Bray, Jan de", "Disp_Dimen" : "23 x 18 1/2 in. (58.4 x 47 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "This painting shows a young child draped in a floral shawl and holding a wicker basket filled with ripe cherries. His attentive gaze, directed straight at the viewer, adds to the sense of immediacy conveyed by the portrait. Jan de Bray trained as a painter with his father Salomon, a distinguished artist, architect, and urban planner in Haarlem (The Netherlands). More than half of his work consists of individual portraits. [Forman Gallery, Summer 2015]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15973", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5166", "Disp_Access_No" : "1964.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1857", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1862", "Disp_Title" : "Religious Procession", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules-Adolphe-Aimé Louis Breton", "Sort_Artist" : "Breton, Jules-Adolphe-Aimé Louis", "Disp_Dimen" : "15 x 18 in. (38.1 x 45.7 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Finigan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/916", "Disp_Access_No" : "1963.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "Cigar Store Indian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas V. Brooks", "Sort_Artist" : "Brooks, Thomas V.", "Disp_Dimen" : "85 x 24 3/8 x 26 1/2 in. (215.9 x 61.9 x 67.3 cm)", "Disp_Height" : "85 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "If you approached 50 West Main Street in Rochester late in the 19th century, you would have seen this figure standing in front of the tobacco shop located there. So that no one would miss the point that tobacco products were sold inside, it was purchased to stand outside and advertise the shop’s wares. The carving included stylized tobacco leaves and a tobacco box held in the figure’s outstretched right hand. Carvers capitalized early on the relationship between Native Americans and the tobacco that they grew for sacred practices. Carvings of Native Americans were used by the 18th century in British tobacco shops, reflecting the growth of the transatlantic trade. With laws restricting sidewalk signs, and the decline of tobacco shops due to public health awareness, the once-ubiquitous cigar store Indian has become a rarity. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "43078", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "43079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "43080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.8_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.8_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.8_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/63.8_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "43081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3568", "Disp_Access_No" : "1947.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Telegraph Pole", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Ephraim Burchfield", "Sort_Artist" : "Burchfield, Charles Ephraim", "Disp_Dimen" : "23 3/8 x 20 7/8 in. (59.4 x 53 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, charcoal and graphite", "Info_Page_Comm" : "As a symbol of American invention and progress, the telegraph pole and its wires frame a depressing landscape. The curved pole, clearly a tree cut down and stripped of its bark and limbs, is a powerful metaphor for the abuse that man and nature experience under the unstoppable momentum of industry. Railroad tracks lined by austere workers’ huts lead the viewer’s eyes back to an industrial inferno. Buffalo artist Charles Burchfield felt a great deal of reverence for the natural world. His nuanced depictions of the industrial landscape were indictments of environmental abuse. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "converted from Seeing America CMYK image for web use", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/920", "Disp_Access_No" : "1955.12a-c", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "The Bronze "S"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "11 x 19 1/2 x 9 in. (27.9 x 49.5 x 22.9 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "metal", "Disp_Medium" : "Bronze, steel, aluminum and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.12a-c_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.12a-c_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.12a-c_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.12a-c_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1400", "Disp_Access_No" : "1965.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1964", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1969", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "General Acquisition Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "January 11, 2012: Marjorie Searl, chief curator, added a date to the record, ''ca. 1964'', as this work relates to the type of prints that Calder was making at this period. However, further research is needed to establish both a title and a more accurate date.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37617", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4956", "Disp_Access_No" : "1966.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Love's Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicola Cantalamessa-Papotti", "Sort_Artist" : "Cantalamessa-Papotti, Nicola", "Disp_Dimen" : "85 in. (215.9 cm)", "Disp_Height" : "85 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "When Rochester businessman and art collector Daniel Powers brought this piece home from the Centennial Exposition in Philadelphia in 1876, it made local headlines. One newspaper article admired its “grace and life-likeness rarely met with in modern composition.” The sculpture was on view at Powers’ own gallery downtown for many years, for an admission charge of $.25. Cantalamessa-Papotti also made a portrait of Powers and the monuments for the families of Rochester nurserymen Ellwanger and Barry, at Mt. Hope and Holy Sepulchre cemeteries. Interpretations of the figures vary: the Powers Gallery catalogue identified the subject as Cupid giving a girl her first lesson in love by means of a mirror, but the figures may in fact be Cupid with his mother Venus, who is often shown holding a mirror. Mythological and allegorical characters were beloved of academic artists, who could illustrate an abstract quality such as vanity while demonstrating their prowess at depicting the human figure. [Gallery label text, 2011]", "Dedication" : "Gift of the Isaac Gordon estate", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. I under "Statuary" in Daniel Powers'' collection catalogue as of 1877. Continuing in later catalogues", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1968.99", "_AccNumSort1" : "", "Disp_Create_DT" : "after ca. 1652", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1662", "Disp_Title" : "View off the Dutch Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Cappelle", "Sort_Artist" : "Cappelle, Jan van de", "Disp_Dimen" : "30 1/2 x 39 1/8 in. (77.5 x 99.4 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "39 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The popularity of seascapes in seventeenth-century Holland reflected the wealth and power engendered by that nation's naval superiority. Although he was primarily a merchant and only an amateur painter, van de Cappelle is generally recognized as among the most proficient artists to specialize in this genre. The subtle color harmonies and quiet serenity of this scene are typical of his accomplishment. [Gallery label text, 1989]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that the Getty Provenance Database indicates a sale of a van de Cappelle "Sea Piece" by McLarren to Robinson as lot no. 92 on February 21, 1833 at Edward Foster, London. It could not be detemined if that painting was this one, nor if the Robinson mentioned was Joseph B. Robinson, previous owner of the MAG painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5169", "Disp_Access_No" : "1969.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "The Breton Poet (The Smoker) (Le Fumeur)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Carpeaux", "Sort_Artist" : "Carpeaux, Jean Baptiste", "Disp_Dimen" : "19 3/4 in. (50.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No basis for this work''s title "The Breton Poet" could be found. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/926", "Disp_Access_No" : "1988.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Dr. Caligari", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "92 1/2 x 31 1/2 x 26 1/2 in. (235 x 80 x 67.3 cm)", "Disp_Height" : "92 1/2 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Support" : "", "Disp_Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Info_Page_Comm" : "Dr. Caligari is among a series of thirteen clocks that Wendell Castle created in the 1980s. He made them at the suggestion of his dealer, who urged him to create a body of work that would challenge the critics’ association of Castle with functional furniture. Castle was particularly interested in the concept of time, and Dr. Caligari is a fanciful exploration of time travel. Its tall case is rich with connections to traditional grandfather clocks. It suggests either a trip to the past in an ancient obelisk, or to the future, in a rocket ship. The title of the work was inspired by the angular set design of the 1920 German Expressionist film, The Cabinet of Dr. Caligari. The clock’s painted interior was intended to suggest the silent horror film’s unsettling mood. Castle and his longtime associate Don Sottile developed a smearing technique using India ink over gesso that gave the painted finish its distinctive feathered edges. [Summer 2015]", "Dedication" : "Given in honor of Joan M. Vanden Brul by her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency, clock silhouetted out from background by Andy Olenick", "View" : "" } , ] },{ "embark_ID" : 12829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12829", "Disp_Access_No" : "2005.263", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "Last Judgment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "84 x 32 x 26 in. (213.4 x 81.3 x 66 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Mahogany, patinated brass", "Info_Page_Comm" : "Wendell Castle, whose studio is in Scottsville, New York, is internationally renowned for his innovative and sculptural approach to furniture design. In Rochester, Castle has been an influential teacher through his affiliations with a number of schools, including the State University of New York at Brockport and Rochester Institute of Technology’s School for American Crafts, where he currently holds the position of artist-in-residence. [Gallery label text, 2007] ", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.263_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.263_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.263_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.263_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10254", "Disp_Access_No" : "2001.6", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Lord Dragonfly Chair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle and William Heyen", "Sort_Artist" : "Wendell Castle and William Heyen", "Disp_Dimen" : "35 x 82 x 24 in. (88.9 x 208.3 x 61 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "82 in.", "Dimen_Extent" : "overall", "Medium" : "Cherry", "Support" : "", "Disp_Medium" : "Cherry and polychromed jetulong", "Info_Page_Comm" : "The Memorial Art Gallery commissioned Lord Dragonfly Chair as a bench for public use. It represents the collaboration of two of Rochester’s luminaries, furniture artist Wendell Castle and poet William Heyen (born 1940). Routed into the back and seat are poems from Heyen’s 1981 book Lord Dragonfly: Five Sequences. Heyen made an initial selection of possible poems, from which Castle chose six. To disguise his handwriting, Castle used his left hand to rout these brief untitled poems into the wood. [Gallery label text, 2008]", "Dedication" : "Gift of Marion J. Hawks in honor of Grant Holcomb, the Mary W. and Donald R. Clark Director, and the Bachman Fund ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22581", "Disp_Access_No" : "2010.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Music Rack", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "53 1/2 x 26 x 20 in. (135.9 x 66 x 50.8 cm)", "Disp_Height" : "53 1/2 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "overall", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Oak and Brazilian rosewood", "Info_Page_Comm" : "The elegant tapered lines of Music Rack reflect the influence of renowned Pennsylvania artist-craftsman Wharton Esherick, whose work Castle credits with teaching him “that the making of furniture could be a form of sculpture.” Using bentwood lamination as a technique, Castle was able to create the “gentle, but regular organic curve” of the sculpture, whose central trunk mimics “a supple, bent sapling.” Music Rack was the first of Castle’s works to receive international attention. Not only was it included in an important design exhibition in Milan, but a review of the show in Time magazine featured a color image of it. All twelve versions of the original edition sold quickly, several to museum collections including the American Craft Museum. This work is now considered one of Castle’s most iconic. For over forty years the music rack was owned by Temple B’rith Kodesh in Brighton. The congregation offered it for sale to the MAG to ensure that it would be properly taken care of for generations to come. [Summer 2015]", "Dedication" : "Given in honor of Marion J. Hawks by her family, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39460", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2605", "Disp_Access_No" : "1972.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Suggestion Box", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "41 1/2 x 28 1/2 x 29 in. (105.4 x 72.4 x 73.7 cm)", "Disp_Height" : "41 1/2 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "", "Medium" : "Walnut", "Support" : "", "Disp_Medium" : "Walnut", "Info_Page_Comm" : "Visitors to the Memorial Art Gallery have been using this suggestion box for over thirty years, depositing comments in the oval slot on the top, which are read and acted upon regularly. In addition to having a place to leave messages, Suggestion Box is also a favorite stop on many Gallery tours. At last, a piece visitors are allowed to touch! Visual appreciation of the polished surfaces and the sleek animal-like leg can be reinforced tacitly by running hands over the entire piece. [Gallery label text]", "Dedication" : "Art Service Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3060", "Rel_Obj_Title" : "Drawing for Suggestion Box" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.64a_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.64a_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.64a_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.64a_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "40609", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/925", "Disp_Access_No" : "1978.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Table with Tablecloth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "32 1/2 x 23 x 21 3/4 in. (82.6 x 58.4 x 55.2 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Mahogany", "Support" : "", "Disp_Medium" : "Mahogany", "Info_Page_Comm" : "Wendell Castle’s art delights and surprises us, and this example is no exception. As if made for a topsy-turvy world, the stick-figure chair stands on a tromp-l’oeil (French for “fool the eye”) pillow that seems to be soft and filled with feathers. At the same time, we can see the wood’s grain and joints and know that it is a hard surface. Wendell Castle is an internationally acclaimed artist who is based in nearby Scottsville, New York. In his more than fifty-year career, he has continued to explore the possibilities inherent in the medium of wood, and to expand the conceptual realities that can be expressed with it. [Summer 2015]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.58_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.58_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.58_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.58_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "43981", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10533", "Disp_Access_No" : "2002.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Two-seat Bench", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "28 5/8 x 54 3/8 x 22 in. (72.7 x 138.1 x 55.9 cm)", "Disp_Height" : "28 5/8 in.", "Disp_Width" : "54 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Stack laminated oak", "Info_Page_Comm" : "The MAG’s benches by Wendell Castle are the rare artworks in the museum that visitors are encouraged to touch. Run your hands along the smooth wood and sit down to contemplate other works nearby or just to rest. This bench was originally part of a dining room suite commissioned by the Baker family of Rochester. The artist used a technique called stack lamination, in which planks of wood are stacked and glued together, then carved and joined to create the final form. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15912", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6634", "Disp_Access_No" : "1949.64", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincenzo di Biagio Catena", "Sort_Artist" : "Catena, Vincenzo di Biagio", "Disp_Dimen" : "12 3/4 x 10 1/4 in. (32.4 x 26 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Vicenzo Catena was active a generation after Hans Memling, the Northern Renaissance artist who inspired Kehinde Wiley’s contemporary portrait nearby. Despite a difference of 500 years in the creation of Catena’s and Wiley’s portraits, the similarities are striking. Both are three-quarter profiles of young men of their day, set in a distant landscape. The sitters are linked not by social status but by their stillness and intensity of gaze, and by their immediate relationship to the viewer. Catena’s patrons were primarily members of the aristocratic and wealthy classes of Venice, Italy, of which the sitter for "Portrait of a Young Man" was certainly a member. The portrait’s aesthetic appeal derives from the simple, crisp composition; high level of craftsmanship; strong characterization of the sitter; and fluid use of brilliant and contrasting oil glazes. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18777", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Inhouse scan from after treatment photography from Williamstown. Transparency in object file with conservation record.", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 5209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5209", "Disp_Access_No" : "1964.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Florentine Still Life (Balcone a Firenze)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giorgio de Chirico", "Sort_Artist" : "Chirico, Giorgio de", "Disp_Dimen" : "18 3/4 x 25 in. (47.6 x 63.5 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen C. Ellwanger in memory of Gertrude Newell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.47_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.47_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.47_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.47_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "35470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from Jim Via transparency 12/10 KSchauber.", "View" : "" } , ] },{ "embark_ID" : 268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/268", "Disp_Access_No" : "1951.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Figure with Flamingoes", "Alt_Title" : "The Flamingoes", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick Stuart Church", "Sort_Artist" : "Church, Frederick Stuart", "Disp_Dimen" : "15 x 12 in. (38.1 x 30.5 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Church was considered such an expert on flamingoes and their anatomy that he was the subject of an article in Harpers Weekly (November 1, 1890) entitled "The Flamingo," as well as an article in the New York Herald (Aug 51912) describing how he had completed his 84th flamingo picture. See curatorial file. --KSchauber, Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 6635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6635", "Disp_Access_No" : "1957.4", "_AccNumSort1" : "", "Disp_Create_DT" : "second half of the 14th century", "_Disp_Start_Dat" : "1350", "_Disp_End_Date" : "1399", "Disp_Title" : "Madonna and Child with Saints Francis of Assisi, John the Baptist, Peter and Dom", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Francis of Assisi, John the Baptist, Peter and Dominic", "Series_Title" : "", "Disp_Maker_1" : "Nardo di Cione", "Sort_Artist" : "Cione, Nardo di", "Disp_Dimen" : "30 x 86 1/2 x 6 1/2 in. (76.2 x 219.7 x 16.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "86 1/2 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on panel", "Info_Page_Comm" : "This altarpiece is painted in the style of Nardo di Cione, one of the most influential Florentine painters working in the decades following the plague, or Black Death, of 1348. In the central panel the Madonna holds the Christ Child, who bears a scroll with the beginning of the inscription “I am the light of the world.” On the left, John the Baptist holds a scroll reading “Behold the Lamb of God” and points toward Christ; on the right, St. Peter displays the key to the kingdom of heaven and respectfully covers his hand to hold the Bible. On the far left and right of the polyptych, or multi-part painting, are Sts. Francis and Dominic, founders of the two most important mendicant monastic orders. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.4_A19.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.4_A19.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.4_A19.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.4_A19.jpg", "IsPrimary" : "1", "_SurrogateID" : "36520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4152", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Critical Doubt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tarrant Clements", "Sort_Artist" : "Clements, Tarrant", "Disp_Dimen" : "26 x 16 x 10 in. (66 x 40.6 x 25.4 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "According to the artist, the piece begins by being directly worked in wax, and then cast with the help of bronze sculptor Dexter Benedict in Penn Yan, New York. Clements then patinates the piece. Parts of the work are molded from carved pieces. Within the piece, some elements come from parts of other sculptures reassembled in a different way. She has a storehouse of vocabulary of elements that are generated through other pieces. Her influences are African tribal cultures. [Gallery label text]", "Dedication" : "Gift of Anne Havens in loving memory of her son, Bill Havens", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16947", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5072, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5072", "Disp_Access_No" : "1969.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchante and Female Satyr", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "15 3/4 x 16 1/2 x 14 in. (40 x 41.9 x 35.6 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "16 1/2 in.", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16860", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5067", "Disp_Access_No" : "1955.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Nymphs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.107_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.107_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.107_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.107_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3874", "Disp_Access_No" : "1998.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Leslie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chuck Close", "Sort_Artist" : "Close, Chuck", "Disp_Dimen" : "31 3/8 x 25 1/4 in. (79.7 x 64.1 cm)", "Disp_Height" : "31 3/8 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut on Kozo paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26633", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/278", "Disp_Access_No" : "1994.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1846-1847", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1847", "Disp_Title" : "Genesee Scenery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Cole", "Sort_Artist" : "Cole, Thomas", "Disp_Dimen" : "6 1/4 x 4 3/8 in. (15.9 x 11.1 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Like many artists, Thomas Cole traveled extensively, sketching views that he would later include in finished (and much larger) paintings. On a trip to the Upstate New York region, he sketched Deh-ga-ya-soh Creek at what is now Letchworth State Park in Mount Morris. Later that year, he used the sketch to create this study, which ultimately became the subject of the 'Genesee Scenery' (1847, 51 x 39 1/2 inches, owned by the Museum of Art, Rhode Island School of Design). [Adapted from gallery label text, 2007]", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Thomas Cole: Landscape into History" has picture of the finished version, ''Genesee Scenery,'' 1847, which is owned by The Museum of Art, Rhode Island School of Design, Providence. Subject of the painting is Oay-ga-ya-soh Creek at Letchworth State Park in Mount Morris, New York, identified by Letchworth park rangers.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "THIS PAINTING IS NOT IN THE MAG COLLECTION. complete credit line: Museum of Art, Rhode Island School of Design; Jesse Metcalf Fund", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17366", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R7.jpg", "IsPrimary" : "0", "_SurrogateID" : "17368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R8.jpg", "IsPrimary" : "0", "_SurrogateID" : "17369", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R9.jpg", "IsPrimary" : "0", "_SurrogateID" : "17370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R10.jpg", "IsPrimary" : "0", "_SurrogateID" : "17371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R11.jpg", "IsPrimary" : "0", "_SurrogateID" : "17372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R12.jpg", "IsPrimary" : "0", "_SurrogateID" : "17373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R13.jpg", "IsPrimary" : "0", "_SurrogateID" : "17374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R14.jpg", "IsPrimary" : "0", "_SurrogateID" : "17375", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R15.jpg", "IsPrimary" : "0", "_SurrogateID" : "17376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R16.jpg", "IsPrimary" : "0", "_SurrogateID" : "17377", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R17.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R17.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R17.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R17.jpg", "IsPrimary" : "0", "_SurrogateID" : "17378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photography of environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/9cole5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/9cole5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/9cole5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/9cole5.tif", "IsPrimary" : "0", "_SurrogateID" : "23113", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R18.jpg", "IsPrimary" : "0", "_SurrogateID" : "28051", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14287", "Disp_Access_No" : "2006.40", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "Sears Ross tji wara (mother and child)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willie Cole", "Sort_Artist" : "Cole, Willie", "Disp_Dimen" : "47 x 26 x 7 3/4 in. (119.4 x 66 x 19.7 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Bicycle parts", "Info_Page_Comm" : "Willie Cole’s work explores areas of overlap and intersection among African, American and African American cultures. Cole makes his art from the reused detritus (otherwise known as garbage) of contemporary life. In this sculpture of old bicycle parts, the artist reinterprets the tji wara (also spelled chi wara) masks of the Bamana people of Mali (like MAG's accession number 93.14). With real-time communication, social networking and economic globalization, the internet of the 21st century fosters seamless and near-constant encounters across time and cultures. By Africanizing or ritualizing common western objects, Cole embraces and examines these encounters as he comments upon contemporary society. [Gallery label text, 2009] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No master scan with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 4801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4801", "Disp_Access_No" : "1950.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1830", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1830", "Disp_Title" : "View of Dedham", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Constable", "Sort_Artist" : "Constable, John", "Disp_Dimen" : "9 1/2 x 12 1/8 in. (24.1 x 30.8 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "W. G. Constable identified the scene as the valley of the Stour in Essex; Dedham too is in Essex County", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22752", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/284", "Disp_Access_No" : "1926.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "Main Street Bridge, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "26 1/4 x 36 in. (66.7 x 91.4 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rochester's Main Street crosses the Genesee River on a bridge connecting the east and west sides of the city. Until the 1960s, commercial buildings like the ones in this painting flanked north and south sides of the bridge, effectively hiding the river below. Since 1989, the bridge has been elegantly ornamented by Albert Paley’s steel railings, framing a dramatic view of the rushing Genesee. In 1911, Colin Campbell Cooper wrote: "Mrs. Cooper [painter Emma Lampert Cooper] says that the Main Street Bridge picture, whenever it has been shown at art exhibitions, has attracted much attention, because people are surprised that such a foreign looking place can be found in America…People always compare it with the Ponte Vecchio at Florence, which rather proves my assertion that 'any old thing' is good enough when the sun falls on it right." [Gallery label text, 2007]", "Dedication" : "Gift of Hiram W. Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17256", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17257", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17258", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17259", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17260", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17261", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R7.jpg", "IsPrimary" : "0", "_SurrogateID" : "17262", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 26.20_M1, which had no print master-- print and access images derived 8/30/12", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R8.pdf", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R8.pdf", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R8.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R8.pdf", "IsPrimary" : "0", "_SurrogateID" : "36573", "Image_Type" : "pdf file", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 4253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4253", "Disp_Access_No" : "1947.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "Charles 1er de Cossé, Comte de Brissac ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corneille de Lyon", "Sort_Artist" : "Corneille de Lyon", "Disp_Dimen" : "6 1/4 x 5 in. (15.9 x 12.7 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "25271", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3887", "Disp_Access_No" : "1998.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "The Admiral's Game", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Cornell", "Sort_Artist" : "Cornell, Joseph", "Disp_Dimen" : "12 x 18 x 4 in. (30.5 x 45.7 x 10.2 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "Romantic and enigmatic, Joseph Cornell’s boxes are filled with fragments of found materials. In The Admiral’s Game, the parallel rods that hold a pair of white balls might suggest a playful arcade game or the timeless and profound idea of an all-powerful creator setting the planets in motion. Cornell made his highly symbolic and mysterious creations at the home that he shared with his mother and brother in Queens, New York. While Cornell was reclusive and essentially an outsider in the art world, his work influenced many important American artists, including Robert Rauschenberg, Jasper Johns, Andy Warhol, and Marcel Duchamp. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38880", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6593", "Disp_Access_No" : "1991.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840-1845", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1845", "Disp_Title" : "A Mill Wheel (Une roue de moulin)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "8 5/8 x 13 3/16 in. (21.9 x 33.5 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "cardstock", "Disp_Medium" : "Oil on cardstock mounted on canvas", "Info_Page_Comm" : "Corot’s practice of painting directly from nature lasted throughout his long career. His ability to paint the transitory effects of light with subtlety and sensitivity is most characteristic in his landscapes. The simple composition of The Mill Wheel, with its subtle tonal and almost monochromatic color gradations, also shows Corot’s interest in the new medium of photography. ", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4137", "Disp_Access_No" : "1943.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "The Stonebreaker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustave Courbet", "Sort_Artist" : "Courbet, Gustave", "Disp_Dimen" : "17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting is an essentially concrete art and can only consist in the representation of real and existing things. - Gustave Courbet (1861) Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class. The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1502, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1502", "Disp_Access_No" : "1983.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Third Avenue Elevated #4", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "19 13/16 x 12 7/8 in. (50.3 x 32.7 cm)", "Disp_Height" : "19 13/16 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Lithograph", "Info_Page_Comm" : "Ralston Crawford believed that the “emancipation of the times” would be attained through industrialization. His earlier Precisionist style and his ongoing preoccupation with industry, the machine, and speed can be seen in his painting <a href=”http://magart.rochester.edu/Obj296”><em>Whitestone Bridge</em></a>, 1939-40, in the Memorial Art Galley collection (accession number 51.2). By the time he created this print, <em>Third Avenue El #4</em>, Crawford’s style had become significantly more abstract. Here he captures the ubiquitous vertical steel pylons that support elevated train tracks throughout New York City neighborhoods. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Isabel C. Herdle in memory of Hilda Altschule Coates", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37633", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Image is 800ppi but only 2.5 x 3.5". Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 599, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/599", "Disp_Access_No" : "1957.84", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "In the Patio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.84_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.84_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.84_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.84_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17014", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11211", "Disp_Access_No" : "3.1994L", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Portrait of Charlotte Whitney Allen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "41 3/4 x 35 3/4 in. (106 x 90.8 cm)", "Disp_Height" : "41 3/4 in.", "Disp_Width" : "35 3/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Courtesy of the David Hochstein Memorial Music School", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/3.94L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/3.94L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/3.94L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/3.94L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 10601, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10601", "Disp_Access_No" : "3.1997L", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "48 1/8 x 69 1/4 in. (122.2 x 175.9 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "69 1/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas over board", "Info_Page_Comm" : "", "Dedication" : "Lent by the estate of Dr. Daniel B. Schuster, M.D.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/3.97L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/3.97L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/3.97L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/3.97L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28245", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1533", "Disp_Access_No" : "1971.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Landscape III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "39 7/8 x 29 13/16 in. (101.3 x 75.7 cm)", "Disp_Height" : "39 7/8 in.", "Disp_Width" : "29 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color Serigraph", "Info_Page_Comm" : "Allan D’Arcangelo’s <em>Landscape III</em> is a consideration of the new American landscape of highways, suspended bridges, traffic signs, and billboards. A minor border of sky and grass surround a traffic sign that normally indicates a hairpin curve. Turned on its side and placed over another arrow sign pointing in the opposite direction, the sign’s meaning becomes unclear and potentially dangerous. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5167", "Disp_Access_No" : "1969.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1867-1899", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1899", "Disp_Title" : "Worker Bundling Sticks", "Alt_Title" : "Harvester", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aimé-Jules Dalou", "Sort_Artist" : "Dalou, Aimé-Jules", "Disp_Dimen" : "4 x 4 in. (10.2 x 10.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The terra cotta model for this piece is in the collection of the Petit Palais, Paris. It probably relates to an unrealized monumental piece honoring workers, planned by Dalou from about 1889. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5150", "Disp_Access_No" : "1978.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Near Andresy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "17 x 32 1/2 in. (43.2 x 82.6 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master files exist on disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 6652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6652", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Conceited Lawyer (L'Avocat suffisant)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "10 9/16 x 8 in. (26.8 x 20.3 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "laid paper", "Disp_Medium" : "Gray ink with gray and black washes over traces of black chalk on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/333", "Disp_Access_No" : "1951.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1931-1932", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1932", "Disp_Title" : "Landscape with Garage Lights", "Alt_Title" : "Garage Lights", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "32 x 41 7/8 in. (81.3 x 106.4 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "41 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Stuart Davis began as a student of the Urban Realist style, but upon seeing the many European modernist works on display at the New York Armory Show of 1913, the artist found his passion for abstraction. The influence of the broken-up and flattened surfaces of Cubism and the syncopated rhythms of American jazz contributed to Davis’ personal style. [Gallery label text, 2007] Gloucester, one of Massachusetts's oldest seaports, was a summer home for painter Stuart Davis from the time he was a young man of twenty-two. This view of the harbor clearly captivated him by the early 1930s, and preliminary studies of this painting reveal how carefully he considered the scene and translated it into paint, all the while deliberately conveying a sense of simplicity and speed in its execution. After a Parisian stay in the late 1920s, Davis returned to the United States with a new way of seeing things. The goal for him was to paint an expressive, abstracted version of the world around him, rather than a photographic simulacrum. As modernism challenged the nature of reality and how it is perceived, Davis reminds us here that it is possible to see two sides of a building at once, and that often it really looks like only half of a ship is in the water even though our brains convince us that the other half is hidden behind the fish warehouse. Flatness and simplification of forms were characteristics that distinguished work of influential European painters like Picasso and Matisse, whose work Davis would have encountered during his stay in France. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3088", "Rel_Obj_Title" : "Study for "Landscape with Garage Lights"" },{ "Rel_Obj_ID" : "3089", "Rel_Obj_Title" : "From Sketchbook 3, Drawing for "Landscape with Garage Lights"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53893", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned transparency at larger size for reproduction. New JPG derived from that larger TIF.", "View" : "" } , ] },{ "embark_ID" : 1551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1551", "Disp_Access_No" : "1975.142", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Two Figures and El", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "19 11/16 x 25 7/8 in. (50 x 65.7 cm)", "Disp_Height" : "19 11/16 in.", "Disp_Width" : "25 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : ""Some of the things that have made me want to paint... are: skyscraper architecture… fast travel by train, auto, and aeroplane which brought new and multiple perspectives…" -Stuart Davis, 1954 Stuart Davis was so inspired by the visual discontinuity and fragmentation of the urban environment that he developed a unique, modern visual lexicon to capture it. Without regard for perspective, scale, or the laws of gravity, Davis’s abstracted vision of two individuals waiting on the platform for an elevated train captures all the noise and energy of the scene. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Artists in the Kitchen Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.142_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.142_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.142_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.142_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37622", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5507", "Disp_Access_No" : "1929.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1662", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1667", "Disp_Title" : "Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "De Klauw", "Sort_Artist" : "De Klauw", "Disp_Dimen" : "12 1/8 x 12 1/8 in. (30.8 x 30.8 cm)", "Disp_Height" : "", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "", "Medium" : "Faience", "Support" : "", "Disp_Medium" : "Faience", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Oothout", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34349", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1959.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1898-1912", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1912", "Disp_Title" : "Dancer Holding Her Right Foot in Her Right Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 1/2 in. (49.5 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/341", "Disp_Access_No" : "1957.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "Portrait in a Brown Dress", "Alt_Title" : "Lady in Yellow", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "20 x 15 1/2 in. (50.8 x 39.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work: "Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves." Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing. This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons. (1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Alexander Millar Lindsay III, in memory of Jesse Williams and Grace Curtice Lindsay and their daughter, Carolyn Lindsay White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7731", "Disp_Access_No" : "1965.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470 - ca. 1500", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1500", "Disp_Title" : "Portrait of a Caesar", "Alt_Title" : "Portrait of a Member of the Corsini Family", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gregorio di Lorenzo", "Sort_Artist" : "di Lorenzo, Gregorio", "Disp_Dimen" : "17 3/4 x 12 in. (45.1 x 30.5 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, polychromy, wood, gilt", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Inez D'Amanda Barnell by her friends", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, with Nancy Norwood, to determine inclusion in forthcoming Census of Gothic Sculpture; decided against inclusion.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.8_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.8_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.8_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.8_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/342", "Disp_Access_No" : "1987.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Snow on Quai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Dickinson", "Sort_Artist" : "Dickinson, Edwin", "Disp_Dimen" : "21 x 18 in. (53.3 x 45.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy Turner in memory of Richard Turner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/348", "Disp_Access_No" : "1951.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Cars in a Sleet Storm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur Dove", "Sort_Artist" : "Dove, Arthur", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in Geneva, NY, Cars in a Sleet Storm is representative of Arthur Dove’s personalized abstract vocabulary with which he responded to the world around him. Dove, along with Georgia O’Keeffe and Marsden Hartley, were members of a group of modernist American artists championed by the photographer Alfred Stieglitz in his 291 Gallery in Manhattan. [Gallery label text, 2007] Arthur G. Dove was a native of Geneva, New York, about 46 miles from Rochester. Early on, rural New York State did not satisfy Dove's desire for a more engaged artistic life, and a few years after the turn of the 20th century, he moved to New York City and then to Paris. On his return to the United States in 1910, he began to paint abstract landscapes, and is considered one of America's first abstract painters. Dove's work was actively exhibited by photographer Alfred Stieglitz in his Gallery 291 and Intimate Gallery, major centers of avant-garde art in the United States. Stieglitz also showed the work of Georgia O'Keeffe whom he married in 1924. Cars in a Sleet Storm was painted at the end of Dove's years in Geneva, where he had returned to manage his father's estate. Dove's own words align him with the 20th century movement away from identifiable subject matter:"I would like to make something that is real in itself, that does not remind anyone of any other thing, and that does not have to be explained like the letter A, for instance." He also commented, "… I no longer observed in the old way, and not only began to think subjectively but also to remember certain sensations purely through their form and color, that is, by certain shapes, planes of light, or character lines determined by the meeting of such planes." [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from 1999 James Via transparency", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color-corrected and cropped from M1 file as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/352", "Disp_Access_No" : "1974.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Genesee Oaks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asher Brown Durand", "Sort_Artist" : "Durand, Asher Brown", "Disp_Dimen" : "28 1/4 x 42 in. (71.8 x 106.7 cm)", "Disp_Height" : "28 1/4 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Asher B. Durand was commissioned to paint this magnificent vista overlooking the Genesee River Valley in Geneseo, New York, by a member of the Wadsworth family, the village founders. At one time, they owned all the land from Geneseo to Rochester. [Gallery label text, 2007] No matter what the weather, this view across the Genesee Valley near Geneseo is as breathtaking now as it was over two hundred years ago, when landowner James S. Wadsworth commissioned Hudson River school founder Asher B. Durand to record the beauty of the landscape in a painting. In the summer of 1859, Durand traveled from New York City to the Genesee Valley to make preparatory sketches. Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. (Rochester, NY: The Memorial Art Gallery, 1988). p.182-3.", "Dedication" : "Gift of the Women's Council in honor of Harris K. Prior", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4131", "Disp_Access_No" : "1984.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Alt_Title" : "", "Obj_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Series_Title" : "", "Disp_Maker_1" : "Bernard Duvivier", "Sort_Artist" : "Duvivier, Bernard", "Disp_Dimen" : "45 x 58 in. (114.3 x 147.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Duvivier received his initial training in Bruges and then moved to Paris, where he assimilated the severe Neoclassical style perfected by Jacques-Louis David. In this early work, Duvivier combined the poses of several antique statues to illustrate an episode recounted in Plutarch's "Life of Mark Anthony." Following Anthony's suicide, a Roman soldier attempts to forestall the Egyptian queen's own death by promising that Octavian Caesar will show her clemency. The subtle, glowing colors, precise attention to detail, and impeccable draughtsmanship presage the artist's occasional work as a miniaturist. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. Macdowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement. [Gallery label text, 2007] Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 12746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12746", "Disp_Access_No" : "2004.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Windy Doorstep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Abastenia St. Leger Eberle", "Sort_Artist" : "Eberle, Mary Abastenia St. Leger", "Disp_Dimen" : "13 3/4 x 9 1/2 x 6 3/4 in. (34.9 x 24.1 x 17.1 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "sight", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "While [Gaston] Lachaise’s sculptures portrayed idealized subjects or specific individuals, Eberle often depicted realistic figures she saw on the streets of New York. [Gallery label text, 2005]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/942", "Disp_Access_No" : "1970.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Edmondson", "Sort_Artist" : "Edmondson, William", "Disp_Dimen" : "4 x 8 1/4 x 13 1/2 in. (10.2 x 21 x 34.3 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Sandstone", "Support" : "", "Disp_Medium" : "Carved sandstone", "Info_Page_Comm" : "William Edmondson was a self-taught sculptor from Tennessee, who claimed that God told him to start sculpting. He transformed blocks of stone into his ‘critters’, including this elegant dove. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/944", "Disp_Access_No" : "1941.19", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Assyrian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "12 in. (30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "", "Dedication" : "Art Patrons' Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.19_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3904", "Disp_Access_No" : "1998.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1929 (cast ca. 1960)", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Little Queen (Petite Reine)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Ernst", "Sort_Artist" : "Ernst, Max", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary Orwen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.29_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1606", "Disp_Access_No" : "1975.332.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Cafeteria", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Estes", "Sort_Artist" : "Estes, Richard", "Disp_Dimen" : "19 3/4 x 23 3/4 in. (50.2 x 60.3 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.332.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.332.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.332.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.332.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5073", "Disp_Access_No" : "1955.108", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1763", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1773", "Disp_Title" : "The Teaching of Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Etienne-Maurice Falconet", "Sort_Artist" : "Falconet, Etienne-Maurice", "Disp_Dimen" : "12 1/2 x 9 3/8 x 10 in. (31.8 x 23.8 x 25.4 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Soft paste porcelain", "Info_Page_Comm" : "Falconet, a leading sculptor of the reign of Louis XV, was a director of the royal ceramic works at Sèvres. His main production was the biscuit statuette, which substitutes "soft paste" for the kaolin clay of "true" porcelain. Falconet took advantage of the milky, marble-like surface to create engaging figural groups of pure form and refined rococo detail. "The Teaching of Love" may be derived from a composition by François Boucher. Falconet has transformed the painter's design into a complex three-dimensional ensemble of delicate beauty that invites the viewer to enjoy it from multiple angles. [Gallery label text, 2008]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5044", "Disp_Access_No" : "1955.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "St. George and the Dragon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fanelli", "Sort_Artist" : "Fanelli, Francesco", "Disp_Dimen" : "8 1/4 in. (21 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1615, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1615", "Disp_Access_No" : "1986.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "Locomotive Standing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "12 1/2 x 16 in. (31.8 x 40.6 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37658", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3118", "Disp_Access_No" : "1986.13", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "Sketch for "Locomotive Standing"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 7/8 x 15 3/8 in. (30.2 x 39.1 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Lithographic crayon", "Support" : "paper", "Disp_Medium" : "Lithographic crayon and graphite ", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/372", "Disp_Access_No" : "1946.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Zirchow VI", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lyonel Feininger", "Sort_Artist" : "Feininger, Lyonel", "Disp_Dimen" : "32 3/16 x 39 9/16 in. (81.7 x 100.5 cm)", "Disp_Height" : "32 3/16 in.", "Disp_Width" : "39 9/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Born in America, Lyonel Feininger spent much of his adult life living and painting in Germany. He developed his own personal style of Cubism in which splinters of form and space are rhythmic and interlocking. At the time the Nazis took over the German government and its cultural properties in the 1930s, the National Museum of Halle owned Zirchow VI. The Nazi campaign against abstract art, labeled “degenerate,” led to the sale of the museum’s collection of modern paintings including Zirchow VI. [Gallery label text, 2007] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10613", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mother and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lynne Feldman", "Sort_Artist" : "Feldman, Lynne", "Disp_Dimen" : "41 x 31 in. (104.1 x 78.7 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Myrtle Logan Pleune Estate", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6891", "Disp_Access_No" : "1929.61", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Stephen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenico Feti", "Sort_Artist" : "Feti, Domenico", "Disp_Dimen" : "37 1/2 x 45 in. (95.3 x 114.3 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "45 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. George H. Clark", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4963", "Disp_Access_No" : "1988.33", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emilio Fiaschi", "Sort_Artist" : "Fiaschi, Emilio", "Disp_Dimen" : "29 1/4 x 13 9/16 x 8 in. (74.3 x 34.5 x 20.3 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "13 9/16 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "This figural sculpture, depicting a semi-nude woman in neoclassical drapery leaning back against an elaborate architectural pedestal, must date to the end of the 19th century, but it observes the rules of earlier Academic art: the figure is not identified as a portrait of a specific person nor a character from legend. Her wisp of clothing and archaeological setting suggest an historical reference, but in her anonymity, she is a universal figure. Fiaschi produced a great number of these figures in a variety of sizes, raising the question of the means of production of these copies. It is likely that he oversaw a studio whose team of artists created the duplicates of his original work to fill the demand that arose. [Gallery label text, 2011]", "Dedication" : "Gift of James Avery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18571", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/953", "Disp_Access_No" : "1974.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "The Fawn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John B. Flannagan", "Sort_Artist" : "Flannagan, John B.", "Disp_Dimen" : "15 1/2 x 12 x 11 in. (39.4 x 30.5 x 27.9 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Granite", "Support" : "", "Disp_Medium" : "Granite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12460", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4785", "Disp_Access_No" : "1983.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Vertumnus and Pomona", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Govaert Flinck", "Sort_Artist" : "Flinck, Govaert", "Disp_Dimen" : "38 1/4 x 45 1/4 in. (97.2 x 114.9 cm)", "Disp_Height" : "38 1/4 in.", "Disp_Width" : "45 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting illustrates a myth from Ovid’s Metamorphosis. Pomona, a nymph who presided over gardens and fruit trees, had taken a vow of chastity and therefore rejected the advances of all suitors. Vertumnus, the Roman deity of orchards, persisted nonetheless. To gain her affections he disguised himself as a fisherman, a soldier, a peasant, and finally as an old woman. Flinck was a student and follower of Rembrandt, so much so that the styles of the two artists were often confused. Flinck’s skill brought him enviable social and economic rewards and eventually he was honored with a commission to create twelve paintings for the civic hall of Amsterdam. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. and Mrs. Frank W. Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5162", "Disp_Access_No" : "1954.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "At Court (Au Tribunal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "22 x 27 5/8 in. (55.9 x 70.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6661, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6661", "Disp_Access_No" : "1986.116", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1881", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1886", "Disp_Title" : "The Protector in the Wings (Le protecteur dans les coulisses)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "12 3/4 x 9 9/16 in. (32.4 x 24.3 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "9 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Pen and ink", "Support" : "paper", "Disp_Medium" : "Dark-gray ink, watercolor, and gouache on wove paper, laid down on board", "Info_Page_Comm" : "Forain, a follower and protégé of Edgar Degas, participated in the Impressionist exhibitions of 1879, 1880, 1881, and 1886. He was influenced by Impressionist theories on light and color. His watercolors, pastels, and paintings focused on Parisian popular entertainment and themes of modernity, including scenes of the ballet, the opera, and the racetrack. The ballerinas of 19th-century France often came from the lower classes of society and were viewed as little more than cabaret performers. Ballet dancers frequently had a wealthy male patron who also served as her protector, escort and lover. Along with his interest in theater and ballet, Forain’s work is characterized by his satirical commentary on modern life and, in his later years, interest in social injustice. In this drawing, the attentive stance and focused gaze of the backstage “protector” suggests the proprietary nature of his relationship with an unseen ballerina as she performs on stage. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.116_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.116_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.116_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.116_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "29173", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/380", "Disp_Access_No" : "1971.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Still Life with Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Francis", "Sort_Artist" : "Francis, John", "Disp_Dimen" : "25 3/16 x 30 3/8 in. (64 x 77.2 cm)", "Disp_Height" : "25 3/16 in.", "Disp_Width" : "30 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At first glance, it is tempting to interpret this painting as a celebration of mid-century American bounty. However, a second look finds half-eaten fruit pierced by a knife, bruised peaches, and a hungry hornet, images that suggest overripeness and decay. These elements can be traced back to 16th and 17th century Dutch still life traditions, particularly vanitas paintings that warned of the ephemeral nature of life. Whether or not John Francis – originally an itinerant, self-taught portrait painter – was consciously invoking old master painting traditions, his involvement with the artistic community in Philadelphia would have exposed him to sophisticated subjects and tastes that, perhaps, he incorporated into his work. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3396", "Disp_Access_No" : "1978.127", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "Trolley -- New Orleans", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Frank", "Sort_Artist" : "Frank, Robert", "Disp_Dimen" : "10 7/8 x 14 in. (27.7 x 35.5 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Gelatin silver print", "Support" : "paper", "Disp_Medium" : "Gelatin silver print on paper", "Info_Page_Comm" : "This now-iconic image of anonymous people riding a trolley car in New Orleans was originally published in Robert Frank’s most notable work, the book <em>The Americans</em> (1958). Frank took the photo just a few weeks before Rosa Parks refused to give up her bus seat in Montgomery, Alabama, ultimately leading to the 1956 Supreme Court ruling that outlawed segregation on public transportation. The power that trolley cars and other forms of public transportation had to expand and transform the urban landscape was unfortunately equaled by its power to segregate and reinforce oppressive racial and social inequities. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Photograph", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.127_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.127_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.127_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.127_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37630", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/381", "Disp_Access_No" : "1981.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Seer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Frankenthaler", "Sort_Artist" : "Frankenthaler, Helen", "Disp_Dimen" : "93 1/2 x 85 1/8 in. (237.5 x 216.2 cm)", "Disp_Height" : "93 1/2 in.", "Disp_Width" : "85 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Helen Frankenthaler, who died on December 27, 2011, was a major American painter. Over the course of her long career, she experimented with new techniques that included pouring oil paint thinned with turpentine directly on large pieces of unprimed canvas, which permitted the paint to saturate the cloth and create loose and fluid fields of color. The emphasis on color of the second generation of abstract artists resulted in the term "Color Field Painters" to describe the work of Frankenthaler, Morris Louis, Kenneth Noland, and others. Her spontaneous style and meditative aesthetic were perhaps the result of the philosophy that she expressed in a 2003 New York Times interview: “There are no rules. Let the picture lead you where it must go.” In addition to "Seer", MAG also owns four prints created by Frankenthaler. ", "Dedication" : "Gift of the Women's Council on the occasion of the Council's 40th anniversary", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2553", "Disp_Access_No" : "1997.176", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Free Form Pottery Candle Vase #302", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frankoma Pottery", "Sort_Artist" : "Frankoma Pottery", "Disp_Dimen" : "8 x 5 x 5 in. (20.3 x 12.7 x 12.7 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler in memory of Karl W. Taylor", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.176_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.176_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.176_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.176_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31700", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7723", "Disp_Access_No" : "1949.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1530", "Disp_Title" : "St. Catherine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antonello Gaggini", "Sort_Artist" : "Gaggini, Antonello", "Disp_Dimen" : "63 x 26 x 17 1/2 in. (160 x 66 x 44.5 cm)", "Disp_Height" : "63 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, with Nancy Norwood, to determine inclusion in forthcoming Census of Gothic Sculpture; decided against inclusion.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.75_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/388", "Disp_Access_No" : "1946.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Gaudriot", "Sort_Artist" : "Gaudriot, Henri", "Disp_Dimen" : "20 x 16 in. (50.8 x 40.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "composition board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8273", "Disp_Access_No" : "1977.147.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1893-1894", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1894", "Disp_Title" : "The Creation of the Universe (L'Univers est créé)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Gauguin", "Sort_Artist" : "Gauguin, Paul", "Disp_Dimen" : "8 x 13 7/8 in. (20.3 x 35.2 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut with selective coloring on Japan paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.147.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.147.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.147.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.147.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "16009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8272", "Disp_Access_No" : "1977.147.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1893-1894", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1894", "Disp_Title" : "The Creation of the Universe (L'Univers est créé)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Gauguin", "Sort_Artist" : "Gauguin, Paul", "Disp_Dimen" : "8 x 13 13/16 x 15/16 in. (20.3 x 35.1 x 2.4 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Endgrain boxwood", "Support" : "", "Disp_Medium" : "Carved endgrain boxwood woodblock", "Info_Page_Comm" : "Constructed by Kiessling, Paris", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Printmaking Equipment", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.147.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.147.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.147.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.147.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16010", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/392", "Disp_Access_No" : "1952.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Angeline Wildey Dixon, born circa 1817 - died Feb. 26, 1903 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. It was considered poor taste for men to wear much jewelry; instead, their wives displayed the family’s wealth. Angeline Dixon wears four gold rings and a bracelet with carved black stones. As popular hairstyles of the time covered the ears, earrings fell out of fashion for a time and the hand became the center of interest. Her cameo brooch, carved from shell, is attached to a gold chain with a pendant or watch fob similar to the one worn by her husband. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "391", "Rel_Obj_Title" : "Portrait of Sophia Josephine Dixon" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28607", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was derived from the after treatment photography (TIF with color bar) provided by WACC.", "View" : "" } , ] },{ "embark_ID" : 393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/393", "Disp_Access_No" : "1952.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Hiram Westley Dixon (1817- 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Hiram Wesley Dixon, Born circa 1817- died Dec. 1, 1888 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. Hiram W. Dixon was the owner of a hardware store in Hudson. In 1856, Mr. Dixon was elected a messenger of the Electoral College to carry the vote to Washington. A newspaper article reported that each year he “predicted the election returns and his selections were as predictable as the Gallup polls.” In 1864, he was a director of The First National Bank of Hudson and in 1866, appointed postmaster of the Hudson post-office. In 1866, the family became members of the First Reformed Protestant Dutch Church in Hudson. Mr. Dixon was also involved in real estate and insurance in Tarrytown where there is a street named for him. Text Panel, Oct. 2010, Colleen Piccone ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "22808", "Rel_Obj_Title" : "Farmers Bank Note" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was derived from the after treatment photography (TIF with color bar) provided by WACC.", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George Barlow Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "392", "Rel_Obj_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4964", "Disp_Access_No" : "1957.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1899", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1899", "Disp_Title" : "Interior of a Mosque", "Alt_Title" : "Mosque at Cairo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Léon Gérôme", "Sort_Artist" : "Gérôme, Jean-Léon", "Disp_Dimen" : "23 3/8 x 35 3/8 in. (59.4 x 89.9 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "35 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An enthusiastic amateur archaeologist, Gérôme painted dozens of Eastern scenes over his long career, including a number of mosque interiors. Although the mosque seen here has not been identified, the artist was known to have travelled in Asia Minor, the Middle East, and North Africa, and it is believed that this elaborate interior is a composite, made up of details from a number of specific sites. The worshippers assume accurate postures for their devotions, from the initial upright recitation of vows to the final prostration before God. Gérôme was a firm proponent of the Academic style: he taught at the Ecole des Beaux-Arts in Paris, and won national honors and the patronage of royalty. Although his pupils had included icons of modernism such as Fernand Leger and Everett Shinn, Gérôme was initially opposed to any challenges to the supremacy of the Academy. In the face of increasing opposition to his conservative viewpoint, he declared that the work of the Impressionists was “insipid and badly executed.” [Gallery label text, 2011]", "Dedication" : "Gift of Mr. and Mrs. F. Harper Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38927", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency", "View" : "" } , ] },{ "embark_ID" : 4256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4256", "Disp_Access_No" : "1931.1", "_AccNumSort1" : "", "Disp_Create_DT" : "late 14th Century - first half of the 15th Century", "_Disp_Start_Dat" : "1367", "_Disp_End_Date" : "1449", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo Ghiberti", "Sort_Artist" : "Ghiberti, Lorenzo", "Disp_Dimen" : "36 1/4 x 22 7/16 x 4 15/16 in. (92 x 57 x 12.5 cm)", "Disp_Height" : "36 1/4 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, with Nancy Norwood, to determine inclusion in forthcoming Census of Gothic Sculpture; decided against inclusion.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , ] },{ "embark_ID" : 5078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5078", "Disp_Access_No" : "1981.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "The Trinity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Corrado", "Disp_Dimen" : "30 x 30 in. (76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "diameter", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "“The Holy Trinity,” the concept that there are three Persons in the unity of God, is the central doctrine of the Christian religion. Although these three Persons—the Father, the Son and the Holy Spirit—are distinct from each other, the Christian faith holds that there are not three gods but one. In Christian art, three elements represent the Trinity. The image of an older patriarch refers to God the Father; God the Son, or Christ, is usually shown either crucified on a cross or, as in this painting, after his death; and the Holy Spirit appears as a dove in flight. During the Counter-Reformation, images of the Trinity emphasized the physical nature of Christ by focusing on his suffering and death. Like other dramatic works of Counter-Reformation art, the intent was to evoke an emotional response from the faithful that would lead to increased devotion. This painting is one of several variations of Giaquinto’s Dead Christ with the Trinity (1741-1742), a fresco he painted in the apse of S. Giovanni Calibita in Rome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Another master scan is saved as 81.2_M2.tif", "View" : "" } , ] },{ "embark_ID" : 8108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8108", "Disp_Access_No" : "2000.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Lunar Movement", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andrea Gill", "Sort_Artist" : "Gill, Andrea", "Disp_Dimen" : "28 1/2 x 21 x 10 in. (72.4 x 53.3 x 25.4 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Earthenware, engobe and glaze", "Info_Page_Comm" : ""Lunar Movement is from a series I did in 1997-98," writes ceramist Andrea Gill, who teaches at the School of Art and Design at Alfred University. "My thoughts at the time were very much about dance, and the title refers to that, and perhaps to the Lunar Moth, in reference to the wings on the vase. I have been working for a long time on large vases covered with layers of color and pattern. It is a combination of my fascination with the vase as a form for exploration of volume, and my love of color, pattern and ceramic surfaces." Gill's visionary work advances the great tradition of pottery found in many ancient and modern cultures. [Gallery label text]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "What to call my work....earthenware, engobe and glaze. Engobe is a more correct term for what I usually call slip. Slip is a very generic term for any liquid clay...engobe (I think it is French) is the word used for slip that is used for surface decoration. Earthenware is clay that is not vitrified, and is fired to a lower temperature (about 1900 deg. F.) "Lunar Movement" is from a series I did in 1997-98. My thoughts at the time were very much about dance, and the title refers to that, and perhaps to the Lunar Moth, in reference to the wings on the vase. I have been working fora long time on large vases covered with layers of color and pattern. It is a combination of my fascination with the vase as a form for exploration of volume, and my love of color, pattern and ceramic surfaces. The work is made using slabs and press molds and is fired to about 1900 deg. F. (notes from an e-mail from Andrea Gill to curator Marjorie Searl, August 4, 2001", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15882", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13366", "Disp_Access_No" : "2005.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1650-1653", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1653", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "115 1/4 x 79 1/2 in. (292.7 x 201.9 cm)", "Disp_Height" : "115 1/4 in.", "Disp_Width" : "79 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally an altarpiece, this painting illustrates the New Testament scene of the Entombment of Christ, one of the most emotional and dramatic events in the Christian faith. Joseph of Arimathea, who is holding Jesus and clasping him in a shroud, and Nicodemus, who supports Jesus’ legs, are placing him in a stone sarcophagus. Saint John the Evangelist, cloaked in red, is in the foreground with his back to the viewer. Christ’s mother, the Virgin Mary, dressed in a blue robe, collapses in despair at the left. She is surrounded by Holy Women, including Mary Magdalene who wrings her hands in sorrow. Other grieving figures in the background of the painting engage each other in conversation, enhancing both the devotional and dramatic character of the painting. Luca Giordano was one of the most celebrated artists in Naples. He produced a huge quantity of work, including altarpieces, mythological paintings and decorative fresco cycles. Giordano was internationally successful and traveled widely, working in Naples, Venice, Florence and Madrid. This altarpiece was painted early in Giordano’s career when he was only in his late teens. It shows the influence of the equally well-known and prolific painter Jusepe de Ribera, with whom he may have trained. [Gallery label] ", "Dedication" : "Marion Stratton Gould Fund, Maurice R. and Maxine B. Forman Fund, Gallery Purchase Fund, gift of Whitney F. Hoyt, by exchange, gift of Mr. and Mrs. Hollister Spencer, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "21376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "21378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5241", "Disp_Access_No" : "1951.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1375-1380", "_Disp_Start_Dat" : "1375", "_Disp_End_Date" : "1380", "Disp_Title" : "Crucifixion with God the Father", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni del Biondo", "Sort_Artist" : "Giovanni del Biondo", "Disp_Dimen" : "68 3/16 x 25 7/8 x 4 3/8 in. (173.2 x 65.7 x 11.1 cm)", "Disp_Height" : "68 3/16 in.", "Disp_Width" : "25 7/8 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.26_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.26_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.26_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.26_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "29896", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Use- do not use for web or print", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.26_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.26_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.26_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.26_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.26_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.26_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.26_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.26_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "36514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.26_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.26_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.26_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.26_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.26_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.26_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.26_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.26_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36516", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , ] },{ "embark_ID" : 396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/396", "Disp_Access_No" : "1973.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Beach at Blue Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "25 1/4 x 30 1/8 in. (64.1 x 76.5 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Like many American painters, including Winslow Homer, William Glackens was an artist-reporter early in his career. He met Robert Henri in Philadelphia, shared a studio with him, and went to Paris with him in 1895. Upon Glackens's return, he moved to New York City. He exhibited with The Eight in 1908, and chaired the Armory Show in 1913. By 1914, he was devoting all of his time to painting, and espoused subjects like this one, colorful depictions of Americans at play. Many of his paintings reflect the influence of French impressionists, particularly Pierre Auguste Renoir. [Gallery label text, 2003]", "Dedication" : "Elizabeth R. Grauwiller Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5056, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5056", "Disp_Access_No" : "1970.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Glauber", "Sort_Artist" : "Glauber, Jan", "Disp_Dimen" : "38 3/4 x 52 1/2 in. (98.4 x 133.4 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "52 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the figures in this idealized pastoral landscape seem almost incidental to the painting, they represent the biblical story of Tobias and the Angel. The angel Raphael tells Tobias that he is destined to marry Sara, even though each of her previous seven husbands had died by the hand of an evil spirit on their wedding night. When Tobias survived the marriage, his new father-in-law was so elated that he gave Tobias half his wealth, including money, servants, farm animals and household possessions. This painting shows the angel Raphael guiding the joyful Tobias with Sara and his newfound riches along a winding road as they journey safely home. Jan Glauber, one of the most widely traveled of all Dutch painters, specialized in landscapes that were influenced by his visits to France and Italy. This painting was probably intended to decorate a private home. [Gallery label text] ", "Dedication" : "Given in memory of Irene Comfort Jones by her husband, Robcliff V. Jones", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "7/09: There are listings for a painting or paintings of Tobias (or Tobit) and the Angel by Glauber on the Getty Provenance Database, but all list dimensions much smaller than this canvas. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1671", "Disp_Access_No" : "1975.332.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Paul's Corner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Goings", "Sort_Artist" : "Goings, Ralph", "Disp_Dimen" : "18 1/8 x 25 3/4 in. (46 x 65.4 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "An early 1950s Ford F100 truck provided Photorealist artist Ralph Goings with a handsome still-life element to anchor his composition in <em>Paul’s Corner</em>. The truck’s smooth line and muscular body, the essence of machine-crafted form, were 20 years old when this image was made. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.332.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.332.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.332.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.332.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37628", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3889", "Disp_Access_No" : "1998.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "The Printseller's Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Goodman", "Sort_Artist" : "Goodman, Walter", "Disp_Dimen" : "52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s. A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes. Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 2000 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/404", "Disp_Access_No" : "1946.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "Check-Up", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43327", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from transparency by KSchauber as there were no print or master level images. JPG derived from this new scan.", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "1966.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "The West Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)", "Disp_Height" : "70 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag. When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words: O Wind, If Winter comes, can Spring be far behind? [Gallery label text, 2004] ", "Dedication" : "Gift of the Isaac Gordon Estate through the Lincoln Rochester Trust Company", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. II under "Statuary" in Daniel Powers'' collection catalogue of 1888. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image derived from Seeing America tiff", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "28576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , ] },{ "embark_ID" : 418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/418", "Disp_Access_No" : "1951.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "The Opposition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "28 x 38 in. (71.1 x 96.5 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.” [Gallery label text, 2007] William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view: "I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department." Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "1714", "Rel_Obj_Title" : "The Opposition" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States. [Gallery label text, 2007] Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5079", "Disp_Access_No" : "1982.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Giorgio Maggiore, Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Guardi", "Sort_Artist" : "Guardi, Francesco", "Disp_Dimen" : "17 1/8 x 24 1/2 in. (43.5 x 62.2 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05; another master is saved on the image server as 82.6_M2.tif, GF6P0295.tif, .jpg on CD, a third master is save on the server as 82.6_M5.tif. ", "View" : "" } , ] },{ "embark_ID" : 431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/431", "Disp_Access_No" : "1951.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Non-Fiction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Gwathmey", "Sort_Artist" : "Gwathmey, Robert", "Disp_Dimen" : "29 x 24 in. (73.7 x 61 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1940s, Robert Gwathmey focused his artist’s eye upon the lives of African-American sharecroppers in the South. Non-Fiction shows a common sight on southern farms; older children tended to the young when both parents worked all day in the fields. The barbed wire and minstrel figure symbolize the dual oppressions of segregation and racism. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5043", "Disp_Access_No" : "1968.101", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1655-1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1660", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Hals", "Sort_Artist" : "Hals, Frans", "Disp_Dimen" : "30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13365", "Disp_Access_No" : "2005.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Pittsford on the Erie Canal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Harvey", "Sort_Artist" : "Harvey, George", "Disp_Dimen" : "17 1/2 x 23 1/2 in. (44.5 x 59.7 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This scene is thought to be in the vicinity of King’s Bend Park just outside of Pittsford Village. [Gallery label text, 2007]", "Dedication" : "Gift of the Margaret M. McDonald Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.33_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.33_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.33_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.33_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "27616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 1764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1764", "Disp_Access_No" : "1940.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "New York Sky Line, Dark Buildings", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "13 3/4 x 7 3/4 in. (34.9 x 19.7 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Childe Hassam drew this 1913 profile of the New York City skyline the year construction on the Woolworth Building was completed. At 57 stories, it was the tallest building in the world until the Chrysler Building was completed in 1930. Perhaps it was excitement with the new engineering and construction technologies that led Hassam to exert artistic license in his depiction of the building’s silhouette, thereby dramatizing its height. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1963.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)", "Disp_Height" : "48 3/16 in.", "Disp_Width" : "148 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector. Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley. Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers. MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. Her father was David Robinson, who was born in England and was in the Air Service. Her email address is nvongimbut@yahoo.com", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/442", "Disp_Access_No" : "1976.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Hummingbird with Cattleya and Dendrobium Orchids", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "22 1/4 x 14 3/8 in. (56.5 x 36.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "14 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Two masterpieces of nature – the hummingbird and the orchid – were subjects that Martin Johnson Heade painted repeatedly. Beginning in 1863, Heade made the first of three trips to Brazil to paint the bird that remained a life-long obsession. Heade wrote, “A few years after my appearance in this breathing world I was attacked by the all-absorbing hummingbird craze and it has never left me since.” The exotic South American jungle was a far cry from the marshes and fields of Heade’s native New England, but both landscapes inspired his passion for the natural world and nurtured the intertwined development of his scientific interest and his artistic brilliance. [Gallery label, 2009]", "Dedication" : "Harris K. Prior Memorial Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The hummingbird in this painting is a Calliphlox amethystina", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12471", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4135", "Disp_Access_No" : "1949.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1650", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Davidsz. de Heem", "Sort_Artist" : "Heem, Jan Davidsz. de", "Disp_Dimen" : "14 1/2 x 18 in. (36.8 x 45.7 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6514", "Disp_Access_No" : "1946.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Doctor's Visit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Heerschop", "Sort_Artist" : "Heerschop, Hendrick", "Disp_Dimen" : "17 x 14 1/4 in. (43.2 x 36.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them. The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy. [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4175", "Disp_Access_No" : "2000.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Turquoise Bay Winter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Higby", "Sort_Artist" : "Higby, Wayne", "Disp_Dimen" : "9 1/2 x 14 x 17 in. (24.1 x 35.6 x 43.2 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Raku-fired earthenware", "Info_Page_Comm" : "Wayne Higby, head of the ceramics department at Alfred University in Alfred, New York, is one of America’s preeminent ceramists. His works are small-scale abstract landscapes, incorporating colors and forms derived from the natural world. Influenced by the Japanese ceramic tradition, Higby uses a raku firing technique wherein glazed pieces are removed from the kiln while still hot and placed to cool in combustible materials like leaves or straw. This typically results in gray or black areas, lustrous colors, and a crackled surface. Turquoise Bay Winter is one of a series of “landscape bowls” that the artist created in the 1980s and 1990s. [Summer 2015]", "Dedication" : "Gift in honor of Carolyn Friedlander from her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12339", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/452", "Disp_Access_No" : "1960.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "Ruby Gold", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Hofmann", "Sort_Artist" : "Hofmann, Hans", "Disp_Dimen" : "55 3/8 x 40 1/2 in. (140.7 x 102.9 cm)", "Disp_Height" : "55 3/8 in.", "Disp_Width" : "40 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to painter Hans Hofmann, “there are bigger things to be seen in nature than the object.” Ruby Gold demonstrates this idea through the dramatic interplay of color, form, and expression. Hofmann was one of the most influential teachers of Abstract Expressionism, the painting style for which he is known. While other painters, such as Jackson Pollock, pioneered the style, Hofmann taught it to generations of students and helped to cement its role as a dominant form of painting in the U.S. from the 1950s onward. He created his signature works, like Ruby Gold, in the last eight years of his life, when, at age 78, he stopped teaching and devoted himself exclusively to painting. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk number 131024", "View" : "" } , ] },{ "embark_ID" : 1819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1819", "Disp_Access_No" : "1986.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Rebels Outside Their Works at Yorktown Reconnoitring [sic] with Dark Lanterns", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "10 7/8 x 9 3/16 in. (27.6 x 23.3 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Many of Homer’s illustrations for Harper’s Weekly magazine, like this one from May 17, 1862, were based on sketches inspired by his personal experiences. His mother wrote, “Winslow went to the war front of Yorktown and camped out about two months. He suffered much, was without food 3 days at a time, & all in camp either died or were carried away with typhoid fever–plug tobacco and coffee was the Staples….He came home so changed that his best friends did not know him…”. Journalist Steve Mumford wrote one hundred and fifty years later: “What I found moving about Homer’s work was that it wasn’t directly about the morality of the Civil War, so much as it sought to recreate the experience of the soldiers. His art rarely read as propaganda. It showed the powerful bonding among men on the front lines, as well as the terror. Homer had experienced it and drawn it.” [Gallery label, February 21, 2012] ", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "18484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1822", "Disp_Access_No" : "1986.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Advance Guard of the Grand Army of the U. S. Crossing the Long Bridge", "Alt_Title" : "", "Obj_Title" : "The Advance Guard of the Grand Army of the United States Crossing the Long Bridge", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Winslow Homer brought the Civil War to the home front with his illustrations in Harper’s Weekly magazine, including this one from June 8, 1861, shortly after the fighting had begun. The following commentary about the crossing from Washington, D.C. to Alexandria, Virginia appeared in the June 8, 1861 issue: The scene at the bridges was grand and impressive beyond description…The night was cool and clear, thousands of men were drawn up in a line and defiling past, but hardly a whisper was heard from among them. They all preserved a solemn silence, as though sensible of the momentousness of the occasion; but the rumbling of artillery, the clatter of cavalry, the muskets and ordnance glittering in the moonlight, the suppressed commands of the officers, imparted, nevertheless, a liveliness to the imposing spectacle. Among the groups of soldiers making the crossing were regiments from New York State. [Gallery label, February 21, 2012] ", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13235", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/455", "Disp_Access_No" : "1941.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "The Artist's Studio in an Afternoon Fog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "24 x 30 1/4 in. (61 x 76.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the course of his long and distinguished career, Winslow Homer shifted his focus from robust descriptions of American life to studies of interaction between man and the powerful forces of nature, particularly the ocean. This evocative painting of his studio at his family’s compound on the coast of Maine in Prout’s Neck, near Portland, is considered one of Homer’s most masterful works. [Gallery label text, 2007] A foggy day on the coastal peninsula of Prout's Neck, Maine, inspired Winslow Homer to paint one of his most elegant and contemplative works. His studio and family home stand silhouetted between the darker cliffs in the foreground and the paler sky. The painting's composition balances strong diagonal and horizontal elements in the lower half with a monolithic sky punctuated by a circle of sun. Homer was known for his many paintings of rural America, as well as his illustrations of the Civil War. In 1883, Homer left New York City, where he had been living, and settled permanently in Prout's Neck. During his years there, he produced some of the most thrilling marine paintings in the history of American art. [Gallery label text, 2006]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In 1991 a NYC composer named Dana Paul Perna, visited the Gallery and was so inspired by this work that he composed "Prout''s Neck" a work for piano/harp/percussion and strings. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.32_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12358", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.32_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.32_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.32_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.32_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53274", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Re-derived from original master because derivative images determined to be too warm.", "View" : "" } , ] },{ "embark_ID" : 612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/612", "Disp_Access_No" : "1978.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual. The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery label text, 2006] M. W. Hopkins American, 1789 - 1844 Ann Gennett Pixley Lacey (1809 - 1841) ca. 1835 - 1836 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.187 Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby. In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence. Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18240", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/613", "Disp_Access_No" : "1978.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Eliza Pixley Lacey (1834 - 1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "M. W. Hopkins American, 1789 - 1844 Eliza Pixley Lacey (1834 - 1839) ca. 1835 - 36 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.188 M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter. Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs. Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.188_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.188_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.188_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.188_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/614", "Disp_Access_No" : "1978.189", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "42 x 30 1/8 in. (106.7 x 76.5 cm)", "Disp_Height" : "42 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek. Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist. For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation. As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics. Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog. When Pierrepont was fifteen, his family moved to Marshall, Michigan. He grew up, married, and was the father of one son. Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad. [Gallery label text, 2000] Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes. Gun, the family dog, was most likely a restless subject for the artist to capture, as well. There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs. All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics. MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon. [Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial] The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}] ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.189_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.189_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.189_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.189_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12478", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society. [Gallery label text, 2005] ", "Dedication" : "Gift of the friends and family of Margaret M. McDonald", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/968", "Disp_Access_No" : "1938.3", "_AccNumSort1" : "", "Disp_Create_DT" : "before 3/10/23", "_Disp_Start_Dat" : "2/8/2023", "_Disp_End_Date" : "3/9/2023", "Disp_Title" : "Monkey and Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "5 1/2 x 3 3/4 in. (14 x 9.5 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40233", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11379, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11379", "Disp_Access_No" : "2001.22.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Spoon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nathaniel Hurd", "Sort_Artist" : "Hurd, Nathaniel", "Disp_Dimen" : "8 5/8 x 1 11/16 in. (21.9 x 4.3 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "1 11/16 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17128", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17129", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10475", "Disp_Access_No" : "2001.22.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Spoon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nathaniel Hurd", "Sort_Artist" : "Hurd, Nathaniel", "Disp_Dimen" : "8 3/4 x 1 11/16 in. (22.2 x 4.3 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "1 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Engraved with the Crest of Vassall", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17125", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.22.1-.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.22.1-.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.22.1-.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.22.1-.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17127", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5163", "Disp_Access_No" : "1955.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Pierre-François Bernier (1779-1803)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-August-Dominique Ingres", "Sort_Artist" : "Ingres, Jean-August-Dominique", "Disp_Dimen" : "18 1/4 x 15 in. (46.4 x 38.1 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.176_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.176_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.176_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.176_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/483", "Disp_Access_No" : "1936.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Early Moonrise in Florida", "Alt_Title" : "July Moonrise in Florida (Eastman Catalog)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "24 3/8 x 36 1/4 in. (61.9 x 92.1 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "36 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For George Inness, an adherent of the mystical Swedenborgian faith, landscape elements and colors had specific symbolic qualities. For example, he wrote that the moon is a ‘natural emblem of faith,’ reassuring the faithful that divine light still exists even though it is not directly visible in the night sky. In Inness’s philosophical system, blue is the color of faith. [Gallery label text, 2007]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "36.61_M1 color-corrected and cropped to create new Print Master as none existed. JPG derived from that Print Master", "View" : "" } , ] },{ "embark_ID" : 4798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4798", "Disp_Access_No" : "1971.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1910-1914", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1914", "Disp_Title" : "Veranda Post", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Olowe of Ise", "Sort_Artist" : "Ise, Olowe of", "Disp_Dimen" : "56 x 132 x 10 in. (142.2 x 335.3 x 25.4 cm)", "Disp_Height" : "56 in.", "Disp_Width" : "132 in.", "Dimen_Extent" : "maximum", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "A royal wife stands with her hands resting on the heads of her twin daughters who hold their breasts in a Yoruba gesture of greeting, devotion and humility. This post was carved to decorate a courtyard veranda in the palace of the Ogoga of Ikere, one of the kings of Yorubaland. The courtyard served as an official area where the king received important visitors and conducted affairs of state. It was important that he show off his wealth, power and sophistication in this space. This veranda post was carved by one of the most renowned sculptors in Africa, Olowe of Ise. His sculptures were so beautiful that some people believed Olowe harnessed the power of spirits who carved for him. Elaborate hairstyles and scarification patterns (look at the royal wife’s back) demonstrate Olowe’s technical mastery and reflect Yoruba standards of beauty. Traces of layered pigments indicate that these were once brightly painted and regularly refurbished. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Nigerian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The piece was still in situ until at least 1964 (see photo in situ in 1998 "Olowe of Ise" exhibition brochure in curatorial file).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.13_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.13_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.13_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.13_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "38870", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency and background masked out by Andy Olenick.", "View" : "" } , ] },{ "embark_ID" : 5156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5156", "Disp_Access_No" : "1938.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1880-1889", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1889", "Disp_Title" : "Cottage Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Israels", "Sort_Artist" : "Israels, Josef", "Disp_Dimen" : "8 x 7 in. (20.3 x 17.8 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22639", "Disp_Access_No" : "2010.8", "_AccNumSort1" : "", "Disp_Create_DT" : "2009", "_Disp_Start_Dat" : "2009", "_Disp_End_Date" : "2009", "Disp_Title" : "Migrants of the Three Gorges Dam", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Yun-Fei Ji", "Sort_Artist" : "Ji, Yun-Fei", "Disp_Dimen" : "17 1/16 x 347 in. (43.4 x 881.4 cm)", "Disp_Height" : "17 1/16 in.", "Disp_Width" : "347 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut hand scroll", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40767", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image copied from inventory image for web use.", "View" : "" } , ] },{ "embark_ID" : 22241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22241", "Disp_Access_No" : "18.2009L", "_AccNumSort1" : "", "Disp_Create_DT" : "2004", "_Disp_Start_Dat" : "2004", "_Disp_End_Date" : "2004", "Disp_Title" : "Rug", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel John", "Sort_Artist" : "John, Isabel", "Disp_Dimen" : "36 x 24 in. (91.4 x 61 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "Wool, pigment", "Info_Page_Comm" : "The current Navajo Nation covers 27,000 square miles over a large chunk of Arizona, part of New Mexico and a section of Utah. Known as one of the finest weavers of Navajo pictorials, Isabel John lived with her family at Many Farms, Arizona. Navajo pictorials, a deviation from traditional rugs showcasing geometric patterns, originated in the mid-twentieth century and incorporate scenes from daily life. John learned to weave from her mother and began weaving pictorials in 1972. Using both vegetal and commercial dyes, and store-bought as well as handspun wool from her own sheep, it often took her a year and a half to make one rug. This rug illustrates the actual weaving of a pictorial rug and the people and landscape that inspired it. [Gallery label text, 2009] ", "Dedication" : "Loaned by Vee Angle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/18.2009L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/18.2009L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/18.2009L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/18.2009L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31040", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo is cropped from inventory photo 18.2009L_I1.jpg so it coudl be made web accessible.", "View" : "" } , ] },{ "embark_ID" : 489, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/489", "Disp_Access_No" : "1975.138", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Back from the Orchard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eastman Johnson", "Sort_Artist" : "Johnson, Eastman", "Disp_Dimen" : "10 3/8 x 6 5/8 in. (26.4 x 16.8 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.138_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.138_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.138_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.138_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12465", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5034", "Disp_Access_No" : "1974.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Portrait of Elizabeth Jordaens, Daughter of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Jordaens", "Sort_Artist" : "Jordaens, Jacob", "Disp_Dimen" : "27 1/2 x 21 3/4 in. (69.9 x 55.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20687", "Disp_Access_No" : "1996.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Emergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Jurs", "Sort_Artist" : "Jurs, Nancy", "Disp_Dimen" : "84 x 33 x 24 in. (213.4 x 83.8 x 61 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Robert D. Hursh", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.9.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.9.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.9.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.9.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24015", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/973", "Disp_Access_No" : "1996.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Emergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Jurs", "Sort_Artist" : "Jurs, Nancy", "Disp_Dimen" : "88 x 30 x 24 in. (223.5 x 76.2 x 61 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Robert D. Hursh", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.9.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.9.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.9.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.9.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/499", "Disp_Access_No" : "1974.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "A Showery Day, Lake George", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Kensett", "Sort_Artist" : "Kensett, John Frederick", "Disp_Dimen" : "14 1/8 x 24 1/8 in. (35.9 x 61.3 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3438", "Disp_Access_No" : "1970.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1937", "_Disp_Start_Dat" : "1937", "_Disp_End_Date" : "1937", "Disp_Title" : "Fan, New York, 1937", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "André Kertész", "Sort_Artist" : "Kertész, André", "Disp_Dimen" : "13 15/16 x 11 in. (35.4 x 27.9 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Gelatin silver print", "Support" : "paper", "Disp_Medium" : "Gelatin silver print", "Info_Page_Comm" : "André Kertész’s photo of an arm threaded through a fan hints at the vulnerability of the human body to the awesome power of the machine. During what is now called the “machine age” (1918-1941), American culture was preoccupied with innovations in technology and industrialization. While machines offered the average individual unprecedented lifestyle improvements, a threat hovered beneath the promise—the machine needed to be controlled. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of the Genesee Valley School Development Assocation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Photograph", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5003", "Disp_Access_No" : "1950.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Portrait of a Young Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Franz Kessler", "Sort_Artist" : "Kessler, Franz", "Disp_Dimen" : "27 1/16 x 22 3/4 in. (68.8 x 57.8 cm)", "Disp_Height" : "27 1/16 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15965", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10618, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10618", "Disp_Access_No" : "1955.81.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of a Man (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas de Keyser", "Sort_Artist" : "Keyser, Thomas de", "Disp_Dimen" : "6 x 4 1/2 in. (15.2 x 11.4 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1985 Adams catalogue raisonne (see bibliography) says that the RKD''s photo mount identifies the subject as Francois Spieringh, but gives no reference for the identification. This may be the tapestry designer, c. 1576-1630?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.81.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.81.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.81.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.81.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 10617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10617", "Disp_Access_No" : "1955.81.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of a Woman (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas de Keyser", "Sort_Artist" : "Keyser, Thomas de", "Disp_Dimen" : "6 x 4 1/2 in. (15.2 x 11.4 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1985 Adams catalogue raisonne (see bibliography) says that the RKD''s photo mount identifies the subject as O. M. Duyst, but gives no reference for the identification. Oncommera Mennincx, called Duyst (d. 1634) was the wife of Francois Spieringh (see 55.81.2). They married in 1585.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.81.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.81.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.81.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.81.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25727", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 5213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5213", "Disp_Access_No" : "1962.53", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1928", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1933", "Disp_Title" : "Kneeling Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georg Kolbe", "Sort_Artist" : "Kolbe, Georg", "Disp_Dimen" : "21 1/2 in. (54.6 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37412", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5029", "Disp_Access_No" : "1991.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1475", "Disp_Title" : "St. Sebastian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ulrich Kriechbaum", "Sort_Artist" : "Kriechbaum, Ulrich", "Disp_Dimen" : "54 x 16 x 9 1/2 in. (137.2 x 40.6 x 24.1 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Lindenwood, traces of polychromy", "Info_Page_Comm" : "According to legend, Sebastian was an officer of the imperial guard of the Roman emperor Diocletian. This sculpture shows Sebastian’s fate when it was revealed that he was a Christian: he was sentenced to execution, bound to a stake, and shot with arrows. Left for dead, his wounds were healed by Irene, the widow of another martyr. When he again appeared before the Emperor, Sebastian was ordered beaten to death. This statue may once have been part of the high altar of the Cistercian abbey of Fürstenfeld, a town near Munich, Germany. The detailed and vigorous carving of Sebastian’s face, the elegance of his posture, and the ornamental drapery, with its elaborate folds and angles, are characteristics of the Gothic style as it manifest in southern Germany. [Gallery label text, June 2013]", "Dedication" : "The Marie Adelaide Devine Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33563", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33564", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33565", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #2", "View" : "" } , ] },{ "embark_ID" : 2865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2865", "Disp_Access_No" : "1978.191", "_AccNumSort1" : "", "Disp_Create_DT" : "1819", "_Disp_Start_Dat" : "1819", "_Disp_End_Date" : "1819", "Disp_Title" : "Sampler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ann Gennett Pixley Lacey", "Sort_Artist" : "Lacey, Ann Gennett Pixley", "Disp_Dimen" : "10 1/4 x 10 3/4 in. (26 x 27.3 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "linen", "Disp_Medium" : "Silk thread cross-stitch on linen", "Info_Page_Comm" : "The Memorial Art Gallery is fortunate to have in its collection both a portrait of Ann Gennett Lacey and an example of her needlework made when she was only ten years old (see row seven of her sampler). She was probably enrolled at a female academy in Riga, west of Rochester, where she was taught these skills. Following the American Revolution, schools for young women began to flourish, and fine needlework was one of the subjects (as well as music, reading, writing, and arithmetic) included in the curriculum. The stitching of samplers was believed to be a sign of virtue, achievement and industry, stitched more to demonstrate education than to preserve a skill. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert Dunn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12757", "Rel_Obj_Title" : "Better Things - On Reading (with text) " } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.191_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13887", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18243", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hilton Kramer, author of "The Sculpture of Gaston Lachaise" (New York, Eakins Press Publishers, 1967) said "Lachaise created numerous reclining ''Mountain'' figures in varying sizes in stone and bronze - the first in 1913, the last and largest at the end of his life."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15903", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/990", "Disp_Access_No" : "1967.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "9 x 9 in. (22.9 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Lansing studied art at the Memorial Art Gallery and also at the Art Students League in New York City. She transforms a round marble ball into a child’s head with only the most elemental human features, revealing the grain of the marble to remind us of the timeless material from which the sculpture was carved. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.57_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "36611", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4978", "Disp_Access_No" : "1946.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Moonlight: The Artist's House at Gerberoy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Eugène-Augustin Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri-Eugène-Augustin", "Disp_Dimen" : "25 1/4 x 32 in. (64.1 x 81.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "About the time this work was painted, Le Sidaner's art was compared by a French critic with the music of his countryman and exact contemporary Claude Debussy. The painting's subtle, almost monochromatic coloring, with daubing brushstrokes creating a soft, flickering play of light over surfaces, is certain reminiscent of Debussy's dappled tonal effects. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. William R. Taylor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonné (Yann Farinaux-Le Sidaner, 1989) says this painting was made in 1903; but 1974 Musée de la Ville de Dunkerque catalogue indicates artist didn''t buy this cottage until 1904.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5214", "Disp_Access_No" : "1946.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Footed Goblet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fernand Léger", "Sort_Artist" : "Léger, Fernand", "Disp_Dimen" : "25 1/4 x 18 in. (64.1 x 45.7 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15702", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/527", "Disp_Access_No" : "1967.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1960-1961", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1961", "Disp_Title" : "Untitled (Two Faced Women)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Leslie", "Sort_Artist" : "Leslie, Alfred", "Disp_Dimen" : "80 x 100 1/2 in. (203.2 x 255.3 cm)", "Disp_Height" : "80 in.", "Disp_Width" : "100 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "By mid-century, American artists—influenced primarily by artists who had fled Europe during the 1930-1940s—had firmly established themselves as the leading force in abstract painting and sculpture. The Gallery, continuing its practice of acquiring contemporary art, grew significantly during this period to include the work of the first and second generation of Abstract Expressionists like Al Leslie, former faculty members of the German Bauhaus like Joseph Albers, as well as artists who absorbed and transformed the aesthetic lessons of abstraction and integrated them back into representational imagery. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2004", "Disp_Access_No" : "1975.239", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "CRAK!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "28 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. Runs: Red, yellow, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.239_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.239_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.239_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.239_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/534", "Disp_Access_No" : "1913.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911-1912", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1912", "Disp_Title" : "Morning on the River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonas Lie", "Sort_Artist" : "Lie, Jonas", "Disp_Dimen" : "50 x 60 in. (127 x 152.4 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jonas Lie captures the new American landscape of industry and technology by painting the gritty underside of the Brooklyn Bridge. [Gallery label text, 2007]", "Dedication" : "Gift of Ruth Sibley Gade in memory of James G. Averell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12334", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/938", "Disp_Access_No" : "1971.40", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Merry-Go-Round Goat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Looff", "Sort_Artist" : "Looff, Charles", "Disp_Dimen" : "72 1/4 in. (183.5 cm)", "Disp_Height" : "72 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "In the second half of the nineteenth century, with the rising popularity of resort communities on streetcar routes, carvers began to specialize in carousel and merry-go-round figures to populate the musical rides. Unfortunately, we don’t know the original location of MAG’s Goat. Based on the style of the carving of the saddle and bridle, it is likely that it was made by Charles Looff, whose company manufactured the first carousel at Coney Island. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12024", "Disp_Access_No" : "2004.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1926-1927", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1927", "Disp_Title" : "Aeroplane, Image Thrown on a Screen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "13 x 18 3/8 in. (33 x 46.6 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "18 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite and black ink with white paint ", "Support" : "paper", "Disp_Medium" : "Graphite and black ink with white paint on heavy cream wove paper", "Info_Page_Comm" : "Lozowick’s style, Precisionism, was practiced by many American artists between the wars. Although it was not a unified artistic movement, Precisionist artists did share an interest in technological themes and a style that celebrated the precise lines and formal beauty of machines. As a proponent of the industrial aesthetic, Louis Lozowick was involved in organizing the widely-influential 1927 <em>Machine-Age Exposition</em> in New York City. This groundbreaking exhibition included machines and machine parts alongside paintings, sculptures, and drawings by avant-garde artists. This drawing was likely related to Lozowick’s set design for a 1926 production of George Kaiser’s play <em>Gas</em>, about the dehumanization and need for spiritual regeneration caused by industrialization. Lozowick constructed wooden structures of his machine ornaments and projected the images onto screens to create a mechanically-themed set design. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37635", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/538", "Disp_Access_No" : "1974.103", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Boy with Dice", "Alt_Title" : "Shoeshine Boy", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "30 5/16 x 26 5/16 in. (77 x 66.8 cm)", "Disp_Height" : "30 5/16 in.", "Disp_Width" : "26 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting of a shoeshine boy is a part of a series Luks made of young boys who worked on the streets of New York. [Gallery label text, 2007 Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks, in honor of Harris K. Prior", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.103_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.103_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.103_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.103_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/543", "Disp_Access_No" : "1914.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New Orleans Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "22 x 18 in. (55.9 x 45.7 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1001", "Disp_Access_No" : "1986.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Nathan Hale (1755 - 1776)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.” [Gallery label text, 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5042", "Disp_Access_No" : "1955.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Portrait of a Gentleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicholas Maes", "Sort_Artist" : "Maes, Nicholas", "Disp_Dimen" : "47 x 38 1/2 in. (119.4 x 97.8 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "38 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2049", "Disp_Access_No" : "1975.245", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Downtown, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "6 3/4 x 8 3/4 in. (17.1 x 22.2 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In John Marin’s <em>Downtown, New York</em>, the viewer experiences the dizzying, disorienting sensation of looking up at the buildings while walking on a city street. Marin’s urban vision was one of energy, force, and fragmentation. He sought to capture the frenetic pace of the modern urban experience and the power of skyscrapers as though they themselves were active players in the city’s vitality, as “warring, pushing, pulling forces.” The slashing diagonal form is the elevated railroad that dominated the New York City landscape starting in the 1870s. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.245_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.245_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.245_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.245_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7043", "Disp_Access_No" : "1959.67", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "At Dordrecht", "Alt_Title" : "Harbor", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "13 1/2 x 19 in. (34.3 x 48.3 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14731", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5172", "Disp_Access_No" : "1978.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Harbor Town", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "14 1/4 x 23 1/2 in. (36.2 x 59.7 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26153", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 7039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7039", "Disp_Access_No" : "1959.61", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Suburbs of the Hague", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "board", "Disp_Medium" : "Tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14106", "Disp_Access_No" : "2006.39", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1960s", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1965", "Disp_Title" : "Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maria Martinez", "Sort_Artist" : "Martinez, Maria", "Disp_Dimen" : "4 3/4 x 6 in. (12.1 x 15.2 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "pieced sheets", "Medium" : "Blackware", "Support" : "", "Disp_Medium" : "Blackware", "Info_Page_Comm" : "The name and work of Maria Martinez is recognized far and wide. Learning the art of pottery-making from her aunt, she began making pots with her husband Julian Martinez several years after they were married. They became well-known for their distinctive black-on-black ware, made by combining designs that had been highly burnished (and appeared glossy) with those that were slip-painted (and appeared matte). Maria continued to produce pottery after Julian’s death in 1943, collaborating with family members. This jar was made with her son, Popovi Da. [Gallery label text, 2009]", "Dedication" : "Bequest of Phyllis Clark", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31036", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5001", "Disp_Access_No" : "1949.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1384 - 1390", "_Disp_Start_Dat" : "1384", "_Disp_End_Date" : "1390", "Disp_Title" : "Mourner's Niche from the Tomb of Philip the Bold", "Alt_Title" : "Tomb Niche", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean de Marville", "Sort_Artist" : "Marville, Jean de", "Disp_Dimen" : "28 9/16 x 13 1/16 x 9 in. (72.5 x 33.2 x 22.9 cm)", "Disp_Height" : "28 9/16 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, gilding", "Info_Page_Comm" : "This sculpture was originally part of the tomb of Philip the Bold, who was the ruler of the Netherlands and regent of France until his death in 1404. Forty mourning figures, called pleurants, form a procession around the base of the tomb. Each is placed in an arcade characterized by gothic architectural forms. The gisants, or funerary statues, of the Duke and his wife rest on top of the tomb. The tomb of Philip the Bold, originally in the Carthusian monastery of Champmol at Dijon, France, was destroyed in the French Revolution. Many of the surviving fragments, including the top of this arcade, were salvaged and then sold to collectors. The tomb was extensively restored from 1818 to 1823 and now stands in the Museum of Fine Arts in Dijon. [Gallery label text, June 2013]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.51_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.51_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.51_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.51_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Not suitable for publication-- no color bars in original shot", "View" : "" } , ] },{ "embark_ID" : 4991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4991", "Disp_Access_No" : "1931.28", "_AccNumSort1" : "", "Disp_Create_DT" : "late 15th Century - early 16th Century", "_Disp_Start_Dat" : "1467", "_Disp_End_Date" : "1532", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of Frankfurt", "Sort_Artist" : "Master of Frankfurt", "Disp_Dimen" : "17 x 13 in. (43.2 x 33 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on panel", "Info_Page_Comm" : "Set against a backdrop of the ruins of a church, this picture depicts the adoration of the infant Christ by his mother and three kneeling angels. The two shepherds at the left, along with their animals, are about to enter the ruins; at the right, standing under a broken arch, Joseph carries a lighted candle. Three angels hover above the scene in the remains of the church gable. The artist renders in meticulous detail richly decorated fabrics, architectural motifs and foliage as well as the story of the picture. The landscape in the background possibly depicts an actual location in the Netherlands.", "Dedication" : "Carrie Bausch Lomb Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.28_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.28_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.28_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.28_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33960", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 4985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4985", "Disp_Access_No" : "1980.43", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1515", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1520", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the Holy Blood", "Sort_Artist" : "Master of the Holy Blood", "Disp_Dimen" : "38 11/16 x 21 7/8 in. (98.2 x 55.5 cm)", "Disp_Height" : "38 11/16 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This painting depicts the New Testament story of one of the most popular devotional images in Christian art, the Adoration of the Magi. After Christ was born, three wealthy Magi, or Kings, from the east came to Jerusalem seeking the one “who was born king of the Jews.” When they found him near Bethlehem with Mary and Joseph, seen here standing behind the Virgin and infant Christ, they “bowed down and worshipped him, opened their treasures and presented him with gifts of gold, incense and myrrh.” [Gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.43_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.43_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.43_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.43_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.43_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.43_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.43_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.43_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36531", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.43_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.43_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.43_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.43_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "36532", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.43_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.43_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.43_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.43_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4992", "Disp_Access_No" : "1948.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1495", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1495", "Disp_Title" : "Madonna and Child Enthroned with Angels", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the St. Ursula Legend", "Sort_Artist" : "Master of the St. Ursula Legend", "Disp_Dimen" : "24 1/4 x 13 1/2 in. (61.6 x 34.3 cm)", "Disp_Height" : "24 1/4 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6636", "Disp_Access_No" : "1943.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1350-1400", "_Disp_Start_Dat" : "1350", "_Disp_End_Date" : "1400", "Disp_Title" : "The Annunciation to Zacharias", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the Urbino Coronation", "Sort_Artist" : "Master of the Urbino Coronation", "Disp_Dimen" : "69 1/2 x 53 5/8 x 1 5/8 in. (176.5 x 136.2 x 4.1 cm)", "Disp_Height" : "69 1/2 in.", "Disp_Width" : "53 5/8 in.", "Dimen_Extent" : "with frame", "Medium" : "", "Support" : "canvas", "Disp_Medium" : "Fresco transferred to canvas", "Info_Page_Comm" : "This painting was once part of a cycle of frescoes in the church of Santa Lucia in Fabriano, a town northeast of Rome. The series probably depicted the story of the life of Saint John the Baptist, who, according to Christian tradition, was the precursor of Christ. The subject, taken from the first chapter of the gospel book of Luke, presents the vision of the aged Zacharias as he officiates at the altar of incense and learns from the Angel Gabriel that his wife Elizabeth, although “well stricken in years,” is to bear a son, John, who will “make ready a people” for the coming of the Lord. The crowds, who “waited…and marveled,” are at the right, dressed in the style of Florence during the 1300s. The pointed turban of the middle figure indicates that he is Jewish. The kneeling figure at the left is probably the donor of the painting. This painting was removed from the wall in the 1800s and has since been remounted on canvas. It has been connected to two others from the same church, The Crucifixion in the Museum of Fine Arts, Boston, and The Birth of John the Baptist in the Galleria Nazionale, Rome. [Gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "19341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #2", "View" : "" } , ] },{ "embark_ID" : 5218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5218", "Disp_Access_No" : "1924.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Girl with a Tricorne (Vénitienne)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "24 3/8 x 20 in. (61.9 x 50.8 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5153", "Disp_Access_No" : "1936.67", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "15 x 27 in. (38.1 x 68.6 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13059", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20807", "Disp_Access_No" : "2007.26", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "Passenger Pigeon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Todd McGrain", "Sort_Artist" : "McGrain, Todd", "Disp_Dimen" : "76 x 25 x 25 in. (193 x 63.5 x 63.5 cm)", "Disp_Height" : "76 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Artist statement from http://www.toddmcgrain.com/: The Lost Bird Project recognizes the tragedy of modern extinction by immortalizing North American birds, which have been driven to extinction, including the Passenger Pigeon, the Carolina Parakeet, the Labrador Duck, the Great Auk, and the Heath Hen. The bronze sculptures I am creating will be subtle, beautiful, and hopeful reminders. The human scale of each sculpture elicits a physical sympathy. The smooth surface, like a stone polished from touch, conjures the effect of memory and time. I model these gestural forms to contain a taut equilibrium, a balanced pressure from outside and from inside—like a breath held in. As a group they are melancholy, yet affirming. They compel us to recognize the finality of our loss, they ask us not to forget them, and they remind us of our duty to prevent further extinction. ", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.26_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "24717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.26_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.26_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.26_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.26_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "24718", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/576", "Disp_Access_No" : "1913.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "The Golden Carnival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willard L. Metcalf", "Sort_Artist" : "Metcalf, Willard L.", "Disp_Dimen" : "36 x 39 in. (91.4 x 99.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "41033", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned in-house from transparency and re-color corrected to create larger file for RIT iPad project, 2013", "View" : "" } , ] },{ "embark_ID" : 6542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6542", "Disp_Access_No" : "1955.69", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans van Mieris the Elder", "Sort_Artist" : "Mieris the Elder, Frans van", "Disp_Dimen" : "5 x 4 in. (12.7 x 10.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 5060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5060", "Disp_Access_No" : "1975.117", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Dido Contemplating the Portrait of Aeneas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willem van Mieris", "Sort_Artist" : "Mieris, Willem van", "Disp_Dimen" : "17 x 12 1/2 in. (43.2 x 31.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Rex Wood", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.117_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.117_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.117_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.117_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05. 2 additional master scans have been saved to the image server, 75.117_M2 and _M3.tif", "View" : "" } , ] },{ "embark_ID" : 5033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5033", "Disp_Access_No" : "1946.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1620 (?)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos de Momper", "Sort_Artist" : "Momper, Joos de", "Disp_Dimen" : "18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5051", "Disp_Access_No" : "1977.140", "_AccNumSort1" : "", "Disp_Create_DT" : "1696", "_Disp_Start_Dat" : "1696", "_Disp_End_Date" : "1696", "Disp_Title" : "Harpsichord", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mondini", "Sort_Artist" : "Mondini, Joseph", "Disp_Dimen" : "35 13/16 x 10 1/4 x 96 1/4 in. (91 x 26 x 244.5 cm)", "Disp_Height" : "35 13/16 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gilding", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Musical Instrument", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.140_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.140_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.140_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.140_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16008", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4969", "Disp_Access_No" : "1939.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Rocks at Pourville, Low Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 5/16 x 31 in. (64.3 x 78.7 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting belongs to a series of works produced during the spring and summer of 1882, while Monet visited Pourville, a town on the Normandy coast. As he explored the beach and the rocks exposed at low tide, Monet found a startling diversity of viewpoints that enabled him to create some of his most dramatic and unexpected compositions. In all of them, Monet placed himself far out across the beach, a little to the east of Pourville. He juxtaposed the cliffs in the far distance with the fragmented forms of the rock shelves in the foreground, using unique brushstrokes to convey the movement and light of the water and clouds. Monet’s technique gradually changed from completing paintings out of doors to one of making hundreds of concentrated studies on location. He then compiled and reworked these many sketches in his studio, where he created the final canvases. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Recorrected from M1 image as there was no print master version. A new JPG was derived from the new print master.", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 7523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7523", "Disp_Access_No" : "1972.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Working Model for Three Piece No. 3: Vertebrae", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Spencer Moore", "Sort_Artist" : "Moore, Henry Spencer", "Disp_Dimen" : "41 5/8 x 93 x 48 in. (105.7 x 236.2 x 121.9 cm)", "Disp_Height" : "41 5/8 in.", "Disp_Width" : "93 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Joseph C. Wilson by a group of his friends", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_R4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_R4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_R4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_R4.tif", "IsPrimary" : "0", "_SurrogateID" : "37666", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Object being installed into the Fountain base", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_A15.jpg", "IsPrimary" : "1", "_SurrogateID" : "38871", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.51_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.51_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.51_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.51_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "38872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/581", "Disp_Access_No" : "1983.112", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset over the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "5 1/8 x 10 1/4 in. (13 x 26 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Dr. James Sibley Watson and Hildegarde Lasell Watson by their daughter-in-law, Nicoleta Z. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1015", "Disp_Access_No" : "1975.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Mountain Piece", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Morris", "Sort_Artist" : "Morris, Hilda", "Disp_Dimen" : "60 x 60 x 48 in. (152.4 x 152.4 x 121.9 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3213", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," I" },{ "Rel_Obj_ID" : "3214", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," II" },{ "Rel_Obj_ID" : "3215", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," III" },{ "Rel_Obj_ID" : "3216", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," IV" },{ "Rel_Obj_ID" : "3217", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," V" },{ "Rel_Obj_ID" : "3218", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VI" },{ "Rel_Obj_ID" : "3219", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VII" },{ "Rel_Obj_ID" : "1017", "Rel_Obj_Title" : "Maquette for "Mountain Piece"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12640", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/584", "Disp_Access_No" : "1953.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "My Hills of Home", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Mary Robertson Moses", "Sort_Artist" : "Moses, Anna Mary Robertson", "Disp_Dimen" : "18 x 36 in. (45.7 x 91.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "If you asked people to name an American artist, chances are that many of them would say “Grandma Moses,” for her name has come to be associated with a distinctive style of painting and rural subjects that strike a common national chord. Grandma Moses first began to paint in her seventies, after arthritis made it impossible for her to continue to embroider. A New York collector driving through Moses’s home town of Hoosick Falls, New York, saw her paintings in a drugstore, bought them, and bought more after visiting her at her farm. She had her first exhibition in 1940. In her biography, she wrote: "I look back on my life like a good day's work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be." [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "12579", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "53.3.DI1 watermarked for use on website--see PRR record.", "View" : "" } , ] },{ "embark_ID" : 3891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3891", "Disp_Access_No" : "1998.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Sunday Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "37 1/2 x 44 1/2 in. (95.3 x 113 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.” [Gallery label text, 2007] Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?" Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 2562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2562", "Disp_Access_No" : "1922.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nampeyo", "Sort_Artist" : "Nampeyo", "Disp_Dimen" : "3 x 9 1/4 in. (7.6 x 23.5 cm)", "Disp_Height" : "3 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay with mineral pigment", "Info_Page_Comm" : "Nampeyo's name and her descendants are cultural icons of Pueblo pottery. Belonging to the Hopi First Mesa pueblo, she learned to make pots at an early age. She is credited with the revival of Hopi pottery-making in the early 20th century, a result of her great skill and innovative adaptations of traditional forms and designs. The interior of this bowl is decorated with an image of a katsina, a supernatural being embodied by masked dancers of the pueblos. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Henry A. Strong", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""The ''Katchena'' painted in the bowl is a charm used in the snake dances. --collector''s notes in file", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24115", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4212", "Disp_Access_No" : "2005.269", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Dawn's Landscape XL", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louise Nevelson", "Sort_Artist" : "Nevelson, Louise", "Disp_Dimen" : "39 x 35 x 6 1/2 in. (99.1 x 88.9 x 16.5 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.269_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.269_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.269_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.269_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo and alternates on disk entitled 160106", "View" : "" } , ] },{ "embark_ID" : 1025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1025", "Disp_Access_No" : "1960.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Calligraphics", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isamu Noguchi", "Sort_Artist" : "Noguchi, Isamu", "Disp_Dimen" : "70 5/8 x 18 x 3 5/8 in. (179.4 x 45.7 x 9.2 cm)", "Disp_Height" : "70 5/8 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Iron, wood and rope", "Support" : "", "Disp_Medium" : "Cast iron, wood and rope", "Info_Page_Comm" : "Isamu Noguchi’s father was a Japanese poet and his mother was an American writer. Although he was born in California and lived much of his life in the U.S., Noguchi’s travels reflected his own East-West duality. The artist spent his childhood traveling throughout Japan with his mother. As a young man he went to Paris to study with the abstract sculptor Constantin Brancusi. In China, he studied the ancient art of calligraphy. In the sleek, mid-century forms of Calligraphics, Noguchi combined his love of modern sculpture and calligraphy. The two shapes suggest abstract versions of Japanese characters: ni meaning “the sun” (like the red sun on the flag of Japan) and hon meaning “the origin” (perhaps his own). [Summer 2015]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Chiyo Ueyama notes that the sculpture suggests abstracted versions of the characters for "nihon," the Japanese name for Japan: the two characters translate to "the sun" (ni) and "the origin" (hon).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/617", "Disp_Access_No" : "1951.11a", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Jawbone and Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "17 x 20 in. (43.2 x 50.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With her unique vision and expression, Georgia O’Keeffe epitomizes the modern American artist. Her simple, pared down shapes and closely cropped still-lifes of bones and flowers turn objects into landscapes of their own. [Gallery label text, 2007] Painting on the verso, 51.11b.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "11221", "Rel_Obj_Title" : "Untitled (Abstraction)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11a_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11221", "Disp_Access_No" : "1951.11b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Untitled (Abstraction)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "17 x 20 in. (43.2 x 50.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although O’Keeffe left this abstract composition unfinished in 1923, she picked up this canvas again in 1931 to paint "Jawbone and Fungus," (51.11a) on the other side of this canvas. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "617", "Rel_Obj_Title" : "Jawbone and Fungus" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14808", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3920", "Disp_Access_No" : "1997.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "Bowl, Flower Bird Motif", "Series_Title" : "", "Disp_Maker_1" : "Ohi Chozaemon X", "Sort_Artist" : "Ohi Chozaemon X", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Box stored in Small Object bay 2 shelf 4, as of 8/2013. KSchauber", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18659", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10399, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10399", "Disp_Access_No" : "2001.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1935-1936", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1936", "Disp_Title" : "White Collar Boys", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth M. Olds", "Sort_Artist" : "Olds, Elizabeth M.", "Disp_Dimen" : "13 x 17 3/8 in. (33 x 44.1 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In <em>White Collar Boys</em>, Elizabeth M. Olds depicts a group of Wall Street men marching down the street with no individuation or sense of independent will. The concept of the automaton—a human/machine amalgamation—was an outgrowth of life in an industrial, urban environment in which almost all facets of life had become automated and removed from nature. In 1922, philosopher and historian Lewis Mumford wrote, “We have had the alternative of humanizing the industrial city or de-humanizing the population. So far we have de-humanized the population.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3224", "Disp_Access_No" : "1975.265", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Landscape 31", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Olson", "Sort_Artist" : "Olson, George", "Disp_Dimen" : "11 3/4 x 17 1/4 in. (29.8 x 43.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "17 1/4 in.", "Dimen_Extent" : "", "Medium" : "Charcoal", "Support" : "paper", "Disp_Medium" : "Charcoal and wash ", "Info_Page_Comm" : "One of the most frightening notions tied to modern technology is that its evolution exists outside the control of man. In <em>Landscape 31</em>, artist George Olson creates a landscape in which discarded mass-produced goods obliterate any view of the sky, grass, or trees. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.265_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.265_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.265_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.265_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7541, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7541", "Disp_Access_No" : "1955.49.1", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Female Satyr, Bacchus, and Putti", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerhard van Opstal", "Sort_Artist" : "Opstal, Gerhard van", "Disp_Dimen" : "8 1/2 x 6 1/4 x 1 in. (21.6 x 15.9 x 2.5 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "", "Medium" : "Ivory", "Support" : "", "Disp_Medium" : "Ivory", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.49.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.49.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.49.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.49.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31812", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7543", "Disp_Access_No" : "1955.49.2", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Pan, Nymph, and Putto", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerhard van Opstal", "Sort_Artist" : "Opstal, Gerhard van", "Disp_Dimen" : "8 1/2 x 5 3/4 x 7/8 in. (21.6 x 14.6 x 2.2 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Ivory", "Support" : "", "Disp_Medium" : "Ivory", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.49.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.49.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.49.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.49.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13948", "Disp_Access_No" : "2005.270", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Still Life with Melons, Grapes, Figs and Cherries", "Alt_Title" : "Still Life of Fruits and Melons on a Stone Ledge", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michele Pace del Campidoglio", "Sort_Artist" : "Pace del Campidoglio, Michele", "Disp_Dimen" : "28 1/2 x 37 1/4 in. (72.4 x 94.6 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "37 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Previously ascribed to Master of the Acquavella Still-Life and to Pier Paolo Bonzi.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.270_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.270_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.270_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.270_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38912", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5070", "Disp_Access_No" : "1968.3", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Bust of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustin Pajou", "Sort_Artist" : "Pajou, Augustin", "Disp_Dimen" : "16 1/2 x 14 5/8 x 12 5/8 in. (41.9 x 37.1 x 32.1 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1030", "Disp_Access_No" : "1982.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Candlestick", "Alt_Title" : "Vatican Candlestick", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "111 x 35 in. (281.9 x 88.9 cm)", "Disp_Height" : "111 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Mild steel, forged", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per the artist: Vatican representatives approached him in the early 70s about lending a work to an exhibition on art in religion, and he made this piece for inclusion in that exhibition. It later went on tour with other pieces. See Art Committee minutes of May 1983.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1031", "Disp_Access_No" : "1987.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Convergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "107 x 77 1/2 x 16 1/2 in. (271.8 x 196.9 x 41.9 cm)", "Disp_Height" : "107 in.", "Disp_Width" : "77 1/2 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Forged steel, polychromed", "Info_Page_Comm" : "", "Dedication" : "Gift in honor of Herbert W. Vanden Brul made possible by Harris Corporation-RF Communications Division, Vanden Brul family members and friends, and the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3226", "Rel_Obj_Title" : "Convergence" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2807", "Disp_Access_No" : "1973.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Fibula 112", "Alt_Title" : "Brooch", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "5 1/8 x 5 5/16 in. (13 x 13.5 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "5 5/16 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver, gold, ivory with rutilated quartz and tourmaline", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40236", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1977.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1633-1637", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1637", "Disp_Title" : "Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Paolini", "Sort_Artist" : "Paolini, Pietro", "Disp_Dimen" : "49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)", "Disp_Height" : "49 3/4 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.103_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.103_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.103_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.103_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 to create a file of a size suitable for publication.", "View" : "" } , ] },{ "embark_ID" : 4258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4258", "Disp_Access_No" : "5.1997L", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Interlude", "Alt_Title" : "The Lute Players", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "84 x 60 in. (213.4 x 152.4 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Maxfield Parrish, leading illustrator and muralist of the early twentieth century, painted Interlude to hang at the Eastman Theatre in Rochester. Through architect Lawrence Grant White, George Eastman commissioned three murals for the theater, which served as both silent movie palace and philharmonic hall. Interlude was Eastman’s favorite, a “peacherina,” he wrote White. The radiant quality of Interlude is due to Parrish’s high technical standards and theatrical sense of color—electrical reds, vivid purples, and lush apricots. A shade of cobalt straight from the tube was applied so ingeniously that it became known as “Parrish blue.” He painted glaze upon glaze to create a hard photographic finish that betrayed no brush strokes. Interlude was moved to the Memorial Art Gallery in 1997 to provide it with more stable temperature and humidity conditions. In its place at the Eastman Theatre is a full-size color reproduction. Elizabeth Brayer, George Eastman Historian [Summer 2015]", "Dedication" : "Lent by the Eastman School of Music of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See reproduction of a photo of a model posing for this painting in Alma Gilbert''s "Parrish and Photography," Plainfield, NH, 1998, fig. 13a.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the Eastman Theater", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "38863", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 1035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1035", "Disp_Access_No" : "1913.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "James G. Averell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "22 x 14 1/2 in. (55.9 x 36.8 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait bust-length in profile", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "derived from tiff from Seeing America catalogue", "View" : "" } , ] },{ "embark_ID" : 1034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1034", "Disp_Access_No" : "1913.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Memory", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)", "Disp_Height" : "82 1/2 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12333", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "40466", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color from original photo in photo files in Archives.", "View" : "" } , ] },{ "embark_ID" : 5030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5030", "Disp_Access_No" : "1994.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1520-1530", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1530", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joachim Patinir", "Sort_Artist" : "Patinir, Joachim", "Disp_Dimen" : "22 15/16 x 32 7/16 in. (58.3 x 82.4 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "32 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel, transferred to masonite", "Info_Page_Comm" : "According to the New Testament Gospel of Matthew, King Herod, ruler of Judea, or ancient Palestine, ordered the infant Christ killed upon hearing of his birth. Warned by an angel in a dream of the danger, Joseph fled into Egypt with Mary and the baby. In this painting, Mary nurses Christ while Joseph tends their donkey in a lush landscape modeled on those local to the artist rather than the desert the Holy Family actually crossed. This scene was a particular favorite of the artist Joachim Patinir, who specialized in depicting semi-imaginary landscapes with meandering rivers and soft, protruding cliffs and rock arches. [Gallery label text, June 2013]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/628", "Disp_Access_No" : "1964.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1857-1858", "_Disp_Start_Dat" : "1857", "_Disp_End_Date" : "1858", "Disp_Title" : "Still Life Number 26: Silver Basket of Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rubens Peale", "Sort_Artist" : "Peale, Rubens", "Disp_Dimen" : "13 7/8 x 20 in. (35.2 x 50.8 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "tin", "Disp_Medium" : "Oil on tin", "Info_Page_Comm" : "In March, 1856, Rubens Peale wrote: “I painted all day on Number 15 and Number 26 as it has been very stormy today, nothing going on out doors…. After this, however, visitors came to stay and part of the house was given over to them.” What is somewhat surprising is that Peale, a member of the illustrious family of artists and naturalists, did not begin painting until he was seventy-one. Until then, his work had focused on museums and farming. Considering the artist’s limited visual acuity, the texture and color of the fruit and basket in this quiet still life are all the more remarkable. [Gallery label text, 2005] ", "Dedication" : "Gift of Helen C. Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5222", "Disp_Access_No" : "1949.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Ripe Wheat Field (Reifes Ährenfeld)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "31 7/8 x 39 5/8 in. (81 x 100.6 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Rudolph H. Hofheinz in memory of their son Rudolph Hofheinz, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13806", "Disp_Access_No" : "2006.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1937", "_Disp_Start_Dat" : "1937", "_Disp_End_Date" : "1937", "Disp_Title" : "The Pendulum", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Irene Rice Pereira", "Sort_Artist" : "Pereira, Irene Rice", "Disp_Dimen" : "31 x 42 in. (78.7 x 106.7 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In 1931, Irene Rice Pereira traveled aboard a steamer ship to Europe. The larger-than-life machine forms she encountered on the ship inspired the abstract and streamlined machine imagery of "The Pendulum." [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21891", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is not intended for web display. This image was scanned from a photo sent from the dealer.", "View" : "" } , ] },{ "embark_ID" : 635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/635", "Disp_Access_No" : "1965.3", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1890", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1900", "Disp_Title" : "Articles Hung on a Door", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Peto", "Sort_Artist" : "Peto, John Frederick", "Disp_Dimen" : "30 x 21 3/4 in. (76.2 x 55.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4999, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4999", "Disp_Access_No" : "1949.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1330", "_Disp_Start_Dat" : "1325", "_Disp_End_Date" : "1335", "Disp_Title" : "Virgin and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni di Balduccio", "Sort_Artist" : "di Balduccio, Giovanni", "Disp_Dimen" : "15 15/16 x 6 11/16 x 4 1/2 in. (40.5 x 17 x 11.5 cm)", "Disp_Height" : "15 15/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, gilding, polychromy", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "15931", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "15932", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "33514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "33516", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "33517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "33518", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.45_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.45_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.45_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.45_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "33519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #3", "View" : "" } , ] },{ "embark_ID" : 7457, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7457", "Disp_Access_No" : "1983.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Polar Bear with Shaman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Davidee Piungitu", "Sort_Artist" : "Piungitu, Davidee", "Disp_Dimen" : "2 1/4 x 5 3/4 x 12 1/4 in. (5.7 x 14.6 x 31.1 cm)", "Disp_Height" : "2 1/4 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Soapstone", "Info_Page_Comm" : "This piece is relatively recent and may represent an inua or spirit/soul of a bear in human form. A label on the bottom of the piece links it to Canadian Arctic Producers (CAP), a government-initiated cooperative established in 1965 to market the work of the aboriginal people of northern Canada. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Harmar Brereton", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25832", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.82_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.82_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.82_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.82_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25833", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20661, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20661", "Disp_Access_No" : "3.2007L", "_AccNumSort1" : "", "Disp_Create_DT" : "about 1605 - 1634", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1634", "Disp_Title" : "Virginal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Poggio", "Sort_Artist" : "Poggio, Francesco", "Disp_Dimen" : "7 11/16 x 60 1/8 x 20 5/16 in. (19.5 x 152.7 x 51.6 cm)", "Disp_Height" : "7 11/16 in.", "Disp_Width" : "60 1/8 in.", "Dimen_Extent" : "case", "Medium" : "Poplar", "Support" : "", "Disp_Medium" : "Poplar", "Info_Page_Comm" : "", "Dedication" : "Museum of Fine Arts, Boston. Leslie Lindsey Mason Collection.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Musical Instrument", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/3.2007L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/3.2007L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/3.2007L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/3.2007L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24923", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image courtesy of Museum of Fine Arts, Boston. ", "View" : "" } , ] },{ "embark_ID" : 637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/637", "Disp_Access_No" : "1986.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The Beginning of the Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fairfield Porter", "Sort_Artist" : "Porter, Fairfield", "Disp_Dimen" : "52 x 76 1/8 in. (132.1 x 193.4 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "76 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.132_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.132_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.132_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.132_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/640", "Disp_Access_No" : "1963.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1913-1915", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1915", "Disp_Title" : "Woodland Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "Despite many differences in style and subject matter, Maurice Prendergast exhibited with the Urban Realist artists in the beginning of the century. His style of breaking up the surface of his paintings with color and light was a shock to American viewers. An art critic wrote in 1908, “Hung in a group, these canvases of Mr. Prendergast look… like an explosion in a color factory.” [Gallery label text, 2007] Prendergast looked to European artists for his inspiration. One of the most modern painters working in America in the first decade of the century, his colors were often applied in post-impressionist daubs, like Seurat, and the space in his works was compressed and unrealistic. Like Glackens, he enjoyed painting scenes of leisure, particularly bathing scenes like this one. He exhibited in the 1908 Macbeth Gallery show, along with Henri and the others, and while his work had little in common with many of the members of The Eight, he was as interested as they were in defying the conventions that had been established by the National Academy. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7459", "Disp_Access_No" : "1983.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Hunting Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Quanaluk", "Sort_Artist" : "Quanaluk, Daniel", "Disp_Dimen" : "7 7/8 x 2 3/4 x 13 1/8 in. (20 x 7 x 33.3 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Soapstone", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Harmar Brereton", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.90_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.90_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.90_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.90_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27181", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.90_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.90_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.90_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.90_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.90_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1041", "Disp_Access_No" : "1962.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1962", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1967", "Disp_Title" : "Bird Form", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Svetozar Radakovich", "Sort_Artist" : "Radakovich, Svetozar", "Disp_Dimen" : "24 x 21 in. (61 x 53.3 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "A Yugoslav émigré, Radakovich was a painter, sculptor, and metalsmith who studied and worked in Rochester in the 1950s. Ever one to be observant of the potential inherent in found materials, he transformed a rock from Lake Ontario into the base of a sculpture and cast and soldered pieces of flotsam and jetsam into a work that reveals itself to be a bird. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Purchased through the R. T. Miller and the Art Patrons Funds", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.8_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.8_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.8_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.8_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36609", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2809", "Disp_Access_No" : "1958.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Pendant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Svetozar Radakovich", "Sort_Artist" : "Radakovich, Svetozar", "Disp_Dimen" : "16 1/2 x 2 3/4 in. (41.9 x 7 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver and moonstone", "Info_Page_Comm" : "", "Dedication" : "Purchase Prize from The 2nd Exhibition of American Jewelry and Related Objects", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.133_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.133_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.133_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.133_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18013", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4260", "Disp_Access_No" : "1947.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Madonna and Child with Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raffaellino del Garbo", "Sort_Artist" : "Raffaellino del Garbo", "Disp_Dimen" : "37 1/4 x 37 1/4 in. (94.6 x 94.6 cm)", "Disp_Height" : "37 1/4 in.", "Disp_Width" : "37 1/4 in.", "Dimen_Extent" : "diameter", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera and oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.30_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 5236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5236", "Disp_Access_No" : "1966.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van Ravesteyn", "Sort_Artist" : "Ravesteyn, Jan van", "Disp_Dimen" : "48 1/8 x 35 5/8 in. (122.2 x 90.5 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "35 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Elizabeth K. and William H. Hudnut, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12432", "Disp_Access_No" : "2004.11a-c", "_AccNumSort1" : "", "Disp_Create_DT" : "2003", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2003", "Disp_Title" : "V-8 Universe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Regan", "Sort_Artist" : "Regan, David", "Disp_Dimen" : "19 1/2 x 22 x 17 1/4 in. (49.5 x 55.9 x 43.8 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "overall", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Porcelain", "Info_Page_Comm" : "In <em>V-8 Universe</em> a soup tureen in the shape of an engine sits on a tire-rim-shaped base. Regan incorporates the domestic, the technological, and the religious in a comical mechanic’s version of the three levels of Dante’s <em>Inferno</em>: heaven, purgatory, and hell. The tureen lid, an air-filter housing, is an angel-filled heaven that turns around a god-like light source emitted by a wing nut. Below, the spark plugs illuminate a medieval cathedral (a mechanic’s idea of purgatory?) peopled by planets, saints, and monks carrying car parts. In hell, an endless traffic jam is fueled by the road rage of skeletons. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.11a-c_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.11a-c_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.11a-c_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.11a-c_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.11a-c_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.11a-c_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.11a-c_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.11a-c_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "24878", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.11a-c_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.11a-c_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.11a-c_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.11a-c_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "24879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.11a-c_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.11a-c_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.11a-c_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.11a-c_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "24880", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/653", "Disp_Access_No" : "1968.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Abstract Painting: Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ad Reinhardt", "Sort_Artist" : "Reinhardt, Ad", "Disp_Dimen" : "82 x 22 in. (208.3 x 55.9 cm)", "Disp_Height" : "82 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ad Reinhardt took a philosophical point of view when it came to making fine art and explaining its significance. An influential writer on the subject, he is remembered for having made the following statement: “Art is Art, and Life is Life.” The spirit of this statement is well represented by this painting, which has a very subtle composition that only emerges for the viewer after close inspection. For Reinhardt, to appreciate the true significance of art one shouldn’t compare it to anything else. Art is an idea that is revealed only through pure form and content. For Reinhardt, art cannot teach you about the world. It can only teach you about art. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1042", "Disp_Access_No" : "1955.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "The Broncho Buster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederic Remington", "Sort_Artist" : "Remington, Frederic", "Disp_Dimen" : "22 1/2 x 20 in. (57.2 x 50.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22443", "Disp_Access_No" : "2010.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1764", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1769", "Disp_Title" : "Creampot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Revere", "Sort_Artist" : "Revere, Paul", "Disp_Dimen" : "3 7/8 x 3 1/4 x 4 in. (9.9 x 8.3 x 10.1 cm)", "Disp_Height" : "3 7/8 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33953", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309. Andy Olenick dropped out gray background and made a version with white background and this one with black background", "View" : "" } , ] },{ "embark_ID" : 1043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1043", "Disp_Access_No" : "1972.5", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1972", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1977", "Disp_Title" : "Seek for the Self", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Rhodes", "Sort_Artist" : "Rhodes, Daniel", "Disp_Dimen" : "12 3/4 x 12 x 10 in. (32.4 x 30.5 x 25.4 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic and fiberglass", "Info_Page_Comm" : "A professor at the Alfred University School of Ceramics, Daniel Rhodes pioneered a technique that embedded fiberglass strips with ceramic, thereby increasing sculptural potential of the medium. Layer by layer, the ‘self’ in the sculpture is simultaneously hidden and revealed. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36613", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.5_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "36614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13580", "Disp_Access_No" : "6.2005L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stewart Family LLC", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/6.2005L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/6.2005L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/6.2005L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/6.2005L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1049", "Disp_Access_No" : "1994.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Two Lines Up Excentric - Twelve Feet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Rickey", "Sort_Artist" : "Rickey, George", "Disp_Dimen" : "231 15/16 x 266 in. (589.2 x 675.6 cm)", "Disp_Height" : "231 15/16 in.", "Disp_Width" : "266 in.", "Dimen_Extent" : "maximum", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard F. Brush", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "4150", "Rel_Obj_Title" : "Two Lines [Small Series]" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.44_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.44_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.44_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.44_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 2810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2810", "Disp_Access_No" : "1958.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : ""Stained Glass" Bracelet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ruth S. Roach", "Sort_Artist" : "Roach, Ruth S.", "Disp_Dimen" : "2 in. (5.1 cm)", "Disp_Height" : "2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Purchase Prize from The 2nd Exhibition of American Jewelry and Related Objects", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "January 13, 2012: Per information in letters from artist in curatorial file, Marjorie Searl has changed the title of this object from Bracelet to "Stained Glass" Bracelet. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.134_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24396", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5080", "Disp_Access_No" : "1963.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Figures Amidst Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "25 3/4 x 32 1/8 in. (65.4 x 81.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 664, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/664", "Disp_Access_No" : "1974.98", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Soldier on Leave", "Alt_Title" : "Little Girl Observing Lovers on a Train", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Norman Rockwell", "Sort_Artist" : "Rockwell, Norman", "Disp_Dimen" : "22 x 20 in. (55.9 x 50.8 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "During World War II, Norman Rockwell painted positive and uplifting scenes of the American homefront. Rockwell, America’s most popular illustrator, created "Soldier on Leave" for the [August 12, 1944] cover of the widely-read magazine, 'The Saturday Evening Post.' [Gallery label text, 2007] Norman Rockwell’s Saturday Evening Post covers have shaped much of the American public’s imagination about what is American about America. This painting appeared on the magazine’s cover on August 12, 1944, in the midst of World War II. Allied Forces had landed on the beaches of France on D-Day, June 6, two months prior to the magazine’s publication date, and there was reason to believe that the war would not go on much longer. In the meantime, soldiers were continuing to be drafted and wartime romances were intensified by the threat of separation. The scene in Soldier on Leave was a common story: young lovers take what comfort they can from each other in spite of their lack of privacy, knowing their time together is brief. Rockwell frequently used Vermont neighbors as models for his paintings. This painting is no exception, and to complete the realistic setting, he posed his models in an actual train that was loaned to him by the Rutland Railroad. [Gallery label text, 2004] ", "Dedication" : "Gift of Dr. and Mrs. Robert M. Boynton", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.98_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.98_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.98_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.98_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27605", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 4972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4972", "Disp_Access_No" : "1955.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1891-1892", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1892", "Disp_Title" : "Study for "Balzac"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "16 in. (40.6 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.14_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4974", "Disp_Access_No" : "1977.114", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Toilette of Venus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "18 1/2 x 9 in. (47 x 22.9 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Harold A. Stopp", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.114_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.114_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4973", "Disp_Access_No" : "1962.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1909 (cast 1961)", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Torso of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "33 3/8 x 18 3/4 x 12 in. (84.8 x 47.6 x 30.5 cm)", "Disp_Height" : "33 3/8 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.58_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.58_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.58_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.58_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.58_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.58_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.58_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.58_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1047", "Disp_Access_No" : "1951.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Taking the Oath and Drawing Rations", "Alt_Title" : "", "Obj_Title" : "Taking the Oath and Drawing Rations", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion. Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art. [Gallery label text, 2002]", "Dedication" : "Gift of M. Gertrude Deavenport", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented January 30, 1866 Cost $15.00 - 1866 $20.00 - 1871-1876 $15.00 - 1877-1895", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.310_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.310_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.310_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.310_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1050", "Disp_Access_No" : "1993.24", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1855", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1865", "Disp_Title" : "Nydia, the Blind Flower Girl of Pompeii", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Randolph Rogers", "Sort_Artist" : "Rogers, Randolph", "Disp_Dimen" : "36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers. Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mr. and Mrs. William Wisner Chapin lived at 110 South Fitzhugh Street. The home, originally built in 1830, was expanded with a music room, possibly designed by Andrew Jackson Warner, an architect who wrote an essay about the room for a small pamphlet entitled "The Pipe Organ in the Home of Mr. Chapin". The sculpture of Nydia now owned by the Memorial Art Gallery was located in the Chapins'' music room. MAG also has in its records a photograph of the sculpture in the music room. The home is no longer standing. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master scan shows more of base of statue, although it is blocked by the color bar. Print master scan has color bar & base of statue cropped out.", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4254", "Disp_Access_No" : "1969.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1439-1498", "_Disp_Start_Dat" : "1439", "_Disp_End_Date" : "1498", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenico Rosselli", "Sort_Artist" : "Rosselli, Domenico", "Disp_Dimen" : "36 7/16 x 28 9/16 x 5 9/16 in. (92.6 x 72.5 x 14.2 cm)", "Disp_Height" : "36 7/16 in.", "Disp_Width" : "28 9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of the Honorable and Mrs. John Van Voorhis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, with Nancy Norwood, to determine inclusion in forthcoming Census of Gothic Sculpture; decided against inclusion.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "110418 disk 1"", "View" : "" } , ] },{ "embark_ID" : 5223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5223", "Disp_Access_No" : "1953.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "The Abandoned", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Rouault", "Sort_Artist" : "Rouault, Georges", "Disp_Dimen" : "25 5/16 x 19 3/8 in. (64.3 x 49.2 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil paint over intaglio print on paper mounted to masonite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15703", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "poor", "View" : "" } , ] },{ "embark_ID" : 5165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5165", "Disp_Access_No" : "1939.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wooded Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Théodore Rousseau", "Sort_Artist" : "Rousseau, Théodore", "Disp_Dimen" : "6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Gade, Mrs. O'Donnell Iselin, and Mr. F. Harper Sibley in memory of their father, Hiram W. Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not cited in Schulman''s 1999 catalogue raisonne.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5055", "Disp_Access_No" : "1944.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "The Reconciliation of King Henry III and Henry of Navarre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on oak panel", "Info_Page_Comm" : "In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France. Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe"). [Gallery label text, 1996]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 6560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6560", "Disp_Access_No" : "1961.27", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1625", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1635", "Disp_Title" : "Ulysses Landing on the Island of the Phaeacians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "67 x 99 in. (170.2 x 251.5 cm)", "Disp_Height" : "67 in.", "Disp_Width" : "99 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The monumental painting “Ulysses Landing on the Island of the Phaeacians” was inspired by a passage in Book 6 of Homer’s “Odyssey” in which the shipwrecked hero swims to safety and finds refuge from the stormy sea on an unknown shore. Arriving at night, he falls asleep between two trees and at dawn is awakened by the playful shouts of the princess Nausicaa and her attendants. Rubens has depicted the moment when Odysseus emerges to ask for food and shelter. The action occurs in the foreground of the canvas; the landscape is rich in terrestrial detail and is filled with a variety of atmospheric effects. Rubens is often considered the most versatile and influential Baroque artist of 17th century northern Europe. Highly educated, his knowledge of Classical art and literature was thorough and complex. In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy. [Gallery label text]", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "21430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "21433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "21446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 4138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4138", "Disp_Access_No" : "1982.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1686", "_Disp_Start_Dat" : "1686", "_Disp_End_Date" : "1686", "Disp_Title" : "Floral Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rachel Ruysch", "Sort_Artist" : "Ruysch, Rachel", "Disp_Dimen" : "45 1/8 x 34 3/8 in. (114.6 x 87.3 cm)", "Disp_Height" : "45 1/8 in.", "Disp_Width" : "34 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Acquired with contributions made in memory of Brenda Rowntree by her friends, through the Acquisition Fund of the Women's Council, and the Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.9_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.9_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.9_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.9_A8.jpg", "IsPrimary" : "1", "_SurrogateID" : "38876", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 21271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21271", "Disp_Access_No" : "2008.15", "_AccNumSort1" : "", "Disp_Create_DT" : "2007", "_Disp_Start_Dat" : "2007", "_Disp_End_Date" : "2007", "Disp_Title" : "Maquette for "Swing Low"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alison Saar", "Sort_Artist" : "Saar, Alison", "Disp_Dimen" : "22 1/16 x 12 3/16 x 24 in. (56.1 x 31 x 61 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "12 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Take some time to look at this figure of a woman. Don’t miss the roots that she trails behind her and the faces and objects that are scattered on her skirt. This is a portrait sculpture of Harriet Tubman, the heroic woman who escaped from slavery and yet returned to the South between 1849 and 1860 to lead over seventy slaves to freedom. In later years, she worked alongside Susan B. Anthony to advance women’s right to vote. Artist Alison Saar was commissioned to create a public sculpture of Tubman for a park at 122nd Street in New York City. MAG’s work is a maquette, or a smaller version. Saar represented Harriet Tubman as a person of great determination and strength, and positioned her as an oncoming train because of her reputation as “the Moses of the Underground Railroad”. Even her petticoat resembles a train’s cowcatcher, pushing aside all obstacles in its path. Roots signify Tubman’s efforts to uproot slavery, and the uprootedness of the slaves who had to leave everything behind. “Swing Low” is a Negro spiritual said to be one of Tubman’s favorites. [Gallery label, 2008]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27434", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27435", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "27436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "27437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "28073", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R10.jpg", "IsPrimary" : "0", "_SurrogateID" : "28074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R11.jpg", "IsPrimary" : "0", "_SurrogateID" : "28075", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R12.jpg", "IsPrimary" : "0", "_SurrogateID" : "28076", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R13.jpg", "IsPrimary" : "0", "_SurrogateID" : "28077", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R14.jpg", "IsPrimary" : "0", "_SurrogateID" : "28078", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R15.jpg", "IsPrimary" : "0", "_SurrogateID" : "28079", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R16.jpg", "IsPrimary" : "0", "_SurrogateID" : "28080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "28081", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28082", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "28083", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "28084", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "28085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R7.jpg", "IsPrimary" : "0", "_SurrogateID" : "28086", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R8.jpg", "IsPrimary" : "0", "_SurrogateID" : "28087", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.15_R9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.15_R9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.15_R9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.15_R9.jpg", "IsPrimary" : "0", "_SurrogateID" : "28088", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8962", "Disp_Access_No" : "1992.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sadao Watanabe", "Sort_Artist" : "Sadao Watanabe", "Disp_Dimen" : "33 1/4 x 23 1/8 in. (84.4 x 58.8 cm)", "Disp_Height" : "33 1/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color stencil", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen Kristal", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31222", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for print or web", "View" : "" } , ] },{ "embark_ID" : 13960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13960", "Disp_Access_No" : "2006.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1883-1897", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1897", "Disp_Title" : "Study for a Soldier's Head, Robert Gould Shaw Memorial", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustus Saint-Gaudens", "Sort_Artist" : "Saint-Gaudens, Augustus", "Disp_Dimen" : "6 1/4 x 3 1/2 x 5 in. (15.9 x 8.9 x 12.7 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "3 1/2 in.", "Dimen_Extent" : "without mount", "Medium" : "Bronze", "Support" : "wood", "Disp_Medium" : "Bronze on wood base", "Info_Page_Comm" : "In 1989, Matthew Broderick starred in the film "Glory," based on the life of the abolitionist Civil War hero Robert Gould Shaw. He led the first northern regiment of African American soldiers, which included the two sons of Frederick Douglass, Lewis and Charles. 25-year-old Shaw and 270 of his men from the 54th Massachusetts regiment died in an attack on Fort Wagner in South Carolina on July 18, 1863. Confederate soldiers buried them in a mass grave, blacks and whites together, which was considered at that time to be an insult to a white officer. In 1897, a sculpture was dedicated in Boston in memory of these heroic individuals. In the early stages of the memorial's creation, distinguished sculptor August Saint-Gaudens made plaster models of the soldiers' heads. Several of these were later cast in bronze in a very limited edition, from which the Memorial Art Gallery recently acquired two rare examples. (See also 2006.9) [Gallery label text, 2007]", "Dedication" : "Gift of Richard Brush and Maurice and Maxine Forman Fund in honor of the 20th year of Grant Holcomb's directorship", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 13959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13959", "Disp_Access_No" : "2006.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1883-1897", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1897", "Disp_Title" : "Study for a Soldier's Head, Robert Gould Shaw Memorial", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustus Saint-Gaudens", "Sort_Artist" : "Saint-Gaudens, Augustus", "Disp_Dimen" : "7 3/8 x 3 1/2 x 4 5/8 in. (18.7 x 8.9 x 11.7 cm)", "Disp_Height" : "7 3/8 in.", "Disp_Width" : "3 1/2 in.", "Dimen_Extent" : "without mount", "Medium" : "Bronze", "Support" : "wood", "Disp_Medium" : "Bronze on wood base", "Info_Page_Comm" : "In 1989, Matthew Broderick starred in the film "Glory," based on the life of the abolitionist Civil War hero Robert Gould Shaw. He led the first northern regiment of African American soldiers, which included the two sons of Frederick Douglass, Lewis and Charles. 25-year-old Shaw and 270 of his men from the 54th Massachusetts regiment died in an attack on Fort Wagner in South Carolina on July 18, 1863. Confederate soldiers buried them in a mass grave, blacks and whites together, which was considered at that time to be an insult to a white officer. In 1897, a sculpture was dedicated in Boston in memory of these heroic individuals. In the early stages of the memorial's creation, distinguished sculptor August Saint-Gaudens made plaster models of the soldiers' heads. Several of these were later cast in bronze in a very limited edition, from which the Memorial Art Gallery recently acquired two rare examples. (See 2006.10) [Gallery label text, 2007]", "Dedication" : "Gift of Richard Brush and Maurice and Maxine Forman Fund in honor of the 20th year of Grant Holcomb's directorship", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 2317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2317", "Disp_Access_No" : "1975.325.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Desert Wreck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Salt", "Sort_Artist" : "Salt, John", "Disp_Dimen" : "25 x 35 1/2 in. (63.5 x 90.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "35 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From the Documenta Portfolio While living and teaching art in America, British artist John Salt created a series of paintings and prints of wrecked cars in an impeccably realistic style. As a Photorealist artist, Salt projects his own photographs onto a surface, and from this projected image he creates his work of art. In technique and subject, Salt’s work represents the camera and the car, two modern machines that have become indispensable and so personally embedded in our lives that they function like extensions of our bodies. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.325.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.325.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.325.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.325.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4976, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4976", "Disp_Access_No" : "1974.127", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape Near Guillena", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sanchez-Perrier", "Sort_Artist" : "Sanchez-Perrier, Emilio", "Disp_Dimen" : "10 1/2 x 13 7/8 in. (26.7 x 35.2 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Guillena is in the province of Seville, in Andalusia, Spain", "Dedication" : "Gift of Gallery Council", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in storage in 1974. Note from Bernard Barryte in curatorial file indicates he believes the work may have originally come in in 1956, but it is unclear why he thought that. No record of its acquisition in 1956 could be found. An undated typed list of objects [found in Registrar''s office files] recommended for disposal includes a listing for “E. Sanchez Perrier River Scene—oil on wood” which is listed as having come from the Council—“left from Flea Market, April in Paris.” That may be this work; the April in Paris event was indeed in 1956. A Sanchez-Perrier landscape was included in a Rochester Art Club exhibition in 1895 (Sixteenth Annual Exhibition and Art Loan Exhibition, no. 48), lent by Mrs. Granger Hollister-- was that the same work, and is that then the source of this painting? As the original donor could not be determined, Gallery Council was credited with this gift. --KSchauber, Curatorial Research Ass''t ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.127_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.127_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.127_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.127_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20620", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5040", "Disp_Access_No" : "1955.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Eva Bicker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dirck van Santvoort", "Sort_Artist" : "Santvoort, Dirck van", "Disp_Dimen" : "27 x 23 1/2 in. (68.6 x 59.7 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15975", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2569", "Disp_Access_No" : "1946.44", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary and Edwin Scheier", "Sort_Artist" : "Scheier, Mary and Edwin", "Disp_Dimen" : "6 x 7 1/8 x 7 1/8 in. (15.2 x 18.1 x 18.1 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "7 1/8 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Purchased through Funds contributed by the Gallery Adult Ceramic Classes", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2811", "Disp_Access_No" : "1958.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Bracelet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Christian F. Schmidt", "Sort_Artist" : "Schmidt, Christian F.", "Disp_Dimen" : "6 3/4 x 1 7/8 in. (17.1 x 4.8 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "1 7/8 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Purchase Prize from The 2nd Exhibition of American Jewelry and Related Objects", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.135_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.135_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.135_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.135_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24395", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1053", "Disp_Access_No" : "1970.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Crested Swans", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Scholl", "Sort_Artist" : "Scholl, John", "Disp_Dimen" : "84 1/4 x 33 x 30 1/2 in. (214 x 83.8 x 77.5 cm)", "Disp_Height" : "84 1/4 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "For approximately sixteen years before he died at age 88, John Scholl created over forty imaginative sculptures that he stored in the parlor of his home in Germania, Potter County, Pennsylvania. A builder by trade, Scholl seemed to create these architectural forms as an extension of the decorative fretwork and scrollwork seen on the porches and gables of Victorian homes, many of which were made from pattern book templates. Incorporated into the whimsical creations were traditional European folk art motifs: birds, stars, and sunbursts. Scholl was proud of his work, and enjoyed showing people through the collection; in good weather, he moved some it out into his yard. When he died of pneumonia, contracted after shoveling snow, Crested Swans was one of the pieces that surrounded Scholl's casket during the wake. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "note that on close examination you can see that the black background is uneven", "View" : "" } , ] },{ "embark_ID" : 4993, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4993", "Disp_Access_No" : "1928.467", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1386 - 1466", "_Disp_Start_Dat" : "1386", "_Disp_End_Date" : "1466", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Donatello", "Sort_Artist" : "Donatello", "Disp_Dimen" : "11 1/8 x 8 3/4 in. (28.3 x 22.2 cm)", "Disp_Height" : "11 1/8 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Stucco", "Support" : "", "Disp_Medium" : "Stucco, monochrome", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson (Mrs. James Sibley Watson)", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.467_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.467_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.467_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.467_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39110", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5004", "Disp_Access_No" : "1955.74", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "School of Fontainebleau", "Sort_Artist" : "School of Fontainebleau", "Disp_Dimen" : "10 1/2 x 8 1/4 in. (26.7 x 21 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33965", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 2337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2337", "Disp_Access_No" : "1997.1.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Window Moth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John T. Scott", "Sort_Artist" : "Scott, John T.", "Disp_Dimen" : "30 x 22 7/16 in. (76.2 x 57 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "[Gallery label text 2012] Born in New Orleans, John T. Scott said that his art training began at home, where he learned embroidery from his mother. He drew upon the city’s rich African-Caribbean culture and musical heritage in creating his abstract sculptures and prints, stating that, “New Orleans is the only city that I’ve been in that if you listen the sidewalks will speak to you.” Scott’s Window Moth is one of eight lithographs by pre-eminent African American artists included in the Resounding Heart Portfolio, published by Hand Graphics Studio, a press founded by Ron Adams in Santa Fe. ", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1058", "Disp_Access_No" : "1968.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Converging Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Corten steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.36_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.36_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.36_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.36_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1057", "Disp_Access_No" : "1967.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Six Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "43 in. (109.2 cm)", "Disp_Height" : "43 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 22193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22193", "Disp_Access_No" : "2009.123", "_AccNumSort1" : "", "Disp_Create_DT" : "2009", "_Disp_Start_Dat" : "2009", "_Disp_End_Date" : "2009", "Disp_Title" : "Birch Bark Pitcher", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eric Serritella", "Sort_Artist" : "Serritella, Eric", "Disp_Dimen" : "27 3/8 x 17 1/8 x 7 3/16 in. (69.6 x 43.5 x 18.2 cm)", "Disp_Height" : "27 3/8 in.", "Disp_Width" : "17 1/8 in.", "Dimen_Extent" : "maximum", "Medium" : "Stoneware", "Support" : "", "Disp_Medium" : "Stoneware", "Info_Page_Comm" : "", "Dedication" : "Maurice and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.123_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.123_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.123_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.123_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34577", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.123_A2.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.123_A2.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.123_A2.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2009.123_A2.JPG", "IsPrimary" : "0", "_SurrogateID" : "35890", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.123_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.123_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.123_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2009.123_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "35891", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.123_A4.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.123_A4.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.123_A4.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2009.123_A4.JPG", "IsPrimary" : "0", "_SurrogateID" : "35892", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.123_A5.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.123_A5.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.123_A5.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2009.123_A5.JPG", "IsPrimary" : "0", "_SurrogateID" : "35893", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3282", "Disp_Access_No" : "1974.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Ballet Mechanique", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "10 1/2 x 10 1/4 in. (26.7 x 26 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "image", "Medium" : "Conte crayon", "Support" : "paper", "Disp_Medium" : "Conte crayon ", "Info_Page_Comm" : "In 1927, Charles Sheeler was commissioned to photograph Henry Ford’s River Rouge car factory outside Detroit to advertise the company’s new Model A car. Ford’s innovations in the assembly line were celebrated for their efficiency, productivity, and ability to produce low-cost consumer goods. Yet the dark underside to this progress was unbearable, dehumanizing work conditions. <em>Ballet Mechanique</em>, based on a photo from Sheeler’s Ford factory series, is a tightly-cropped scene of an industrial system of pipes and metal. By isolating the sleek machinery from actual labor, Sheeler elevates the loud, hot, dangerous factory environment to a cool, sleek, abstract vision of modernity. Sheeler’s style, Precisionism, was a celebration of the technological sublime with its crisp, pure form and industrial themes. Of American artists in the early years of the 1900s, Charles Sheeler made one of the most dramatic breaks from the traditional assumption that beauty could be found in nature alone. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012]", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.96_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.96_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.96_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.96_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12464", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans.", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "1974.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Totems in Steel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "3 11/16 x 5 1/8 in. (9.4 x 13 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache ", "Info_Page_Comm" : "This image of a New York City construction site is based on a film still from Charles Sheeler’s 1920 film collaboration with photographer Paul Strand, <em>Manhatta</em>. In the ten-minute film, the artists track the dynamism of Manhattan through the course of a day, focusing on the unique pulse and geometry of the city’s machinery, vehicles, and architecture. <em>Manhatta</em> provided Sheeler with numerous images from which he later painted. The title of this painting, <em>Totems in Steel</em>, frames modern engineering, industry, and architecture in quasi-religious terms. Sheeler wrote, “In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.94_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.94_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.94_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.94_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 702, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/702", "Disp_Access_No" : "1945.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1900-1905", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1905", "Disp_Title" : "Sullivan Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Everett Shinn", "Sort_Artist" : "Shinn, Everett", "Disp_Dimen" : "8 x 10 in. (20.3 x 25.4 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a city of many tough neighborhoods, New York’s Sullivan Street was one of the toughest. Shinn’s depiction of the isolated figure in the foreground evokes the condition of modern man in an urban environment—a recurring theme in the art of the Urban Realists. [Gallery label text, 2007] In 1897, encouraged by his mentor Robert Henri, Shinn moved from Philadelphia to New York City. Like Luks and Glackens, he was an artist-reporter as well as a painter. He exhibited with The Eight in 1908 at Macbeth Gallery. Sullivan Street was owned by the artist until 1945, when the Memorial Art Gallery purchased the canvas directly from him. With just a few strokes of his brush, Everett Shinn has recreated an overcast winter street scene filled with mood and mystery. Sullivan Street is in Greenwich Village, around the corner from Shinn's studio on Waverly Place and near Washington Square Park, whose leafless trees can be seen beyond the buildings on the right. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22001", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color corrected from Jim Via''s original transparency", "View" : "" } , ] },{ "embark_ID" : 21301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21301", "Disp_Access_No" : "2.2008L", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Tlingit Magic Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Preston Singletary", "Sort_Artist" : "Singletary, Preston", "Disp_Dimen" : "21 x 19 in. (53.3 x 48.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "Like all of Preston Singletary’s work, Tlingit Magic Hat fuses the traditional designs of his Native Northwest culture with the modern materials and techniques of contemporary art glass. Transformation themes, shamanism, and basketry patterns are among his inspirations. Singletary based this work on a centuries-old Tlingit design (see photo below), yet here the enhanced crown represents the fin of a killer whale. Singletary started blowing glass directly out of high school and developed his style and approach through practical experience and by working with area artists, both Native and non-Native. Currently a member of the Board of Trustees at the Pilchuck Glass School, his work is included in museum collections throughout the world. [Summer 2015]", "Dedication" : "Loaned by Nancy and Alan Cameros", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2.2008L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2.2008L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2.2008L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2.2008L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22244, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22244", "Disp_Access_No" : "19.2009L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Prime Minister Inspecting the Volcano at Rabaul", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Siune", "Sort_Artist" : "Siune, John", "Disp_Dimen" : "38 x 28 1/4 in. (96.5 x 71.8 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "28 1/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Acrylic", "Support" : "paper", "Disp_Medium" : "Acrylic on paper", "Info_Page_Comm" : "In parts of Papua New Guinea, some people still live traditional lifestyles. Yet in areas like the capital city of Port Moresby, western ways—trucks, helicopters, computers and cellphones—have infiltrated almost all aspects of life. In this painting, John Siune depicts the Prime Minister and other officials inspecting the volcano that destroyed the town of Rabaul in 1994. The stylized heads visible on the side of the helicopter represent these important men. In the foreground, three traditional masked duk duk figures from the local ethnic group run away from the scene. This meeting of old and new is described in the Papua New Guinea language of Tok Pisin in the top left corner. John Siune and the Simbu school of artists follow in the steps of Mattias Kauage. Kauage adapted an art form foreign to his culture (two-dimensional picture paintings) to comment upon contemporary life in Papua New Guinea. For their sales, these artists rely heavily upon western travelers to the capital city of Port Moresby. [Gallery label text, 2009] ", "Dedication" : "On loan from Robert and Nancy Foster", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.2009L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.2009L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.2009L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.2009L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31041", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo is cropped from 19.2009L_I1.jpg for display on web.", "View" : "" } , ] },{ "embark_ID" : 708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/708", "Disp_Access_No" : "1951.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Chinese Restaurant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "26 x 32 1/4 in. (66 x 81.9 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Sloan’s interest in the working class was not only aesthetic, it was also political. By 1909, Sloan was an active member of the Socialist party and used his art to shine a light on the equally noble and interesting lives of the lower classes. Marrying style to subject, Sloan’s loose brushwork and dark colors epitomize the Ashcan style. [Gallery label text, 2007] In 1909, many artists and collectors would not have considered a Chinese restaurant to be an appropriate subject for a painting. The artist, John Sloan, was part of a group of artists labeled “Ashcan” painters early in the century, because of their frequent choice of the less genteel aspects of urban life. Now, Sloan’s paintings are recognized as major documents of American life and this painting, like many others on view in this installation, is often loaned to museums in the United States and overseas. Also called “The Eight,” Sloan and his seven colleagues exhibited together in a landmark show at Macbeth Gallery in 1908 in response to the jurying system of the National Academy and its more traditional members that frequently excluded less conventional artists. It’s amusing to consider that in 1943, when the Encyclopedia Britannica collection was being assembled, that a painting created in 1909 would be considered contemporary. However, it may have been included in recognition of the fact that John Sloan painted his contemporary world as he saw it. In fact, in 1943, the freshness of Sloan’s style and the timeless nature of the scene painted thirty-four years previously did not seem out of keeping with many works from the 1940s. And Sloan was still quite an active artist at this point in his life. [Gallery label text, 2006] As recommended by his mentor, painter Robert Henri, John Sloan derived most of his subjects from close observation of his surroundings. Such was the case on the night of February 23, 1909, when he went out to eat at a restaurant on Sixth Avenue, not far from Herald Square. He wrote, “I saw a strikingly gotten up girl with dashing red feathers in her hat playing with the restaurant's fat cat. It would be a good thing to paint. I may make a go at it.” Characteristically, Sloan waited for a bit before undertaking the work, and on March 15 wrote, “I started a memory painting of the Chinese Restaurant girl I saw some four weeks ago." His intermittent working style is revealed by a diary entry on March, 18, in which he described not only working on the painting, but going to the restaurant again to “refresh my memory of the place.” In 1944, the painting joined a corporate collection of outstanding contemporary art formed by the Encyclopedia Britannica. In 1951, the Memorial Art Gallery acquired fourteen paintings from the collection – this painting and work by Thomas Hart Benton, Georgia O'Keeffe, and Stuart Davis, among others. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33004", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk in curatorial office", "View" : "" } , ] },{ "embark_ID" : 707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/707", "Disp_Access_No" : "1941.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Election Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "26 3/8 x 32 1/4 in. (67 x 81.9 cm)", "Disp_Height" : "26 3/8 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene, nearly unintelligible in its crowding and confusion, is Sloan’s celebration of the furor of the city on election night. [Gallery label text, 2007] John Sloan met Robert Henri in Philadelphia, and from early on maintained a friendship and correspondence with him until Henri died in 1929. He moved to New York City at Henri’s urging. On November 5, 1907, he wrote: “Election Day… saw the noisy trumpet blowers, confetti throwers and the 'ticklers' in use - a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it was impossible to control one's movement.” The location, Herald Square at 34th and Broadway, was close by the New York Herald Building as well as Macy's. The elevated railroad tracks loomed overhead, increasing the suggestion of noise and activity in the scene. Sloan included Election Night as one of his entries in the 1908 exhibition at Macbeth Gallery. In his estimation, it was “…one of my best things. So that I felt happy in the evening, that good all over feeling that only comes from satisfaction in work - the real happiness, the joy of accomplishing or thinking that one has accomplished, which amounts to the same thing.” [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 4007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4007", "Disp_Access_No" : "1997.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Memorial Art Gallery 75th Anniversary", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edith Lunt Small", "Sort_Artist" : "Small, Edith Lunt", "Disp_Dimen" : "31 1/2 x 73 1/4 x 3 3/4 in. (80 x 186.1 x 9.5 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "73 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "plywood", "Disp_Medium" : "Acrylic on plywood", "Info_Page_Comm" : "", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Key identifying people in piece is kept in the object file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.35_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.35_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.35_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.35_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled MAG 110706", "View" : "" } , ] },{ "embark_ID" : 21189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21189", "Disp_Access_No" : "2008.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Midtown Plaza 1962 - 1987", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edith Lunt Small", "Sort_Artist" : "Small, Edith Lunt", "Disp_Dimen" : "47 x 78 in. (119.4 x 198.1 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "78 in.", "Dimen_Extent" : "with frame", "Medium" : "Acrylic", "Support" : "plywood", "Disp_Medium" : "Acrylic on plywood", "Info_Page_Comm" : "", "Dedication" : "Gift of Midtown Rochester Properties LLC", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl on July 8: Title in Embark has been modified from "Midtown Plaza" to "Midtown Plaza 1962 - 1987" as that is the title that was used in the legal document transferring ownership from Midtown Plaza Corporation to MAG in 2008. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.11_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.11_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.11_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2008.11_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "27627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "An additional master scan from the transparency Andy created, was scanned by UR Communications for a large-size image (12.5" @ 300 dpi). This file is in the master scan folder, 2008.11_M5.tif.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.11_1.pdf", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.11_1.pdf", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.11_1.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/2008.11_1.pdf", "IsPrimary" : "0", "_SurrogateID" : "36656", "Image_Type" : "pdf file", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , ] },{ "embark_ID" : 5058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5058", "Disp_Access_No" : "1972.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630-1640", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "The Fox and the Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Snyders and workshop", "Sort_Artist" : "Snyders, Frans", "Disp_Dimen" : "47 1/8 x 61 1/4 in. (119.7 x 155.6 cm)", "Disp_Height" : "47 1/8 in.", "Disp_Width" : "61 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monumental and decorative animal painting developed in Antwerp in the 17th century in the immediate circle of Rubens. Snyders, whose workshop was famous for this type of work, often also collaborated on the animals, flowers, and fruit in his friend Rubens's paintings. The rendering of materials such as the fur of the fox, the plumage of the bird, and the transparency of the glass jar add to the interest in texture. "The Fox and the Heron" is a story from Aesop's Fables. In the background, the fox invites the heron for dinner and offers only a bowl of soup, impossible for the heron to eat. In the foreground, the heron in turn invites the fox. Dinner is served in a long-necked glass jar and the fox can only lick the outside. Moral: One bad turn deserves another! [Gallery label text, August 1996]", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "29171", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1995 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "30877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Related image from National Museum, Stockholm", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1914.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Oxen on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joaquin Sorolla y Bastida", "Sort_Artist" : "Sorolla y Bastida, Joaquin", "Disp_Dimen" : "29 x 43 in. (73.7 x 109.2 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents. [adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23268", "Disp_Access_No" : "2011.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Girl with Parted Lips", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "18 x 13 1/8 in. (45.7 x 33.3 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "13 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Diane Ambler, UR class of '71, and Ethan Grossman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl on December 15, 2011: Title changed from Portrait of a Young Woman to Girl with Parted Lips per Sylvan Cole catalog raisonne, Cole 84.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37675", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23271", "Disp_Access_No" : "2011.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Self Portrait (Know Thyself)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "20 1/2 x 16 1/8 in. (52.1 x 41 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "16 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Diane Ambler, UR class of '71, and Ethan Grossman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl, December 15, 2011, the title is given on the Hirshhorn Museum website as Self Portrait (Know Thyself).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37678", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23269", "Disp_Access_No" : "2011.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "12 15/16 x 10 7/8 in. (32.9 x 27.7 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Diane Ambler, UR class of '71, and Ethan Grossman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl, this is number 116 in the Sylvan Cole catalog raisonne. Additional Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 200, no.1788 and p. 306 note 6", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2392", "Disp_Access_No" : "1938.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "17 5/8 x 12 7/8 in. (44.8 x 32.7 cm)", "Disp_Height" : "17 5/8 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl on December 15, 2011, this is number 26 in Sylvan Cole''s catalog raisonne.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22331", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23270, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23270", "Disp_Access_No" : "2011.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Self-Portrait ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "16 1/4 x 12 3/8 in. (41.3 x 31.4 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "12 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Diane Ambler, UR class of '71, and Ethan Grossman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl, December 15, 2011, according to Sylvan Cole''s catalog raisonne, this is number 73, for which 250 were printed with a few hand-colored by the artist, hence perhaps the dating of 1955. These were commissioned by Associated American Artists, New York. Searl changed the name from Self-Portrait in a Blue Shirt to Self-Portrait to conform to the title in the catalog raisonne. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37677", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23272", "Disp_Access_No" : "2011.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Veterans Waiting Room", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "17 1/2 x 22 3/8 in. (44.5 x 56.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "22 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Diane Ambler, UR class of '71, and Ethan Grossman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37679", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22357, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22357", "Disp_Access_No" : "2009.122", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "After Grant Wood (American Gothic) 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Devorah Sperber", "Sort_Artist" : "Sperber, Devorah", "Disp_Dimen" : "110 x 90 in. (279.4 x 228.6 cm)", "Disp_Height" : "110 in.", "Disp_Width" : "90 in.", "Dimen_Extent" : "", "Medium" : "", "Support" : "", "Disp_Medium" : "4320 spools of thread", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Mixed Media", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title changed per Marjorie Searl from "After American Gothic" on September 6, 2011 to reflect information in acquisition documents: After Grant Wood (American Gothic) 3", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.122_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.122_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.122_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.122_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31693", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo supplied by the artist prior to the work''s arrival/installation at MAG.", "View" : "" } , ] },{ "embark_ID" : 11817, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11817", "Disp_Access_No" : "2003.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kurt Spurey", "Sort_Artist" : "Spurey, Kurt", "Disp_Dimen" : "5 3/4 x 5 x 4 1/2 in. (14.6 x 12.7 x 11.4 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "overall", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Porcelain", "Info_Page_Comm" : "Voted by Creative Workshop Students for "Case for Kids" January, 2012", "Dedication" : "Gift of Analine Hicks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31698", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21769, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21769", "Disp_Access_No" : "2009.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Cabinet with Scenes from Ovid's Metamorphoses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Stalbemt", "Sort_Artist" : "Stalbemt, Adriaen van", "Disp_Dimen" : "19 15/16 x 26 1/16 x 14 3/16 in. (50.6 x 66.2 x 36 cm)", "Disp_Height" : "19 15/16 in.", "Disp_Width" : "26 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Oil on panel and copper mounted on ebonized pear wood ", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Broken down for registration and descriptive purposes as follows: A=cabinet; B=key to outer cabinet; C=key to inner cabinet; D through J, drawers, beginning with upper left and continuing down, then upper right and continuing down; K=double-width drawer at lower right; L=upper center drawer; M through R, small inner drawers.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A1.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A1.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A1.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A1.JPG", "IsPrimary" : "1", "_SurrogateID" : "28456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by dealer.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by dealer.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "34427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Provided by dealer.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "36970", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36971", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36972", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "36973", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "36974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "36975", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "36976", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "36977", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "36978", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "36979", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A15.jpg", "IsPrimary" : "0", "_SurrogateID" : "36980", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.2_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.2_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.2_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.2_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "36981", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Cropped from larger photo provided by the dealer, 2009.2DI#4. Only exists in JPG format.", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "1926.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1647", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1647", "Disp_Title" : "St. Jerome in the Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Adriaensz. van Staveren", "Sort_Artist" : "Staveren, Jan Adriaensz. van", "Disp_Dimen" : "19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert. This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert. [Gallery label text, 2005] St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life. [Excerpted from gallery label text] ", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25724", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3751", "Disp_Access_No" : "1939.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1944", "Disp_Title" : "Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harwood Steiger", "Sort_Artist" : "Steiger, Harwood", "Disp_Dimen" : "18 1/2 x 24 in. (47 x 61 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "Harwood Steiger, a master of the watercolor medium, lived for many years in Fairport, NY. Steiger’s industrial landscape is a ramshackle vision. The title, <em>Fungus</em>, implies Steiger’s impression of industry as a growing blight on the landscape. However, the almost-comical characterizations suggest a more harmless than threatening presence. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Acquired by exchange through the generosity of Fannie Benjamin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4996", "Disp_Access_No" : "1944.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Margaret with a Donor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vrancke van der Stockt", "Sort_Artist" : "Stockt, Vrancke van der", "Disp_Dimen" : "18 1/8 x 7 7/8 in. (46 x 20 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed. The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ. [Expanded from gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "14532", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "14533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "19342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "inhouse scan by Douglas Holleley--note: file on cd needs reorienting and cropping. Lu did both for EmbARK version. There''s another, not as good scan on the cd.", "View" : "" } , ] },{ "embark_ID" : 4264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4264", "Disp_Access_No" : "1955.111", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "St. John the Evangelist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "31 1/2 x 10 3/8 x 7 1/2 in. (80 x 26.4 x 19.1 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "", "Medium" : "Lindenwood", "Support" : "", "Disp_Medium" : "Lindenwood", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.111_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.111_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.111_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.111_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33558", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.111_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.111_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.111_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.111_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33559", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , ] },{ "embark_ID" : 5049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5049", "Disp_Access_No" : "1953.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1635", "Disp_Title" : "Two Musicians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)", "Disp_Height" : "45 5/8 in.", "Disp_Width" : "47 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience. The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period. As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life. [Gallery label text] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per catalogue raisonne, one of eighteen versions of this scene.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/727", "Disp_Access_No" : "1941.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 23 1/8 in. (73 x 58.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "726", "Rel_Obj_Title" : "Russell Sturgis (1750 - 1826)" } ], "Curator" : "Portrait of Elizabeth Perkins Sturgis (Mrs. Russell Sturgis), companion portrait to that of Russell Sturgis. Elizabeth Perkins Sturgis was born in Boston in 1756. Married Russell Sturgis in 1773 and died in Boston in 1843. She is dressed in a brown silk dress with black lace shawl and white fichu and is painted against an olive-grey background seated in a green brocade chair. She wears a be-ribboned, white lace cap. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 6720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6720", "Disp_Access_No" : "1991.38", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 17th Century", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1666", "Disp_Title" : "Waves and Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tawaraya Sosetsu", "Sort_Artist" : "Sosetsu, Tawaraya", "Disp_Dimen" : "35 1/2 x 122 1/16 in. (90.2 x 310 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "122 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink, ink washes, colors, gold leaf and gold on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "18778", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "18779", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "18780", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "18781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "18782", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "18783", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "18784", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.38_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.38_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.38_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.38_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "18785", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4979", "Disp_Access_No" : "1973.151", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Stream", "Alt_Title" : "Bridge and Stream (from MAG label on backing board)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Thaulow", "Sort_Artist" : "Thaulow, Fritz", "Disp_Dimen" : "23 3/4 x 28 3/4 in. (60.3 x 73 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thaulow spent much time painting in France. This scene probably represents Manéhouville, a village on the Schie River near Dieppe in Normandy. A friend of many of the Impressionists, although he did not experiment with colors of light as they did, Thaulow convinced Claude Monet to visit Norway one winter to paint the snow. [Gallery label text, 1999] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Norwegian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.151_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.151_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.151_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.151_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26146", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 4262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4262", "Disp_Access_No" : "1938.28", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1605 - 1610", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1610", "Disp_Title" : "The Apparition of the Virgin to St. Hyacinth", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Domenikos Theotocopoulos", "Sort_Artist" : "Theotocopoulos, Domenikos", "Disp_Dimen" : "39 3/8 x 24 3/8 in. (100 x 61.9 cm)", "Disp_Height" : "39 3/8 in.", "Disp_Width" : "24 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, El Greco expresses spiritual drama by his distinctive use of line, light and color. St. Hyacinth kneels in awed wonder before a mystical vision of the Virgin and Child. The scene takes place in a church interior with pillars and a patterned floor; a shadowy, monochrome figure or statue of a bishop, identifiable by his hooked staff, stands behind the enraptured saint. According to Christian legend, Hyacinth, a Polish Dominican priest who lived from 1185-1287, witnessed a miraculous apparition of the Virgin Mary on the feast day of her Assumption—the day she was “taken up body and soul into heavenly glory.” In 1594, shortly before El Greco painted this work, Hyacinth was granted sainthood by Pope Clement VIII. El Greco (“The Greek”) is the popular name of Domenikos Theotokopoulos, an artist born in Crete but who lived and studied in Venice and Rome. In 1575, he moved to Toledo, Spain, the center of the Catholic Church’s Counter-Reformation activities. During his career, El Greco developed a unique and dramatically spiritual style of painting that is often considered the forerunner of Baroque art. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2688", "Disp_Access_No" : "1993.28", "_AccNumSort1" : "", "Disp_Create_DT" : "After 1915", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1925", "Disp_Title" : "Sunset Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "53 1/4 x 23 1/4 x 1 3/16 in. (135.3 x 59.1 x 3 cm)", "Disp_Height" : "53 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "maximum", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass and lead", "Info_Page_Comm" : "A river, the traditional symbol of the voyage between life and death, wends its way to the mountains in this beautiful window. Sunset Scene was one of a number of windows created by Tiffany Studios for Mount Hope Cemetery. It was commissioned by Thomas B. Dunn, a business and community leader who, after making his fortune from the licorice-flavored mouth freshener, Sen Sen, served as State Treasurer and Congressman. Such an elegant memorial window, installed in a diminutive classical temple, speaks to the high social and economic standing of the deceased. For its long-term protection, the window was removed from its original cemetery location near the corner of Fifth Avenue and Grove Avenue and donated by the Dunn family to the Memorial Art Gallery. [Gallery label text, 2002] ", "Dedication" : "Given in memory of Mr. and Mrs. Thomas B. Dunn by their family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12521", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "_P2 is cropped & at a smaller resolution.", "View" : "" } , ] },{ "embark_ID" : 3898, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3898", "Disp_Access_No" : "1998.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "Stained Glass Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tiffany Studios", "Sort_Artist" : "Tiffany Studios", "Disp_Dimen" : "36 x 19 in. (91.4 x 48.3 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass and lead", "Info_Page_Comm" : "Rochester tycoon William Kimball, owner of the Kimball Tobacco Factory, hired Louis Comfort Tiffany to design his home and its furnishings on 145 Troup Street in Corn Hill. The opulent residence, called Kimball’s Castle, housed an art collection and a pipe organ. The window installed here was rescued by Harold Rand during the building’s unfortunate demolition to make way for Route 490. Our thanks go to Valerie O’Hara from Pike Stained Glass Studio for her generous conservation of the window. [Gallery label text, 2002]", "Dedication" : "Gift of Ruth Rand Rapport in memory of Harold S. Rand", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38878", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed, with backlighting", "View" : "" } , ] },{ "embark_ID" : 6813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6813", "Disp_Access_No" : "1968.97", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Venetian Patrician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Robusti Tintoretto", "Sort_Artist" : "Tintoretto, Jacopo Robusti", "Disp_Dimen" : "44 3/4 x 35 in. (113.7 x 88.9 cm)", "Disp_Height" : "44 3/4 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This work may have been included in an 1857 exhibition at Manchester, England ("Art Treasures"); a work by Tintoretto titled "A Senator" and owned by the Marquess of Abercorn was no. 300 in that exhibition. It is unknown when the Dukes of Abercorn acquired MAG''s work. Betsy Brayer descibes a letter from Joseph Duveen to Eastman in which Duveen claims that this portrait "was a small section cut from a huge group portrait of senators that covered a whole wall. That wily old collector, Joseph Duveen, informed Eastman of this and wrote that he too, owned a cut-down portrait from the same grouping."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8481", "Disp_Access_No" : "1952.62", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1893", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1898", "Disp_Title" : "Divan Japonais: Poster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "30 7/8 x 23 5/8 in. (78.5 x 60 cm)", "Disp_Height" : "30 7/8 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the Corner Club of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29256", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/739", "Disp_Access_No" : "1956.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Galaxy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Trautmann", "Sort_Artist" : "Trautmann, Fritz", "Disp_Dimen" : "35 x 29 1/2 in. (88.9 x 74.9 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For thirty-three years Fritz Trautmann’s passion for painting inspired his students in MAG’s Creative Workshop. Over his lifetime, he developed an approach to color that was scientific as well as mystical, and in 1942 he painted Galaxy to teach his theories to students. MAG purchased the painting from the artist in 1956. It has been a visitor favorite ever since. Despite appearances, not a single drop of black paint was used, as Trautmann believed it dampened the natural vibrations of color. Focusing on what he considered the four primary colors rather than the traditional three, Trautmann wrote, Galaxy symbolizes the great truth that every phenomenon in life involves ALL of life. Each globe of Galaxy is composed of EXACTLY THE SAME ELEMENTS. The entire spectrum wraps itself around each globe with unvarying uniformity. Warm red plays across the field from the left, bright yellow streams down from above, cold blue comes in from the right, and deep violet rises from the bottom. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "28765", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41035", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned in-house from transparency and re-color corrected to create larger file for RIT iPad project, 2013", "View" : "" } , ] },{ "embark_ID" : 747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/747", "Disp_Access_No" : "1916.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The White Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Twachtman", "Sort_Artist" : "Twachtman, John Henry", "Disp_Dimen" : "30 1/4 x 25 1/8 in. (76.8 x 63.8 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism, a radically modern style upon its inception in France in the 1860s, came late to American shores. The Impressionist artist sought to capture impressions of light, color, and shape in a spontaneous way. [Gallery label text, 2007] John Twachtman’s finest paintings were inspired by the beauty of the land on which he lived with his family. Located in Greenwich, Connecticut, the picturesque property included a portion of Horseneck Brook, across which Twachtman built an ornamental but functional footbridge. Here, his children swam in the summer and rowed their boat beneath the bridge’s arched deck. The bridge may have been inspired by similar structures in Venice, where the artist lived in the 1880s and 90s. Twachtman was one of America’s premier impressionist painters and a founding member of the Ten American Painters, a group that included Thomas Dewing and William Merritt Chase, artists whose works are also on view at MAG. The White Bridge’s bright colors, energetic brushwork, and light-filled canvas link Twachtman’s work with that of French impressionist Claude Monet. [Gallery label text, 2004]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4134", "Disp_Access_No" : "1954.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1530-1535", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1535", "Disp_Title" : "The Conversion of St. Paul", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Ubertini", "Sort_Artist" : "Ubertini, Francesco", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12395", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7838, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7838", "Disp_Access_No" : "1974.78", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Yam Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Abelam", "Sort_Artist" : "Unknown, Abelam", "Disp_Dimen" : "11 3/4 x 12 1/4 x 2 1/4 in. (29.8 x 31.1 x 5.7 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "", "Medium" : "Grasses", "Support" : "", "Disp_Medium" : "Grass, pigment", "Info_Page_Comm" : "Abelam yam masks were never worn by humans. They are so small because they were made to adorn the long yams grown by the Abelam people of Papua New Guinea. These long yams, which were not eaten, grow up to 6-9 feet and were exchanged between men as a form of community building. An Abelam man’s prestige was measured in direct proportion to the size of his yams. Special long yams with anthropomorphic features were considered living supernatural beings and were lavishly decorated with paint, feathers, shells, leaves, and masks, and then publicly displayed. The interlacing between solid bands refers to the caterpillar found on yam vines. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26803", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2580", "Disp_Access_No" : "1927.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1927", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1927", "Disp_Title" : "Jar (Olla)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Acoma Pueblo", "Sort_Artist" : "Unknown, Acoma Pueblo", "Disp_Dimen" : "9 9/16 x 11 7/16 in. (24.3 x 29 cm)", "Disp_Height" : "9 9/16 in.", "Disp_Width" : "11 7/16 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay and mineral paints", "Info_Page_Comm" : "Typically thin-walled and light-weight, ollas were originally used to carry and store water. As with most pueblo pottery, women traditionally made the jars; they dug the clay, painted designs using colors derived from plants or minerals and fired the pots. This tightly-drawn overall geometric pattern is one of many variations in Acoma design, a mark of potters responding to changing economic demands, and bridging those demands with ties to their traditional forms. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.26_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25814", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4890", "Disp_Access_No" : "1958.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Buddha", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Afghan", "Sort_Artist" : "Unknown, Afghan", "Disp_Dimen" : "6 1/2 in. (16.5 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stucco", "Support" : "", "Disp_Medium" : "Stucco", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Bernard N. Schilling in memory of her father and mother, Dr. and Mrs. William S. Eisenhart", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Afghan", "Department" : "", "Obj_Name" : "", "Period" : "Late Gandharan Period (4th-5th centuries)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14723", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/812", "Disp_Access_No" : "1978.190", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Allen Tobias Lacey (1802 - 1872)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Unknown, 19th century Allen Tobias Lacey (1802 - 1872) ca. 1840 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.190 Allen Tobias Lacey was a prosperous farmer and businessman who lived in nearby Scottsville in the 1830s. He was active in Whig politics and the anti-Masonic movement, where he may have met M.W. Hopkins, the social activist and folk artist who painted the portraits of his wife, Ann Lacey and two children, Pierrepont and Eliza, on view nearby. However, Mr. Lacey’s portrait is believed to be painted by another artist at a later date. Can you observe at least two differences between Mr. Lacey’s portrait and those of his family? This is the first time that Mr. Lacey’s portrait has been exhibited with those of his wife and children, thanks to a conservation grant from the Henry Luce Foundation. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from an after treatment photo provided by Williamstown Art Conservation Center in 2011.", "View" : "" } , ] },{ "embark_ID" : 811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/811", "Disp_Access_No" : "1977.196", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1851", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1861", "Disp_Title" : "American Harvesting (after Jasper Cropsey)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "32 1/2 x 44 1/4 in. (82.6 x 112.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "44 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While we may not know who painted this work, we can trace its inspiration. In 1851 Jasper Cropsey's painting American Harvesting was in the American Art-Union's annual exhibition in New York. The American Art-Union, formed in 1844, promoted American artists by purchasing and exhibiting their works. To familiarize more Americans with these artists, engravings were made and distributed to members. Possibly, one of these engravings was owned by the artist who did the Gallery's painting. Several other versions of this work exist and were most likely inspired by the same print. A version of the this image was printed by Currier & Ives, entitled 'A Summer Landscape: Haymaking." Cropsey's painting is currently in the collection of the <a href="http://www.artmuseum.iu.edu">Indiana University Art Museum</a>. [Gallery label text, 2002]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "21368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image of American Harvesting in the collection of the Indiana University Art Museum. Approved by IUAM to go on our website as a detail image", "View" : "" } , ] },{ "embark_ID" : 1134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1134", "Disp_Access_No" : "1957.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Eagle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 21 in. (76.2 x 53.3 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Pine", "Support" : "", "Disp_Medium" : "Pine", "Info_Page_Comm" : "", "Dedication" : "The Charles A. Carruth Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This eagle is similar in style to one on the old Salem Customs House. One of two 18th century American sculptures acquired through funds raised in memory of Mr. Charles A. Carruth, devoted Gallery friend and Gallery Consultant.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1086", "Disp_Access_No" : "1953.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Eagle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "18 x 30 in. (45.7 x 76.2 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood with gesso and gilt", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Fred H. Gordon", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Eagle is probably from a Liberty Pole", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13860", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2906", "Disp_Access_No" : "1951.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Eel Spear", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "26 3/4 x 6 in. (67.9 x 15.2 cm)", "Disp_Height" : "26 3/4 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 2920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2920", "Disp_Access_No" : "1954.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hinge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "10 x 2 3/4 in. (25.4 x 7 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Wrought iron", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1111", "Disp_Access_No" : "1971.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hobby Horse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "27 in. (68.6 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "Children around the world have played with toy horses for centuries. Egyptian children in the fifth century, Viking children in the eleventh century, and American children today enjoy riding toy horses and pulling them along on wheels. This horse, with its horsehair tail, glass eyes, and leather seat, originally might have been created to move on a wheeled platform. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13876", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1128", "Disp_Access_No" : "1985.22", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th Century - early 20th Century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1932", "Disp_Title" : "Optometrist's Trade Sign", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "17 3/4 x 30 1/2 in. (45.1 x 77.5 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "30 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, iron and paint", "Info_Page_Comm" : "", "Dedication" : "Given in honor of Isabel Herdle's 80th birthday by a group of her friends", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12753", "Rel_Obj_Title" : "Better Things - Introduction, viii, ix" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2829", "Disp_Access_No" : "1975.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Powder Horn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "3 3/4 x 14 3/4 x 4 13/16 in. (9.6 x 37.5 x 12.2 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Horn", "Support" : "", "Disp_Medium" : "Horn decorated with scrimshaw, wood", "Info_Page_Comm" : "Powder horns were watertight containers made to store gunpowder. Etched on the surfaces of the horns were names, dates, and real and fanciful images. [Gallery label text, 2002]", "Dedication" : "Gift of Miss Isabel C. Herdle in memory of Ray M. Pike (first superintendent of the Gallery)", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Arms and Armor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "40096", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "40097", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A15.jpg", "IsPrimary" : "0", "_SurrogateID" : "40098", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "40099", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A17.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A17.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A17.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A17.jpg", "IsPrimary" : "0", "_SurrogateID" : "40100", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A18.jpg", "IsPrimary" : "0", "_SurrogateID" : "40101", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A19.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A19.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A19.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A19.jpg", "IsPrimary" : "0", "_SurrogateID" : "40102", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A20.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A20.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A20.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A20.jpg", "IsPrimary" : "0", "_SurrogateID" : "40103", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A21.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A21.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A21.jpg", "IsPrimary" : "0", "_SurrogateID" : "40104", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A22.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A22.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A22.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A22.jpg", "IsPrimary" : "0", "_SurrogateID" : "40105", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A23.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A23.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A23.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A23.jpg", "IsPrimary" : "0", "_SurrogateID" : "40106", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A24.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A24.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A24.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A24.jpg", "IsPrimary" : "0", "_SurrogateID" : "40107", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A25.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A25.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A25.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A25.jpg", "IsPrimary" : "0", "_SurrogateID" : "40108", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A26.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A26.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A26.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A26.jpg", "IsPrimary" : "0", "_SurrogateID" : "40109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "40110", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "40111", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "40112", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "40113", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "40114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "40115", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "40116", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "40117", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.16_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.16_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.16_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.16_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "40118", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print file exists - TIFF - no color bar", "View" : "" } , ] },{ "embark_ID" : 1116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1116", "Disp_Access_No" : "1973.9", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Santo (Crucifix)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "37 x 24 in. (94 x 61 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The image of Christ on the cross is fundamental to Christian belief and the art that expresses it. The nearby Tramp Art Shrine, made in the northeastern United States, as well as many European works on the second floor of the Gallery, incorporate images similar to this santo made by an unknown santero. Santero is the traditional name for the carver of santos, which are typically figures of Christ or saints. When European missionaries brought Catholicism across the ocean to the New World, they also brought with them traditional forms of religious iconography and woodcarving techniques. Spanish friars were the original santeros, carving the figures to decorate mission churches; during the 19th century, lay people became santeros, and santos became part of the domestic religious tradition. [Gallery label text, 2002]", "Dedication" : "Gift of the Women's Council in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "American, Southwest, possibly Franciscan", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 2626, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2626", "Disp_Access_No" : "1942.47", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sofa", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Walnut", "Support" : "", "Disp_Medium" : "Walnut", "Info_Page_Comm" : "This sofa was formerly owned by Oliver Culver (1778-1867), who was an early Rochester pioneer, first supervisor of the town of Brighton, and original builder of the road that became East Avenue. Family tradition states that the sofa was made by a local cabinetmaker from lumber cleared off property owned by Culver. The furniture style is called Empire because it was influenced by French design; it was popularized in the 1820s by a furniture designer named Duncan Phyfe whose workshop was in New York City. Two Rochester streets are named for Culver: Culver Road and Oliver Street. The 1815 section of Culver’s home still stands today on East Boulevard, where it was moved from its original location at the corner of East Avenue and Culver Road. [Gallery label text, 2002]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Purchased from Oliver Culver House on East Blvd, from Lawrence C. Smith, grandson of Culver. Reputed to have been made for Oliver Culver from trees on his own property.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14244", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1091", "Disp_Access_No" : "1957.73", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Sternboard with Derby Family Coat-of-Arms", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "41 in. (104.1 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "It was a common practice to decorate the bows and sterns of sailing ships with sculptures made by expert carvers. Often, these creations were embellished with painted carved figures—hence the term 'figurehead'—and occasionally symbols that identified the ship's owner. This sternboard has both. It would have been placed in the rear - the stern - of the ship. Tradition has it that the sternboard's ship was owned by Elias Derby, a prodigiously wealthy merchant from Salem, Massachusetts whose fleet of ships traveled to remote parts of the world carrying trade goods. [Gallery label text, 2002]", "Dedication" : "The Charles A. Carruth Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Figure of a young curley-haired girl holding a large armorial shield in both hands. Used on a frigate owned by the Derby family of Salem whose coat-of-arms appears on the shield and then on the frigate "Angela" until it burned at Mystic, Conn. in 1871", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17115", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1113", "Disp_Access_No" : "1971.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trade Sign for a Hat Maker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "21 3/4 x 24 x 30 in. (55.2 x 61 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Tin", "Support" : "", "Disp_Medium" : "Tin and paint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1129", "Disp_Access_No" : "1987.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1900", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1900", "Disp_Title" : "Tramp Art Shrine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "43 1/2 x 26 1/4 x 19 in. (110.5 x 66.7 x 48.3 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "26 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paper and mirror", "Info_Page_Comm" : "Tramp art, originally thought to have been a style of woodworking used by hoboes to make gifts for people who provided them with hospitality, is now understood to encompass a broader group of work by self-taught artisans. Typically using found materials, the creators used a chip or notch carving technique and layering of materials to create optically dazzling patterns and designs. In this work, an Armour meat packing box was used for the body of the shrine, to which layers of intricately decorated details were added. In the interior are references from the New Testament to the betrayal and death of Jesus, among them the cross, the cock, the ladder and the spear. While we do not know the artist’s name, the degree of his piety communicates itself through his painstaking creation of this personal shrine. [Gallery label text, 2002]", "Dedication" : "Lillian Utz Fund and Tribute Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per dealer, found in western Pennsylvania. Partly made from Armour crate.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2923", "Disp_Access_No" : "1959.13", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trivet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 5/8 x 5 in. (32.1 x 12.7 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Wrought iron", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 2907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2907", "Disp_Access_No" : "1951.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trivet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 in. (30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Wrought iron", "Info_Page_Comm" : "", "Dedication" : "Joseph T. Simon Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1085", "Disp_Access_No" : "1951.309", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane Eagle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 x 17 1/2 in. (30.5 x 44.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Typical example of an early American weathervane with the initials of the farmer or perhaps the farmer-whittler, on the arrow shaft.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.309_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.309_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.309_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.309_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13858", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1122", "Disp_Access_No" : "1975.108", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1810", "_Disp_Start_Dat" : "1805", "_Disp_End_Date" : "1815", "Disp_Title" : "Weathervane: Angel Gabriel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "21 x 66 1/2 in. (53.3 x 168.9 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "66 1/2 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron and paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund; Acquired in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the Congregational Church of Bristol, New York", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19263", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "rotated image", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.108_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.108_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.108_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/75.108_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "38546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1109", "Disp_Access_No" : "1970.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Weathervane: Liberty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "39 1/4 in. (99.7 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "One of 9 figures of "Liberty" holding aloft American Flag, designed for 1876 Centennial, New England", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17117", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1087", "Disp_Access_No" : "1954.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Rooster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "14 1/2 x 21 in. (36.8 x 53.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in Manchester, New York, but probably from New Jersey.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1112", "Disp_Access_No" : "1971.42", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Steer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 1/4 x 24 1/2 in. (31.1 x 62.2 cm)", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper and bronze", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 1101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1101", "Disp_Access_No" : "1969.80", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Trotter Horse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "24 1/2 x 31 1/4 in. (62.2 x 79.4 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "31 1/4 in.", "Dimen_Extent" : "", "Medium" : "Tin", "Support" : "", "Disp_Medium" : "Tin and paint", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.80_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2578", "Disp_Access_No" : "1927.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Anasazi", "Sort_Artist" : "Unknown, Anasazi", "Disp_Dimen" : "3 1/2 x 4 3/4 in. (8.9 x 12.1 cm)", "Disp_Height" : "3 1/2 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay and mineral paint", "Info_Page_Comm" : "Once living in what is now the Four Corners – where Utah, Colorado, Arizona and New Mexico meet - the Anasazi were the ancestors of modern Hopi, Zuni and other Pueblo peoples. Their accomplished forms were decorated with both polychrome designs and the black-on-white patterns seen here. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12646, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12646", "Disp_Access_No" : "2004.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Basket (Olla)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Apache", "Sort_Artist" : "Unknown, Apache", "Disp_Dimen" : "18 x 11 1/4 in. (45.7 x 28.6 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "", "Medium" : "Grasses", "Support" : "", "Disp_Medium" : "Grasses, dyes", "Info_Page_Comm" : "The Apache people have long been known for their exquisite basket work. Women made the baskets from thin sticks of willow, cottonwood, or sumac which they collected, soaked and then stitched together. Color was added with a variety of natural dyes. This large olla, or jar-shaped basket, is decorated with human, animal and geometric forms. Made for sale, it took a highly skilled weaver to manage the geometric patterns and designs on such a large basket, which required many months to complete and would have been highly prized. [Gallery label text, 2009] ", "Dedication" : "Gift of Mr. and Mrs. Gorham Parks", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Basketry", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2004.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26555", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7824", "Disp_Access_No" : "1970.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hook Figure (Yipwon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Arambak", "Sort_Artist" : "Unknown, Arambak", "Disp_Dimen" : "85 in. (215.9 cm)", "Disp_Height" : "", "Disp_Width" : "85 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, shell", "Info_Page_Comm" : "This hook figure, or yipwon, is a 20th century reproduction of old, powerful figures believed to guide and assist tribes in hunting and warfare. The hooks represent ribs which surround the central element of the heart. The large yipwon were kept in the sacred space of the Men’s House where it acted as a vessel to house primordial ancestral spirits. These spirits were called into the yipwon prior to battle by a senior man who activated the figure by rubbing it with powerful substances. If the battle was a success, returning warriors smeared it with the blood of their victims. Particularly effective yipwon were handed down for generations. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4902", "Disp_Access_No" : "1970.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Female Figure with Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "11 1/4 x 3 3/4 x 3 7/8 in. (28.6 x 9.5 x 9.8 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, iron, sacrificial materials", "Info_Page_Comm" : "This is likely a representation of the Asante Queen Mother, a female relative of the king who has the authority to nominate his successor. The infant’s dependence on the mother for nourishment and protection symbolizes the kingdom’s dependence upon the Queen Mother for guidance. Associated with earth goddesses, agriculture and fertility, this Queen Mother figure was probably kept as part of a fertility shrine where sacrificial offerings were made (remnants of eggshell still remain on her surface). Scholars are confused by the weapon in the mother’s hand and think perhaps it was added at a later date. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.62_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.62_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.62_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.62_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25516", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.62_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.62_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.62_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.62_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4906", "Disp_Access_No" : "1984.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fertility Doll (Akuaba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "10 x 3 5/8 in. (25.4 x 9.2 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and beads", "Info_Page_Comm" : "Fertility is a universal human concern that has long been a central issue in Africa where the infant mortality rate remains high to this day. An akuaba is a fertility talisman meant to aid an Asante woman yearning to become a mother. Akuaba are affectionately bathed, dressed, fed and carried by women as they would a living child. Their slight, flat shape is designed to be carried on a woman’s back in her cloth wrapper. When the woman’s child survives childhood, the akuaba is sometimes placed in a shrine as an offering of thanks to the god responsible. Almost all of these fertility dolls are female as the Asante are a matrilineal society and most women wish for daughters to carry on their family line. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that incoming 6015 lists "Ashanti fertility dolls," plural, coming from Harris Prior for loan and ultimately gift to the permanent collection-- were there others besides this one?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.20_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.20_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.20_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.20_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4901", "Disp_Access_No" : "1967.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fertility Doll (Akuaba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "12 3/8 x 4 7/8 in. (31.4 x 12.4 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "Fertility is a universal human concern that has long been a central issue in Africa where the infant mortality rate remains high to this day. An akuaba is a fertility talisman meant to aid an Asante woman yearning to become a mother. The horned hairdo of this akuaba is that of a priestess and indicates the child, if allowed to live, will become a priestess dedicated to a goddess. Normally it is not necessary to dedicate a child; this is more common among older women who had already lost several children. Akuaba are affectionately bathed, dressed, fed and carried by women as they would a living child. Their slight, flat shape is designed to be carried on a woman’s back in her cloth wrapper. When the woman’s child survives childhood, the akuaba is sometimes placed in a shrine as an offering of thanks to the god responsible. Almost all of these fertility dolls are female as the Asante are a matrilineal society and most women wish for daughters to carry on their family line. [Gallery label text, 2009]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.31_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.31_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.31_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.31_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4899, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4899", "Disp_Access_No" : "1953.76.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goldweight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "1 1/4 x 1 3/8 x 5/8 in. (3.2 x 3.5 x 1.6 cm)", "Disp_Height" : "1 1/4 in.", "Disp_Width" : "1 3/8 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us. [Gallery label text, 2009]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.76.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.76.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.76.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.76.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4891", "Disp_Access_No" : "1953.76.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goldweight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "1 5/8 x 1 1/8 x 1/2 in. (4.1 x 2.9 x 1.3 cm)", "Disp_Height" : "1 5/8 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us. [Gallery label text, 2009]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.76.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.76.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.76.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.76.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4900", "Disp_Access_No" : "1962.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Stool", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "10 3/4 x 18 x 9 in. (27.3 x 45.7 x 22.9 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "In many African cultures, objects (such as carved figures and masks) can act as physical surrogates for spirits wishing to communicate and interact with the living. Stools are central objects in Asante spirituality. The Asante believe the stool used in life houses the owner’s soul in death. This is based in the story of The Golden Stool that descended from the heavens to land in (and thereby legitimize) the lap of the first Asante king. The Asante saying goes, “A man with no stool is a man with no dignity.” [Gallery label text, 2009] The treatment of stools as sacred objects is unique to the Asante kingdom - an Akan empire founded by the great leader Osei Tutu in the late seventeenth century. The tradition began with the great Golden Stool which legend relates floated down from the sky and fell in the lap of Osei Tutu. To this day, the Golden Stool stands as a representation of the soul, or spirit (sunsum) of the Asante people. It is not a throne, but rather a powerful, sacred object, that is guarded by each successive king and forbidden to be sat upon or to touch the ground. The most lavish stools are rewarded to important chiefs or members of the royal court, but commoners also maintain more modest stools. The stool is said to absorb some of the sunsum, or spirit, of his owner. Such an intimate link between owner and stool is reflected in the treatment of the stool after the owner's death. A high official's stool is linked to his role in office and when the owner dies, it is said that "a stool has fallen." The stool is then "blackened" and kept on its side in a separate "stool room." The soul of the ancestor is said to be embodied in the blackened stool. [Gallery label text]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Woodwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7801", "Disp_Access_No" : "1944.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 865 BCE-860 BCE", "_Disp_Start_Dat" : "865 BCE", "_Disp_End_Date" : "860 BCE", "Disp_Title" : "Winged Genius", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Assyrian", "Sort_Artist" : "Unknown, Assyrian", "Disp_Dimen" : "33 3/8 x 29 1/8 x 2 1/2 in. (84.7 x 73.9 x 6.4 cm)", "Disp_Height" : "33 3/8 in.", "Disp_Width" : "29 1/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster", "Info_Page_Comm" : "This mythical guardian figure, called a Genius, wears a two-horned helmet and fringed garment and carries a double-handled dagger, all attributes of his divine nature. His hands gesture protectively toward a flowering tree, just visible at the right edge of the sculpture. This relief, once brightly painted, is a fragment from the Northwest palace built by the Assyrian king Ashirnasirpal II (883—859 BCE) in his capital city at Kalhu, now the Iraqi city of Nimrud. Dozens of huge stone slabs carved with scenes of human and divine figures decorated the palace walls. [Gallery label text, 2009] This relief is a fragment of a larger composition of similar figures that once decorated one of the palaces of King Ashurnasirpal II, who ruled Assyria from 883 to 859 BCE. He established his capital at Kalhu, now the Iraqi city of Nimrud. Carved in a technique typical of Assyrian bas-reliefs, with contours deeply channeled to make them discernible in diffuse light, the figure’s facial features and musculature are carefully modeled. The hair and garments are also carved in detail, enhancing the decorative effect that the Assyrians favored in such reliefs. The wings and the two-horned helmet worn by the figure, called a Genius, are attributes of his divinity. That he is a protective deity is implied by his gesture toward the tree form, which suggests the care of a farmer for planted crops. The palmettes of a tree behind the figure’s right foot separated this figure from a similar one, now in the Vatican Museum in Rome, facing in the opposite direction. The motif of tending to these tree forms appears on many of the more than 315 Assyrian reliefs in collections outside of Nimrud, and is believed to represent an act that was part of ritual ceremonies. While such ceremonies remain unexplained, their frequent representation in palace reliefs suggests their importance to Assyrian court life. "I, Ashurnasirpal, the king whose glory is mighty, took Kalhu and changed its ancient mound… A palace of boxwood, mulberry, cedar, cypress, pistachio, tamarisk, and poplar… for my royal dwelling and for my lordly pleasure I founded therein, I adorned and made glorious.” King Ashurnasirpal II, who ruled Assyria from 883-859 BCE, so described the founding of his new capital city at Kalhu (modern-day Nimrud) on the banks of the Tigris River. Ashurnasirpal’s most elaborate project was the construction of the Northwest Palace, which included state apartments, a throne room, administrative offices, a harem and a tomb. Built during his reign and completed by his successors, the palace was decorated with huge stone slabs that were carved with scenes of figures in relief and inscribed with a record of important events during Ashurnasirpal’s reign. The Gallery’s relief, Winged Genius, probably comes from this palace. [Gallery label text, 2004] ", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Assyrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per John Stearns of Dartmouth, this panel came from the Northwest Palace of Assurnasirpal II, the left half of the upper register of Room I; the right half of the panel is in the Vatican Museum. Deaccessioned from Cleveland Museum of Art in 1944 due to space considerations (see letter in curatorial file). --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.10_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.10_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.10_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.10_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29017", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Digitally manipulated by Andy Olenick to combine photos to get an even distribution of lighting. On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 5271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5271", "Disp_Access_No" : "1972.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 500-800", "_Disp_Start_Dat" : "500", "_Disp_End_Date" : "800", "Disp_Title" : "Jar with Reptile Heads", "Alt_Title" : "Pot with Double-Headed Lizards", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Atlantic Watershed", "Sort_Artist" : "Unknown, Atlantic Watershed", "Disp_Dimen" : "5 15/16 x 11 x 7 1/2 in. (15.1 x 28 x 19 cm)", "Disp_Height" : "5 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "overall", "Medium" : "Blackware", "Support" : "", "Disp_Medium" : "Blackware", "Info_Page_Comm" : "This pot originates from the mountainous region of central Costa Rica. Painted with black-slip, the vessel was then decorated with incised marks made after firing. The two lizard heads serve both as handles and as a visual metaphor for the concept of dualism. This deeply-rooted artistic convention often depicts objects in pairs to represent the fundamental complexities of life and death. A central component of many societies in the Ancient Americas, symbolic dualism seeks to balance the opposing manifestations of male and female, left and right, light and dark, and night and day. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Costa Rican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "El Rio applique and Belen incised styles", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5534", "Disp_Access_No" : "1969.56", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 800-1525", "_Disp_Start_Dat" : "800", "_Disp_End_Date" : "1525", "Disp_Title" : "Shaman Figure (Sukia)", "Alt_Title" : "Shaman Smoking a Cigar", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Atlantic Watershed", "Sort_Artist" : "Unknown, Atlantic Watershed", "Disp_Dimen" : "4 1/4 x 2 x 4 in. (10.8 x 5.1 x 10.2 cm)", "Disp_Height" : "4 1/4 in.", "Disp_Width" : "2 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Volcanic stone", "Info_Page_Comm" : "This seated shaman figure is a standard type that was produced in great quantities in central Costa Rica. Carved from volcanic stone these figures were included in burials, and perhaps made initially for domestic use. Hallucinogenic drugs, derived from native plants and animals, played a large role in this culture. Shown deep in a trance, the shaman here is most likely either inhaling or expelling a narcotic. He wears no earthly clothing or jewelry and there is no visible body modification, as he is both of this world and the world beyond. [Gallery label text, 2009]", "Dedication" : "Gift of Dr. and Mrs. Henry Buxbaum", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Costa Rican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20178", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7867", "Disp_Access_No" : "1953.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ceremonial Canoe Paddle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austral Islander", "Sort_Artist" : "Unknown, Austral Islander", "Disp_Dimen" : "41 1/4 x 9 in. (104.8 x 22.9 cm)", "Disp_Height" : "41 1/4 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "Based on the size and intricately carved surface it is unlikely that this was ever used as a canoe paddle. Although knowledge of their original function is lost, it is believed that paddles like this may have been used to accentuate a dancer’s movements during ritual performances. By the late 19th century Austral artists recognized Westerners’ interest in the paddles fine carving and craftsmanship and began making them for the market. [Gallery label text, 2009]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Woodwork", "Creation_Place2" : "Austral Islander", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31027", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5296", "Disp_Access_No" : "1944.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1200-1500 CE", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1500", "Disp_Title" : "Figure of Quetzalcoatl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Aztec", "Sort_Artist" : "Unknown, Aztec", "Disp_Dimen" : "26 in. (66 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Volcanic stone", "Support" : "", "Disp_Medium" : "Volcanic stone", "Info_Page_Comm" : "Aztec deity sculptures exist in the thousands, despite a campaign of destruction by the conquering Spanish who believed they were heathen idols. This sculpture represents the Aztec creator god, Quetzalcoatl. His name combines the words for “precious green feather” (quetzalli) and “serpent” (coatl), thus combining the two religious/cosmological realms, the sky realm and earth. Representations of their gods were made recognizable to the Aztec people by their individual attributes. Here Quetzalcoatl wears his characteristic curved shell ear ornaments and conical headpiece. [Gallery label text, 2009] ", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Mexican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29771", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.64_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.64_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.64_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.64_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "29772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5337", "Disp_Access_No" : "1928.311.4", "_AccNumSort1" : "", "Disp_Create_DT" : "2000 BCE-400 BCE", "_Disp_Start_Dat" : "2000 BCE", "_Disp_End_Date" : "400 BCE", "Disp_Title" : "Cylinder Seal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Babylonian", "Sort_Artist" : "Unknown, Babylonian", "Disp_Dimen" : "1 1/8 x 9/16 in. (2.9 x 1.4 cm)", "Disp_Height" : "1 1/8 in.", "Disp_Width" : "9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Babylonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "9/24/07 This object is numbered in red "28.311.4". Another seal has the number "28.311" in red with a small piece of tape next to the 311 with ".4" on it, indicating that there are two seals that were numbered "28.311.4". Obviously this is a mistake. Because this seal, now located in the Ancient World Gallery: Case 4 has the entire number painted in red, it will maintain the number 26.311.4. The other seal numbered "28.311.4" now located in small object storage on bay 12, shelf 1 will become 28.311.8. Jessica Marten Assistant Curator", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.4_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "24639", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.4_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.4_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.4_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.4_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "31158", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.4_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.4_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.4_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.4_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "31159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20818", "Disp_Access_No" : "1928.311.7", "_AccNumSort1" : "", "Disp_Create_DT" : "2000 BCE-400 BCE", "_Disp_Start_Dat" : "2000 BCE", "_Disp_End_Date" : "400 BCE", "Disp_Title" : "Seal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Babylonian", "Sort_Artist" : "Unknown, Babylonian", "Disp_Dimen" : "13/16 x 1 x 1 1/8 in. (2 x 2.5 x 2.8 cm)", "Disp_Height" : "13/16 in.", "Disp_Width" : "1 in.", "Dimen_Extent" : "overall", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Babylonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20817, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20817", "Disp_Access_No" : "1928.311.6", "_AccNumSort1" : "", "Disp_Create_DT" : "2000 BCE-400 BCE", "_Disp_Start_Dat" : "2000 BCE", "_Disp_End_Date" : "400 BCE", "Disp_Title" : "Seal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Babylonian", "Sort_Artist" : "Unknown, Babylonian", "Disp_Dimen" : "9/16 x 9/16 x 11/16 in. (1.4 x 1.5 x 1.8 cm)", "Disp_Height" : "9/16 in.", "Disp_Width" : "9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Babylonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20816", "Disp_Access_No" : "1928.311.5", "_AccNumSort1" : "", "Disp_Create_DT" : "2000 BCE-400 BCE", "_Disp_Start_Dat" : "2000 BCE", "_Disp_End_Date" : "400 BCE", "Disp_Title" : "Seal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Babylonian", "Sort_Artist" : "Unknown, Babylonian", "Disp_Dimen" : "11/16 x 11/16 x 3/8 in. (1.8 x 1.8 x 1 cm)", "Disp_Height" : "11/16 in.", "Disp_Width" : "11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Babylonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.311.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.311.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.311.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.311.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25158", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4910", "Disp_Access_No" : "1969.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask: Male Antelope (Chi Wara)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "40 9/16 x 2 15/16 x 13 9/16 in. (103 x 7.5 x 34.5 cm)", "Disp_Height" : "40 9/16 in.", "Disp_Width" : "2 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, fiber, and metal", "Info_Page_Comm" : "In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes the mask a fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. Chi wara masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride. The small pieces of red cloth attached to the snout of this male Chi Wara may have originated in the woolen bandages imported by the French during the First World War. In Bamana culture, red is the color of danger and is often restricted to men of certain status. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "28368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.107_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.107_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.107_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.107_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "28370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "At the left, with 93.14 on the right. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/851", "Disp_Access_No" : "1993.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask: Female Antelope (Chi Wara)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "30 1/2 x 7 5/8 x 8 in. (77.5 x 19.4 x 20.3 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, cane, shell, yarn and brass", "Info_Page_Comm" : "In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes them fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. The masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride. [Gallery label text, 2009] ", "Dedication" : "Gift of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28377", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.14_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.14_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.14_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.14_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "28379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On the right, with 69.107 on the left. On disk 090113", "View" : "" } , ] },{ "embark_ID" : 4909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4909", "Disp_Access_No" : "1969.71", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Door Lock", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Bamana", "Sort_Artist" : "Unknown, Bamana", "Disp_Dimen" : "26 x 16 5/8 x 3 1/4 in. (66 x 42.2 x 8.3 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "16 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and metal", "Info_Page_Comm" : "This is a door lock of the Bamana people. Inside the lock, metal pins attach the horizontal and vertical elements. A metal key must be inserted into the hole between the creature’s shoulders to release the pins in the lock. But in truth, the functional value of a Bamana door lock is secondary to its spiritual value. An individual determined to break into a house with a sculpted door lock would find it an easy matter. Bamana door locks are primarily meant to protect a home against malevolent spirit forces seeking entry. This lock is in the form of a crocodile or water iguana. In Bamana mythology, these lizards are representatives of Faro, a powerful and beneficent deity who protects against sorcery. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Malian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.71_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.71_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.71_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.71_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4915", "Disp_Access_No" : "1969.33", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Female Figure (Blolo Bla or Asie Usu)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Baule", "Sort_Artist" : "Unknown, Baule", "Disp_Dimen" : "17 1/8 x 3 1/8 x 3 in. (43.5 x 7.9 x 7.6 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "The Baule believe each person has a spirit spouse (husband=blolo bian, wife=blolo bla). The presence of a troublesome, jealous spirit spouse can result in illness or misfortune. A carving can be commissioned to ensure the spirit’s protection and good will. These extremely private sculptures are kept hidden in the owner’s bedroom where they are attended to and anointed with oil. Raised scarification patterns represent Baule standards of beauty and identity, while their contained posture and introspective expression reflect social virtues of tradition and decorum. Bush spirit figures (asye usu) are carved when an uncivilized bush spirit forms an attachment to a human and makes trouble in their life. Asye usu can only be appeased by a sculpted figure kept enshrined and placated with offerings that, over time accumulate in a thick crust. This surface (often cleaned off when the sculpture is sold) is the only way to distinguish between a spirit spouse and a bush spirit, as in all other ways they look the same. For this reason, it is impossible to know if this figure is a spirit spouse or a bush spirit figure. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ivoirian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.33_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.33_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.33_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.33_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31031", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4916", "Disp_Access_No" : "1971.19", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Male Figure (Blolo Bian or Asie Usu)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Baule", "Sort_Artist" : "Unknown, Baule", "Disp_Dimen" : "18 x 4 x 4 1/4 in. (45.7 x 10.2 x 10.8 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "The Baule believe each person has a spirit spouse (husband=blolo bian, wife=blolo bla). The presence of a troublesome, jealous spirit spouse can result in illness or misfortune. A carving can be commissioned to ensure the spirit’s protection and good will. These extremely private sculptures are kept hidden in the owner’s bedroom where they are attended to and anointed with oil. Raised scarification patterns represent Baule standards of beauty and identity, while their contained posture and introspective expression reflect social virtues of tradition and decorum. Bush spirit figures (asye usu) are carved when an uncivilized bush spirit forms an attachment to a human and makes trouble in their life. Asye usu can only be appeased by a sculpted figure kept enshrined and placated with offerings that, over time accumulate in a thick crust. This surface (often cleaned off when the sculpture is sold) is the only way to distinguish between a spirit spouse and a bush spirit, as in all other ways they look the same. For this reason, it is impossible to know if this figure is a spirit spouse or a bush spirit figure. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ivoirian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.19_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25518", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.19_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.19_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.19_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.19_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.19_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14288, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14288", "Disp_Access_No" : "2006.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1560s; breastplate 1562", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1562", "Disp_Title" : "Partial Armor made for the Dukes of Brunswick-Wolfenbüttel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Brunswick Armory", "Sort_Artist" : "Unknown, Brunswick Armory", "Disp_Dimen" : "49 x 24 x 20 in. (124.5 x 61 x 50.8 cm)", "Disp_Height" : "49 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "overall", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Etched steel, leather", "Info_Page_Comm" : "Partial armor comprising a helmet, breastplate, tassets (upper thigh leg defenses), backplate and gorget (collar): .1 helmet : H 12-1/2 x W 10-1/2 x D 16-1/4 in. .2 collar (gorget) including sleeves: H 12-1/4 x W 24 x D 9-7/8 in. .3 breastplate: H 18 x W 15-1/2 x D 9 in. .4 backplate: H 16-7/8 x W 15-1/2 x D 8-1/4 in. .5a upper (proper) left tasset: H 10 x W 10 X D 3-1/2 in. .5b lower (proper) left tasset: H 9-1/2 x W 7-1/4 x D 3-1/2 in. .6a upper (proper) right tasset : H 10 X W 10 X D 3-1/2 in. .6b lower (proper) right tasset: H 9-1/4 x W 7-1/4 x D 3-1/2 in.", "Dedication" : "The Maurice and Maxine B. Forman Fund, the Clara and Edwin Strasenburgh Fund, the Marie Adelaide Devine Fund and the June Alexander Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Arms and Armor", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23290", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "23291", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "23292", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "23293", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "23294", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "23295", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A15.jpg", "IsPrimary" : "0", "_SurrogateID" : "23296", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "23297", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A17.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A17.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A17.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A17.jpg", "IsPrimary" : "0", "_SurrogateID" : "23298", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A18.jpg", "IsPrimary" : "0", "_SurrogateID" : "23299", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A19.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A19.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A19.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A19.jpg", "IsPrimary" : "0", "_SurrogateID" : "23300", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "23301", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A20.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A20.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A20.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A20.jpg", "IsPrimary" : "0", "_SurrogateID" : "23302", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A21.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A21.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A21.jpg", "IsPrimary" : "0", "_SurrogateID" : "23303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A22.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A22.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A22.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A22.jpg", "IsPrimary" : "0", "_SurrogateID" : "23304", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A23.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A23.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A23.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A23.jpg", "IsPrimary" : "0", "_SurrogateID" : "23305", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "23306", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "23307", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "23308", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "23309", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "23310", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "23311", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Wooden stand has been cropped out in Access image but remains in Print Master.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.57_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.57_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.57_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.57_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "23312", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5133", "Disp_Access_No" : "1949.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1200-1399?", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1399", "Disp_Title" : "Panel Fragment with Figure of a Saint", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Byzantine", "Sort_Artist" : "Unknown, Byzantine", "Disp_Dimen" : "4 1/2 x 1 5/8 x 1/2 in. (11.5 x 4.2 x 1.2 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "1 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Ivory", "Support" : "", "Disp_Medium" : "Ivory", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Byzantine", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.41_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.41_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.41_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.41_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36847", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5175", "Disp_Access_No" : "1936.4", "_AccNumSort1" : "", "Disp_Create_DT" : "11th century-12th century", "_Disp_Start_Dat" : "1000", "_Disp_End_Date" : "1199", "Disp_Title" : "Head of the Bodhisattva Avalokitesvara", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Cambodian", "Sort_Artist" : "Unknown, Cambodian", "Disp_Dimen" : "16 x 8 1/4 x 5 1/2 in. (40.6 x 21 x 14 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "", "Dedication" : "Presented in memory of Dr. Ewald Eiserhardt by friends and students", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Cambodian", "Department" : "", "Obj_Name" : "", "Period" : "Khmer empire (802-1451)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15949", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4912", "Disp_Access_No" : "1971.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Crest Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Cameroon", "Sort_Artist" : "Unknown, Cameroon", "Disp_Dimen" : "15 9/16 x 14 3/4 x 14 7/8 in. (39.5 x 37.5 x 37.8 cm)", "Disp_Height" : "15 9/16 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "This royal mask would have been performed at night; the animals around its crown are bats, nocturnal animals. The angular forms on the openwork cap reference the Cameroon brown spider which is associated with the high status of kings and the power of divination. This large spider is a member of the tarantula family and lives in the ground near the base of trees. In Cameroon the sacred earth spider has supernatural wisdom and serves as intermediary between the living and the buried dead. It is through these spiders that Cameroon diviners communicate with their ancestors. Crest Masks are different than face masks in that they are worn atop the head, rather than in front of the face. The dancer wearing this mask would have had his face concealed under a mask of see-through fabric. The rest of his body would have been covered in a costume of cloth. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Cameroonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.20_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.20_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.20_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.20_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "31039", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5246", "Disp_Access_No" : "1951.49", "_AccNumSort1" : "", "Disp_Create_DT" : "850-1500 CE", "_Disp_Start_Dat" : "850", "_Disp_End_Date" : "1500", "Disp_Title" : "Ceremonial Human Figure Vessel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Capuli", "Sort_Artist" : "Unknown, Capuli", "Disp_Dimen" : "14 1/2 in. (36.8 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Fired earthenware", "Info_Page_Comm" : "This vessel is in the form of a stylized human holding a bowl, perhaps making a coca offering. Death, marriage, and almost any other social or religious ritual once included an offering of coca. Possessing ceremonial significance, the leaves of the coca plant have also been used in the Andean region for hundreds of years to treat ailments ranging from dysentery to altitude sickness. There is a small opening in the top of the vessel suggesting it may have been used to hold cremated human remains. The slit eyes may indicate death or a trance state. [Gallery label text, 2009] ", "Dedication" : "Gift of Mr. and Mrs. Charles F. Hutchinson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Colombian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5936", "Disp_Access_No" : "1925.41", "_AccNumSort1" : "", "Disp_Create_DT" : "before 146 BCE", "_Disp_Start_Dat" : "156 BCE", "_Disp_End_Date" : "147 BCE", "Disp_Title" : "Askos in the Form of a Horse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "4 1/2 x 6 7/8 x 2 3/8 in. (11.4 x 17.5 x 6 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of the University of Rochester", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "Punic Period", "Style" : "", "Edition" : "", "Curator" : "Per back of photo in curatorial file, found on the site of the Precinct of the temple of Tanit.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25152", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5953", "Disp_Access_No" : "1925.51", "_AccNumSort1" : "", "Disp_Create_DT" : "before 146 BCE", "_Disp_Start_Dat" : "156 BCE", "_Disp_End_Date" : "147 BCE", "Disp_Title" : "Baby Feeder", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "5 1/8 x 4 5/16 x 3 1/2 in. (13 x 11 x 8.9 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "4 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of the University of Rochester", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per back of photo in curatorial file, found on the site of the Precinct of the temple of Tanit.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31144", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.51_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.51_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.51_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.51_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31145", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5937, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5937", "Disp_Access_No" : "1925.42", "_AccNumSort1" : "", "Disp_Create_DT" : "8th century BCE", "_Disp_Start_Dat" : "800 BCE", "_Disp_End_Date" : "701 BCE", "Disp_Title" : "Cinerary Urn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "11 3/4 x 8 1/8 x 7 1/16 in. (29.9 x 20.7 x 18 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of the University of Rochester", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5923", "Disp_Access_No" : "1920.75", "_AccNumSort1" : "", "Disp_Create_DT" : "before 146 BCE", "_Disp_Start_Dat" : "156 BCE", "_Disp_End_Date" : "147 BCE", "Disp_Title" : "Oil Lamp", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "1 3/4 x 5 1/16 x 5 5/16 in. (4.4 x 12.8 x 13.5 cm)", "Disp_Height" : "1 3/4 in.", "Disp_Width" : "5 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Award to the University of Rochester of the de Prorok Expedition", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Please note that objects accessioned as “Award to the University of Rochester of the de Prorok Expedition” (20.52-.71, 20.73-.82, .87-.88) were actually received at the Gallery in 1926 or after. See 1926 newspaper articles in curatorial files that reproduce some of these objects, when they were lent as part of a collection still belonging to De Prorok. The works were subsequently given to the Gallery, and when catalogued, they were inadvertently given 1920 accession numbers. When the issue was discovered, it was decided to retain the 1920 numbers. --Kerry Schauber, Curatorial Research Assistant, November 2008", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24621", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5921", "Disp_Access_No" : "1920.73", "_AccNumSort1" : "", "Disp_Create_DT" : "before 146 BCE", "_Disp_Start_Dat" : "156 BCE", "_Disp_End_Date" : "147 BCE", "Disp_Title" : "Oil Lamp", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "1 9/16 x 5 1/8 x 4 1/2 in. (4 x 13 x 11.5 cm)", "Disp_Height" : "1 9/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Award to the University of Rochester of the de Prorok Expedition", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Please note that objects accessioned as “Award to the University of Rochester of the de Prorok Expedition” (20.52-.71, 20.73-.82, .87-.88) were actually received at the Gallery in 1926 or after. See 1926 newspaper articles in curatorial files that reproduce some of these objects, when they were lent as part of a collection still belonging to De Prorok. The works were subsequently given to the Gallery, and when catalogued, they were inadvertently given 1920 accession numbers. When the issue was discovered, it was decided to retain the 1920 numbers. --Kerry Schauber, Curatorial Research Assistant, November 2008", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5414", "Disp_Access_No" : "1977.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1060-1340", "_Disp_Start_Dat" : "1060", "_Disp_End_Date" : "1340", "Disp_Title" : "Human Figure Vessel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Casas Grandes", "Sort_Artist" : "Unknown, Casas Grandes", "Disp_Dimen" : "6 1/2 x 5 1/2 x 5 3/4 in. (16.5 x 14 x 14.6 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay, pigments", "Info_Page_Comm" : "This vessel likely held water, porridge or an alcoholic beverage. Casas Grandes was a trade emporium in the northernmost part of Mexico, where its sharing of influences with Southwest Native Americans is visible in the ceramics traditions of both cultures. [Gallery label text, 2009]", "Dedication" : "Ruby Miller Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Mexican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.101_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.101_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.101_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.101_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30518", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10572", "Disp_Access_No" : "2007.34", "_AccNumSort1" : "", "Disp_Create_DT" : "0-200 CE", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "200", "Disp_Title" : "Belt Clasp with Horse and Goat", "Alt_Title" : "Belt Plaque with Mythical Animals", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Caucasian", "Sort_Artist" : "Unknown, Caucasian", "Disp_Dimen" : "5 1/8 x 5 3/8 x 1 1/2 in. (13 x 13.6 x 3.8 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Henry Hirschland", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Caucasian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18613", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5548, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5548", "Disp_Access_No" : "1972.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1200-1550 CE", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1550", "Disp_Title" : "Ceremonial Grinding Stone (Flying-Panel Metate)", "Alt_Title" : "Flying Panel Metate", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Central Highlands or Atlantic Watershed", "Sort_Artist" : "Unknown, Central Highlands or Atlantic Watershed", "Disp_Dimen" : "12 1/2 x 27 x 21 in. (31.8 x 68.6 x 53.3 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Volcanic stone", "Info_Page_Comm" : "A metate is a tool for grinding and preparing food. Because of its crucial role in ancient people’s everyday existence (see photo to the right) over time the metate evolved into a ritual object. Carved from a single piece of stone, the delicate open work on this flying-panel metate was accomplished by skilled artists using only tools made from stone or wood. Both real and supernatural creatures decorate the base. The central figure is a shaman in the form of a crocodile. Respected for its power and swiftness on land and in the water, the crocodile is a fitting representation for a shaman. Metates were also employed as funeral biers in the most prestigious tombs; the body was laid out on two or three metates placed side by side. The more elaborate "flying-panel" examples may have been manufactured especially for high-rank burials. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stonework", "Creation_Place2" : "Costa Rican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20196", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20198", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20199", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20200", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "20201", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "20202", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "20203", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "20204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "20205", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A12.jpg", "IsPrimary" : "0", "_SurrogateID" : "20206", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A14.jpg", "IsPrimary" : "0", "_SurrogateID" : "20207", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A15.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A15.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A15.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A15.jpg", "IsPrimary" : "0", "_SurrogateID" : "20208", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A16.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A16.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A16.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A16.jpg", "IsPrimary" : "0", "_SurrogateID" : "20209", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A17.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A17.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A17.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A17.jpg", "IsPrimary" : "0", "_SurrogateID" : "20210", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A18.jpg", "IsPrimary" : "0", "_SurrogateID" : "20211", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A19.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A19.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A19.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A19.jpg", "IsPrimary" : "0", "_SurrogateID" : "20212", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A20.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A20.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A20.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A20.jpg", "IsPrimary" : "0", "_SurrogateID" : "20213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "20214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.10_A13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.10_A13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.10_A13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.10_A13.jpg", "IsPrimary" : "0", "_SurrogateID" : "20215", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4888", "Disp_Access_No" : "1947.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1100-1470", "_Disp_Start_Dat" : "1100", "_Disp_End_Date" : "1470", "Disp_Title" : "Burial Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú", "Sort_Artist" : "Unknown, Chimú", "Disp_Dimen" : "9 5/16 x 17 3/8 x 9/16 in. (23.7 x 44.1 x 1.5 cm)", "Disp_Height" : "9 5/16 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Gold, silver and copper alloy", "Support" : "", "Disp_Medium" : "Gold, silver and copper alloy", "Info_Page_Comm" : "This Burial Mask was created by a Chimu artist in the Chicama Valley on the North Coast of Peru between 1100 and 1470. Ruling from their capital city of Chan Chan, the Chimú state controlled a vast empire in the north and central coasts of Peru. They employed tens of thousands of artists, including skilled metalworkers that produced objects of precious metal for the nobility. Masks such as this would never have been worn by the living. They played an essential role in death and burial and were placed on the funerary bundle. These decorative masks helped indicate the rank of the deceased. The ornate, circular ear ornaments may have held actual feathers. The upper portion of the mask is decorated with puma heads and bent, stylized figures of warriors wearing elaborate feathered headdresses. Separate ornaments may have been attached to the mask near the eyes, around the nose and along the side of the face. The nose, which was raised in relief, has been lost. [Gallery label text, 2009] ", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "Note description in Betsy Brayer''s interviews with Herdle sisters (R:\Oral Histories\Brayer Interviews, tape 13): Gertrude Herdle: "We got it from this very interesting person. I don''t know how we met him. Baron von Schoeler, remember? Who had years of connection in Peru, and whenever his friend was in power in Peru, either as a president or as a deputy to the congress there, the government there, Baron von Schoeler would go down, and get out from the country some of the things that had been excavated from various pre-Columbian sites. He had a great collection in Peru of pottery and textiles, ... And several gold masks. ... He was a fascinating person but obviously, he was playing for all he''s worth with the political situation in Peru.... And we heard later on that he went down, unfortunately, his friends were out by the time he got down, so then he was immediately clapped into prison, and he was in prison for several years. But he got out some very fine things. One of the best things was the gold mask that we have. Which is a beauty. One of the ears was missing on it, remember? Able to find another one that could be turned around, upside down and more or less be fitted in with the other one. Isabel Herdle: But it''s repousse, so it''s, isn''t it, but it was in the wrong direction, but at least it fills in. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15211", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10147", "Disp_Access_No" : "1960.26.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1100-1470 CE", "_Disp_Start_Dat" : "1100", "_Disp_End_Date" : "1470", "Disp_Title" : "Decorative Plaque with Geometric Repoussé Motifs ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú", "Sort_Artist" : "Unknown, Chimú", "Disp_Dimen" : "2 5/16 x 5 1/2 x 1/2 in. (5.9 x 14 x 1.3 cm)", "Disp_Height" : "2 5/16 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Silver and copper alloy", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Edward K. Brown", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.26.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.26.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.26.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.26.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20162", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4871", "Disp_Access_No" : "1946.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1350-1470", "_Disp_Start_Dat" : "1350", "_Disp_End_Date" : "1470", "Disp_Title" : "Double-Chambered Spout and Bridge Vessel with Llama or Alpaca Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú", "Sort_Artist" : "Unknown, Chimú", "Disp_Dimen" : "6 x 8 3/4 in. (15.2 x 22.2 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Blackware", "Support" : "", "Disp_Medium" : "Blackware", "Info_Page_Comm" : "Double vessels are typical of Chimú ceramics and were valued for their musical component: blowing into the spout produces a whistling sound. When filled with liquid the vessel can be made to whistle by itself by tipping it back and forth, thus forcing air from one chamber to the other, causing the whistle to sound. Here the whistle is incorporated into the head of a llama or an alpaca. Prized as a source of food, fiber and transport, they were valuable and essential animals and frequently depicted in the art of the Andean region. [Gallery label text, 2009]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20153", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.24_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29779", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5508, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5508", "Disp_Access_No" : "1975.146a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1000-1470", "_Disp_Start_Dat" : "1000", "_Disp_End_Date" : "1470", "Disp_Title" : "Pair of Earspools", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú", "Sort_Artist" : "Unknown, Chimú", "Disp_Dimen" : "2 1/2 x 2 1/2 in. (6.4 x 6.4 cm)", "Disp_Height" : "", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "Although body piercing and tattooing may seem like a novel concept, it was a common practice and a sign of beauty and status in many cultures throughout the Ancient Americas. This matched pair of earspools once adorned the earlobes of a nobleman from the Chimú Empire. By wearing ever-larger ear plugs, ear lobes can be stretched out to accommodate such thick posts. These imposing earspools may have been secured with ties affixed either to a headdress or around the neck. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.146a-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.146a-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.146a-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.146a-b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20191", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4864", "Disp_Access_No" : "1943.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1535 CE", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1535", "Disp_Title" : "Pepino Vessel with Small Lizard Handle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú-Inca", "Sort_Artist" : "Unknown, Chimú-Inca", "Disp_Dimen" : "6 7/8 in. (17.5 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Blackware", "Support" : "", "Disp_Medium" : "Blackware", "Info_Page_Comm" : "The Chimú culture valued individually woven and embroidered textiles and fancy metalwork, but most of their pottery was mass produced mold-made blackware. Many copies of each design were created and disseminated and have been found in graves throughout the region. [Gallery label text, 2009]", "Dedication" : "Joseph T. Simon Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through the Official Commercial Agency of the Peruvian Industries for the use of the Education Department. Incorporated into regular permanent collection and replaced in the Education Collection by another Nazca jar purchased later through the R. T. Miller Fund. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4847, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4847", "Disp_Access_No" : "1986.117", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1600-1644", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1644", "Disp_Title" : "A Bearer of Good Wishes: Fragment of a Taoist Wall Painting", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "80 1/8 x 36 7/8 in. (203.5 x 93.7 cm)", "Disp_Height" : "80 1/8 in.", "Disp_Width" : "36 7/8 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "clay", "Disp_Medium" : "Ink and natural mineral and plant pigments on a prepared clay wall", "Info_Page_Comm" : "Large religious scenes often decorated the walls of Chinese temples, monasteries, and shrines. This woman is from such a scene; a companion’s cut-off sleeve and hem can be seen at the lower left. The only other clue to her identity is her distinctively shaped staff. It is called a ju-i, which means “fulfilling one’s wishes.” Used by Chinese scholars as a lecturing pointer in the 4th-6th centuries, the ju-i was said in one humorous ancient commentary to have taken its shape from back-scratchers and its name from the satisfaction of relieving the itch! By the time of this painting, however, the staff had become purely symbolic, representing longevity and well-wishing. [Excerpt from gallery label text, 1999]", "Dedication" : "Gift of Anthony A. Bliss", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Ming Dynasty (1368-1644 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.117_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.117_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.117_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.117_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14778", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5179", "Disp_Access_No" : "1942.21", "_AccNumSort1" : "", "Disp_Create_DT" : "early 13th Century", "_Disp_Start_Dat" : "1200", "_Disp_End_Date" : "1232", "Disp_Title" : "Bodhisattva Guanyin on Mount Potala", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "45 1/2 x 26 3/8 x 20 1/2 in. (115.6 x 67 x 52.1 cm)", "Disp_Height" : "45 1/2 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gold", "Info_Page_Comm" : "This aspect of Guanyin, enthroned on his legendary mountain abode, Potala, was especially favored in China during the 12th and 13th centuries. The figure is seated in a position of Royal Relaxation. Its rustic base, visible at the left, symbolizes a rocky ledge of the mountain paradise, from which Guanyin beholds with sublime compassion the sufferings of earthly beings. Public temple images such as this, gilt and richly polychromed, were often installed in an elaborate naturalistic setting. They combined the two concepts of the immutability of the Divine and the transitory nature of the world. [Gallery label text, undated]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Southern Song Dynasty (1127-1279 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "36505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.21_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.21_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.21_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.21_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "36508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5084", "Disp_Access_No" : "1977.99", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "2 1/2 x 6 3/4 in. (6.4 x 17.1 cm)", "Disp_Height" : "2 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Ch'ing pai ware", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Leon L. Miller in honor of Mrs. S. Burdette Burne", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Song Dynasty (960-1279 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.99_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16864", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "18717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5083, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5083", "Disp_Access_No" : "1955.140", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1403-1424", "_Disp_Start_Dat" : "1403", "_Disp_End_Date" : "1424", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "2 3/8 x 8 1/8 x 8 1/8 in. (6 x 20.6 x 20.6 cm)", "Disp_Height" : "2 3/8 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Translucent white eggshell porcelain", "Info_Page_Comm" : "", "Dedication" : "Buswell-Hochstetter Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Yung Lo Period (1403-1424)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.140_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.140_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.140_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.140_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5174", "Disp_Access_No" : "1931.14", "_AccNumSort1" : "", "Disp_Create_DT" : "700-750", "_Disp_Start_Dat" : "700", "_Disp_End_Date" : "750", "Disp_Title" : "Camel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "15 1/8 x 4 3/4 x 13 3/16 in. (38.4 x 12 x 33.5 cm)", "Disp_Height" : "15 1/8 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy, glazes", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34093", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.14_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34094", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.14_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.14_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.14_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.14_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34095", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.14_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.14_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.14_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.14_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "34096", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9879", "Disp_Access_No" : "1942.15", "_AccNumSort1" : "", "Disp_Create_DT" : "11th Century BCE - early 10th Century BCE", "_Disp_Start_Dat" : "1100 BCE", "_Disp_End_Date" : "968 BCE", "Disp_Title" : "Ceremonial Food Vessel (Gui)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "5 5/8 x 10 1/8 x 7 1/2 in. (14.3 x 25.7 x 19.1 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Western Zhou Dynasty (1027-771 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.15_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.15_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.15_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.15_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "35156", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.15_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.15_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.15_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.15_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "35157", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.15_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.15_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.15_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.15_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "35158", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.15_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.15_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.15_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.15_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "35159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.15_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.15_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.15_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.15_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "35160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7410", "Disp_Access_No" : "1951.15", "_AccNumSort1" : "", "Disp_Create_DT" : "5th century BCE", "_Disp_Start_Dat" : "500 BCE", "_Disp_End_Date" : "401 BCE", "Disp_Title" : "Ceremonial Vessel (He)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "9 x 17 in. (22.9 x 43.2 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Eastern Zhou Dynasty (770-221 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "35164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "35165", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "35166", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "35167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A10.jpg", "IsPrimary" : "0", "_SurrogateID" : "35168", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.15_A11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.15_A11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.15_A11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.15_A11.jpg", "IsPrimary" : "0", "_SurrogateID" : "35169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7498, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7498", "Disp_Access_No" : "1949.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Court Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "15 9/16 x 5 11/16 x 4 3/4 in. (39.6 x 14.5 x 12 cm)", "Disp_Height" : "15 9/16 in.", "Disp_Width" : "5 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "34670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22801", "Disp_Access_No" : "1931.2.7", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "7 15/16 x 4 15/16 x 4 7/8 in. (20.1 x 12.6 x 12.4 cm)", "Disp_Height" : "7 15/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34644", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.7_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34645", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.7_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.7_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.7_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.7_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34647", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22800", "Disp_Access_No" : "1931.2.6", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "7 15/16 x 4 15/16 x 4 13/16 in. (20.1 x 12.5 x 12.3 cm)", "Disp_Height" : "7 15/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34640", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.6_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.6_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.6_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.6_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.6_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.6_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.6_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.6_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.6_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34643", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22799", "Disp_Access_No" : "1931.2.5", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "7 7/8 x 4 15/16 x 4 15/16 in. (20 x 12.5 x 12.5 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.5_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.5_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.5_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.5_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.5_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.5_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.5_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.5_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.5_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34639", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22798", "Disp_Access_No" : "1931.2.4", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "7 15/16 x 4 15/16 x 4 15/16 in. (20.2 x 12.5 x 12.5 cm)", "Disp_Height" : "7 15/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34633", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.4_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.4_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.4_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.4_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.4_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34635", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.4_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34688", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22797", "Disp_Access_No" : "1931.2.3", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "8 1/16 x 4 15/16 x 5 1/16 in. (20.5 x 12.5 x 12.8 cm)", "Disp_Height" : "8 1/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.3_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34630", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.3_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34631", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.3_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34632", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22796", "Disp_Access_No" : "1931.2.2", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "7 13/16 x 4 13/16 x 4 7/8 in. (19.8 x 12.2 x 12.4 cm)", "Disp_Height" : "7 13/16 in.", "Disp_Width" : "4 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.2_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34628", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34629", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22795, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22795", "Disp_Access_No" : "1931.2.1", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musician from a Tomb", "Alt_Title" : "Musician from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "8 3/16 x 4 13/16 x 4 13/16 in. (20.8 x 12.2 x 12.3 cm)", "Disp_Height" : "8 3/16 in.", "Disp_Width" : "4 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34621", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34622", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7490", "Disp_Access_No" : "1931.2", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Court Musicians from a Tomb", "Alt_Title" : "Musicians from a Royal Tomb at Shansi", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "8 3/16 x 4 13/16 x 4 13/16 in. (20.8 x 12.2 x 12.2 cm)", "Disp_Height" : "8 3/16 in.", "Disp_Width" : "4 13/16 in.", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "34620", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22654, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22654", "Disp_Access_No" : "1948.90.2", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Dancing Court Lady (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "9 1/2 x 4 3/4 x 2 13/16 in. (24.2 x 12 x 7.2 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "With 48.90.1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34663", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.2_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34665", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7497", "Disp_Access_No" : "1948.90.1", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Dancing Court Lady (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "9 7/16 x 3 3/8 x 3 3/8 in. (24 x 8.5 x 8.6 cm)", "Disp_Height" : "9 7/16 in.", "Disp_Width" : "3 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34648", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34649", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34650", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34651", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34652", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "With 48.90.2", "View" : "" } , ] },{ "embark_ID" : 21778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21778", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "1368-1644 CE", "_Disp_Start_Dat" : "1368", "_Disp_End_Date" : "1644", "Disp_Title" : "Dish", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "12 3/4 x 12 3/4 x 1 3/16 in. (32.4 x 32.4 x 3 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Green celadon stone