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Andy Olenick dropped out gray background and made a version with white background and this one with black background", "View" : "" } , ] },{ "embark_ID" : 2906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2906", "Disp_Access_No" : "1951.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Eel Spear", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "26 3/4 x 6 in. (67.9 x 15.2 cm)", "Disp_Height" : "26 3/4 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron", "Info_Page_Comm" : "", "Dedication" : "R.T. 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Reference only.", "View" : "" } , ] },{ "embark_ID" : 2907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2907", "Disp_Access_No" : "1951.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Trivet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 in. (30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Wrought iron", "Info_Page_Comm" : "", "Dedication" : "Joseph T. Simon Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 4899, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4899", "Disp_Access_No" : "1953.76.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goldweight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "1 1/4 x 1 3/8 x 5/8 in. (3.2 x 3.5 x 1.6 cm)", "Disp_Height" : "1 1/4 in.", "Disp_Width" : "1 3/8 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us. [Gallery label text, 2009]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.76.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.76.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.76.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.76.2_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4891", "Disp_Access_No" : "1953.76.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goldweight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "1 5/8 x 1 1/8 x 1/2 in. (4.1 x 2.9 x 1.3 cm)", "Disp_Height" : "1 5/8 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us. [Gallery label text, 2009]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.76.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.76.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.76.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.76.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 10572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10572", "Disp_Access_No" : "2007.34", "_AccNumSort1" : "", "Disp_Create_DT" : "0-200 CE", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "200", "Disp_Title" : "Belt Clasp with Horse and Goat", "Alt_Title" : "Belt Plaque with Mythical Animals", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Caucasian", "Sort_Artist" : "Unknown, Caucasian", "Disp_Dimen" : "5 1/8 x 5 3/8 x 1 1/2 in. (13 x 13.6 x 3.8 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Henry Hirschland", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Caucasian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18613", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4888", "Disp_Access_No" : "1947.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1100-1470", "_Disp_Start_Dat" : "1100", "_Disp_End_Date" : "1470", "Disp_Title" : "Burial Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chimú", "Sort_Artist" : "Unknown, Chimú", "Disp_Dimen" : "9 5/16 x 17 3/8 x 9/16 in. (23.7 x 44.1 x 1.5 cm)", "Disp_Height" : "9 5/16 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Gold, silver and copper alloy", "Support" : "", "Disp_Medium" : "Gold, silver and copper alloy", "Info_Page_Comm" : "This Burial Mask was created by a Chimu artist in the Chicama Valley on the North Coast of Peru between 1100 and 1470. Ruling from their capital city of Chan Chan, the Chimú state controlled a vast empire in the north and central coasts of Peru. They employed tens of thousands of artists, including skilled metalworkers that produced objects of precious metal for the nobility. Masks such as this would never have been worn by the living. They played an essential role in death and burial and were placed on the funerary bundle. These decorative masks helped indicate the rank of the deceased. The ornate, circular ear ornaments may have held actual feathers. The upper portion of the mask is decorated with puma heads and bent, stylized figures of warriors wearing elaborate feathered headdresses. Separate ornaments may have been attached to the mask near the eyes, around the nose and along the side of the face. The nose, which was raised in relief, has been lost. [Gallery label text, 2009] ", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "Note description in Betsy Brayer''s interviews with Herdle sisters (R:\Oral Histories\Brayer Interviews, tape 13): Gertrude Herdle: "We got it from this very interesting person. I don''t know how we met him. Baron von Schoeler, remember? Who had years of connection in Peru, and whenever his friend was in power in Peru, either as a president or as a deputy to the congress there, the government there, Baron von Schoeler would go down, and get out from the country some of the things that had been excavated from various pre-Columbian sites. He had a great collection in Peru of pottery and textiles, ... And several gold masks. ... He was a fascinating person but obviously, he was playing for all he''s worth with the political situation in Peru.... And we heard later on that he went down, unfortunately, his friends were out by the time he got down, so then he was immediately clapped into prison, and he was in prison for several years. But he got out some very fine things. One of the best things was the gold mask that we have. Which is a beauty. One of the ears was missing on it, remember? Able to find another one that could be turned around, upside down and more or less be fitted in with the other one. Isabel Herdle: But it''s repousse, so it''s, isn''t it, but it was in the wrong direction, but at least it fills in. 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See curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.183_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.183_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.183_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.183_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7610, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7610", "Disp_Access_No" : "1928.8", "_AccNumSort1" : "", "Disp_Create_DT" : "4th Century BCE-2nd Century BCE", "_Disp_Start_Dat" : "400 BCE", "_Disp_End_Date" : "101 BCE", "Disp_Title" : "Miniature Actor's Mask", "Alt_Title" : "Mask of a Bearded Warrior", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "2 1/16 x 1 9/16 x 5/8 in. (5.2 x 3.9 x 1.6 cm)", "Disp_Height" : "2 1/16 in.", "Disp_Width" : "1 9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per registrar''s ledger: from Athens. A hard, shiny black substance with impressed striations was found on the reverse of this piece. Conservator Barbara Moore wondered if it was bitumen, used in antiquity as an adhesive, possibly to affix this piece to something else? --KSchauber, Curatorial Research Ass''t, 12/09", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25137", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7653", "Disp_Access_No" : "1928.7", "_AccNumSort1" : "", "Disp_Create_DT" : "4th Century BCE", "_Disp_Start_Dat" : "400 BCE", "_Disp_End_Date" : "301 BCE", "Disp_Title" : "Strigil (Skin Scraper)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "9 x 1 1/8 x 3 1/8 in. (22.8 x 2.8 x 8 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Strigils were used by ancient Greeks and Romans to scrape dirt and oils off their skin after they bathed or exercised. [Gallery label text, 2004]", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per registrar''s ledger: from Athens.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25125", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4176", "Disp_Access_No" : "1999.57", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 300 BCE", "_Disp_Start_Dat" : "305 BCE", "_Disp_End_Date" : "295 BCE", "Disp_Title" : "Wreath of Oak Leaves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "7 1/16 x 7 1/16 x 2 3/8 in. (18 x 18 x 6 cm)", "Disp_Height" : "7 1/16 in.", "Disp_Width" : "7 1/16 in.", "Dimen_Extent" : "maximum", "Medium" : "Gold", "Support" : "resin", "Disp_Medium" : "Gold on resin", "Info_Page_Comm" : "In ancient Greece, gold wreaths were permanent and luxurious facsimiles of natural wreaths made of oak, myrtle and laurel leaves. Both gold and natural wreaths were an important aspect of ceremonial and religious life. They were often given as awards for victory in battle, public service, and excellence in athletics and the arts. Gold wreaths were also used as votive offerings to the gods and included in funerary rites as symbols of the deceased’s victories in life. Oak in particular was sacred to Zeus, king of the Olympian gods, who spoke to his priests through the rustle of oak leaves. Greek gold wreaths were made from a thinly hammered sheet of gold that was formed into a narrow tube over a core of pitch or resin. The tube was ornamented with leaves, also cut from gold sheet; these leaves were attached by stems that were either wrapped around or inserted into holes in the tube. Surface details were created with a variety of tools and punches. [Gallery label text] ", "Dedication" : "Gift of Dr. Robert L. Berg", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "Hellenistic Period (323-90 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12704", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5528", "Disp_Access_No" : "1960.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1535", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1535", "Disp_Title" : "Lime Dipper with Hummingbird", "Alt_Title" : "Earspoon", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Inca", "Sort_Artist" : "Unknown, Inca", "Disp_Dimen" : "3 3/8 x 1 x 1 1/4 in. (8.6 x 2.5 x 3.2 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "1 in.", "Dimen_Extent" : "", "Medium" : "Copper, bronze and silver alloy", "Support" : "", "Disp_Medium" : "Copper, bronze and silver alloy", "Info_Page_Comm" : "These tiny lime scoops were used in the preparation of a drug called coca. Lime from powdered seashells was scooped onto a coca leaf, made into a ball and chewed. In ancient times coca was restricted for the use of the nobility. It is used today to calm the stomach, combat the effects of hunger and thirst, and relieve fatigue induced by exertion in the high Andes mountains. A small hole in the neck of the bird allows for a thin cord to pass through, thus permitting the owner to wear this small, functional work of art. [Gallery label text, 2009] ", "Dedication" : "Gift of Mrs. Edward K. Brown", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10566, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10566", "Disp_Access_No" : "1960.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1100 BCE-700 BCE", "_Disp_Start_Dat" : "1100 BCE", "_Disp_End_Date" : "700 BCE", "Disp_Title" : "Antelope Pin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iranian", "Sort_Artist" : "Unknown, Iranian", "Disp_Dimen" : "9 15/16 x 3 1/16 x 1/2 in. (25.2 x 7.7 x 1.2 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "3 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Carlotta D'Amanda Memorial Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Iranian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.9.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.9.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.9.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.9.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25151", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10568", "Disp_Access_No" : "2007.36", "_AccNumSort1" : "", "Disp_Create_DT" : "799 BCE - 700 BCE", "_Disp_Start_Dat" : "799 BCE", "_Disp_End_Date" : "700 BCE", "Disp_Title" : "Goddess Finial", "Alt_Title" : "Totem Figure", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iranian", "Sort_Artist" : "Unknown, Iranian", "Disp_Dimen" : "6 1/4 x 1 3/8 x 7/8 in. (15.9 x 3.5 x 2.3 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "1 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Henry Hirschland", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Iranian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.36_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25143", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7765, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7765", "Disp_Access_No" : "1948.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1100 BCE - 700 BCE", "_Disp_Start_Dat" : "1100 BCE", "_Disp_End_Date" : "700 BCE", "Disp_Title" : "Horse Bit with Cheekpieces in the Form of Winged Sphinxes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iranian", "Sort_Artist" : "Unknown, Iranian", "Disp_Dimen" : "3 15/16 x 3 15/16 x 7 5/16 in. (10 x 10 x 18.5 cm)", "Disp_Height" : "3 15/16 in.", "Disp_Width" : "3 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Iranian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.39_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.39_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.39_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.39_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "13958", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10571, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10571", "Disp_Access_No" : "2007.35", "_AccNumSort1" : "", "Disp_Create_DT" : "799 BCE - 700 BCE", "_Disp_Start_Dat" : "799 BCE", "_Disp_End_Date" : "700 BCE", "Disp_Title" : "Master of Animals Finial", "Alt_Title" : "Totem Figure", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iranian", "Sort_Artist" : "Unknown, Iranian", "Disp_Dimen" : "7 5/16 x 2 13/16 x 7/8 in. (18.6 x 7.1 x 2.3 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "2 13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Theories abound as to the meaning, symbolism, and function of these ancient bronze finials that represent the “Master of Animals,” one of the most important motifs in ancient Middle Eastern art. The central figure is a human male, his outstretched arms grasping the neck of long-snouted two-headed beasts with the beaks of eagles and round haunches with clawed feet. The figure may represent Gilgamesh, the superhuman hero of Mesopotamian mythology, or Sraosha, the early Iranian god of justice. What seems clear, though, is that this finial symbolizes humankind’s dominion over the predatory forces of nature. -- from "Art at the Crossroads" brochure", "Dedication" : "Gift of Henry Hirschland", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Iranian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7813", "Disp_Access_No" : "1948.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1100 BCE-700 BCE", "_Disp_Start_Dat" : "1100 BCE", "_Disp_End_Date" : "700 BCE", "Disp_Title" : "Master of Animals Finial", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Iranian", "Sort_Artist" : "Unknown, Iranian", "Disp_Dimen" : "6 11/16 x 2 11/16 x 7/8 in. (17 x 6.8 x 2.2 cm)", "Disp_Height" : "6 11/16 in.", "Disp_Width" : "2 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Theories abound as to the meaning, symbolism, and function of these ancient bronze finials that represent the “Master of Animals,” one of the most important motifs in ancient Middle Eastern art. The central figure is a human male, his outstretched arms grasping the neck of long-snouted two-headed beasts with the beaks of eagles and round haunches with clawed feet. The figure may represent Gilgamesh, the superhuman hero of Mesopotamian mythology, or Sraosha, the early Iranian god of justice. What seems clear, though, is that this finial symbolizes humankind’s dominion over the predatory forces of nature. -- from "Art at the Crossroads" brochure ", "Dedication" : "R.T. 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