{ "objects" : [ { "embark_ID" : 3515, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3515", "Disp_Access_No" : "1935.28", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Little Italy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rose M. Acker", "Sort_Artist" : "Acker, Rose M.", "Disp_Dimen" : "16 15/16 x 20 1/4 in. (43 x 51.5 cm)", "Disp_Height" : "16 15/16 in.", "Disp_Width" : "20 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and black ink", "Info_Page_Comm" : "", "Dedication" : "Purchase Prize, Exhibition of Rochester Artists and Craftsmen, 1935, presented by Gertrude Herdle Moore in memory of her father, George L. Herdle, the first Director of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1143", "Disp_Access_No" : "1992.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Doctor's Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carol Acquilano", "Sort_Artist" : "Acquilano, Carol", "Disp_Dimen" : "12 x 9 1/8 in. (30.5 x 23.2 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color linocut", "Info_Page_Comm" : "", "Dedication" : "1992 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1147", "Disp_Access_No" : "1975.150", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spatial Concept", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Ahlgren", "Sort_Artist" : "Ahlgren, Roy", "Disp_Dimen" : "17 x 16 3/4 in. (43.2 x 42.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "When you first approach this print by Roy Ahlgren, you might see a hallway covered in a brightly colored pattern. A closer look might reveal a more complex environment in which different flat surfaces meet in improbable ways. How does the artist use color and form to suggest this unreal space? Here, Ahlgren demonstrates how the human visual system prefers to interpret a complex shape as a regular shape perceived from a different angle or position. Look at the lower left corner of this print. Do you see a flat image of ovals and diamonds? Or a three-dimensional space where different flat surfaces, each covered in a pattern of circles and squares, meet? When you look at this image, you are most likely picking up on these spatial cues, and interpreting a complex three-dimensional space, rather than a flat image composed of different shapes. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.150_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.150_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.150_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.150_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1149", "Disp_Access_No" : "1975.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Day and Night VIII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "18 7/8 x 20 7/16 in. (47.9 x 51.9 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.151_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.151_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.151_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.151_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/185", "Disp_Access_No" : "1967.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Homage to the Square: Soft Resonance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "48 x 48 in. (121.9 x 121.9 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "Have you ever had the experience of picking out an article of clothing in a store and bringing it home, only to find out that it wasn’t the color you thought it was? This is often the result of the effect of different kinds of lighting on our perception of color. Josef Albers spent thirty years studying how our sense of color is influenced and sometimes tricked. As Albers said in his book, Interaction of Color, “color deceives continually.” His Homage to the Square series is an elegant exploration of the way people perceive colors differently depending on the colors nearby. If the same yellow square in the center of this painting were surrounded by a dark red color, do you think the yellow square would appear lighter or darker than it does in this painting? [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1150", "Disp_Access_No" : "1975.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "To Monte Alban", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "23 13/16 x 19 1/8 in. (60.5 x 48.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Zinc plate lithograph", "Info_Page_Comm" : "Focus on the two most prominent rectangles in the image. Which of these shapes seems to be closer to you? What architectural structures unfold before your eyes? Inspired by his travels to Latin American ruins in the 1930s and 1940s, Josef Albers’ print combines his streamlined Modern style of composition with inspirations from the ancient world. This particular print is an homage to the celebrated geometric pyramids of Monte Albán, which date back to around 300 BCE and are located in modern day Oaxaca, Mexico. Albers implies depth by surrounding the two central rectangles with a series of concentric lines, the arrangement mimicking the sloping sides of these grand architectural forms. In this image, Albers also creates an optical illusion that challenges our perception of spatial depth. Which of these rectangles appears to be the top of the pyramid? Does that change depending on where you look? [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.152_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.152_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.152_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.152_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45774", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/187", "Disp_Access_No" : "1975.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Sunny Ducks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Arthur Allen", "Sort_Artist" : "Allen, Daniel Arthur", "Disp_Dimen" : "5 3/16 x 3 7/16 in. (13.1 x 8.8 cm)", "Disp_Height" : "5 3/16 in.", "Disp_Width" : "3 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "Nearly 40 years after it entered MAG’s collection, Daniel Allen’s tiny painting was re-discovered by an intern updating records for the museum website. Its quirky sense of humor and mysterious narrative caught her eye. Intern Sarah Gerin says: “Sunny Ducks’ intrigue lies in its ambiguity. It is kind and comforting, yet still forlorn and remote. In the painting, there is no context for what interaction is taking place, where it is taking place, or even its significance. With its enigmatic imagery and striking sense of both kindness and solitude, this scene reveals a clever and playful approach to the universal themes of isolation, alienation, and human relationships.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of William Whiting and the Arthur Allen family in memory of Daniel Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1156", "Disp_Access_No" : "1970.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1969", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1974", "Disp_Title" : "Silver Moons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edna Wright Andrade", "Sort_Artist" : "Andrade, Edna Wright", "Disp_Dimen" : "29 x 29 in. (73.7 x 73.7 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Shape, color, and pattern all play a role in perceiving spatial depth in a two-dimensional image. When you look at this print by Victor Vasarely, do you see a layer of smaller green circles over a layer of larger blue circles, and on top of a green background? Or a blue gear-like shape on a green background with a semicircular border? If you see the former, you are inferring that there is a separate layer of green circles even though they are not clearly distinguished from the same green background. Why might you do this? The human visual system tends to prefer simple shapes over complex ones and regular patterns over irregularities, sometimes interpreting these preferences when evidence for them is inconclusive. In this case, your visual system completes the pattern set up by the smaller green circles that appear to sit on top of the larger blue circles. Your brain fills in the picture, creating a pattern where one might exist. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "MSearl added a creation date to the record on May 8, 2012, as Andrade''s painting, Cool Circuit, was made in 1969 and the print, Silver Moons, is clearly related to the painting: http://www.icaphila.org/exhibitions/past/andrade.php ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1163", "Disp_Access_No" : "1979.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Spectral Cadmium Suite, Plate #3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "28 x 28 in. (71.1 x 71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12845", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1162", "Disp_Access_No" : "1979.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Spectral Squares", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "26 x 26 in. (66 x 66 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Look closely at the center four squares at the center of this image. Does the yellowish color appear to be the same in all four squares, or is it different in each one? If you look closely, you might notice that all four squares feature the same yellow-orange color. However, what might make them appear different are the surrounding blue and green outlines, which are distinct in each square. Inspired by the teaching of Josef Albers, Spectral Squares is a lesson in color interaction, and how the perception of a single color can be affected by others adjacent to it. [Label copy from Seeing in Color and Black and White, 2018] Richard Anuszkiewicz is interested in what he calls “color systems” that he uses to create an environment; color is always the main concern in his work. Anuszkiewicz received his graduate degree from Yale in 1954, where he studied color interaction with Josef Albers. During this period, he also read and was influenced by Rudolph Arnheim's writings about art and psychology in Art and Visual Perception: A Psychology of the Creative Eye. Upon leaving school, he began to paint with complimentary colors of full intensity and observed their dynamic effect. He continued to explore the effects of combinations of colors, using simplified forms, mainly the square. He begins his paintings by choosing the colors very carefully under controlled lighting, calling the colors his “cast of characters” and then begins the painting. [Label Copy, Collection Connections - Psychedelic, installed September 15, 2010 Curated by Cynthia Culbert]", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.24_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12846", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1160", "Disp_Access_No" : "1970.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "18 1/16 x 15 in. (45.9 x 38.1 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From Spectral Cadmium Suite portfolio, 1968", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1164", "Disp_Access_No" : "1998.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Above and Beyond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jennifer Apetz", "Sort_Artist" : "Apetz, Jennifer", "Disp_Dimen" : "14 x 15 7/8 in. 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(20.2 x 30.1 cm)", "Disp_Height" : "7 15/16 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching, aquatint and embossing", "Info_Page_Comm" : "", "Dedication" : "1993 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13307", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/203", "Disp_Access_No" : "1970.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Gospel Song", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romare Bearden", "Sort_Artist" : "Bearden, Romare", "Disp_Dimen" : "40 x 30 in. 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He stated, “I paint out of the tradition of the blues.” Bearden was a pioneer of the collage style, explaining “The medium I used was chosen intentionally because assemblage forges a variety of contrary images into one unified expression.” Bearden was a founding member of the 1960s Harlem art group, Spiral, formed “for the purpose of discussing the commitment of the Negro artist in the present struggle for civil liberties.” ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1210", "Disp_Access_No" : "1995.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Pierrot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eric Bellmann", "Sort_Artist" : "Bellmann, Eric", "Disp_Dimen" : "28 1/2 x 28 1/2 in. (72.4 x 72.4 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching with aquatint and soft-ground transfer", "Info_Page_Comm" : "", "Dedication" : "1995 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1213", "Disp_Access_No" : "1964.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "A Stag at Sharkey's", "Alt_Title" : "Stag at Sharkey's", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "21 x 26 3/16 in. (53.4 x 66.5 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "26 3/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10476", "Disp_Access_No" : "2001.27", "_AccNumSort1" : "", "Disp_Create_DT" : "October 1922", "_Disp_Start_Dat" : "10/1922", "_Disp_End_Date" : "10/1922", "Disp_Title" : "Autumn Brook", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "16 1/2 x 24 in. (41.9 x 61 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "With his unflinching paintings of brutal boxing matches and urban tenements, George Bellows made a name for himself in the early years of the century as a central Urban Realist artist. In this later painting, "Autumn Brook," the modernist influence of expressive color, space and line is visible in Bellows’ lyrical painting of the countryside near his summer home in Woodstock, NY. [Gallery label text, 2007] "Autumn Brook" contains the archetypal elements present in Bellows's finest Woodstock landscapes, including water, rolling hills, mountains, animal life, vegetation, and a dramatic sky. Bellows's choice of vivid colors celebrates the magnificence of nature and the artist's joy at finding himself immersed in it. The active brush strokes prove his ability to paint with a controlled sense of abandon. [Gallery label text]", "Dedication" : "Bequest of Muriel Englander Klepper and Marion Stratton Gould Fund In honor of Marjorie B. Searl", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1212", "Disp_Access_No" : "1959.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Dempsey and Firpo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "18 x 22 3/8 in. (45.7 x 56.8 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "22 3/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of Louis W. Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15895", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/205", "Disp_Access_No" : "1947.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Evening Group", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "This painting portrays the artist with his wife, Emma, and daughter, Anne, on vacation on Monhegan Island off the coast of Maine. Two neighbor children occupy the right side of the canvas. [Gallery label text, 2007] In the summer of 1914, painter George Bellows convinced his wife, Emma, to travel to Monhegan Island off the coast of Maine along with their young daughter, Anne. There, he hoped to paint more of the stunning seascapes he had worked on so successfully in past years. Evening Group depicts Emma and Anne on the left, the artist in the middle, and two neighbor children on the right. Based in New York City during much of the year, Bellows found that the harsh beauty of places like Monhegan Island provided him with subjects that contrasted dramatically with his acclaimed urban scenes. He first visited the island in 1911 in the company of his teacher and mentor, Robert Henri, and wrote enthusiastically to Emma: “The Island is only a mile wide and two miles long, but it looks as large as the Rocky Mountains. It’s three times as high as Montauk [Long Island] and all black and grey rock. Beautiful pine forests and wonderful varieties of all kinds…” In another letter, he lamented “my head is full of millions of great pictures which I will never have time to paint.” [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3002", "Rel_Obj_Title" : "Study for "Evening Group"" } ], "Curator" : "Note that the online catalogue raisonne lists the inclusion of this work in a 1926 exhibition at the Los Angeles Museum of Art, but an exhibition of that date that might contain this work could not be found.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows1.tif", "IsPrimary" : "0", "_SurrogateID" : "23028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , ] },{ "embark_ID" : 1211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1211", "Disp_Access_No" : "1916.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Introducing John L. Sullivan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "23 x 22 in. (58.4 x 55.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4160", "Disp_Access_No" : "1999.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Morning, Nude on Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "12 x 9 in. (30.5 x 22.9 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.53_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.53_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.53_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.53_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12957", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1214", "Disp_Access_No" : "1973.116", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Nude Study: Woman Lying on a Pillow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "5 7/8 x 9 3/4 in. (14.9 x 24.8 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.116_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.116_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.116_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.116_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1215, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1215", "Disp_Access_No" : "1983.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Splinter Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "20 13/16 x 25 3/4 in. (52.9 x 65.4 cm)", "Disp_Height" : "20 13/16 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3002", "Disp_Access_No" : "1993.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "Study for "Evening Group"", "Alt_Title" : "The Family, Evening", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "17 11/16 x 21 3/16 in. (44.9 x 53.8 cm)", "Disp_Height" : "17 11/16 in.", "Disp_Width" : "21 3/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Conté crayon and graphite on tracing paper", "Info_Page_Comm" : "George Bellows was a remarkable painter who studied, taught, and lived in New York City. There, he often associated with members of the group of artists known as The Eight, led by Robert Henri. In 1911, accompanied by Henri, George Bellows made the first of several trips to Monhegan Island off the coast of Maine. On his last visit, in 1914, he was accompanied by his wife and daughter Anne, who are the two figures on the left of this drawing. The figures on the right are young neighbors, but the central figure has not yet been identified. While this drawing has an anecdotal quality in its depiction of friends and family, the artist's interest in composition, or the arrangement of forms, can also be seen in the heavily-drawn diagonal lines and the diamond grid in the paper that he used. Bellows used this drawing as a preliminary study for a similar painting that is owned by the Gallery, which underwent technical analysis at the Williamstown Art Conservation Center to determine what changes the artist may have made to the painting before his death in 1925. [Gallery label text]", "Dedication" : "Bennett Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "205", "Rel_Obj_Title" : "Evening Group" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows2.tif", "IsPrimary" : "0", "_SurrogateID" : "23029", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. 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Borger, Texas was a boomtown that sprang to life in 1926 after a refinery company hit a gusher that produced 5000 gallons of oil a day. Benton is one of the three major American Regionalists (the other two are Grant Wood and John Steuart Curry), so called because most of their subjects were about life in the rural heartland of America. While Benton was not a fan of contemporary modernist painting, and in fact disdained artists who painted in the abstract style, he couldn't help but be influenced by the curvy and streamlined aesthetic of his times and the way in which artists were reinterpreting three-dimensional space. Consider the way in which the people, buildings and landscape are layered from top to bottom on the canvas, rather than being laid out carefully from front to back in the manner of traditional artistic renderings. 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Gross", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.153_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.153_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.153_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.153_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37629", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2551", "Disp_Access_No" : "1996.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Fergus Binns", "Sort_Artist" : "Binns, Charles Fergus", "Disp_Dimen" : "11 3/4 x 6 1/2 x 6 1/2 in. (29.8 x 16.5 x 16.5 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Mabel Fenner Lyon Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.91_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.91_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.91_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.91_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12534", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1233", "Disp_Access_No" : "1975.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Little Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "9 1/2 x 6 13/16 in. (24.2 x 17.3 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "6 13/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.167_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.167_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.167_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.167_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1249", "Disp_Access_No" : "1992.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Students on the Steps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "13 1/4 x 12 7/16 in. (33.6 x 31.6 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Carl A. Talbot", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989. Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.285 , no.2584", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1252", "Disp_Access_No" : "1996.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Country Scene", "Alt_Title" : "Along the Hudson", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 7/16 x 15 7/8 in. (29.1 x 40.3 cm)", "Disp_Height" : "11 7/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs,, at http://hdl.handle.net/2097/19686, p. 17, no.62. Note that the title as given in the Associated American Artist''s catalogue is "Along the Hudson," not "Country Scene" as written on our print.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12955", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1251", "Disp_Access_No" : "1975.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Duck Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 1/2 x 15 15/16 in. 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While the work is listed as published by AAA in 1954, the creation date could have been as early as 1939, per the notes.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12921", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/223", "Disp_Access_No" : "1989.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Untitled (Relational Painting)", "Alt_Title" : "", "Obj_Title" : "Untitled (Relational Painting)", "Series_Title" : "", "Disp_Maker_1" : "Ilya Bolotowsky", "Sort_Artist" : "Bolotowsky, Ilya", "Disp_Dimen" : "30 3/8 x 20 in. (77.2 x 50.8 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1991.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Linen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Bonnard", "Sort_Artist" : "Bonnard, Pierre", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on board", "Info_Page_Comm" : "As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively. After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature. [Gallery label text, 1999]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/915", "Disp_Access_No" : "1995.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Cones (9)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonathan Bonner", "Sort_Artist" : "Bonner, Jonathan", "Disp_Dimen" : "30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Joseph A. Chazan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 1322, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1322", "Disp_Access_No" : "1958.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Rain-lit Pier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dorothy Bowman", "Sort_Artist" : "Bowman, Dorothy", "Disp_Dimen" : "18 1/2 x 35 in. (47 x 88.9 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.81_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.81_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.81_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.81_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13521", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3560", "Disp_Access_No" : "1944.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939-1941", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1941", "Disp_Title" : "Mathematical Abstraction No. 5 "Study in complementaries"", "Alt_Title" : "Projective Ornament", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "28 3/8 x 20 5/16 in. (72.1 x 51.6 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "20 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "thin board", "Disp_Medium" : "Watercolor, charcoal, ink and pen with red ink", "Info_Page_Comm" : "Bragdon’s Mathematical Abstractions is a set of images based on mathematical relationships and suggestive of cosmic forms in the solar system. This series grew out of Bragdon’s continued interest in uniting color, form, and music. The series was exhibited in 1941-42 in Hartford, New York City, and finally in Rochester at the Memorial Art Gallery, where Bragdon’s patrons, Dr. and Mrs. James Sibley Watson, agreed to purchase this one for MAG. Bragdon wrote about the gift to Isabel Herdle, MAG curator, in 1944: “It is the one which your sister [Gertrude Herdle Moore, MAG director] and Fritz [Trautmann] decided would be best and which was also settled upon by Mrs. Watson and myself.” The Mathematical Abstraction series was best described by the artist in the 1941-42 exhibition brochure: "These fifteen water-color paintings represent the final distillation of Mr. Bragdon’s creative ability in a field which he has made his own. Although susceptible of classification as non-representational, or non-objective art, they are unique by reason of the fact that Mr. Bragdon is a skilled mathematician and geometer as well as an artist. He does not wish these paintings to be viewed, however, from any other standpoint than that of their intrinsic beauty—their purely aesthetic appeal. He believes that mathematical truth is at the root of all beauty, and that in the same sense that music may be said to be the beauty of mathematics made audible, so are these paintings mathematics made visible. After having made many hundred drawings, Mr. Bragdon made the paintings here and now exhibited, which from one point of view might be regarded as so many 'stills' of color symphonies seen by the author 'in his mind’s eye.' One of the pioneers in the new art of Color Music, Mr. Bragdon has from far back employed his spare time and his spare money in the construction of one “color-organ” after another, in which it was his idea to add luminosity, color, rhythm, mobility, to his designs derived from mathematical sources. Convinced, after many failures, that the most satisfactory way in which this might be accomplished was by the animated cartoon technique, he made a study of it with this in view, and tried to interest the moving picture people in his idea. None of them were prepared, however, to invest the necessary amount of money in what they regarded as an uncertain venture. Walt Disney, meantime, a free agent, with the means at his disposal, had gone ahead and in certain parts of “Fantasia”—notably in the “sound-track” sequence—approximated some of the color-music effects which Mr. Bragdon had had in mind." Excerpt from Mathematical Abstractions exhibition brochure, 1941-42 [Gallery label text, 2010] ", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.6_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.6_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.6_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.6_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33962", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 4154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4154", "Disp_Access_No" : "1999.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939-1941", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1941", "Disp_Title" : "Mathematical Abstraction No. 14 "The sun by day and the moon by night"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "28 3/8 x 20 x 1 3/16 in. (72.1 x 50.8 x 3 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "four ply board", "Disp_Medium" : "Watercolor and graphite on four ply Whatman watercolor board", "Info_Page_Comm" : "Bragdon’s Mathematical Abstractions is a set of images based on mathematical relationships and suggestive of cosmic forms in the solar system. This series grew out of Bragdon’s continued interest in uniting color, form, and music. The series was exhibited in 1941-42 in Hartford, New York City, and finally in Rochester at the Memorial Art Gallery. The Mathematical Abstractions were best described by the artist in the 1941-42 exhibition brochure: "These fifteen water-color paintings represent the final distillation of Mr. Bragdon’s creative ability in a field which he has made his own. Although susceptible of classification as non-representational, or non-objective art, they are unique by reason of the fact that Mr. Bragdon is a skilled mathematician and geometer as well as an artist. He does not wish these paintings to be viewed, however, from any other standpoint than that of their intrinsic beauty—their purely aesthetic appeal. He believes that mathematical truth is at the root of all beauty, and that in the same sense that music may be said to be the beauty of mathematics made audible, so are these paintings mathematics made visible. After having made many hundred drawings, Mr. Bragdon made the paintings here and now exhibited, which from one point of view might be regarded as so many 'stills' of color symphonies seen by the author 'in his mind’s eye.' One of the pioneers in the new art of Color Music, Mr. Bragdon has from far back employed his spare time and his spare money in the construction of one “color-organ” after another, in which it was his idea to add luminosity, color, rhythm, mobility, to his designs derived from mathematical sources. Convinced, after many failures, that the most satisfactory way in which this might be accomplished was by the animated cartoon technique, he made a study of it with this in view, and tried to interest the moving picture people in his idea. None of them were prepared, however, to invest the necessary amount of money in what they regarded as an uncertain venture. Walt Disney, meantime, a free agent, with the means at his disposal, had gone ahead and in certain parts of “Fantasia”—notably in the “sound-track” sequence—approximated some of the color-music effects which Mr. Bragdon had had in mind." Excerpt from Mathematical Abstractions exhibition brochure, 1941-42 [Gallery label text, 2010]", "Dedication" : "Gift of Peter Bragdon", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.61_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.61_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.61_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.61_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33981", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 5208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5208", "Disp_Access_No" : "1954.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Still Life with Pipe (Nature morte à la Pipe)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georges Braque", "Sort_Artist" : "Braque, Georges", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 1324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1324", "Disp_Access_No" : "1982.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Spring Rice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Brayer", "Sort_Artist" : "Brayer, Sarah", "Disp_Dimen" : "10 3/16 x 11 3/4 in. (25.8 x 29.9 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1982 Patron Print Award, sponsored by Gianniny Associates and Wilson Enterprises", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.42_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.42_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.42_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.42_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34792", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1325", "Disp_Access_No" : "1994.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Yellow Taxi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Brayer", "Sort_Artist" : "Brayer, Sarah", "Disp_Dimen" : "28 9/16 x 22 7/16 in. (72.5 x 57 cm)", "Disp_Height" : "28 9/16 in.", "Disp_Width" : "22 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Lithograph with colored paper pulp", "Info_Page_Comm" : "", "Dedication" : "Monley/Rice Docent Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.41_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.41_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.41_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.41_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36867", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1329", "Disp_Access_No" : "1975.34", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Dark Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Brook", "Sort_Artist" : "Brook, Alexander", "Disp_Dimen" : "15 1/16 x 11 7/16 in. (38.3 x 29.1 cm)", "Disp_Height" : "15 1/16 in.", "Disp_Width" : "11 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. 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(81.9 x 56.5 cm)", "Disp_Height" : "32 1/4 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12755", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1417", "Disp_Access_No" : "1976.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Randolph Carter", "Sort_Artist" : "Carter, John Randolph", "Disp_Dimen" : "29 3/4 x 19 1/2 in. (75.6 x 49.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.99_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1416, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1416", "Disp_Access_No" : "1975.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Figure on Foil", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Randolph Carter", "Sort_Artist" : "Carter, John Randolph", "Disp_Dimen" : "30 x 19 3/4 in. (76.2 x 50.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1418", "Disp_Access_No" : "1988.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Why Is My Turtle Losing His Appetite?", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Randolph Carter", "Sort_Artist" : "Carter, John Randolph", "Disp_Dimen" : "25 7/16 x 38 1/8 in. (64.6 x 96.8 cm)", "Disp_Height" : "25 7/16 in.", "Disp_Width" : "38 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Philip and Florence Goldberg", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12754", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3059", "Disp_Access_No" : "1959.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Young Mother, Daughter, and Baby (Jeune mère, fillette et bébé)", "Alt_Title" : "Mother and Son on a Chaise Longue, Daughter Leaning Over Them", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "43 1/4 x 33 1/4 in. (109.9 x 84.5 cm)", "Disp_Height" : "43 1/4 in.", "Disp_Width" : "33 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "Mary Cassatt was an American artist who lived in France for much of her life, after having moved there at the age of 21 in order to study painting. Artist Edgar Degas admired Cassatt’s art and encouraged her to join the circle of painters that included Pierre Renoir and Claude Monet, the group that became known as the Impressionists. She first exhibited with them in 1879, when she was 35, and continued to be associated with them for the rest of her life. Cassatt was the only American woman in the group. While Cassatt’s subjects were typically women and children, she herself lived an atypical life for a woman in that period. Cassatt was a strong supporter of women’s suffrage; this painting and others were exhibited in a 1915 exhibition at Knoedler’s that was organized by Cassatt’s good friend and staunch supporter, suffragist and art connoisseur Louisine Havemeyer. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/926", "Disp_Access_No" : "1988.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Dr. Caligari", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "92 1/2 x 31 1/2 x 26 1/2 in. (235 x 80 x 67.3 cm)", "Disp_Height" : "92 1/2 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Support" : "", "Disp_Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Info_Page_Comm" : "Dr. Caligari is among a series of thirteen clocks that Wendell Castle created in the 1980s. He made them at the suggestion of his dealer, who urged him to create a body of work that would challenge the critics’ association of Castle with functional furniture. Castle was particularly interested in the concept of time, and Dr. Caligari is a fanciful exploration of time travel. Its tall case is rich with connections to traditional grandfather clocks. It suggests either a trip to the past in an ancient obelisk, or to the future, in a rocket ship. The title of the work was inspired by the angular set design of the 1920 German Expressionist film, The Cabinet of Dr. Caligari. The clock’s painted interior was intended to suggest the silent horror film’s unsettling mood. Castle and his longtime associate Don Sottile developed a smearing technique using India ink over gesso that gave the painted finish its distinctive feathered edges. [Summer 2015]", "Dedication" : "Given in honor of Joan M. Vanden Brul by her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency, clock silhouetted out from background by Andy Olenick", "View" : "" } , ] },{ "embark_ID" : 1442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1442", "Disp_Access_No" : "1995.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Harriet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 3/8 x 15 1/4 in. (46.6 x 38.7 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1441", "Disp_Access_No" : "1995.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "In Phillis Wheatley I Proved Intellectual Equality in the Midst of Slavery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "15 x 11 in. (38.1 x 28 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Director's Discretionary Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1443", "Disp_Access_No" : "1996.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1968-1993", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1993", "Disp_Title" : "Sharecropper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "24 1/8 x 22 1/4 in. (61.3 x 56.5 cm)", "Disp_Height" : "24 1/8 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "Gallery label text 2013: Elizabeth Catlett honors the rural working poor in this commanding image of a strong, dignified African American woman fieldworker who, though worn from her labors, maintains her internal fortitude. Catlett devoted her career as a sculptor and printmaker to addressing issues of social justice, especially the struggles of African American women. “I make work for my people,” Catlett has said, “not for an elite, and I’ve paid a price for my commitment.” Based on her own experiences, Catlett pursued subjects that were personally significant, such as her grandmother’s stories of slavery and her own experience of being denied admission to the Carnegie Institute of Technology solely on the basis of race. ", "Dedication" : "Gift of Neil and Avram Dorman through the Martin S. Ackerman Foundation, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1449", "Disp_Access_No" : "1975.360", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Hospital Santa Cruz, Toledo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Samuel Chamberlain", "Sort_Artist" : "Chamberlain, Samuel", "Disp_Dimen" : "13 1/8 x 10 3/16 in. (33.3 x 25.8 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "10 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "1938 Presentation Print of the Print Club of Rochester", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.360_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.360_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.360_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.360_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14563", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4148", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Last Supper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "11 3/8 x 25 5/8 x 3/4 in. (28.9 x 65.1 x 1.9 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "3/30/10 email from Margie Searl, MAG chief curator, to Jessica Marten, MAG assistant curator: The Cheathams came in to the collection from a minister in Rochester, now deceased, [David Romig] who found them literally on the street a number of years ago when he worked at a NYC church. Cheatham had died and his sister was throwing his stuff away. I doubt that anyone exists who would either have a clue about him or who would care that his work was depicted on our website. I suspect that he was an outsider artist who was creating these wonderful things for himself. I only know of the two that we have and one other owned by the donor. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4149", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "12 1/2 x 25 1/4 x 7/8 in. (31.8 x 64.1 x 2.2 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The nativity of Christ has been a popular subject in many artistic traditions. Here, the carver has included all the traditional elements arranged in a simple yet effective way, using few colors and creating the illusion of depth. Gold paint illuminates the baby, above whom an angel watches protectively. Like the carver of the Santo [73.9], or the artisan who built the Tramp Art Shrine [87.4], Oliver Cheatham was an artist who expressed his religious devotion with wood and paint. Little else is known about him. The donor, Reverend Romig, came across a few pieces of his work on a sidewalk in New York City; the artist had died, and his family was throwing his things away. Fortunately, Reverend Romig recognized the beauty of the work, retrieved what he could, and kindly donated two pieces to the Memorial Art Gallery: The Nativity and The Last Supper [99.14], which is being conserved. [Gallery label text, 2002]", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14787", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2675, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2675", "Disp_Access_No" : "1989.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Basket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dale Chihuly", "Sort_Artist" : "Chihuly, Dale", "Disp_Dimen" : "6 3/8 x 6 1/8 x 6 1/8 in. (16.2 x 15.6 x 15.6 cm)", "Disp_Height" : "6 3/8 in.", "Disp_Width" : "6 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "Since the 1960sm Chihuly has been producing innovative forms in glass, and expanding the scale of his work to include entire glass installations. His work incorporates a lifelong pursuit of organic and asymmetrical forms such as the Basket series, inspired by the Northwest Coast Indian baskets. Chihuly's influence on the world of American craft is enduring. Founder of the glass department at the Rhode Island School of Design as well as the Pilchuck Glass School in Washington state, he represents the best and most creative glassmaking of our time. [Selwyn Case "Studio Glass Movement" installation, August 2016 - May 2019]", "Dedication" : "Gift of Dr. and Mrs. Malcolm A. Nanes", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Glass", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15887", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.75_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "15888", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "15889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.75_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "15890", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.75_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.75_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.75_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.75_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "15891", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3886", "Disp_Access_No" : "1998.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Pale Iris Seaform Set with Honeysuckle Lip Wraps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dale Chihuly", "Sort_Artist" : "Chihuly, Dale", "Disp_Dimen" : "16 x 34 x 26 in. (40.6 x 86.4 x 66 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "Since the 1960s, Dale Chihuly has been producing innovative forms in glass, teaching, and expanding the scale and scope of his work to include entire glass installations. He began the Seaforms series in the 1980s and continued through the 1990s, inspired by the movement and color of underwater creatures. Chihuly’s Seaforms delight the eye and mystify the brain with their simultaneous delicacy and power. The ribbed pieces shimmer and almost seem to move in the light. Chihuly’s influence on the world of American craft has been remarkable and enduring. Founder of the glass department at the Rhode Island School of Design as well as the Pilchuck School of Glass in Washington State, he represents the best and most creative glassmaking of our time. [Gallery label text, 2004] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master has a pink cast that needs corrected or redone from Digital master.", "View" : "" } , ] },{ "embark_ID" : 5209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5209", "Disp_Access_No" : "1964.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Florentine Still Life (Balcone a Firenze)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giorgio de Chirico", "Sort_Artist" : "Chirico, Giorgio de", "Disp_Dimen" : "18 3/4 x 25 in. (47.6 x 63.5 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Helen C. Ellwanger in memory of Gertrude Newell", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.47_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.47_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.47_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.47_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "35470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from Jim Via transparency 12/10 KSchauber.", "View" : "" } , ] },{ "embark_ID" : 3993, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3993", "Disp_Access_No" : "1999.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Untitled", "Alt_Title" : "P-10-P", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tarrant Clements", "Sort_Artist" : "Clements, Tarrant", "Disp_Dimen" : "22 3/4 x 19 1/2 in. (57.8 x 49.5 cm)", "Disp_Height" : "22 3/4 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "A member of the Print Club of Rochester, Tarrant Clements also sculpts and paints, and has been a full-time studio artist since 1976. Most of her work is untitled, leaving the viewer the freedom to respond to the work independent of verbal or literary associations. Untitled is a limited edition serigraph in five colors on handmade rag paper. Serigraphy, often called silkscreening, is a stencil process where the image is applied to a fine mesh screen positioned above a sheet of paper. Non-image areas are blocked out. When the print is being made, ink is forced through the open areas of the porous screen with a rubber squeegee and deposited on the paper. Typically seen with the naked eye is the heavy layer of ink that sits on top of the paper, and, under magnification, the tiny grid lines of the mesh. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. ", "Dedication" : "1999 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33263", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3874", "Disp_Access_No" : "1998.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Leslie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chuck Close", "Sort_Artist" : "Close, Chuck", "Disp_Dimen" : "31 3/8 x 25 1/4 in. (79.7 x 64.1 cm)", "Disp_Height" : "31 3/8 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut on Kozo paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26633", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3517, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3517", "Disp_Access_No" : "1970.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Child with Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Altschule Coates", "Sort_Artist" : "Coates, Hilda Altschule", "Disp_Dimen" : "15 7/16 x 11 1/16 in. (39.2 x 28.1 cm)", "Disp_Height" : "15 7/16 in.", "Disp_Width" : "11 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, gouache and black ink ", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12987", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/273", "Disp_Access_No" : "1983.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Figure by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Altschule Coates", "Sort_Artist" : "Coates, Hilda Altschule", "Disp_Dimen" : "8 7/8 x 10 in. (22.5 x 25.4 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "Japanese paper", "Disp_Medium" : "Mixed media on Japanese paper", "Info_Page_Comm" : "", "Dedication" : "Gift in memory of Willson H. and Hilda Altschule Coates, from the Estate of Hilda Altschule Coates ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3580", "Disp_Access_No" : "1987.32", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The Chicken Coop", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charlotte Buell Coman", "Sort_Artist" : "Coman, Charlotte Buell", "Disp_Dimen" : "11 7/8 x 15 7/8 in. (30.2 x 40.3 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor on paperboard", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/284", "Disp_Access_No" : "1926.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "Main Street Bridge, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "26 1/4 x 36 in. 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(27.3 x 39.4 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor and gouache on wove paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Beatrice M. Cliffe", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Shadow of frame on top of image needs cropped.", "View" : "" } , ] },{ "embark_ID" : 3080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3080", "Disp_Access_No" : "1997.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1924", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1929", "Disp_Title" : "Charlie Chaplin", "Alt_Title" : " Chaplin with Rose, Charles Spencer Chaplin", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "25 1/2 x 19 3/8 in. (64.8 x 49.2 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Pen and ink", "Support" : "wove paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "E.E. Cummings was an accomplished visual artist as well as one of America's greatest poets. Some of his early work was reproduced in The Dial, a magazine that was published from 1920 - 1929. The Dial's offerings included prose, poetry, critical reviews, as well as visual arts. Because of Cummings' friendship with the publisher, James Sibley Watson, Jr., he had an early relationship with the publication, which published his poems, his essays, and his drawings. James Sibley Watson, Jr., also provided Cummings with an apartment at 4 Patchin Place in Greenwich Village. Watson, who along with his wife Hildegarde Lasell Watson, were supporters of a number of other artists, including sculptor Gaston Lachaise. He was the son of Emily Sibley Watson, who founded the Memorial Art Gallery of the Unversity of Rochester in 1913. [Gallery label text]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per MBS: This object was dated circa 1945. However, the drawing was published in The Dial magazine in March, 1924. Therefore, the date in Embark has been changed to circa 1924.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39101", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 3824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3824", "Disp_Access_No" : "1996.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Oak Tree", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "41 x 31 in. (104.1 x 78.7 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "John Steuart Curry frequently painted rural scenes from his home state, Kansas. This quiet, pastoral image of a horse and her foal enjoying the shade of a great oak tree is representative of Curry’s Regionalist style. [Gallery label text, 2007]", "Dedication" : "Gift of Myrtle Pleune ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12537", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1533", "Disp_Access_No" : "1971.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Landscape III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "39 7/8 x 29 13/16 in. (101.3 x 75.7 cm)", "Disp_Height" : "39 7/8 in.", "Disp_Width" : "29 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color Serigraph", "Info_Page_Comm" : "Allan D’Arcangelo’s <em>Landscape III</em> is a consideration of the new American landscape of highways, suspended bridges, traffic signs, and billboards. A minor border of sky and grass surround a traffic sign that normally indicates a hairpin curve. Turned on its side and placed over another arrow sign pointing in the opposite direction, the sign’s meaning becomes unclear and potentially dangerous. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/934", "Disp_Access_No" : "1967.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Side View Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "7 x 5 1/2 x 5 1/4 in. (17.8 x 14 x 13.3 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Printer's ink", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31835", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31836", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3594", "Disp_Access_No" : "1932.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Carrara Mountains", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "9 1/2 x 12 1/2 in. (24.1 x 31.8 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.4_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14698", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3082", "Disp_Access_No" : "1932.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Oxen Under Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "12 5/8 x 9 3/8 in. (32 x 23.8 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39088", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10614", "Disp_Access_No" : "2002.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chas Davis", "Sort_Artist" : "Davis, Chas", "Disp_Dimen" : "14 9/16 x 11 5/8 in. (37 x 29.5 cm)", "Disp_Height" : "14 9/16 in.", "Disp_Width" : "11 5/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Lithograph on handmade paper with colored pulp", "Info_Page_Comm" : "", "Dedication" : "1996 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16272", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/334", "Disp_Access_No" : "1953.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "17 1/2 x 19 1/2 in. (44.5 x 49.5 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs.Thomas G. Spencer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12391", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/333", "Disp_Access_No" : "1951.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1931-1932", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1932", "Disp_Title" : "Landscape with Garage Lights", "Alt_Title" : "Garage Lights", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "32 x 41 7/8 in. (81.3 x 106.4 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "41 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Stuart Davis began as a student of the Urban Realist style, but upon seeing the many European modernist works on display at the New York Armory Show of 1913, the artist found his passion for abstraction. The influence of the broken-up and flattened surfaces of Cubism and the syncopated rhythms of American jazz contributed to Davis’ personal style. [Gallery label text, 2007] Gloucester, one of Massachusetts's oldest seaports, was a summer home for painter Stuart Davis from the time he was a young man of twenty-two. This view of the harbor clearly captivated him by the early 1930s, and preliminary studies of this painting reveal how carefully he considered the scene and translated it into paint, all the while deliberately conveying a sense of simplicity and speed in its execution. After a Parisian stay in the late 1920s, Davis returned to the United States with a new way of seeing things. The goal for him was to paint an expressive, abstracted version of the world around him, rather than a photographic simulacrum. As modernism challenged the nature of reality and how it is perceived, Davis reminds us here that it is possible to see two sides of a building at once, and that often it really looks like only half of a ship is in the water even though our brains convince us that the other half is hidden behind the fish warehouse. Flatness and simplification of forms were characteristics that distinguished work of influential European painters like Picasso and Matisse, whose work Davis would have encountered during his stay in France. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3088", "Rel_Obj_Title" : "Study for "Landscape with Garage Lights"" },{ "Rel_Obj_ID" : "3089", "Rel_Obj_Title" : "From Sketchbook 3, Drawing for "Landscape with Garage Lights"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53893", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned transparency at larger size for reproduction. New JPG derived from that larger TIF.", "View" : "" } , ] },{ "embark_ID" : 336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/336", "Disp_Access_No" : "1986.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "The Dipolar Girls Take a Voyage on the St. Lawrence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy De Forest", "Sort_Artist" : "De Forest, Roy", "Disp_Dimen" : "70 3/4 x 64 1/2 in. (179.7 x 163.8 cm)", "Disp_Height" : "70 3/4 in.", "Disp_Width" : "64 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic, polymer and charcoal on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Charles and Setta Odoroff in honor of Maurice and Minnie Odoroff", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.134_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12500", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Larger TIF also derived from TR1, 86.134_P2", "View" : "" } , ] },{ "embark_ID" : 1561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1561", "Disp_Access_No" : "1987.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Interacting Points of View", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anne de Mare", "Sort_Artist" : "de Mare, Anne", "Disp_Dimen" : "15 x 22 in. (38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1987 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16237", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1555", "Disp_Access_No" : "1990.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Reservado Mesa", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elaine Defibaugh", "Sort_Artist" : "Defibaugh, Elaine", "Disp_Dimen" : "16 9/16 x 14 7/8 in. (42 x 37.8 cm)", "Disp_Height" : "16 9/16 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1990 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1959.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1898-1912", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1912", "Disp_Title" : "Dancer Holding Her Right Foot in Her Right Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 1/2 in. (49.5 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 1558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1558", "Disp_Access_No" : "1996.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Embryi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dorothy Dehner", "Sort_Artist" : "Dehner, Dorothy", "Disp_Dimen" : "7 13/16 x 9 13/16 in. (19.9 x 24.9 cm)", "Disp_Height" : "7 13/16 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30472", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4036", "Disp_Access_No" : "1998.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Dream of Icarus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Delson", "Sort_Artist" : "Delson, Elizabeth", "Disp_Dimen" : "16 1/8 x 12 3/4 in. (41 x 32.4 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Soft-ground etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 160, no.1445", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8105", "Disp_Access_No" : "2000.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "Art Class Penn Academy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Demuth", "Sort_Artist" : "Demuth, Charles", "Disp_Dimen" : "13 1/16 x 19 7/8 in. (33.1 x 50.5 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and graphite", "Info_Page_Comm" : "Charles Demuth’s most famous paintings are in a hard-lined and tightly-controlled industrial style called Precisionism, which he helped develop, but his watercolors of people, fruit, and flowers are loose, sensuous, and evocative. This casual study of a woman in a studio at the Pennsylvania Academy of Fine Art was made when Demuth was a student there. Based upon a somewhat illegible inscription on the back, this figure may be Helen Torr, a modernist artist who ran in the same circles as Demuth and eventually married the artist Arthur Dove. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Nancy Turner Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39103", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3599, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3599", "Disp_Access_No" : "1940.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Narcissus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Demuth", "Sort_Artist" : "Demuth, Charles", "Disp_Dimen" : "14 x 10 in. (35.6 x 25.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3598", "Disp_Access_No" : "1964.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Zinnias", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Demuth", "Sort_Artist" : "Demuth, Charles", "Disp_Dimen" : "8 7/16 x 10 7/8 in. (21.4 x 27.6 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Gertrude Herdle Moore and Isabel C. Herdle in memory of their father, George L. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.86_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.86_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.86_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.86_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/341", "Disp_Access_No" : "1957.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "Portrait in a Brown Dress", "Alt_Title" : "Lady in Yellow", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "20 x 15 1/2 in. (50.8 x 39.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work: "Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves." Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing. This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons. (1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Alexander Millar Lindsay III, in memory of Jesse Williams and Grace Curtice Lindsay and their daughter, Carolyn Lindsay White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1566, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1566", "Disp_Access_No" : "1985.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Sundown Flight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Grace Catherine Dibble", "Sort_Artist" : "Dibble, Grace Catherine", "Disp_Dimen" : "16 x 20 in. (40.6 x 50.8 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1985 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16236", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/342", "Disp_Access_No" : "1987.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Snow on Quai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Dickinson", "Sort_Artist" : "Dickinson, Edwin", "Disp_Dimen" : "21 x 18 in. (53.3 x 45.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy Turner in memory of Richard Turner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1573", "Disp_Access_No" : "1978.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Tool Box VI (Secateurs)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "23 3/4 x 18 3/4 in. (60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1574", "Disp_Access_No" : "1978.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Tool Box VII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "23 3/4 x 18 3/4 in. (60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/940", "Disp_Access_No" : "1975.333.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Rainbow Faucet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "4 3/4 x 5 in. (12.1 x 12.7 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Aluminum", "Support" : "", "Disp_Medium" : "Cast aluminum and paint", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31841", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5210", "Disp_Access_No" : "1966.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1903", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1908", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kees van Dongen", "Sort_Artist" : "Dongen, Kees van", "Disp_Dimen" : "39 3/8 x 27 3/4 in. (100 x 70.5 cm)", "Disp_Height" : "39 3/8 in.", "Disp_Width" : "27 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/346", "Disp_Access_No" : "1985.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Silver Surge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Lou Dooley", "Sort_Artist" : "Dooley, Mary Lou", "Disp_Dimen" : "49 1/2 x 46 in. (125.7 x 116.8 cm)", "Disp_Height" : "49 1/2 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter Mary Lou Dooley is the wife of MAG’s fifth director, Bret Waller, so it seems especially appropriate that one of her canvases was purchased to honor his service to the museum. In describing Silver Surge, she says: “It is a gestural painting related to my interest in calligraphy and movement. It also relates to the influence of two former professors who studied with Hans Hofmann. My intent is to achieve what appears to be a spontaneous result even though the painting has been reworked a number of times.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Purchased in tribute to Bret Waller, Gallery Director 1980-1985, through the Padelford Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/348", "Disp_Access_No" : "1951.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Cars in a Sleet Storm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur Dove", "Sort_Artist" : "Dove, Arthur", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in Geneva, NY, Cars in a Sleet Storm is representative of Arthur Dove’s personalized abstract vocabulary with which he responded to the world around him. Dove, along with Georgia O’Keeffe and Marsden Hartley, were members of a group of modernist American artists championed by the photographer Alfred Stieglitz in his 291 Gallery in Manhattan. [Gallery label text, 2007] Arthur G. Dove was a native of Geneva, New York, about 46 miles from Rochester. Early on, rural New York State did not satisfy Dove's desire for a more engaged artistic life, and a few years after the turn of the 20th century, he moved to New York City and then to Paris. On his return to the United States in 1910, he began to paint abstract landscapes, and is considered one of America's first abstract painters. Dove's work was actively exhibited by photographer Alfred Stieglitz in his Gallery 291 and Intimate Gallery, major centers of avant-garde art in the United States. Stieglitz also showed the work of Georgia O'Keeffe whom he married in 1924. Cars in a Sleet Storm was painted at the end of Dove's years in Geneva, where he had returned to manage his father's estate. Dove's own words align him with the 20th century movement away from identifiable subject matter:"I would like to make something that is real in itself, that does not remind anyone of any other thing, and that does not have to be explained like the letter A, for instance." He also commented, "… I no longer observed in the old way, and not only began to think subjectively but also to remember certain sensations purely through their form and color, that is, by certain shapes, planes of light, or character lines determined by the meeting of such planes." [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from 1999 James Via transparency", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color-corrected and cropped from M1 file as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 1578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1578", "Disp_Access_No" : "1989.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Toothache", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Dreimiller", "Sort_Artist" : "Dreimiller, Mark", "Disp_Dimen" : "14 13/16 x 10 3/8 in. (37.7 x 26.4 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1579, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1579", "Disp_Access_No" : "1957.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Outcast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frannie Dressel", "Sort_Artist" : "Dressel, Frannie", "Disp_Dimen" : "13 13/16 in. 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[Gallery label text, 2007]", "Dedication" : "Memorial Art Gallery Purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12400", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3606", "Disp_Access_No" : "1964.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Street Scene, Paris", "Alt_Title" : "Along the Quai", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufus J. 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(25.4 x 31.8 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44227", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1587, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1587", "Disp_Access_No" : "1993.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Imagination's Gateway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth King Durand", "Sort_Artist" : "Durand, Elizabeth King", "Disp_Dimen" : "11 1/4 x 13 13/16 in. 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(60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Robert P. Coggins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.106_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12474", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. 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[Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. 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He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 2552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2552", "Disp_Access_No" : "1949.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bonbonniere (Covered Dish)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "8 3/4 x 5 1/2 x 5 1/2 in. 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(42.5 x 35.7 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "14 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Grant Holcomb in honor of Thomas H. and Marion J. 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(237.5 x 216.2 cm)", "Disp_Height" : "93 1/2 in.", "Disp_Width" : "85 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Helen Frankenthaler, who died on December 27, 2011, was a major American painter. Over the course of her long career, she experimented with new techniques that included pouring oil paint thinned with turpentine directly on large pieces of unprimed canvas, which permitted the paint to saturate the cloth and create loose and fluid fields of color. The emphasis on color of the second generation of abstract artists resulted in the term "Color Field Painters" to describe the work of Frankenthaler, Morris Louis, Kenneth Noland, and others. Her spontaneous style and meditative aesthetic were perhaps the result of the philosophy that she expressed in a 2003 New York Times interview: “There are no rules. Let the picture lead you where it must go.” In addition to "Seer", MAG also owns four prints created by Frankenthaler. ", "Dedication" : "Gift of the Women's Council on the occasion of the Council's 40th anniversary", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1643", "Disp_Access_No" : "1971.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Frankenthaler", "Sort_Artist" : "Frankenthaler, Helen", "Disp_Dimen" : "31 x 23 in. (78.7 x 58.4 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "stone effaced after printing", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2553", "Disp_Access_No" : "1997.176", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Free Form Pottery Candle Vase #302", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frankoma Pottery", "Sort_Artist" : "Frankoma Pottery", "Disp_Dimen" : "8 x 5 x 5 in. (20.3 x 12.7 x 12.7 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler in memory of Karl W. Taylor", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.176_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.176_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.176_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.176_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31700", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1649", "Disp_Access_No" : "1919.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venetian Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Margaret Lial Freeman", "Sort_Artist" : "Freeman, Margaret Lial", "Disp_Dimen" : "12 3/16 x 8 3/8 in. (31 x 21.2 cm)", "Disp_Height" : "12 3/16 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3879", "Disp_Access_No" : "1999.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1991-1993", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1993", "Disp_Title" : "View Over Mecox (Yellow Wall)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jane Freilicher", "Sort_Artist" : "Freilicher, Jane", "Disp_Dimen" : "80 x 70 in. (203.2 x 177.8 cm)", "Disp_Height" : "80 in.", "Disp_Width" : "70 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "Jane Freilicher came of age when contemporaries like Jackson Pollock and Willem de Kooning were painting in the often gestural and painterly style of Abstract Expressionism. Freilicher remained loyal to representational subjects and the time-honored traditions of landscape and still-life painting. Characteristically, View Over Mecox depicts the view of an inlet near her studio in Water Mill, Long Island. Vivid colors and fluid brushwork link Freilicher with Abstract Expressionist Hans Hofmann, with whom she studied and whose work is on view nearby. [Summer 2015]", "Dedication" : "Gift of Lynne Lovejoy in memory of her husband, Dr. Frank Lovejoy, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/385", "Disp_Access_No" : "1957.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Fromkes", "Sort_Artist" : "Fromkes, Maurice", "Disp_Dimen" : "31 1/2 x 27 1/2 in. (80 x 69.9 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "From the collection of Mrs. Charles Wright Dodge, gift of her daughter, Mrs. Adrian Devine", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mrs. Adrian Devine died in 1956-- how did she give MAG a gift in 1957? Note that a cardboad backing in curatorial file for 57.45, another Fromkes from Devine, says "Louise Dodge Bequest." Mrs. Dodge died in 1953; her daughter, Mrs Devine, who is credited with this gift, died in 1956. Did she have lifetime interest in this work and 57.45 and they came to MAG at her death?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1652", "Disp_Access_No" : "1936.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Cats at the Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wanda Gag", "Sort_Artist" : "Gag, Wanda", "Disp_Dimen" : "8 9/16 x 7 1/2 in. (21.7 x 19 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13594", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1653", "Disp_Access_No" : "1975.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Ploughed Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wanda Gag", "Sort_Artist" : "Gag, Wanda", "Disp_Dimen" : "12 7/8 x 17 7/8 in. (32.7 x 45.4 cm)", "Disp_Height" : "12 7/8 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.113_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.113_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.113_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.113_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13595", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1655", "Disp_Access_No" : "1933.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "At the Sea Shore", "Alt_Title" : "Conversation; Sunbathers (no.1)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Ganso", "Sort_Artist" : "Ganso, Emil", "Disp_Dimen" : "11 1/2 x 15 9/16 in. (29.2 x 39.6 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12914", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/387", "Disp_Access_No" : "1923.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Russian Bridge, Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leon Gaspard", "Sort_Artist" : "Gaspard, Leon", "Disp_Dimen" : "17 x 22 in. (43.2 x 55.9 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12343", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8108", "Disp_Access_No" : "2000.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Lunar Movement", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andrea Gill", "Sort_Artist" : "Gill, Andrea", "Disp_Dimen" : "28 1/2 x 21 x 10 in. (72.4 x 53.3 x 25.4 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Earthenware, engobe and glaze", "Info_Page_Comm" : ""Lunar Movement is from a series I did in 1997-98," writes ceramist Andrea Gill, who teaches at the School of Art and Design at Alfred University. "My thoughts at the time were very much about dance, and the title refers to that, and perhaps to the Lunar Moth, in reference to the wings on the vase. I have been working for a long time on large vases covered with layers of color and pattern. It is a combination of my fascination with the vase as a form for exploration of volume, and my love of color, pattern and ceramic surfaces." Gill's visionary work advances the great tradition of pottery found in many ancient and modern cultures. [Gallery label text]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "What to call my work....earthenware, engobe and glaze. Engobe is a more correct term for what I usually call slip. Slip is a very generic term for any liquid clay...engobe (I think it is French) is the word used for slip that is used for surface decoration. Earthenware is clay that is not vitrified, and is fired to a lower temperature (about 1900 deg. F.) "Lunar Movement" is from a series I did in 1997-98. My thoughts at the time were very much about dance, and the title refers to that, and perhaps to the Lunar Moth, in reference to the wings on the vase. I have been working fora long time on large vases covered with layers of color and pattern. It is a combination of my fascination with the vase as a form for exploration of volume, and my love of color, pattern and ceramic surfaces. The work is made using slabs and press molds and is fired to about 1900 deg. F. (notes from an e-mail from Andrea Gill to curator Marjorie Searl, August 4, 2001", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15882", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1666, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1666", "Disp_Access_No" : "1980.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Middleboro", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "22 x 22 in. 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The most visible has been removed in the Access version; probably needs to be removed in the resized print inhouse version.", "View" : "" } , ] },{ "embark_ID" : 3650, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3650", "Disp_Access_No" : "1992.74", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Canal Barge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "4 3/8 x 15 1/16 in. 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(56 x 45.5 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Marie Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43998", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3649", "Disp_Access_No" : "1992.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Window Reflection", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "14 1/16 x 17 1/16 in. 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(24.8 x 42.5 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12394", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/413", "Disp_Access_No" : "1985.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Fragment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy S. Graves", "Sort_Artist" : "Graves, Nancy S.", "Disp_Dimen" : "64 x 76 in. (162.6 x 193 cm)", "Disp_Height" : "64 in.", "Disp_Width" : "76 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and crayon on canvas", "Info_Page_Comm" : "Nancy Graves worked in many media, including sculpture, printmaking, film, and painting. This fact may be one reason why this important and influential artist is not as well known today as she might otherwise be. Graves’ work is so varied in subject and material that it can be difficult to grasp the totality of her accomplishment. For paintings like this from the late 1970s, the artist found inspiration in topographical maps, including of the ocean floor, lunar photographs, fossil records, and other records of the natural world to create ebullient, whimsical, and layered abstract paintings. [Summer 2015]", "Dedication" : "Gift of Sharon and Neil Norry; and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1689, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1689", "Disp_Access_No" : "1973.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "VI Maskeyne Da Region of the Moon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy S. Graves", "Sort_Artist" : "Graves, Nancy S.", "Disp_Dimen" : "22 5/16 x 29 3/4 in. (56.7 x 75.6 cm)", "Disp_Height" : "22 5/16 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1694", "Disp_Access_No" : "1997.9", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Carnival in Kripplebush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marion Greenwood", "Sort_Artist" : "Greenwood, Marion", "Disp_Dimen" : "12 1/16 x 15 7/8 in. (30.7 x 40.4 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 71, no.601", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12956", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1696, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1696", "Disp_Access_No" : "1980.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Summer Letters III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy D. 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He has had the posts made of silver, the bottom of gold, the covering of it purple; the midst thereof being paved with love For the daughters of Jerusalem.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4026", "Disp_Access_No" : "1997.29.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Let him kiss me with the kisses of his mouth (I:2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. 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Why will ye look upon the Shulammite, as upon the dance of Mahanaim?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16220", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4025", "Disp_Access_No" : "1997.29.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - The Song of Songs, which is Solomon's (I:1)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. 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(VI:8-10)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "VI:8-10 There are sixty queens and eighty concubines (and virgins without number). My dove is my only one, perfect and mine. She is the darling of her mother, the favorite of the one who bore her. The daughters have seen her and proclaimed her blessed, Queens and concubines have sung her praises, ''Who is this arising like the dawn, fair as the moon, resplendent as the sun, formidable as an army?''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. 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The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. 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(38.6 x 33.8 cm)", "Disp_Height" : "15 3/16 in.", "Disp_Width" : "13 5/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/435", "Disp_Access_No" : "1965.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Waterfall, Morse Pond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "22 x 28 in. (55.9 x 71.1 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "academy board", "Disp_Medium" : "Oil on academy board", "Info_Page_Comm" : "With the introduction of modernism, landscapes painted by American artists become deeply personal exercises. Unlike the emphasis on panoramic vistas in the 19th century, modernist artists allow their personal connection and response to a waterfall or a tree become the main subject of their painting. This waterfall in the Maine woods would have held particular interest for Marsden Hartley, who felt a spiritual connection to Maine and its natural resources. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Margie MacDougal, the author for the Hartley painting for the American catalog took this photograph on November 4, 2002.", "View" : "" } , ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1963.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)", "Disp_Height" : "48 3/16 in.", "Disp_Width" : "148 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector. Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley. Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers. MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. Her father was David Robinson, who was born in England and was in the Air Service. Her email address is nvongimbut@yahoo.com", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/963", "Disp_Access_No" : "1975.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Go", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Duayne Hatchett", "Sort_Artist" : "Hatchett, Duayne", "Disp_Dimen" : "96 x 111 x 84 in. (243.8 x 281.9 x 213.4 cm)", "Disp_Height" : "96 in.", "Disp_Width" : "111 in.", "Dimen_Extent" : "", "Medium" : "Aluminum plate and Plexiglas", "Support" : "", "Disp_Medium" : "Aluminum plate and Plexiglas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund and Gift of the Artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15789", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3660, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3660", "Disp_Access_No" : "1943.38", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Old Brittany Church", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George M. Haushalter", "Sort_Artist" : "Haushalter, George M.", "Disp_Dimen" : "12 x 10 1/8 in. (30.5 x 25.7 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16284", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3661, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3661", "Disp_Access_No" : "1943.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spring in Spain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George M. Haushalter", "Sort_Artist" : "Haushalter, George M.", "Disp_Dimen" : "12 5/16 x 10 3/8 in. (31.2 x 26.4 cm)", "Disp_Height" : "12 5/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with watercolor and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James Sibley Watson", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16285", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1774, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1774", "Disp_Access_No" : "1995.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Two", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anne Havens", "Sort_Artist" : "Havens, Anne", "Disp_Dimen" : "7 5/16 x 9 15/16 in. (18.5 x 25.2 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1995 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13600", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1782", "Disp_Access_No" : "1997.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1950-1951", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1951", "Disp_Title" : "Cardinal and Juncos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Dexter Havens", "Sort_Artist" : "Havens, James Dexter", "Disp_Dimen" : "4 3/8 x 4 1/2 in. (11.1 x 11.4 cm)", "Disp_Height" : "4 3/8 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John McKinney", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.166_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.166_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.166_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.166_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15881", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1784, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1784", "Disp_Access_No" : "1997.168", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Pierrot", "Alt_Title" : "(french for sparrow)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Dexter Havens", "Sort_Artist" : "Havens, James Dexter", "Disp_Dimen" : "10 1/2 x 9 11/16 in. (26.7 x 24.6 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Color wood engraving", "Info_Page_Comm" : "James Dexter Havens American, 1900 – 1960 Pierrot (Sparrow), 1936 Color wood engraving Gift of Mrs. John McKinney, 97.168 A Rochester native, Havens is considered part of the color woodblock revival of the early 20th century. Self- taught as a printmaker, he specialized in woodcuts and wood engravings, but he also painted. His design for the logo of the Print Club of Rochester, which he helped found, remains in use to this day. Color wood engraving is a relief technique. A design is cut with sharp wood gouges on end-grain wood. The raised uncut surface is inked with a brayer. Paper is laid on it and the ink is transferred by burnishing with a hard surfaced tool, such as a baren or spoon. Multiple blocks are created for each separate color. In order to economize, some colors are intentionally printed together to create a third color. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. 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Although a member of the National Academy of Design, Henri actively promoted non-juried exhibitions and the work of younger, less traditional artists. Dictums such as "Know what the old masters did…They made their language. You make yours. All the past can help you" gave his followers the confidence to paint in their own way. During the 1920s, Henri lived in Ireland and painted a young boy named Tom Cafferty, who was the subject of this painting and a number of others. Characteristically, Henri painted him in a very loose and colorful style, with energetic brush strokes. [Gallery label text, 2003]", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See May 2010 article in Apollo magazine about the McGlothlin collection in Florida, promised to the Virginia Musuem of Fine Arts; they own another version of this portrait which is titled "Listening Boy." 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The family was honored by the naming of the Herdle Fountain Court on the second floor of the Gallery. [Gallery label text, 2007]", "Dedication" : "Gift of Gertrude Herdle Moore and Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38897", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/exhibitview1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/exhibitview1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/exhibitview1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/exhibitview1.tif", "IsPrimary" : "0", "_SurrogateID" : "47757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4174", "Disp_Access_No" : "2000.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Entry Gate Creek", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Higby", "Sort_Artist" : "Higby, Wayne", "Disp_Dimen" : "7 7/8 x 9 x 2 1/4 in. 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Piccone", "Dedication" : "Gift in honor of Carolyn Friedlander from her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Invoice notes this was made in the artist''s studio in Alfred Station, NY", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12340", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4175", "Disp_Access_No" : "2000.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Turquoise Bay Winter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Higby", "Sort_Artist" : "Higby, Wayne", "Disp_Dimen" : "9 1/2 x 14 x 17 in. 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(36.8 x 25.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "Reproduction. For the original, see 97.41. Title listed on www.hiroshige.org.uk as "Tsukuda Island from Eitai Bridge" but could not be determined how authoritative the information is", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14267", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4770, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4770", "Disp_Access_No" : "1982.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Félicité Sleeping, with Parrot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Hockney", "Sort_Artist" : "Hockney, David", "Disp_Dimen" : "14 7/8 x 16 3/4 in. 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Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15899", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/888", "Disp_Access_No" : "1997.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Sedona Storm Clouds I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Donald Holden", "Sort_Artist" : "Holden, Donald", "Disp_Dimen" : "7 1/2 x 11 5/16 in. (19.1 x 28.7 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "image", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on cold-press watercolor paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Oxford Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/458", "Disp_Access_No" : "1973.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Landscape with Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Henry Howe", "Sort_Artist" : "Howe, William Henry", "Disp_Dimen" : "15 x 22 in. (38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.147_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.147_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.147_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.147_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/466", "Disp_Access_No" : "1957.19", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Anemones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "11 1/2 x 15 1/2 in. (29.2 x 39.4 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Lending Library Purchase Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "File says this was purchased with Gould Fund, not Lending Library Purchase Fund-- which is correct?", "Images": [ ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. 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McDonald", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/968", "Disp_Access_No" : "1938.3", "_AccNumSort1" : "", "Disp_Create_DT" : "before 3/10/23", "_Disp_Start_Dat" : "2/8/2023", "_Disp_End_Date" : "3/9/2023", "Disp_Title" : "Monkey and Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "5 1/2 x 3 3/4 in. (14 x 9.5 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40233", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1885, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1885", "Disp_Access_No" : "1935.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Gardenia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victoria Hutson Huntley", "Sort_Artist" : "Huntley, Victoria Hutson", "Disp_Dimen" : "10 1/2 x 8 7/8 in. 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(27.3 x 21.9 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Hand-colored mezzotint", "Info_Page_Comm" : "", "Dedication" : "1996 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "10616", "Rel_Obj_Title" : "Dreamy" } ], "Curator" : "This edition is comprised of two different prints.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.15b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.15b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.15b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.15b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16274", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10616, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10616", "Disp_Access_No" : "2002.15a", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Dreamy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sun-Young Hwang", "Sort_Artist" : "Hwang, Sun-Young", "Disp_Dimen" : "12 3/8 x 8 3/8 in. (31.4 x 21.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Hand-colored mezzotint", "Info_Page_Comm" : "", "Dedication" : "1996 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "10615", "Rel_Obj_Title" : "Allurement" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.15a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.15a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.15a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.15a_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1893", "Disp_Access_No" : "1975.335.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Eternal Hexagon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "[Gallery label text 2013] Born Robert Clark, Indiana took the name of his home state to emphasize that his essential subject was American visual culture. He describes himself as a “sign painter.” External Hexagon is one of Indiana’s many precise geometric forms based on numbers. The hexagon, a flat shape with six sides and six angles, is a fundamental organizing structure in nature, and an important symbol in many religions. In the hands of a pop artist who is engaged in commercial graphics, this reference to eternity is ironic. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12744", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1894", "Disp_Access_No" : "1993.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "32 x 23 15/16 in. (81.3 x 60.8 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "23 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Gallery label text 2013: In 1964, Mr. Indiana designed the ''Love'' graphic for a Christmas card for the Museum of Modern Art. The logo took off, and in May 1966 he had a show of variations on the theme at the Stable Gallery in Manhattan. The graphic became central to the 1960's visual vocabulary, appearing on clothes, jewelry, towels and rugs. The 1973 postage stamp with the logo was one of the best-selling stamps ever, the first of the US Postal Service regular series of “love stamps.” Mr. Indiana said he received only $1,000 for the design. (He had failed to copyright the logo, and so did not profit as it appeared on countless coffee cups and T-shirts.) The logo did not endear Mr. Indiana to the art establishment, and his star faded in inverse proportion to the success of ''Love.'' ", "Dedication" : "Transfer from the Education Collection", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Education Department''s School Loan materials. Original source unknown.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12709", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4798", "Disp_Access_No" : "1971.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1910-1914", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1914", "Disp_Title" : "Veranda Post", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Olowe of Ise", "Sort_Artist" : "Ise, Olowe of", "Disp_Dimen" : "56 x 132 x 10 in. (142.2 x 335.3 x 25.4 cm)", "Disp_Height" : "56 in.", "Disp_Width" : "132 in.", "Dimen_Extent" : "maximum", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "A royal wife stands with her hands resting on the heads of her twin daughters who hold their breasts in a Yoruba gesture of greeting, devotion and humility. This post was carved to decorate a courtyard veranda in the palace of the Ogoga of Ikere, one of the kings of Yorubaland. The courtyard served as an official area where the king received important visitors and conducted affairs of state. It was important that he show off his wealth, power and sophistication in this space. This veranda post was carved by one of the most renowned sculptors in Africa, Olowe of Ise. His sculptures were so beautiful that some people believed Olowe harnessed the power of spirits who carved for him. Elaborate hairstyles and scarification patterns (look at the royal wife’s back) demonstrate Olowe’s technical mastery and reflect Yoruba standards of beauty. Traces of layered pigments indicate that these were once brightly painted and regularly refurbished. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Nigerian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The piece was still in situ until at least 1964 (see photo in situ in 1998 "Olowe of Ise" exhibition brochure in curatorial file).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.13_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.13_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.13_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.13_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "38870", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency and background masked out by Andy Olenick.", "View" : "" } , ] },{ "embark_ID" : 5212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5212", "Disp_Access_No" : "1981.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "In a Happy Mood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexei von Jawlensky", "Sort_Artist" : "Jawlensky, Alexei von", "Disp_Dimen" : "11 1/2 x 11 in. (29.2 x 27.9 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Arthur L. and Molly S. Stern", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14521", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4013", "Disp_Access_No" : "1999.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Winter Dance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "G. Peter Jemison", "Sort_Artist" : "Jemison, G. Peter", "Disp_Dimen" : "14 x 12 3/4 in. (35.6 x 32.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "1998 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.7_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1911, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1911", "Disp_Access_No" : "1975.334.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 7/8 x 20 in. (60.6 x 50.8 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York.", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12743", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/969", "Disp_Access_No" : "1978.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 13/16 x 19 15/16 in. (60.5 x 50.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "acetate", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.90_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3992", "Disp_Access_No" : "1999.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "29 1/2 x 17 3/4 in. (74.9 x 45.1 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color etching with spit bite aquatint, sugar lift, soft ground, and drypoint", "Info_Page_Comm" : "Dorothee Schwartz, in whose memory this print was given, was one of MAG’s most dedicated patrons. A 1930 graduate of the University of Rochester, she no doubt began her relationship with MAG as an undergraduate on the Prince Street campus. Her connoisseur’s spirit was evident in the home she designed with architect James Johnson and which she furnished with work by School for American Crafts artists. When she died in 2000, her family and friends wished to commemorate her long relationship with MAG with an acquisition that Dorothee would have found visually engaging and challenging. This complex print by Jasper Johns is part of his Catenary series, a group of works that are unified by the catenary, a curved form created when a string or chain is suspended at both ends. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Given in memory of Dorothee Schwartz by her family and friends, and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The print is signed ''99, but the exhibition catalog "Jasper Johns: New Painting and Works on Paper," claims the print was actually made in 1998.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12556", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1912", "Disp_Access_No" : "1973.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.111_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.111_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.111_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.111_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6336", "Disp_Access_No" : "1976.112", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Miss America", "Alt_Title" : "Sweet Doll Mis America", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allen Jones", "Sort_Artist" : "Jones, Allen", "Disp_Dimen" : "23 15/16 x 20 in. (60.8 x 50.8 cm)", "Disp_Height" : "23 15/16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From the portfolio "Eleven Pop Artists, Volume III"", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12710", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/973", "Disp_Access_No" : "1996.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Emergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Jurs", "Sort_Artist" : "Jurs, Nancy", "Disp_Dimen" : "88 x 30 x 24 in. (223.5 x 76.2 x 61 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Robert D. Hursh", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.9.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.9.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.9.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.9.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/493", "Disp_Access_No" : "1985.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Evening Glow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wolf Kahn", "Sort_Artist" : "Kahn, Wolf", "Disp_Dimen" : "52 1/4 x 76 1/4 in. (132.7 x 193.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "76 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Julius G. Kayser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN>From e-mail sent by Lyn Kaiser to Jonathan Binstock upon reinstallation of the piece at MAG in May 2018: "<SPAN STYLE="font-size:10pt">Nice to know that Wolf is represented on the walls of MAG again.  He was/is a good friend of the Gallery.. My sister, Lennie Strasenburgh, spent studio time in Vermont with him for a few summers and they enjoyed a friendship.  <BR/>I think the piece is entitled Evening Glow and had there been a light with a reostat ? reistat?  on it , it would actually glow when the light was activated.    <BR/>I am not an advocate of keeping art that is no longer of importance to a museum and had in the past let Peter know that if it was determined that Kahn fit that category, that the art committee should take the money and run...<BR/>Of interest, the committee advised the Board of it''s intention to buy the piece on the occasion of my last meeting as Board Pres... I loved it and thought it an appropriate departure gift and handed a note of my covering the expense to Peter? Betsey? the person making the committee''s accession known. I was always happy that it was their choice and not mine.<BR/>You must know that Mickey Sands has some of Wolf''s work in her collection.</SPAN>"</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6834", "Disp_Access_No" : "1976.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Pentagon (Fünfeck)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vasily Kandinsky", "Sort_Artist" : "Kandinsky, Vasily", "Disp_Dimen" : "11 1/16 x 9 1/16 in. (28.1 x 23.1 cm)", "Disp_Height" : "11 1/16 in.", "Disp_Width" : "9 1/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.145_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.145_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.145_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.145_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39126", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 495, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/495", "Disp_Access_No" : "1974.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Landscape with Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "36 x 42 in. (91.4 x 106.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3862", "Disp_Access_No" : "1995.62.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada in Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "26 x 36 1/16 in. (66 x 91.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "36 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3868", "Disp_Access_No" : "1995.62.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "White Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 25 1/2 in. (91.4 x 64.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1978 painting by Katz. This is a portrait of the artist's wife, Ada. Like many artists before him, Alex Katz found his wife a convenient model. Having painted her face more than a hundred times, it has become an aesthetic thread woven throughout his body of work. Katz described Ada as "very malleable…a pretty girl cased in different roles." In fact, we see her throughout Katz's career as she gracefully ages from the time of their marriage in 1958 up to the current day. Despite Katz's assertion that he is interested in divesting his images of meaning, it is hard for the viewer to avoid searching for emotional content in Katz's repeated portraits of himself and his wife. In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3861", "Disp_Access_No" : "1995.62.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Orange Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "17 15/16 x 36 1/8 in. (45.6 x 91.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "36 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1988 painting by Katz. Alex Katz's artistic vision has revised what representational art looks like in the modern world. His portraits, carefully edited of extraneous detail, flattened, cropped, and blown-up to a grand scale, combine characteristics of realism and abstraction in a way that recalls the visual language and scale of advertising billboards and movies. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3866", "Disp_Access_No" : "1995.62.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada with Sun Glasses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 24 3/16 in. (91.4 x 61.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. (91.4 x 73 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1986 painting by Katz. Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work. Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4617", "Disp_Access_No" : "1998.114", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Double Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "9 15/16 x 12 3/16 in. (25.2 x 31 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "12 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This lithograph is representative of Katz's continual use of his wife Ada as a subject. One of his first multiple portraits, this composition of two Adas was reworked by Katz several times in paint, print, and cutout. [Gallery label text, 2005]", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.114_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12900", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1995.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Grey Ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "27 1/2 x 36 in. 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(92.1 x 61 cm)", "Disp_Height" : "36 1/4 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.54_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.54_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.54_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.54_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1901", "Disp_Access_No" : "1997.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Einstein", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mohammad Omer Khalil", "Sort_Artist" : "Khalil, Mohammad Omer", "Disp_Dimen" : "18 1/8 x 14 11/16 in. (46 x 37.3 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "14 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color etching", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2938", "Disp_Access_No" : "1993.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Trapezoidal Vase", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Kipp", "Sort_Artist" : "Kipp, Karl", "Disp_Dimen" : "6 7/8 x 2 1/2 x 2 5/8 in. (17.5 x 6.4 x 6.7 cm)", "Disp_Height" : "6 7/8 in.", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper and German silver", "Info_Page_Comm" : "Karl Kipp worked in the Roycroft community, first in the bookbindery and then in the copper shop. By 1910, he was head of the copper shop. The design of this vase was heavily influenced by the Wiener Werkstette style - simple shape, minimal design, and geometric patterning. The Roycroft "R" is incorporated into the applied silver motif on the front of the vase. 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(20.3 x 16.5 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16334", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3578", "Disp_Access_No" : "1973.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Samugai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stephanie Kirschen-Cole", "Sort_Artist" : "Kirschen-Cole, Stephanie", "Disp_Dimen" : "9 1/4 x 5 3/4 in. (23.5 x 14.6 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16331", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4130", "Disp_Access_No" : "1957.37", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Fairy Tales (Märchen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Klee", "Sort_Artist" : "Klee, Paul", "Disp_Dimen" : "8 1/2 x 10 1/4 in. (21.6 x 26 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12402", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1952", "Disp_Access_No" : "1975.233", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Mother and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clara Klinghoffer", "Sort_Artist" : "Klinghoffer, Clara", "Disp_Dimen" : "16 3/4 x 12 7/16 in. (42.5 x 31.6 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.178 , no.1608", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.233_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.233_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.233_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.233_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37957", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 505, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/505", "Disp_Access_No" : "1956.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "Lilacs and Books", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Karl Knaths seldom left his home in Provincetown, where he primarily painted familiar Cape Cod scenes: the rambling lilac bushes that overtake the island in the summer months and the local fishermen and their gear. The 1956 exhibition from which the Gallery purchased Lilacs and Books received a glowing review in the New York Times that predicted, “Knaths’ work may well be part of the work of our time that is likely to endure.” Despite his popularity in the 1950s, his lyrical style was eclipsed in the annals of history by the muscular, dripping abstractions of Jackson Pollock and other Abstract Expressionists. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 3880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3880", "Disp_Access_No" : "1999.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "John Ashbery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elaine de Kooning", "Sort_Artist" : "Kooning, Elaine de", "Disp_Dimen" : "34 x 30 in. (86.4 x 76.2 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The poet John Ashbery and the painter Elaine de Kooning were both members of a group of innovative New York artists that included Jackson Pollock, Mark Rothko, and de Kooning’s husband Willem. Like those of her contemporaries, de Kooning’s aesthetic interests had shifted from traditional representational styles toward the radically new artistic development of Abstract Expressionism. However, the human—and particularly the male—figure still intrigued her; during the 1970s she painted several portraits of friends, including this one of Ashbery. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/986", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11). [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "39595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Watson, in MAG Archives Hist Box 5 File 3 Item 1. Photo by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in archives, Medium Box 31 Item 5D. Photo may be by Dr. James Sibley Watson, Jr.", "View" : "" } , ] },{ "embark_ID" : 3176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3176", "Disp_Access_No" : "1951.333", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1929", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1929", "Disp_Title" : "Female Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 7 1/16 in. (26 x 18 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "7 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.333_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.333_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.333_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.333_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/982", "Disp_Access_No" : "1967.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Portrait Statuette of Mrs. J. Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century. The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Photo of plaster version of this figure is held at Beinecke Library, Yale University. See disk in curatorial file. Virginia Budny notes that this work is referenced in Lachaise''s unpublished typescript for his photo album: "No. 81, Portrait statuette of Mrs. J. Sibley Watson Jr. 1924; Two bronze copies bought by Mrs. Watson, one to be delivered. [annotation in pen by Lachaise: plaster model studio.]"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_R1.png", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_R1.png", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_R1.png", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_R1.png", "IsPrimary" : "0", "_SurrogateID" : "53396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Gift of Anastasia Watson. Original in Archives, Hist Box 5 File 3 Item 3. Photo is by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25584", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 11/1/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Gaston Lachaise with life-sized and reduced models for the sculpture, scanned from photo in photo album of Anastasia Watson 2/17/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in MAG Archives Hist Box 5 File 3, Item 1", "View" : "" } , ] },{ "embark_ID" : 3184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3184", "Disp_Access_No" : "1982.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Sketch for "Fountain Figure"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 3/8 x 3 5/8 in. (23.8 x 9.2 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "980", "Rel_Obj_Title" : "Fountain Figure" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12985", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3175", "Disp_Access_No" : "1951.332", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Standing Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "18 3/4 x 11 15/16 in. (47.7 x 30.3 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "11 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.332_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.332_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.332_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.332_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27807", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/981", "Disp_Access_No" : "1964.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Woman", "Alt_Title" : "Pudeur", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons. [Gallery label text, 2005]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36929", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3185", "Disp_Access_No" : "1997.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Untitled (female nude)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "23 5/8 x 18 3/16 in. (60 x 46.2 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "18 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3186", "Disp_Access_No" : "1997.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Untitled (male nude)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "19 7/8 x 14 1/2 in. (50.5 x 36.8 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Michael L. 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(76.2 x 61 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "plastic", "Disp_Medium" : "Collaged mylar and serigraph", "Info_Page_Comm" : "From the portfolio "Eleven Pop Artists, Volume III"", "Dedication" : "Gift of Mr. and Mrs. Daniel G. 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(28.3 x 20.3 cm)", "Disp_Height" : "11 1/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3190", "Disp_Access_No" : "1946.53", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Market", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "15 1/2 x 11 in. 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(29.2 x 27 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3187", "Disp_Access_No" : "1946.7", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tarascan Children", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "16 x 8 3/4 in. (40.6 x 22.2 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3193", "Disp_Access_No" : "1979.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "11 x 8 in. 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(25.7 x 37.1 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "14 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite with pen and black ink on wove paper", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14784", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1978", "Disp_Access_No" : "1972.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Snow in Summer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dorothy Lathrop", "Sort_Artist" : "Lathrop, Dorothy", "Disp_Dimen" : "9 1/4 x 6 15/16 in. (23.5 x 17.6 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "6 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "1968 Presentation Print of the Print Club of Rochester", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.89_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.89_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.89_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.89_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34518", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9395", "Disp_Access_No" : "1951.90", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Nightfall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alice D. Laughlin", "Sort_Artist" : "Laughlin, Alice D.", "Disp_Dimen" : "3 5/8 x 4 7/16 in. (9.2 x 11.3 cm)", "Disp_Height" : "3 5/8 in.", "Disp_Width" : "4 7/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Emily Sibley Watson''s ledger from 11/13/1927 shows a payment of $65 to the artist.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.90_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9394, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9394", "Disp_Access_No" : "1951.91", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "The Vanishing Road", "Alt_Title" : "Dark Poplars", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alice D. Laughlin", "Sort_Artist" : "Laughlin, Alice D.", "Disp_Dimen" : "4 7/8 x 5 5/8 in. (12.4 x 14.3 cm)", "Disp_Height" : "4 7/8 in.", "Disp_Width" : "5 5/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Emily Sibley Watson''s ledger from 11/13/1927 shows a payment of $65 to the artist.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.91_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.91_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.91_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.91_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/521", "Disp_Access_No" : "1974.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1954", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1959", "Disp_Title" : "Gamblers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "9 x 12 in. (22.9 x 30.5 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Compare the ominous and somber mood of Jacob Lawrence’s Gamblers with the upbeat and optimistic flavor of his painting Summer Street Scene in Harlem (MAG collection). The still and formal arrangement of figures and cards in Gamblers, the delicate floral vine that arches across the canvas, and the casket or tombstone forms behind the standing men create a scene that is very nearly funereal, perhaps suggesting the idea that life (and death) is a game of chance. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/523", "Disp_Access_No" : "1951.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Lawson", "Sort_Artist" : "Lawson, Ernest", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While many early twentieth century American paintings celebrated buildings, bridges and the hustle and bustle of the city, tranquil subjects, including Ashcan artist Ernest Lawson’s Garden, filled canvases as well. In documenting a formal garden owned by H.H. Rogers in exclusive Tuxedo Park, New York, Lawson chose rich and vivid colors that evoked the warmth and languor of a summer interlude. The view of the charming teahouse, complete with sculpture, suggests afternoons filled with genteel conversation and desultory reading, or spent drifting off to the sound of lapping water, far removed from the clamor of Lie’s nearby Brooklyn Bridge or Sloan’s Election Night. [Gallery label text, 2007] Ernest Lawson moved to New York in 1898, and in 1908 he exhibited at Macbeth Gallery with The Eight. While this garden vista is an uncharacteristically intimate view by Lawson, it demonstrates his intense use of a color palette that was referred to as consisting of "crushed jewels." The painting was exhibited in 1916 at the Memorial Art Gallery, acquired from the exhibition by longtime MAG patrons, the Watsons, and generously donated to the Gallery in 1951. Long thought to be a Rochester garden, the subject was definitively identified by Deirdre Cunningham, the George Eastman House Nancy R. Turner landscape curator, as a garden in Tuxedo Park, New York. The current owners are in the process of restoring the garden, abandoned for many years, to its original beauty. [Gallery label text, 2003] ", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary view of H. H. Rogers garden", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44279", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4978", "Disp_Access_No" : "1946.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Moonlight: The Artist's House at Gerberoy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Eugène-Augustin Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri-Eugène-Augustin", "Disp_Dimen" : "25 1/4 x 32 in. (64.1 x 81.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "About the time this work was painted, Le Sidaner's art was compared by a French critic with the music of his countryman and exact contemporary Claude Debussy. The painting's subtle, almost monochromatic coloring, with daubing brushstrokes creating a soft, flickering play of light over surfaces, is certain reminiscent of Debussy's dappled tonal effects. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. William R. Taylor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonné (Yann Farinaux-Le Sidaner, 1989) says this painting was made in 1903; but 1974 Musée de la Ville de Dunkerque catalogue indicates artist didn''t buy this cottage until 1904.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5214", "Disp_Access_No" : "1946.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Footed Goblet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fernand Léger", "Sort_Artist" : "Léger, Fernand", "Disp_Dimen" : "25 1/4 x 18 in. (64.1 x 45.7 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15702", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1987", "Disp_Access_No" : "1929.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Cavtat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clare Leighton", "Sort_Artist" : "Leighton, Clare", "Disp_Dimen" : "10 7/16 x 15 3/16 in. (26.5 x 38.5 cm)", "Disp_Height" : "10 7/16 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "One of the picturesque views seen by Clare Leighton on her trip through Croatia in the 1920s was this panorama of the peninsula of Cavtat, on the Adriatic Sea. [Gallery label text]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9006", "Disp_Access_No" : "1991.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Auschwitz Warns", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aleksandr Lemberskiy", "Sort_Artist" : "Lemberskiy, Aleksandr", "Disp_Dimen" : "40 1/4 x 29 in. (102.2 x 73.7 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39412", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9007", "Disp_Access_No" : "1991.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Auschwitz Warns: Mona Lisa", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aleksandr Lemberskiy", "Sort_Artist" : "Lemberskiy, Aleksandr", "Disp_Dimen" : "37 x 27 in. (94 x 68.6 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "By the early 1970s, artists in the Soviet Union were creating work reflecting the influence of Pop Art. Vitaly Komar and Alexander Melamid, the fathers of the Soviet offspring of Pop Art, called their new movement "Sots Art." Rather than creating images of Campbell Soup cans and other consumer goods used by their American counterparts, Sots artists appropriated official slogans and images from the political propaganda that confronted them daily. Their new art was often critical of Communism and Fascism, and in the 80s and early 90s, many artists, including Lemberskiy, found it necessary to emigrate to America. Lemberskiy discusses his juxtaposition of images in this poster in the following passage: "Leonardo Da Vinci's "La Gioconda" ["Mona Lisa"] is an image of a woman of the 16th century, noble and convincing. For us she is a symbol executed by a great master. Next to her, the Mona Lisa of the 20th century, just as noble and convincing, has retained her traits in the face of animal-like Fascists who have made her undress and in a few minutes will send her to the gas chamber. Millions of "Giocondas" of the 20th century endured the hardships, suffering, and gas chambers [of the Holocaust]. Teir last path is portrayed through the rhythms and repetitions of one face. In comparing the two characters, one can confidently say that the "new" Mona Lisa is just as magnificent despite the fact that she is not drawn by the great Leonardo. With their similarities, they [both] portray the spirit of their time."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1990", "Disp_Access_No" : "1989.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Wild Weather (for Mary Jemison)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Susan Huggins Leopard", "Sort_Artist" : "Leopard, Susan Huggins", "Disp_Dimen" : "12 3/16 x 9 13/16 in. (31 x 25 cm)", "Disp_Height" : "12 3/16 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9498, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9498", "Disp_Access_No" : "1977.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "The Location of a Blue Parallelogram, a Black Circle, a Red Triangle... ", "Alt_Title" : "", "Obj_Title" : "The Location of a Blue Parallelogram, a Black Circle, a Red Triangle and a Yellow Square", "Series_Title" : "", "Disp_Maker_1" : "Sol Lewitt", "Sort_Artist" : "Lewitt, Sol", "Disp_Dimen" : "18 1/16 x 17 15/16 in. (45.8 x 45.5 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite and colored ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council and the National Endowment for the Arts", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27830", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2004", "Disp_Access_No" : "1975.239", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "CRAK!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "28 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. Runs: Red, yellow, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.239_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.239_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.239_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.239_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2005, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2005", "Disp_Access_No" : "1975.240", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Crying Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "18 x 24 in. (45.7 x 61 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Offset lithograph: yellow, red, black Produced for the same Leo Castelli Gallery exhibition as "CRAK!," September 28-October 24, 1963", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.240_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.240_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.240_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.240_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12747", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2016", "Disp_Access_No" : "1975.334.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Fish and Sky", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "23 3/4 x 20 in. (60.3 x 50.8 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "board", "Disp_Medium" : "Serigraph on silver gelatin photographic print on 3-d lenticular offset litho", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York.", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Collage - silver gelatin photographic print Serigraph - white, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12746", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2006", "Disp_Access_No" : "1975.241", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Foot and Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "17 1/4 x 21 1/2 in. (43.8 x 54.6 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Yellow, red, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.241_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.241_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.241_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.241_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2007", "Disp_Access_No" : "1975.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Foot Medication", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "22 15/16 x 16 15/16 in. (58.3 x 43 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "100 without text (signed and numbered); plus unknown number of posters with and without text (some posters without text were signed but not numbered).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.242_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.242_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.242_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.242_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12748", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3938", "Disp_Access_No" : "1999.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Haystack #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 11/16 x 30 5/8 in. (52.5 x 77.8 cm)", "Disp_Height" : "20 11/16 in.", "Disp_Width" : "30 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "Gallery label text 2013: In the 1890s, Impressionist artist Claude Monet completed a series of paintings of haystacks. Monet built up his paint surfaces with rich, textured brushstrokes to capture the unique forms in different times of day and in different weather. Almost seventy-five years later, Roy Lichtenstein translated Monet’s haystacks into Pop art with his characteristic hard-edged dot pattern printed with a commercial silkscreen technique. As with Impressionist paintings, the viewer needs to step back from the Lichtenstein for the image to become fully coherent. ", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 3 colors, in 3 runs, from 2 aluminum plates and 1 screen: Lithograph - red, black Serigraph - white The complete set, of which this is one image, comprised six lithographs and one relief print. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.43_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2003", "Disp_Access_No" : "1973.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Mirror #4", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "28 x 28 in. (71.1 x 71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Line-cut and serigraph with embossing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 4 colors, in 5 runs, from 1 screen, 3 plastic and 1 zinc plate: Serigraph printed margin - off-white Line-cut, from plastic - red, yellow Line-cut, from zinc - black Embossing, from plastic", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12803", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2017", "Disp_Access_No" : "1975.335.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Sandwich & Soda", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "plastic", "Disp_Medium" : "Serigraph on clear plastic", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Serigraph - red, blue", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12752", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2015", "Disp_Access_No" : "1975.329.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Seascape (I)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "16 5/8 x 21 7/8 in. 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The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." 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", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2008", "Disp_Access_No" : "1975.243", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Temple", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "23 3/4 x 17 3/4 in. 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Averell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12334", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. 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Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3196, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3196", "Disp_Access_No" : "1978.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Study for Reynolds Metals Award", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Seymour Lipton", "Sort_Artist" : "Lipton, Seymour", "Disp_Dimen" : "10 1/2 x 8 in. (26.7 x 20.3 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Conte crayon", "Support" : "paper", "Disp_Medium" : "Conte crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Canon and Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.143_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.143_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.143_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.143_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/938", "Disp_Access_No" : "1971.40", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Merry-Go-Round Goat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Looff", "Sort_Artist" : "Looff, Charles", "Disp_Dimen" : "72 1/4 in. (183.5 cm)", "Disp_Height" : "72 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "In the second half of the nineteenth century, with the rising popularity of resort communities on streetcar routes, carvers began to specialize in carousel and merry-go-round figures to populate the musical rides. Unfortunately, we don’t know the original location of MAG’s Goat. Based on the style of the carving of the saddle and bridle, it is likely that it was made by Charles Looff, whose company manufactured the first carousel at Coney Island. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2033", "Disp_Access_No" : "1931.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Brooklyn Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "15 7/8 x 11 3/8 in. (40.3 x 28.9 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Lozowick emphasized the Brooklyn Bridge’s verticality by his dramatic treatment of the cable lines. Also, in the juxtaposition of the human forms with the bridge’s monumental tower, the impact of its sheer mass is heightened. The Brooklyn Bridge opened on May 24, 1883, after thirteen tumultuous years of work to complete the plan originated by John Roebling. It fulfilled the prediction that he offered in his original proposal: "The contemplated work, when constructed in accordance with my design, will not only be the greatest bridge in existence, but it will be the great engineering work of the Continent and of the age. Its most conspicuous feature - the great towers - will serve as landmarks to the adjoining cities, and they will be entitled to be ranked as national monuments. As a great work of art, and a successful specimen of advanced bridge engineering, the structure will forever testify to the energy, enterprise, and wealth of that community which shall secure its erection." [Label text, 2003]", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2034", "Disp_Access_No" : "1933.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "City on a Rock—Cohoes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "11 1/2 x 15 15/16 in. (29.2 x 40.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Printer's ink on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/538", "Disp_Access_No" : "1974.103", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Boy with Dice", "Alt_Title" : "Shoeshine Boy", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "30 5/16 x 26 5/16 in. (77 x 66.8 cm)", "Disp_Height" : "30 5/16 in.", "Disp_Width" : "26 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting of a shoeshine boy is a part of a series Luks made of young boys who worked on the streets of New York. [Gallery label text, 2007 Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks, in honor of Harris K. Prior", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.103_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.103_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.103_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.103_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 872, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/872", "Disp_Access_No" : "1996.46", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Coachman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 3/16 x 7 7/8 in. (25.9 x 20 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/873", "Disp_Access_No" : "1996.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Woman at Table", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 1/8 x 7 11/16 in. (25.7 x 19.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2040", "Disp_Access_No" : "1981.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Chester Lyman, III", "Sort_Artist" : "Lyman, III, William Chester", "Disp_Dimen" : "21 15/16 x 21 7/8 in. (55.8 x 55.5 cm)", "Disp_Height" : "21 15/16 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1981 Patron Print Award, sponsored by Brophy, Dailey & Bonn and Goldstein, Goldman, Kessler & Underberg", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16270", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3711", "Disp_Access_No" : "1973.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joan Lyons", "Sort_Artist" : "Lyons, Joan", "Disp_Dimen" : "11 3/8 x 9 11/16 in. (28.9 x 24.6 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil and pastel on paper", "Info_Page_Comm" : "Joan Lyons founded the Visual Studies Workshop Press in Rochester in 1971 and she remains one of the nation’s most dedicated advocates of small edition artists’ books. A visual artist herself, she graduated from Alfred University. This colorful early drawing might be read as an aerial view of the landscape. It was donated by John Funt, an artist and the son of Candid Camera host Alan Funt. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of John Funt", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37956", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3713", "Disp_Access_No" : "1977.144", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Purple Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elmer L. Macrae", "Sort_Artist" : "Macrae, Elmer L.", "Disp_Dimen" : "30 1/16 x 20 in. (76.4 x 50.8 cm)", "Disp_Height" : "30 1/16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.144_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.144_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.144_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.144_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34480", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3202", "Disp_Access_No" : "1978.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Picnic [Foot]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rafael Mahdavi", "Sort_Artist" : "Mahdavi, Rafael", "Disp_Dimen" : "21 1/4 x 17 3/16 in. (54 x 43.7 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "17 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Mixed media", "Support" : "paper", "Disp_Medium" : "Mixed media on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.185_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.185_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.185_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.185_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27838", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3203", "Disp_Access_No" : "1978.186", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Picnic [Hand]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rafael Mahdavi", "Sort_Artist" : "Mahdavi, Rafael", "Disp_Dimen" : "21 1/4 x 17 3/16 in. (54 x 43.7 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "17 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Mixed media", "Support" : "paper", "Disp_Medium" : "Mixed media on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.186_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.186_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.186_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.186_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27839", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3205", "Disp_Access_No" : "1955.248", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Skull", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Don Manfredi", "Sort_Artist" : "Manfredi, Don", "Disp_Dimen" : "21 5/16 x 15 13/16 in. (54.2 x 40.2 cm)", "Disp_Height" : "21 5/16 in.", "Disp_Width" : "15 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "The year before Don Manfredi drew Skull, the New York Times singled him out in its review of an exhibition at the Weyhe Gallery: “The star here is young Don Manfredi, aged 16 . . . highly imaginative and very expert in his novel geometricizing, so to speak, of landscape.” Although he continued to paint and draw for the rest of his life, by the mid-1950s he was designing sets for Broadway productions as well. Those who met him after he arrived in Rochester in 1968 remember him as a conservator of paintings; MAG was among his clients. A few years before his death, Manfredi moved to the Italian Riviera, where he felt he would once again have time to pursue his own art. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.248_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.248_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.248_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.248_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27811", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/551", "Disp_Access_No" : "1960.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "The Assessor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Conrad Marca-Relli", "Sort_Artist" : "Marca-Relli, Conrad", "Disp_Dimen" : "54 x 46 in. (137.2 x 116.8 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3717", "Disp_Access_No" : "1951.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Marin Island, Small Point, Maine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "17 x 21 3/4 in. (43.2 x 55.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "Like Arthur G. Dove and Georgia O'Keeffe, John Marin aligned himself with the avant-garde circle surrounding Alfred Stieglitz. While Marin's favorite subjects were landscapes and seascapes, particularly Maine marines, he applied to them the modernist sensibilities that he absorbed from European masters like Cézanne, whose first one-man show was at Stieglitz's Gallery 291 in 1911. The island that Marin depicts here is one that he purchased in 1914 immediately after getting married. It is off the coast of Maine, near Portland. The Maine landscape drew Marin back throughout his life. A chief characteristic of twentieth century painting has been the practice of artists to transform subject with emotion, or as Marin's fellow painter Arthur Dove describes it, to pull the subject matter out and leave the sensation. Here, Marin sketches in the bare bones of his island but then folds it in as part of an all-over expression of action and energy, as if to suggest that the land mass is one with the wind and the waves. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3716, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3716", "Disp_Access_No" : "1925.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "Three Master", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "21 7/8 x 26 3/8 in. (55.5 x 67 cm)", "Disp_Height" : "21 7/8 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Slight landscape sketch in watercolor on verso. Previously collection of Philip L. Goodwin? Reproduced in 1935 book on Marin with that credit, although this watercolor was already in MAG''s collection by then.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12344", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5217", "Disp_Access_No" : "1958.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Small Rider (Piccolo Cavaliere)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "19 3/16 in. (48.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/553", "Disp_Access_No" : "1945.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Ice Cream Cones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "board", "Disp_Medium" : "Tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "1972.58", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "#9", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Diane Martin", "Sort_Artist" : "Martin, Diane", "Disp_Dimen" : "24 11/16 x 30 13/16 in. (62.7 x 78.3 cm)", "Disp_Height" : "24 11/16 in.", "Disp_Width" : "30 13/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/555", "Disp_Access_No" : "1936.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "On the Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "24 1/2 x 36 1/2 in. (62.2 x 92.7 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/597", "Disp_Access_No" : "1965.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Woman in a Cloak", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 42 in. (121.9 x 106.7 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition in relation to authority, personal relationships, and oneself. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and a dialogue will begin.” [Label text from It Came From the Vault exhibition, 2013] Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and dialogue will begin.” He currently lives and works in Rochester, New York. [Gallery Label Text, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2676", "Disp_Access_No" : "1997.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1997", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1997", "Disp_Title" : "Frozen Zero", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Concetta Mason", "Sort_Artist" : "Mason, Concetta", "Disp_Dimen" : "16 1/2 x 15 x 8 1/4 in. 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