{ "objects" : [ { "embark_ID" : 13567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13567", "Disp_Access_No" : "2005.225", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Almost Home for Christmas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "18 5/8 x 23 7/8 in. (47.3 x 60.6 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "23 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "illustration board", "Disp_Medium" : "Watercolor, gouache and graphite ", "Info_Page_Comm" : "John C. Wenrich’s watercolor painting captures one of the ironies of modern technology: the occasional and spectacular failure of machines designed to make life more convenient. In <em>Almost Home for Christmas</em>, the family car has been bested by the snow. The application of good old-fashioned sweat and muscles of both man and beast is the only solution. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of James and Dorothy H. Green", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.225_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.225_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.225_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.225_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22689", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3763, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3763", "Disp_Access_No" : "1968.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Asphalt Plant, Painted Post, N.Y.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "20 3/16 x 27 15/16 in. (51.2 x 71 cm)", "Disp_Height" : "20 3/16 in.", "Disp_Width" : "27 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "John C. Wenrich managed to turn a painting of an asphalt plant into a compelling rumination on the dynamic between nature and machine. In a style that celebrates the precision and geometry of machines, the artist dwarfs the industrial complex with a massive hill as if to put the proper perspective on the relationship between technology and nature. This asphalt plant in Painted Post, just north of Corning, NY, combined sand and stone with a binder under extremely high temperatures to produce blacktop, the material used to pave more than 95% of American roads. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37618", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }