{ "objects" : [ { "embark_ID" : 3568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3568", "Disp_Access_No" : "1947.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Telegraph Pole", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Ephraim Burchfield", "Sort_Artist" : "Burchfield, Charles Ephraim", "Disp_Dimen" : "23 3/8 x 20 7/8 in. (59.4 x 53 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, charcoal and graphite", "Info_Page_Comm" : "As a symbol of American invention and progress, the telegraph pole and its wires frame a depressing landscape. The curved pole, clearly a tree cut down and stripped of its bark and limbs, is a powerful metaphor for the abuse that man and nature experience under the unstoppable momentum of industry. Railroad tracks lined by austere workers’ huts lead the viewer’s eyes back to an industrial inferno. Buffalo artist Charles Burchfield felt a great deal of reverence for the natural world. His nuanced depictions of the industrial landscape were indictments of environmental abuse. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This was part of Lending LIbrary of American Art at MAG as per a Gallery Notes article in 1941. How did it get Mrs. Babcock in credit line-- did she purchase from them and give to MAG later?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "converted from Seeing America CMYK image for web use", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7043", "Disp_Access_No" : "1959.67", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "At Dordrecht", "Alt_Title" : "Harbor", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "13 1/2 x 19 in. (34.3 x 48.3 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14731", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7039", "Disp_Access_No" : "1959.61", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Suburbs of the Hague", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "1974.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Totems in Steel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "3 11/16 x 5 1/8 in. (9.4 x 13 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache ", "Info_Page_Comm" : "This image of a New York City construction site is based on a film still from Charles Sheeler’s 1920 film collaboration with photographer Paul Strand, <em>Manhatta</em>. In the ten-minute film, the artists track the dynamism of Manhattan through the course of a day, focusing on the unique pulse and geometry of the city’s machinery, vehicles, and architecture. <em>Manhatta</em> provided Sheeler with numerous images from which he later painted. The title of this painting, <em>Totems in Steel</em>, frames modern engineering, industry, and architecture in quasi-religious terms. Sheeler wrote, “In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.94_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.94_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.94_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.94_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 3751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3751", "Disp_Access_No" : "1939.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1944", "Disp_Title" : "Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harwood Steiger", "Sort_Artist" : "Steiger, Harwood", "Disp_Dimen" : "18 1/2 x 24 in. (47 x 61 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "Harwood Steiger, a master of the watercolor medium, lived for many years in Fairport, NY. Steiger’s industrial landscape is a ramshackle vision. The title, <em>Fungus</em>, implies Steiger’s impression of industry as a growing blight on the landscape. However, the almost-comical characterizations suggest a more harmless than threatening presence. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Acquired by exchange through the generosity of Fannie Benjamin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13567", "Disp_Access_No" : "2005.225", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Almost Home for Christmas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "18 5/8 x 23 7/8 in. (47.3 x 60.6 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "23 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "illustration board", "Disp_Medium" : "Watercolor, gouache and graphite ", "Info_Page_Comm" : "John C. Wenrich’s watercolor painting captures one of the ironies of modern technology: the occasional and spectacular failure of machines designed to make life more convenient. In <em>Almost Home for Christmas</em>, the family car has been bested by the snow. The application of good old-fashioned sweat and muscles of both man and beast is the only solution. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of James and Dorothy H. Green", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.225_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.225_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.225_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.225_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22689", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3763, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3763", "Disp_Access_No" : "1968.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Asphalt Plant, Painted Post, N.Y.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "20 3/16 x 27 15/16 in. (51.2 x 71 cm)", "Disp_Height" : "20 3/16 in.", "Disp_Width" : "27 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "John C. Wenrich managed to turn a painting of an asphalt plant into a compelling rumination on the dynamic between nature and machine. In a style that celebrates the precision and geometry of machines, the artist dwarfs the industrial complex with a massive hill as if to put the proper perspective on the relationship between technology and nature. This asphalt plant in Painted Post, just north of Corning, NY, combined sand and stone with a binder under extremely high temperatures to produce blacktop, the material used to pave more than 95% of American roads. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37618", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }