{ "objects" : [ { "embark_ID" : 22244, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22244", "Disp_Access_No" : "19.2009L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Prime Minister Inspecting the Volcano at Rabaul", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Siune", "Sort_Artist" : "Siune, John", "Disp_Dimen" : "38 x 28 1/4 in. (96.5 x 71.8 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "28 1/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Acrylic", "Support" : "paper", "Disp_Medium" : "Acrylic on paper", "Info_Page_Comm" : "In parts of Papua New Guinea, some people still live traditional lifestyles. Yet in areas like the capital city of Port Moresby, western ways—trucks, helicopters, computers and cellphones—have infiltrated almost all aspects of life. In this painting, John Siune depicts the Prime Minister and other officials inspecting the volcano that destroyed the town of Rabaul in 1994. The stylized heads visible on the side of the helicopter represent these important men. In the foreground, three traditional masked duk duk figures from the local ethnic group run away from the scene. This meeting of old and new is described in the Papua New Guinea language of Tok Pisin in the top left corner. John Siune and the Simbu school of artists follow in the steps of Mattias Kauage. Kauage adapted an art form foreign to his culture (two-dimensional picture paintings) to comment upon contemporary life in Papua New Guinea. For their sales, these artists rely heavily upon western travelers to the capital city of Port Moresby. [Gallery label text, 2009] ", "Dedication" : "On loan from Robert and Nancy Foster", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.2009L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.2009L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.2009L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.2009L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31041", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo is cropped from 19.2009L_I1.jpg for display on web.", "View" : "" } , ] },{ "embark_ID" : 7824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7824", "Disp_Access_No" : "1970.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hook Figure (Yipwon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Arambak", "Sort_Artist" : "Unknown, Arambak", "Disp_Dimen" : "85 in. (215.9 cm)", "Disp_Height" : "", "Disp_Width" : "85 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, shell", "Info_Page_Comm" : "This hook figure, or yipwon, is a 20th century reproduction of old, powerful figures believed to guide and assist tribes in hunting and warfare. The hooks represent ribs which surround the central element of the heart. The large yipwon were kept in the sacred space of the Men’s House where it acted as a vessel to house primordial ancestral spirits. These spirits were called into the yipwon prior to battle by a senior man who activated the figure by rubbing it with powerful substances. If the battle was a success, returning warriors smeared it with the blood of their victims. Particularly effective yipwon were handed down for generations. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7829", "Disp_Access_No" : "1973.139", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gable Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iatmul", "Sort_Artist" : "Unknown, Iatmul", "Disp_Dimen" : "14 3/4 x 7 11/16 x 4 1/2 in. (37.5 x 19.5 x 11.5 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, pigment, shell", "Info_Page_Comm" : "The spiritual lives of Melanesian communities are dominated by Men’s Societies. The ceremonial Men’s House is the sacred dwelling place of the clan spirits, treasures, and of initiated men. Gable masks like this adorned the façades of Men’s Houses. Similar to gargoyles in medieval churches, these figures were meant to ward off troublesome spirits that can cause illness and spread mischief. Gable masks embodied powerful female, ancestral spirits. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26798", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.139_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.139_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.139_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.139_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090113", "View" : "" } , ] },{ "embark_ID" : 7839, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7839", "Disp_Access_No" : "1977.158", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mask (Mai)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iatmul", "Sort_Artist" : "Unknown, Iatmul", "Disp_Dimen" : "29 x 6 1/2 x 5 1/2 in. (73.7 x 16.5 x 14 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, shells, hair, paint", "Info_Page_Comm" : "This mask was made in the mid-20th century by an Iatmul artist after the traditional mai masks danced by young initiated men and boys. Mai masks were not worn directly over a dancer’s face, rather they were attached to a large basketry piece that fit over his head and upper body. To this piece were attached brightly colored flowers, feather and leaves that disguised the human form below. Hidden below the costume the dancer sang in falsetto through a bamboo tube which helped to further transform his voice and presence. Four masks were danced together in two pairs, one as a pair of brothers and one as a pair of sisters. While the performances were public affairs, much of the preparation before and activities during were veiled in secrecy. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.158_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.158_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.158_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.158_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31034", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7842, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7842", "Disp_Access_No" : "1979.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Slit Gong", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Kayan-Borbor", "Sort_Artist" : "Unknown, Kayan-Borbor", "Disp_Dimen" : "16 x 81 1/2 x 14 in. (40.6 x 207 x 35.6 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "81 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "The spiritual lives of Melanesian communities are dominated by Men’s Societies. The ceremonial Men’s House is the sacred dwelling place of the clan spirits, treasures, and of initiated men. Traditionally, slit-gong drums were located at the center of the Men’s House and functioned as musical instruments as well as a means of long-distance communication. A range of tones and sounds could be produced depending on the style of the beating stick and the varying thickness of the sides of the drum. In parts of New Guinea, the sounds produced by slit-gong drums were believed to be the voices of supernatural beings. Hollowed from a massive single tree, the sides of this drum are carved with a mix of butterfly, frog and fish motifs that are so stylized they can be difficult to discern. [Gallery label text, 2009]", "Dedication" : "Gift of Dr. James G. Zimmer", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Musical Instrument", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.19_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "26807", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22248", "Disp_Access_No" : "23.2009L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "4 5/16 x 6 5/16 x 11/16 in. (11 x 16.1 x 1.8 cm)", "Disp_Height" : "4 5/16 in.", "Disp_Width" : "6 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Boar tusk, plant fiber", "Info_Page_Comm" : "The human impulse to embellish and beautify one’s body found expression in many ways in Oceania. Body paint, tattooing, jewelry and masking are all ways in which Oceanic people have adorned themselves. This charm, suspended from the neck as a breast ornament, was a sign of rank and prestige. In order to create such an ornament, a boar was captured alive and two teeth were removed from its upper jaw. The animal was kept in captivity until the tusks of the lower jaw curved upwards, creating a complete circle. This symbol of status showed the wearer had the wealth to feed, house and care for a boar. [Gallery label text, 2009] ", "Dedication" : "From the collection of the Buffalo Museum of Science, C11130", "Copyright_Type" : "Unknown Artist", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.2009L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.2009L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.2009L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.2009L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30796", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22249", "Disp_Access_No" : "24.2009a-bL", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Earrings", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "9/16 x 3 1/4 in. (1.4 x 8.2 cm)", "Disp_Height" : "9/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "", "Support" : "", "Disp_Medium" : "Rat tail, plant fiber", "Info_Page_Comm" : "", "Dedication" : "C11201, C11203. P. G. T. Black Collection; From the collection of the Buffalo Museum of Science", "Copyright_Type" : "Unknown Artist", "Disp_Obj_Type" : "Jewelry", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.2009La-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.2009La-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.2009La-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.2009La-b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30797", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7857, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7857", "Disp_Access_No" : "1987.84", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Board (Gope)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "54 x 12 3/4 in. (137.2 x 32.4 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "Traditionally, spirit or gope boards were considered dwelling places for individual spirits. Each spirit was linked to specific parts of the land, river or sea associated with the clan. They were kept in each clan’s cubicle within the larger Men’s House along with other items such as human and animal skulls meant to honor various spirits within their clan. The boards' highly stylized imagery is believed to represent the way the spirit looks. While the imagery reflects certain consistencies within clans, their varied style and appearance reflects individual artists’ representations of individual spirits. Despite differences, every board has a face and a navel. The navel was particularly important because it served as the access point through which the spirit entered the board. [Gallery label text, 2009]", "Dedication" : "Gift of James and Denise Wasserstrom", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These images are smaller than the usual in-house registration photographs because they were taken with Jessica Marten''s personal Canon camera which does not have a raw file format. But because they were taken with accession numbers and color bars, it was determined it was best to create master, print, access files, rather than just access files. These are not appropriate for publication, but are perfectly good for web display.", "View" : "" } , ] },{ "embark_ID" : 7854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7854", "Disp_Access_No" : "1987.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Board (Gope)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "47 1/2 x 7 5/8 in. (120.7 x 19.4 cm)", "Disp_Height" : "47 1/2 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "Traditionally, spirit or gope boards were considered dwelling places for individual spirits. Each spirit was linked to specific parts of the land, river or sea associated with the clan. They were kept in each clan’s cubicle within the larger Men’s House along with other items such as human and animal skulls meant to honor various spirits within their clan. The boards' highly stylized imagery is believed to represent the way the spirit looks. While the imagery reflects certain consistencies within clans, their varied style and appearance reflects individual artists’ representations of individual spirits. Despite differences, every board has a face and a navel. The navel was particularly important because it served as the access point through which the spirit entered the board. [Gallery label text, 2009]", "Dedication" : "Gift of James and Denise Wasserstrom", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These images are smaller than the usual in-house registration photographs because they were taken with Jessica Marten''s personal Canon camera which does not have a raw file format. But because they were taken with accession numbers and color bars, it was determined it was best to create master, print, access files, rather than just access files. These are not appropriate for publication, but are perfectly good for web display.", "View" : "" } , ] },{ "embark_ID" : 7849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7849", "Disp_Access_No" : "1987.79", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Board (Gope)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "44 3/8 x 9 1/2 in. (112.7 x 24.1 cm)", "Disp_Height" : "44 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "Traditionally, spirit or gope boards were considered dwelling places for individual spirits. Each spirit was linked to specific parts of the land, river or sea associated with the clan. They were kept in each clan’s cubicle within the larger Men’s House along with other items such as human and animal skulls meant to honor various spirits within their clan. The boards' highly stylized imagery is believed to represent the way the spirit looks. While the imagery reflects certain consistencies within clans, their varied style and appearance reflects individual artists’ representations of individual spirits. Despite differences, every board has a face and a navel. The navel was particularly important because it served as the access point through which the spirit entered the board. [Gallery label text, 2009] ", "Dedication" : "Gift of James and Denise Wasserstrom", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.79_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.79_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.79_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.79_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29863", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These images are smaller than the usual in-house registration photographs because they were taken with Jessica Marten''s personal Canon camera which does not have a raw file format. But because they were taken with accession numbers and color bars, it was determined it was best to create master, print, access files, rather than just access files. These are not appropriate for publication, but are perfectly good for web display.", "View" : "" } , ] },{ "embark_ID" : 22245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22245", "Disp_Access_No" : "20.2009L", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Zoomorphic Drum", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Papua New Guinean", "Sort_Artist" : "Unknown, Papua New Guinean", "Disp_Dimen" : "36 13/16 x 8 11/16 x 12 1/8 in. (93.5 x 22 x 30.8 cm)", "Disp_Height" : "36 13/16 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "with mount", "Medium" : "", "Support" : "", "Disp_Medium" : "Wood, shells, feathers, pigment", "Info_Page_Comm" : "This drum is on loan from one of the most significant collections of pre-contact Oceanic art in the nation held at the Buffalo Museum of Science. This local treasure is due largely to the skillful collecting of Chauncey J. Hamlin, prior president of the Buffalo Society of Natural Sciences, and his 1938 acquisition of the P. G. T. Black collection. Black was one of the earliest westerners to visit Oceania. As an agent for a company that supplied mission stations, he collected art as he traveled throughout the area between 1886 and1914. [Gallery label text, 2009]", "Dedication" : "From the collection of the Buffalo Museum of Science, C8032", "Copyright_Type" : "Unknown Artist", "Disp_Obj_Type" : "Musical Instrument", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.2009L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.2009L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.2009L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.2009L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43987", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7836, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7836", "Disp_Access_No" : "1974.76", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Figure (Mindja)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Waresi", "Sort_Artist" : "Unknown, Waresi", "Disp_Dimen" : "41 3/4 x 9 13/16 x 4 5/16 in. (106 x 25 x 11 cm)", "Disp_Height" : "41 3/4 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "The cultivation of yams was central to the lives of the Waresi people; they served as both a ceremonial and staple food. The spirits responsible for their growth (and by extension for the welfare of the community) needed to be properly honored upon the harvest. During the mindja-ma ceremony a basket containing yams was adorned with two of these figures. Mindja were considered to be powerful male water spirits who lived, and were sometimes visible, just below the surface in lakes. This powerful otherworldly being embodies the qualities of humans, plants and animals. The simplified eyes, nose and mouth are based on the human face. The painted diamond shapes symbolize banana leaves, and the projecting triangles that run down the bottom half of the figure represent an undulating snake. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Papua New Guinean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }