{ "objects" : [ { "embark_ID" : 5065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5065", "Disp_Access_No" : "1950.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "15 7/8 x 12 5/8 in. (40.3 x 32.1 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rococo, from the French word rocaille (rockwork or shell), was an 18th century decorative style that reacted against the classical tradition of the Academy and instead stressed color, light, movement, and a frank pleasure in living. The easy flowing brushwork and the luminous colors show the influence of Rubens. As a rococo painter, François Boucher worked primarily in the service of Madame de Pompadour, mistress to Louis XV. His paintings satisfied the taste of a sophisticated public which was sensitive to the most subtle relations of color and liked pictures hung on the light paneling of even the smallest room. This intimate painting of "Venus and Cupid," with its sensuously modeled nudes, embodies the French 18th century tendency to transform the Baroque style into one of more delicate elaboration and elegance. An 18th-century engraving, which P. Aveline made after the painting, is inscribed "F. Boucher pinxit." [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painting has been cut down and relined onto a new canvas and stretcher, so only the picture itself is original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43849", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , ] },{ "embark_ID" : 4131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4131", "Disp_Access_No" : "1984.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Alt_Title" : "", "Obj_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Series_Title" : "", "Disp_Maker_1" : "Bernard Duvivier", "Sort_Artist" : "Duvivier, Bernard", "Disp_Dimen" : "45 x 58 in. (114.3 x 147.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Duvivier received his initial training in Bruges and then moved to Paris, where he assimilated the severe Neoclassical style perfected by Jacques-Louis David. In this early work, Duvivier combined the poses of several antique statues to illustrate an episode recounted in Plutarch's "Life of Mark Anthony." Following Anthony's suicide, a Roman soldier attempts to forestall the Egyptian queen's own death by promising that Octavian Caesar will show her clemency. The subtle, glowing colors, precise attention to detail, and impeccable draughtsmanship presage the artist's occasional work as a miniaturist. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5073", "Disp_Access_No" : "1955.108", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1763", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1773", "Disp_Title" : "The Teaching of Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Etienne-Maurice Falconet", "Sort_Artist" : "Falconet, Etienne-Maurice", "Disp_Dimen" : "12 1/2 x 9 3/8 x 10 in. (31.8 x 23.8 x 25.4 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Soft paste porcelain", "Info_Page_Comm" : "Falconet, a leading sculptor of the reign of Louis XV, was a director of the royal ceramic works at Sèvres. His main production was the biscuit statuette, which substitutes "soft paste" for the kaolin clay of "true" porcelain. Falconet took advantage of the milky, marble-like surface to create engaging figural groups of pure form and refined rococo detail. "The Teaching of Love" may be derived from a composition by François Boucher. Falconet has transformed the painter's design into a complex three-dimensional ensemble of delicate beauty that invites the viewer to enjoy it from multiple angles. [Gallery label text, 2008]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4805", "Disp_Access_No" : "1978.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Mrs. William Provis of Bath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "29 1/2 x 24 in. (74.9 x 61 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[ Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "39387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4813", "Disp_Access_No" : "1978.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Mrs. Johnston of Straiton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "35 x 27 in. (88.9 x 68.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below. This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted. [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4233", "Disp_Access_No" : "1977.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "Miss Sophia Hoare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Joshua Reynolds", "Sort_Artist" : "Reynolds, Joshua", "Disp_Dimen" : "36 x 28 in. (91.4 x 71.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn. The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.” [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1911 exhibition catalogue lists the sitter as Miss Sophia Hoare and says she sat for the painting in October 1782. See photocopy in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 5080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5080", "Disp_Access_No" : "1963.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Figures Amidst Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "25 3/4 x 32 1/8 in. (65.4 x 81.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4564", "Disp_Access_No" : "1987.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1795", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1795", "Disp_Title" : "The Death of Richard II (after Francis Wheatley)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anker Smith", "Sort_Artist" : "Smith, Anker", "Disp_Dimen" : "12 11/16 x 8 13/16 in. (32.2 x 22.4 cm)", "Disp_Height" : "12 11/16 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4592", "Disp_Access_No" : "1948.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Sir Joshua Reynolds (1723-1792) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "11 13/16 x 19 1/2 in. (30 x 49.5 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4827", "Disp_Access_No" : "1987.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1792-1793", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1793", "Disp_Title" : "The Death of Richard II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Wheatley", "Sort_Artist" : "Wheatley, Francis", "Disp_Dimen" : "78 x 60 in. (198.1 x 152.4 cm)", "Disp_Height" : "78 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Francis Wheatley was best known for his historical paintings, scenes of daily life, and portraits. He trained at the Royal Academy in London and became the director of the Society of Artists in 1774. Debts and an unfortunate affair with the wife of a colleague led to his abrupt departure from England to Ireland. He returned in 1783, when he began painting illustrations for works by contemporary authors. The success of these “painted illustrations” led to major commissions, including the one for this monumental painting from the print publisher Robert Bowyer. One of Bowyer’s most ambitious projects was an illustrated edition of David Hume’s "The History of England." It comprised not only a lavish publication, but the creation of a “History Gallery” for the public display of the original paintings. According to Bowyer’s prospectus, the paintings were intended “to rouse the passions, to fire the mind with emulation of heroic deeds, or to inspire it with detestation of criminal actions.” Wheatley responded to this challenge by depicting the more dramatic version of Richard’s death, in which he was beheaded rather than starved in prison. The theatrical gestures and expressions, lurid coloring, and bold brushwork serve to heighten the violent drama of the events. In the end, the project was a financial disaster; the paintings from the gallery, including Wheatley’s "The Death of Richard II," were sold in a lottery in 1807. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5633", "Disp_Access_No" : "1992.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "A View of New York from the North West", "Alt_Title" : "Wooded Heights View", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph F.W. Des Barres", "Sort_Artist" : "Des Barres, Joseph F.W.", "Disp_Dimen" : "10 5/8 x 17 13/16 in. (27 x 45.3 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "17 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored aquatint", "Info_Page_Comm" : "A print from the first important marine atlas, American Neptune, presents a scene of British naval vessels sailing near rural Manhattan shores – ostensibly a peaceful and calm moment, but deceptively so, since it would only be a matter of months before resistance to British rule surfaced. The New York that we see through Des Barres’s eyes is over two centuries and a national history removed from Rhonda Schaller’s memento mori for the destruction of the World Trade Center, but contained in both works is the kernel of political struggle and tragic loss of life. [Label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. John M. 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Ellwanger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.66_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "26504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8665", "Disp_Access_No" : "1975.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Silk Damask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "13 x 38 in. 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Ellwanger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26471", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8524", "Disp_Access_No" : "1975.91", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1785-1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1790", "Disp_Title" : "Printed Cotton with Northumbrian Scenes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, British", "Sort_Artist" : "Unknown, British", "Disp_Dimen" : "88 x 28 in. 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(130.5 x 55.2 cm)", "Disp_Height" : "51 3/8 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Silk", "Support" : "", "Disp_Medium" : "Silk", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.104_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.104_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.104_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.104_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "26469", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6596, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6596", "Disp_Access_No" : "1977.67", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man and Animals under Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson", "Sort_Artist" : "Rowlandson, Thomas", "Disp_Dimen" : "9 3/4 x 11 1/2 in. (24.8 x 29.2 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Robert F. 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Metzdorf", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27582", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6669, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6669", "Disp_Access_No" : "1978.52", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1768", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1773", "Disp_Title" : "Barn with a Thatched Roof", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Huet", "Sort_Artist" : "Huet, Jean-Baptiste", "Disp_Dimen" : "11 5/8 x 16 1/16 in. (29.5 x 40.8 cm)", "Disp_Height" : "11 5/8 in.", "Disp_Width" : "16 1/16 in.", "Dimen_Extent" : "", "Medium" : "Chalk", "Support" : "paper", "Disp_Medium" : "Black and white chalk on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6649", "Disp_Access_No" : "1980.64", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Reclining Nude (Femme nue vue de dos)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "8 1/2 x 13 9/16 in. 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(31.8 x 44.6 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "17 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Mestre is a harbor near Venice.", "Dedication" : "Bequest of Mr. and Mrs. Whitney F. Hoyt, in memory of Mr. Hoyt's parents, Mr. and Mrs. Martin B. 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(39.1 x 52.1 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "from "Antichità romane dei tempi della repubblica," published in 1748. ", "Dedication" : "Gift of Dr. Steven Herbert", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.142_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.142_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.142_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.142_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25964", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5801", "Disp_Access_No" : "1991.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1701", "_Disp_Start_Dat" : "1701", "_Disp_End_Date" : "1701", "Disp_Title" : "Seascape with View of the IJ and Amsterdam", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ludolf Backhuysen", "Sort_Artist" : "Backhuysen, Ludolf", "Disp_Dimen" : "7 13/16 x 10 9/16 in. (19.8 x 26.9 cm)", "Disp_Height" : "7 13/16 in.", "Disp_Width" : "10 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "From Backhuysen's earliest etchings, published as "D’Y Stroom en Zeegezichten" (Views of the River IJ and the Sea).", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6711", "Disp_Access_No" : "1991.88", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Caricature", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "8 15/16 x 5 13/16 in. (22.7 x 14.7 cm)", "Disp_Height" : "8 15/16 in.", "Disp_Width" : "5 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Pen and ink", "Support" : "laid paper", "Disp_Medium" : "Brown (iron gall) ink and brown wash on whitened, thin laid paper", "Info_Page_Comm" : "By comically exaggerating or distorting physical features, artists create caricatures for the express purpose of satirizing or ridiculing their subjects. Caricatures can be insulting or complimentary; during the 1700s, the caricature became connected with journalism and was used extensively in the political arena. Although known primarily for his superb paintings, Tiepolo was also a prolific draftsman who created enough caricatures to fill three albums. In this drawing, the artist represents his subject, surely a well-known Venetian nobleman, with humor although not with kindness. The combination of smooth pen lines with subtle wash shading emphasizes the figure’s pronounced hunchback, long spindly legs, large nose, and excessively high forehead. A very short shadow that defines the ground on which he stands rescues him from floating aimlessly in the blank space of the paper. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.88_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.88_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.88_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.88_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39128", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8425", "Disp_Access_No" : "1991.103.26.1", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 18th Century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Pair of Cuffs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Belgian", "Sort_Artist" : "Unknown, Belgian", "Disp_Dimen" : "2 5/8 x 10 in. (6.6 x 25.4 cm)", "Disp_Height" : "2 5/8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Point de gaze needle lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Belgian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.26.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.26.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.26.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.26.1-.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26037", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9915", "Disp_Access_No" : "1991.103.47", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 18th Century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Bertha", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "25 x 25 in. (63.5 x 63.5 cm)", "Disp_Height" : "", "Disp_Width" : "25 in.", "Dimen_Extent" : "diameter", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate, and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26050", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8537", "Disp_Access_No" : "1991.103.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Flounce", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, British", "Sort_Artist" : "Unknown, British", "Disp_Dimen" : "10 x 203 1/2 in. (25.4 x 516.9 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "203 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Lace", "Support" : "", "Disp_Medium" : "Honiton bobbin lace", "Info_Page_Comm" : "", "Dedication" : "Gift of Dwight Van de Vate, John L. Van de Vate, and David S. Van de Vate in memory of Helen Hagood Van de Vate", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.103.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.103.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.103.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.103.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22004", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7906", "Disp_Access_No" : "1992.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Menippus the Philosopher", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco", "Disp_Dimen" : "14 3/16 x 10 15/16 in. (36 x 27.8 cm)", "Disp_Height" : "14 3/16 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "After a painting by Diego Velázquez", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41516", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11668", "Disp_Access_No" : "1996.70b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1785", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1790", "Disp_Title" : "Study of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian or French", "Sort_Artist" : "Unknown, Italian or French", "Disp_Dimen" : "8 7/8 x 11 5/16 in. (22.5 x 28.8 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Brown ink and graphite on laid paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "6691", "Rel_Obj_Title" : "Study of Two Putti and Two Angels" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.70b_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.70b_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.70b_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.70b_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30317", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6691", "Disp_Access_No" : "1996.70a", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1785", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1790", "Disp_Title" : "Study of Two Putti and Two Angels", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian or French", "Sort_Artist" : "Unknown, Italian or French", "Disp_Dimen" : "8 7/8 x 11 5/16 in. (22.5 x 28.8 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Brown ink and graphite on laid paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "11668", "Rel_Obj_Title" : "Study of a Woman" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.70a_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.70a_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.70a_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.70a_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30316", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13949", "Disp_Access_No" : "2005.271", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Penitent Man", "Alt_Title" : "Portrait of a Man in Distress", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean Honoré ", "Disp_Dimen" : "27 x 23 in. (68.6 x 58.4 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.271_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.271_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.271_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.271_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38913", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 13954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13954", "Disp_Access_No" : "2005.276", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Still Life of Flowers in an Elaborate Urn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaspar Peeter de Verbrugghen", "Sort_Artist" : "Verbrugghen, Gaspar Peeter de", "Disp_Dimen" : "26 3/4 x 31 1/2 in. (67.9 x 80 cm)", "Disp_Height" : "26 3/4 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.276_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.276_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.276_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.276_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38918", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 13956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13956", "Disp_Access_No" : "2005.278", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1796", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1801", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benjamin West", "Sort_Artist" : "West, Benjamin", "Disp_Dimen" : "28 1/2 x 20 3/4 in. (72.4 x 52.7 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "20 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.278_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.278_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.278_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.278_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38920", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 13953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13953", "Disp_Access_No" : "2005.275", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790-1810", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1810", "Disp_Title" : "Seascape with Vessels", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "7 5/8 x 12 3/8 in. (19.4 x 31.4 cm)", "Disp_Height" : "7 5/8 in.", "Disp_Width" : "12 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.275_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.275_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.275_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.275_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38917", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 13955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13955", "Disp_Access_No" : "2005.277", "_AccNumSort1" : "", "Disp_Create_DT" : "probably 1790s", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Portrait of a Woman as a Bacchante", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Vigée-Lebrun", "Sort_Artist" : "Vigée-Lebrun, Elizabeth", "Disp_Dimen" : "25 x 20 3/4 in. (63.5 x 52.7 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "20 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The woman in this painting appears as a Bacchante—a female follower of Bacchus, the god of wine and mystical ecstasy. The cluster of grape leaves symbolize wine; her disheveled hair, scanty dress, and enticing gaze suggest the decadence of Bacchanalian festivals. During the 1700s, artists frequently portrayed their patrons as figures from classical mythology. Portraits of women in the guise of Bacchantes were also a popular theme for other leading portraitists such as Sir Joshua Reynolds and George Romney. This is possibly a portrait of Emma, Lady Hamilton, the infamous mistress of Lord Nelson. She was known as a performer of “attitudes,” or theatrical poses of Greek mythological and historical characters. 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(91.4 x 71.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Partial and promised gift of Dr. and Mrs. James Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.272_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.272_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.272_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.272_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38914", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Professionally photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 9018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9018", "Disp_Access_No" : "1936.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1863 or after", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Nor These (Tampoco)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco", "Disp_Dimen" : "9 13/16 x 12 15/16 in. (24.9 x 32.8 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Plate 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal consequences of Spain’s bloody war with Buonaparte. And other emphatic caprices, known as Disasters of War). The original set of 85 etchings was made around 1810-14, and given to a friend of the artist; it was not published until 1863, well after Goya's death. ", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.42_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.42_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.42_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.42_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5070", "Disp_Access_No" : "1968.3", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Bust of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustin Pajou", "Sort_Artist" : "Pajou, Augustin", "Disp_Dimen" : "16 1/2 x 14 5/8 x 12 5/8 in. (41.9 x 37.1 x 32.1 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5072, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5072", "Disp_Access_No" : "1969.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchante and Female Satyr", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "15 3/4 x 16 1/2 x 14 in. (40 x 41.9 x 35.6 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "16 1/2 in.", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16860", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9019", "Disp_Access_No" : "1973.122", "_AccNumSort1" : "", "Disp_Create_DT" : "1799", "_Disp_Start_Dat" : "1799", "_Disp_End_Date" : "1799", "Disp_Title" : "To Rise and to Fall (Subir y Bajar)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco", "Disp_Dimen" : "10 3/4 x 7 11/16 in. (27.3 x 19.5 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching, aquatint and burin", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Donated by "Artists in the Kitchen" program, gourmet food sales at Clothesline Art Show 1971-78.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.122_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.122_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.122_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.122_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6592", "Disp_Access_No" : "1975.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Harvest Dinner in Progress in a Barn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson", "Sort_Artist" : "Rowlandson, Thomas", "Disp_Dimen" : "5 3/4 x 9 3/16 in. 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Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22761", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6445, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6445", "Disp_Access_No" : "1982.26", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Peasant Stuffing His Pipe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen von Ostade", "Sort_Artist" : "Ostade, Adriaen von", "Disp_Dimen" : "3 11/16 x 2 5/8 in. 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Hoyt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8586", "Disp_Access_No" : "1989.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "Landscape with Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Christian-Wilhelm-Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian-Wilhelm-Ernst", "Disp_Dimen" : "10 15/16 x 8 5/16 in. 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(25.5 x 19 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "", "Dedication" : "Transfered from Education Department", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31269", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 5886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5886", "Disp_Access_No" : "1978.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Manufacture nationale de Sèvres", "Sort_Artist" : "Manufacture nationale de Sèvres", "Disp_Dimen" : "32 1/2 x 12 1/4 in. (82.6 x 31.1 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Porcelain", "Info_Page_Comm" : "", "Dedication" : "Gift of the Sybron Corporation", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Received with wood and glass display case; this case not accessioned. Stored in Sculpture Storage.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.135_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.135_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.135_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.135_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34299", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.135_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.135_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.135_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.135_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34300", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7632, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7632", "Disp_Access_No" : "1974.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1725", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1725", "Disp_Title" : "Cup and Cover (Pokal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "14 in. (35.6 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver and silver gilt", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Curatorial file suggests this may be a cup or pokale of the silk weavers'' guild, ca. 1725.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.87_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.87_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.87_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.87_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "33045", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.87_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.87_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.87_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.87_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35542", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-treatment photo following cleaning of silver by Cheryl Podsicki, 12/10", "View" : "" } , ] },{ "embark_ID" : 12002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12002", "Disp_Access_No" : "2003.105", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18th Century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Abbott Ludwig von St. Lucien", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wolfgang the Goldsmith", "Sort_Artist" : "Wolfgang the Goldsmith", "Disp_Dimen" : "11 13/16 x 8 1/4 in. (30 x 20.9 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Susan and John Lockhart", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.105_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.105_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.105_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.105_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34806", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22752", "Disp_Access_No" : "1978.164.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Sauce Boat (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, British", "Sort_Artist" : "Unknown, British", "Disp_Dimen" : "3 3/4 x 6 7/8 in. (9.5 x 17.5 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Bequest of Thomas G. Spencer", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.164.1-.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.164.1-.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.164.1-.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.164.1-.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "34328", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image not for print or web. 78.164.1 and .2 photographed together.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.164.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.164.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.164.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.164.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22359", "Disp_Access_No" : "1942.33.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Panel with Classical Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Austrian", "Sort_Artist" : "Unknown, Austrian", "Disp_Dimen" : "6 7/8 x 4 7/8 in. (17.5 x 12.4 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Paint", "Support" : "glass", "Disp_Medium" : "Glass, vitreous paint", "Info_Page_Comm" : "The history of European stained glass in American museums is by its nature a history of fragments, as these works are completely removed from their architectural context. Determining their date and nationality is further complicated by the popularity that stained glass enjoyed in the post-Renaissance period as well as the disastrous impact of revolution and on the windows of European homes and churches. The painted panels with classical figures [42.33.1-3] were never intended to represent medieval or Renaissance glass, as were those on the previous page; the figural style suggests an origin in the 1800s. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.33.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.33.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.33.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.33.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31714", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5734", "Disp_Access_No" : "1978.160.3a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Creamer with Lid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, British", "Sort_Artist" : "Unknown, British", "Disp_Dimen" : "5 x 5 in. (12.7 x 12.7 cm)", "Disp_Height" : "", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Bequest of Thomas G. Spencer", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that upon examination during Small Object Inventory in July 2010, it was observed that the physical ordering of the accessioned objects did not match the order of the pieces in the curatorial file and the database. The order of the object records was adjusted at that point to match the numbers inscribed on the objects. --K Schauber, Curatorial Research Assistant, 7/2010", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.160.3a-b_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.160.3a-b_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.160.3a-b_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.160.3a-b_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5738", "Disp_Access_No" : "1978.160.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Tea Cup", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Royal Worcester", "Sort_Artist" : "Royal Worcester", "Disp_Dimen" : "5 x 5 in. (12.7 x 12.7 cm)", "Disp_Height" : "", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Bequest of Thomas G. Spencer", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that upon examination during Small Object Inventory in July 2010, it was observed that the physical ordering of the accessioned objects did not match the order of the pieces in the curatorial file and the database. The order of the object records was adjusted at that point to match the numbers inscribed on the objects. --K Schauber, Curatorial Research Assistant, 7/2010", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.160.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.160.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.160.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.160.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34307", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7219", "Disp_Access_No" : "1926.71", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Bowl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Irish", "Sort_Artist" : "Unknown, Irish", "Disp_Dimen" : "4 1/2 x 11 1/2 x 11 1/2 in. (11.4 x 29.2 x 29.2 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "Irish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.71_I1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.71_I1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.71_I1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.71_I1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Not suitable for web or publication uses due to reflection. In-house use only.", "View" : "" } , ] },{ "embark_ID" : 7448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7448", "Disp_Access_No" : "1956.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1729", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1729", "Disp_Title" : "Platter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Bull", "Sort_Artist" : "Bull, William", "Disp_Dimen" : "16 in. (40.6 cm)", "Disp_Height" : "", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Edith H. Woodward", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22740, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22740", "Disp_Access_No" : "1926.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dessert Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)", "Disp_Height" : "", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Porcelain", "Support" : "", "Disp_Medium" : "Porcelain", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.62.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.62.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.62.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.62.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34135", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22739", "Disp_Access_No" : "1926.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dessert Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, French", "Sort_Artist" : "Unknown, French", "Disp_Dimen" : "8 3/4 x 8 3/4 in. 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