{ "objects" : [ { "embark_ID" : 1143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1143", "Disp_Access_No" : "1992.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Doctor's Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carol Acquilano", "Sort_Artist" : "Acquilano, Carol", "Disp_Dimen" : "12 x 9 1/8 in. (30.5 x 23.2 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color linocut", "Info_Page_Comm" : "", "Dedication" : "1992 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1147", "Disp_Access_No" : "1975.150", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spatial Concept", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Ahlgren", "Sort_Artist" : "Ahlgren, Roy", "Disp_Dimen" : "17 x 16 3/4 in. (43.2 x 42.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "When you first approach this print by Roy Ahlgren, you might see a hallway covered in a brightly colored pattern. A closer look might reveal a more complex environment in which different flat surfaces meet in improbable ways. How does the artist use color and form to suggest this unreal space? Here, Ahlgren demonstrates how the human visual system prefers to interpret a complex shape as a regular shape perceived from a different angle or position. Look at the lower left corner of this print. Do you see a flat image of ovals and diamonds? Or a three-dimensional space where different flat surfaces, each covered in a pattern of circles and squares, meet? When you look at this image, you are most likely picking up on these spatial cues, and interpreting a complex three-dimensional space, rather than a flat image composed of different shapes. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.150_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.150_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.150_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.150_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1149", "Disp_Access_No" : "1975.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Day and Night VIII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "18 7/8 x 20 7/16 in. (47.9 x 51.9 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.151_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.151_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.151_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.151_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1150", "Disp_Access_No" : "1975.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "To Monte Alban", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "23 13/16 x 19 1/8 in. (60.5 x 48.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Zinc plate lithograph", "Info_Page_Comm" : "Focus on the two most prominent rectangles in the image. Which of these shapes seems to be closer to you? What architectural structures unfold before your eyes? Inspired by his travels to Latin American ruins in the 1930s and 1940s, Josef Albers’ print combines his streamlined Modern style of composition with inspirations from the ancient world. This particular print is an homage to the celebrated geometric pyramids of Monte Albán, which date back to around 300 BCE and are located in modern day Oaxaca, Mexico. Albers implies depth by surrounding the two central rectangles with a series of concentric lines, the arrangement mimicking the sloping sides of these grand architectural forms. In this image, Albers also creates an optical illusion that challenges our perception of spatial depth. Which of these rectangles appears to be the top of the pyramid? Does that change depending on where you look? [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.152_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.152_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.152_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.152_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45774", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1156", "Disp_Access_No" : "1970.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1969", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1974", "Disp_Title" : "Silver Moons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edna Wright Andrade", "Sort_Artist" : "Andrade, Edna Wright", "Disp_Dimen" : "29 x 29 in. (73.7 x 73.7 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Shape, color, and pattern all play a role in perceiving spatial depth in a two-dimensional image. When you look at this print by Victor Vasarely, do you see a layer of smaller green circles over a layer of larger blue circles, and on top of a green background? Or a blue gear-like shape on a green background with a semicircular border? If you see the former, you are inferring that there is a separate layer of green circles even though they are not clearly distinguished from the same green background. Why might you do this? The human visual system tends to prefer simple shapes over complex ones and regular patterns over irregularities, sometimes interpreting these preferences when evidence for them is inconclusive. In this case, your visual system completes the pattern set up by the smaller green circles that appear to sit on top of the larger blue circles. Your brain fills in the picture, creating a pattern where one might exist. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "MSearl added a creation date to the record on May 8, 2012, as Andrade''s painting, Cool Circuit, was made in 1969 and the print, Silver Moons, is clearly related to the painting: http://www.icaphila.org/exhibitions/past/andrade.php ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1163", "Disp_Access_No" : "1979.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Spectral Cadmium Suite, Plate #3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "28 x 28 in. (71.1 x 71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12845", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1162", "Disp_Access_No" : "1979.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Spectral Squares", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "26 x 26 in. (66 x 66 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Look closely at the center four squares at the center of this image. Does the yellowish color appear to be the same in all four squares, or is it different in each one? If you look closely, you might notice that all four squares feature the same yellow-orange color. However, what might make them appear different are the surrounding blue and green outlines, which are distinct in each square. Inspired by the teaching of Josef Albers, Spectral Squares is a lesson in color interaction, and how the perception of a single color can be affected by others adjacent to it. [Label copy from Seeing in Color and Black and White, 2018] Richard Anuszkiewicz is interested in what he calls “color systems” that he uses to create an environment; color is always the main concern in his work. Anuszkiewicz received his graduate degree from Yale in 1954, where he studied color interaction with Josef Albers. During this period, he also read and was influenced by Rudolph Arnheim's writings about art and psychology in Art and Visual Perception: A Psychology of the Creative Eye. Upon leaving school, he began to paint with complimentary colors of full intensity and observed their dynamic effect. He continued to explore the effects of combinations of colors, using simplified forms, mainly the square. He begins his paintings by choosing the colors very carefully under controlled lighting, calling the colors his “cast of characters” and then begins the painting. [Label Copy, Collection Connections - Psychedelic, installed September 15, 2010 Curated by Cynthia Culbert]", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.24_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12846", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1160", "Disp_Access_No" : "1970.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "18 1/16 x 15 in. (45.9 x 38.1 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From Spectral Cadmium Suite portfolio, 1968", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1164", "Disp_Access_No" : "1998.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Above and Beyond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jennifer Apetz", "Sort_Artist" : "Apetz, Jennifer", "Disp_Dimen" : "14 x 15 7/8 in. (35.6 x 40.3 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "1997 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1179", "Disp_Access_No" : "1975.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Beach Birds", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "10 3/8 x 14 5/16 in. 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(43 x 32 cm)", "Disp_Height" : "16 15/16 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color linocut", "Info_Page_Comm" : "", "Dedication" : "1991 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.106_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13308", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1185", "Disp_Access_No" : "1975.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Aesthetic Pleasure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peggy Bacon", "Sort_Artist" : "Bacon, Peggy", "Disp_Dimen" : "8 3/8 x 11 1/8 in. 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(60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1574", "Disp_Access_No" : "1978.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Tool Box VII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "23 3/4 x 18 3/4 in. (60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1578", "Disp_Access_No" : "1989.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Toothache", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Dreimiller", "Sort_Artist" : "Dreimiller, Mark", "Disp_Dimen" : "14 13/16 x 10 3/8 in. (37.7 x 26.4 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1579, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1579", "Disp_Access_No" : "1957.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Outcast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frannie Dressel", "Sort_Artist" : "Dressel, Frannie", "Disp_Dimen" : "13 13/16 in. (35.1 cm)", "Disp_Height" : "", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "linen", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per email correspondence with Michael Garlington from Northern Trust in Sarasota, Florida, I have indicated in the record that Frannie Dressel''s legal name is Elizabeth Frances Grolock. Marjorie Searl 4.18.08", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.57_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1587, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1587", "Disp_Access_No" : "1993.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Imagination's Gateway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth King Durand", "Sort_Artist" : "Durand, Elizabeth King", "Disp_Dimen" : "11 1/4 x 13 13/16 in. (28.5 x 35.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and embossing", "Info_Page_Comm" : "", "Dedication" : "1993 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. (31.8 x 45.7 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression. [Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4939", "Disp_Access_No" : "1999.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Yizhak Elyashiv", "Sort_Artist" : "Elyashiv, Yizhak", "Disp_Dimen" : "14 15/16 x 22 1/4 in. (38 x 56.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Monoprint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Israeli", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16223", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4619, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4619", "Disp_Access_No" : "1998.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Foot and Faces", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marisol", "Sort_Artist" : "Marisol", "Disp_Dimen" : "10 x 12 3/4 in. (25.4 x 32.4 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.121_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.121_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.121_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.121_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13613", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1607", "Disp_Access_No" : "1975.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The 3 Wise Men", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Barbara E. Evans", "Sort_Artist" : "Evans, Barbara E.", "Disp_Dimen" : "21 3/4 x 31 1/2 in. (55.2 x 80 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "6002", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1612", "Disp_Access_No" : "1993.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sylvia Farrer-Bornarth", "Sort_Artist" : "Farrer-Bornarth, Sylvia", "Disp_Dimen" : "20 3/8 x 26 3/8 in. (51.7 x 67 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. 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Your neck is the Tower of David built for an armory, hung round with a thousand bucklers, and each the shield of a hero. 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(53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "II:1-7 I am the rose of Sharon, the lily of the valleys. As the lily among thorns, So is my love among the daughters. As an apple tree among the trees of the wood, so is my love among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste. He brought me to the banqueting house, and his banner over me was love. Stay me with flagons, Comfort me with apples, for I am sick with love. His left arm is under my head, His right embraces me. I charge you, daughters of Jerusalem, by all gazelles and wild does, do not rouse, do not wake my beloved before she pleases.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16215", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4030", "Disp_Access_No" : "1997.29.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - I come into my garden, my sister, my spouse (V:1)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. 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I have washed my feet, am I to dirty them again? My love thrust his hand through the hole in the door; I trembled to the core of my being. Them I got up to open to my love, myrrh ran off my hands, pure myrrh off my fingers, on to the handle of the bolt.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16218", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4028", "Disp_Access_No" : "1997.29.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - King Solomon made himself a chariot..", "Alt_Title" : "", "Obj_Title" : "Song of Songs - King Solomon made himself a chariot..., the midst thereof being paved with love (III:9-10)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "III:9-11 King Solomon made himself a chariot of wood from Lebanon. He has had the posts made of silver, the bottom of gold, the covering of it purple; the midst thereof being paved with love For the daughters of Jerusalem.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4026", "Disp_Access_No" : "1997.29.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Let him kiss me with the kisses of his mouth (I:2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "I:1-17 The Song of Song''s which is Solomon''s Let him kiss me with the kisses of his mouth, for thy love is better than wine. Because of the savor of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee... Draw me in your footsteps, let us run. The king has brought me into his rooms; you will be our joy and our gladness. We shall praise your love more than wine; how right it is to love you. Behold, thou art fair, my love; Behold, thou art fair; thou hast dove''s eyes. Behold, thou art fair; my beloved, yea, pleasant: Also our bed is green. The beams of our house are cedar, and our rafters of fir.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16214", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4033", "Disp_Access_No" : "1997.29.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Many waters cannot quench love", "Alt_Title" : "", "Obj_Title" : "Song of Songs - Many waters cannot quench love, neither can the floods drown it (VIII:7)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "VIII:3; VIII:6-7 His left hand should be under my head, and his right hand should embrace me. Set me like a seal on your heart, like a seal on your arm. For love is strong as Death, passion as relentless as Sheol. The flash of it is a flash of fire, a flame of Yahewh himself. Many waters cannot quench love, neither can the floods drown it; if a man would give all the substance of his house for love, it would be utterly condemned.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16221", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4032", "Disp_Access_No" : "1997.29.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Return, return, O Shulamite ", "Alt_Title" : "", "Obj_Title" : "Song of Songs - Return, return, O Shulamite;...that we may look upon thee (VI:13)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. 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(61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "[Gallery label text 2013] Born Robert Clark, Indiana took the name of his home state to emphasize that his essential subject was American visual culture. He describes himself as a “sign painter.” External Hexagon is one of Indiana’s many precise geometric forms based on numbers. The hexagon, a flat shape with six sides and six angles, is a fundamental organizing structure in nature, and an important symbol in many religions. In the hands of a pop artist who is engaged in commercial graphics, this reference to eternity is ironic. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12744", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1894", "Disp_Access_No" : "1993.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "32 x 23 15/16 in. (81.3 x 60.8 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "23 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Gallery label text 2013: In 1964, Mr. Indiana designed the ''Love'' graphic for a Christmas card for the Museum of Modern Art. The logo took off, and in May 1966 he had a show of variations on the theme at the Stable Gallery in Manhattan. The graphic became central to the 1960's visual vocabulary, appearing on clothes, jewelry, towels and rugs. The 1973 postage stamp with the logo was one of the best-selling stamps ever, the first of the US Postal Service regular series of “love stamps.” Mr. Indiana said he received only $1,000 for the design. (He had failed to copyright the logo, and so did not profit as it appeared on countless coffee cups and T-shirts.) The logo did not endear Mr. Indiana to the art establishment, and his star faded in inverse proportion to the success of ''Love.'' ", "Dedication" : "Transfer from the Education Collection", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Education Department''s School Loan materials. Original source unknown.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12709", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4013, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4013", "Disp_Access_No" : "1999.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Winter Dance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "G. Peter Jemison", "Sort_Artist" : "Jemison, G. Peter", "Disp_Dimen" : "14 x 12 3/4 in. (35.6 x 32.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "1998 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.7_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1911, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1911", "Disp_Access_No" : "1975.334.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 7/8 x 20 in. (60.6 x 50.8 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York.", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12743", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/969", "Disp_Access_No" : "1978.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 13/16 x 19 15/16 in. (60.5 x 50.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "acetate", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.90_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3992", "Disp_Access_No" : "1999.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "29 1/2 x 17 3/4 in. (74.9 x 45.1 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color etching with spit bite aquatint, sugar lift, soft ground, and drypoint", "Info_Page_Comm" : "Dorothee Schwartz, in whose memory this print was given, was one of MAG’s most dedicated patrons. A 1930 graduate of the University of Rochester, she no doubt began her relationship with MAG as an undergraduate on the Prince Street campus. Her connoisseur’s spirit was evident in the home she designed with architect James Johnson and which she furnished with work by School for American Crafts artists. When she died in 2000, her family and friends wished to commemorate her long relationship with MAG with an acquisition that Dorothee would have found visually engaging and challenging. This complex print by Jasper Johns is part of his Catenary series, a group of works that are unified by the catenary, a curved form created when a string or chain is suspended at both ends. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Given in memory of Dorothee Schwartz by her family and friends, and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The print is signed ''99, but the exhibition catalog "Jasper Johns: New Painting and Works on Paper," claims the print was actually made in 1998.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12556", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1912", "Disp_Access_No" : "1973.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.111_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.111_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.111_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.111_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6336", "Disp_Access_No" : "1976.112", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Miss America", "Alt_Title" : "Sweet Doll Mis America", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allen Jones", "Sort_Artist" : "Jones, Allen", "Disp_Dimen" : "23 15/16 x 20 in. (60.8 x 50.8 cm)", "Disp_Height" : "23 15/16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From the portfolio "Eleven Pop Artists, Volume III"", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12710", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3862", "Disp_Access_No" : "1995.62.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada in Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "26 x 36 1/16 in. (66 x 91.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "36 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3868", "Disp_Access_No" : "1995.62.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "White Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 25 1/2 in. (91.4 x 64.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1978 painting by Katz. This is a portrait of the artist's wife, Ada. Like many artists before him, Alex Katz found his wife a convenient model. Having painted her face more than a hundred times, it has become an aesthetic thread woven throughout his body of work. Katz described Ada as "very malleable…a pretty girl cased in different roles." In fact, we see her throughout Katz's career as she gracefully ages from the time of their marriage in 1958 up to the current day. Despite Katz's assertion that he is interested in divesting his images of meaning, it is hard for the viewer to avoid searching for emotional content in Katz's repeated portraits of himself and his wife. In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3861", "Disp_Access_No" : "1995.62.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Orange Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "17 15/16 x 36 1/8 in. (45.6 x 91.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "36 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1988 painting by Katz. Alex Katz's artistic vision has revised what representational art looks like in the modern world. His portraits, carefully edited of extraneous detail, flattened, cropped, and blown-up to a grand scale, combine characteristics of realism and abstraction in a way that recalls the visual language and scale of advertising billboards and movies. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3866", "Disp_Access_No" : "1995.62.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada with Sun Glasses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 24 3/16 in. (91.4 x 61.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. (91.4 x 73 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1986 painting by Katz. Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work. Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4617", "Disp_Access_No" : "1998.114", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Double Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "9 15/16 x 12 3/16 in. (25.2 x 31 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "12 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This lithograph is representative of Katz's continual use of his wife Ada as a subject. One of his first multiple portraits, this composition of two Adas was reworked by Katz several times in paint, print, and cutout. [Gallery label text, 2005]", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.114_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12900", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1995.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Grey Ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "27 1/2 x 36 in. (69.9 x 91.4 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1987 painting by Katz. Alex Katz's ongoing effort to devalue the subject in his art is most visible in his portraits in which the subject is multiplied, with the result that the image contains more in design than it does in content. A sitter's individuality is diminished one further step, a person's unique character is subsumed to the pattern of the whole. 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Lemberskiy discusses his juxtaposition of images in this poster in the following passage: "Leonardo Da Vinci's "La Gioconda" ["Mona Lisa"] is an image of a woman of the 16th century, noble and convincing. For us she is a symbol executed by a great master. Next to her, the Mona Lisa of the 20th century, just as noble and convincing, has retained her traits in the face of animal-like Fascists who have made her undress and in a few minutes will send her to the gas chamber. Millions of "Giocondas" of the 20th century endured the hardships, suffering, and gas chambers [of the Holocaust]. Teir last path is portrayed through the rhythms and repetitions of one face. In comparing the two characters, one can confidently say that the "new" Mona Lisa is just as magnificent despite the fact that she is not drawn by the great Leonardo. With their similarities, they [both] portray the spirit of their time."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12711", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1990", "Disp_Access_No" : "1989.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Wild Weather (for Mary Jemison)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Susan Huggins Leopard", "Sort_Artist" : "Leopard, Susan Huggins", "Disp_Dimen" : "12 3/16 x 9 13/16 in. (31 x 25 cm)", "Disp_Height" : "12 3/16 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.64_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.64_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.64_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.64_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2004", "Disp_Access_No" : "1975.239", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "CRAK!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "28 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. Runs: Red, yellow, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.239_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.239_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.239_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.239_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2005, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2005", "Disp_Access_No" : "1975.240", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Crying Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "18 x 24 in. (45.7 x 61 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Offset lithograph: yellow, red, black Produced for the same Leo Castelli Gallery exhibition as "CRAK!," September 28-October 24, 1963", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.240_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.240_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.240_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.240_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12747", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2016", "Disp_Access_No" : "1975.334.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Fish and Sky", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "23 3/4 x 20 in. (60.3 x 50.8 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "board", "Disp_Medium" : "Serigraph on silver gelatin photographic print on 3-d lenticular offset litho", "Info_Page_Comm" : "The portfolio "Ten from Leo Castelli" was created to commemorate the tenth anniversary of the Leo Castelli Gallery in New York.", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Collage - silver gelatin photographic print Serigraph - white, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.334.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.334.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.334.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.334.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12746", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2006", "Disp_Access_No" : "1975.241", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Foot and Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "17 1/4 x 21 1/2 in. (43.8 x 54.6 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Yellow, red, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.241_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.241_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.241_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.241_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2007", "Disp_Access_No" : "1975.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Foot Medication", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "22 15/16 x 16 15/16 in. (58.3 x 43 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "100 without text (signed and numbered); plus unknown number of posters with and without text (some posters without text were signed but not numbered).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.242_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.242_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.242_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.242_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12748", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3938", "Disp_Access_No" : "1999.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Haystack #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 11/16 x 30 5/8 in. (52.5 x 77.8 cm)", "Disp_Height" : "20 11/16 in.", "Disp_Width" : "30 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "Gallery label text 2013: In the 1890s, Impressionist artist Claude Monet completed a series of paintings of haystacks. Monet built up his paint surfaces with rich, textured brushstrokes to capture the unique forms in different times of day and in different weather. Almost seventy-five years later, Roy Lichtenstein translated Monet’s haystacks into Pop art with his characteristic hard-edged dot pattern printed with a commercial silkscreen technique. As with Impressionist paintings, the viewer needs to step back from the Lichtenstein for the image to become fully coherent. ", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 3 colors, in 3 runs, from 2 aluminum plates and 1 screen: Lithograph - red, black Serigraph - white The complete set, of which this is one image, comprised six lithographs and one relief print. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.43_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2003", "Disp_Access_No" : "1973.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Mirror #4", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "28 x 28 in. (71.1 x 71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Line-cut and serigraph with embossing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs, 4 colors, in 5 runs, from 1 screen, 3 plastic and 1 zinc plate: Serigraph printed margin - off-white Line-cut, from plastic - red, yellow Line-cut, from zinc - black Embossing, from plastic", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12803", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2017", "Disp_Access_No" : "1975.335.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Sandwich & Soda", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "plastic", "Disp_Medium" : "Serigraph on clear plastic", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Serigraph - red, blue", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12752", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2015", "Disp_Access_No" : "1975.329.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Seascape (I)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "16 5/8 x 21 7/8 in. 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While many Pop artists, including Warhol and Lichtenstein, tried to give their work a machine-made look, the hand of the artist remains evident in Thiebaud's work. [Gallery label text]", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Five colors - yellow, cerulean blue, red, black, ultramarine blue", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.46_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.46_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.46_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.46_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36226", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2431", "Disp_Access_No" : "1974.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Half Cakes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Thiebaud", "Sort_Artist" : "Thiebaud, Wayne", "Disp_Dimen" : "30 x 22 1/2 in. (76.2 x 57.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12858", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2450, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2450", "Disp_Access_No" : "1983.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Vander Sluis", "Sort_Artist" : "Vander Sluis, George", "Disp_Dimen" : "25 3/4 x 28 5/8 in. (65.4 x 72.7 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "related to 69.65 (Space II, 1969, now deaccessioned)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10611", "Disp_Access_No" : "2002.13", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Ruby Loo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Betsy Vaness", "Sort_Artist" : "Vaness, Betsy", "Disp_Dimen" : "13 15/16 x 11 1/8 in. (35.4 x 28.2 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "2000 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33264", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8503, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8503", "Disp_Access_No" : "1987.66", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victor Vasarely", "Sort_Artist" : "Vasarely, Victor", "Disp_Dimen" : "28 x 23 5/8 in. (71.1 x 60 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Victor Vasarely was an innovator of Op Art, a movement in the 1960s characterized by engaging the viewer’s perception through the use of illusions. In this print, the artist combines geometric forms in a wide range of saturated colors to create a spatially ambiguous image. For example, look closely at the magenta square with the vermillion diamond in the center. Is this square the front face of a cube that projects towards you? Or the back face of an empty open cube? Space in an image is determined by how you read forms in relation to one another, and follows from a series of cues. You might find yourself being able to see both possibilities in this print because the artist has combined contrasting spatial cues. Because bright tones tend to project forward, you might read the magenta-square as the front face of a cube. However, if you look at the two blue squares in the lower-left, the green sides to the magenta-faced cube appear to be the side and top of two different blue-faced cubes. Now the magenta square is the back face of an empty open cube. Continue looking across the surface of this image. Do the spatial relations between elements change depending on your focus? [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Gift of Roslyn and John Goldman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.66_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12855", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2452", "Disp_Access_No" : "1988.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Off Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Voelkl", "Sort_Artist" : "Voelkl, Michael", "Disp_Dimen" : "10 3/4 x 13 1/4 in. (27.3 x 33.7 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "13 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Computer graphics", "Info_Page_Comm" : "", "Dedication" : "1988 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2458", "Disp_Access_No" : "1975.335.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Birmingham Race Riot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "19 15/16 x 24 in. (50.7 x 61 cm)", "Disp_Height" : "19 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph on paper", "Info_Page_Comm" : "Andy Warhol frequently appropriated images by other artists for his work. In this case, the image was originally a photograph by Charles Moore in "Life" magazine, May 17, 1963. [Gallery label text 2013] This image first appeared in Andy Warhol’s Disasters series, in which the artist selected, cropped, altered, and reproduced mass-circulated news photographs. The series commented upon America’s social ills with photos of suicides, car crashes and nuclear explosions. Birmingham Race Riot captures the racial tensions that gripped the country during the Civil Rights Movement. Warhol was an eager consumer of newspapers and magazines; he likely saw this photo of the Birmingham riot when it was published in LIFE magazine on May 17, 1963, only five days after the event it immortalized. The original photograph was taken by Charles Moore. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2461", "Disp_Access_No" : "1978.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Campbell's Soup Can on Shopping Bag", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "19 1/2 x 16 15/16 in. (49.5 x 43 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "bag without handle", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph on shopping bag", "Info_Page_Comm" : "This bag was published for a Warhol exhibition at the Institute of Contemporary Art in Boston, on view from October 1 - November 6, 1966. Two years earlier, serigraphed shopping bags sporting a Warhol soup can and a Lichtenstein turkey were made for an exhibit entitled "American Supermarket" at the Bianchini Gallery in New York. Signed by the artists, in editions of about 125 each, they cost $12 apiece. Sold as exhibition souvenirs, the shopping bags were an instant hit. People used them until they fell apart and now those novelty items have gained a status completely counter to their original intent. [Gallery label text 2012] Andy Warhol designed this bag with his iconic Campbell’s Soup can for a 1966 exhibition at the Institute of Contemporary Art in Boston. Sold as ephemeral souvenirs, those that have held up the past 45 years have gained a lofty status counter to their original intent. The popularity of these shopping bags and others like them inspired the production of other Pop multiples as seen in the case nearby, including Warhol’s Kiss. ", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Published for a Warhol exhibition at the Institute of Contemporary Art, Boston, MA, October 1 - November 6, 1966. Unknown edition size and an unknown number signed.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12738", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2457, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2457", "Disp_Access_No" : "1975.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "23 1/8 x 23 1/8 in. (58.7 x 58.7 cm)", "Disp_Height" : "23 1/8 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Andy Warhol regularly appropriated imagery from other artists. Here, he based his image on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography", June 1964. [Gallery label text 2012] Warhol’s Flowers series was based upon a photo published in the June 1964 issue of Modern Photography taken by the magazine’s editor, Patricia Caulfield. Warhol’s appropriation of images was to have an enormous effect upon later artists—turn around to see Devorah Sperber’s appropriation of Grant Wood’s painting, American Gothic—but it was not appreciated by Caulfield who threatened to sue Warhol when she saw his Flowers. Although Caulfield never filed a lawsuit, Warhol did pay her for the use of her photo. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.314_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.314_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.314_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.314_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2455", "Disp_Access_No" : "1965.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Jackie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "23 7/8 x 23 1/4 in. (60.6 x 59.1 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic and silkscreen ink on canvas", "Info_Page_Comm" : "Warhol often used an unorthodox approach to portraiture. He borrowed from media photographs of celebrities to construct an individual’s public image instead of using a brush to render an idiosyncratic artistic interpretation of a sitter’s appearance. This work is part of Warhol’s “Jackie” series, which he began shortly after the assassination of President John F. Kennedy in 1963. As the basis for the paintings, he first selected eight photographs from the mass-media coverage of the event. He then cropped the pictures to focus on the President’s widow, Jacqueline Kennedy. Warhol used a commercial silkscreen technique to produce multiple versions of his work. As Warhol described, I wanted something that gave more of an assembly line effect….With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2469", "Disp_Access_No" : "1976.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "26 x 19 1/2 in. (66 x 49.5 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.133_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.133_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.133_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.133_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2470", "Disp_Access_No" : "1976.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "22 15/16 x 17 15/16 in. (58.3 x 45.5 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph and flocking on gold paper", "Info_Page_Comm" : "William Weege was always interested in unusual and experimental textures in printmaking. For example, he has been known to adhere cut and sewn pieces of paper to his work, and to print images on objects, like records. During his early career, his work often contained political messages about war and peace. Weege was born in Milwaukee and spent most of his life in Wisconsin. He received his MA and his MFA from the University of Wisconsin at Madison and went on to teach there for most of his career. From 1968 to 1970, Weege served as the Director of the Experimental Workshop at the Smithsonian Institution, at which time he made this print. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.134_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12734", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2468", "Disp_Access_No" : "1975.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Rock of Ages Cleft for Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "23 3/4 x 40 in. (60.3 x 101.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph and lithograph with flocking on silver mylar", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 223, no.2002. 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(55.7 x 43 cm)", "Disp_Height" : "21 15/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Iris print", "Info_Page_Comm" : "Archie Rand and Robert Creeley collaborated on a publication of drawings and poetry entitled "Drawn and Quartered," a title that refers to the illustrations and the quatrains. The book was published by Granary Books in New York, 2001. From the book's back cover, we learn from Robert Creeley's description: "...Archie sent me a cluster of xeroxes of drawings he'd been doing and suggested I might do some text or texts to go with them. It was an instantly attractive proposal...I knew Archie had brought with him the litho sheets with the fifty-four drawings. I had tried a few brief quatrains to see how that form might work in context with the xeroxed images he'd sent me earlier. But when we went into a back room at the museum, and Archie took out the lithosheets and asked if I might try to do a text for each image there and then, I was intimidated, not to say, shocked. Still I said I'd try, and so we set out. The procedure was for Archie to slide me an image on the litho paper. I'd try a take or two to get the feel, writing on a usual sheet of typing paper, then resolve on a particular quatrain, put it with the litho sheet related - and on to the next. So we worked through the afternoon until, finally, all fifty-four poems were finished. Then I copied each poem under its respective image on the litho sheet. " [Gallery label text] _______________________________________________________________________________________________________________ As a young poet in the mid-1950s, Robert Creeley was invited to teach at Black Mountain College by fellow poet Charles Olson. With others, they established an influential center for poetry, including the founding of the important literary journal Black Mountain Review. Now recognized as one of the great American poets, Creeley went on to teach at SUNY Buffalo and Brown University. He was known for his sparse, unassuming, direct verse. Creeley also collaborated on many occasions with visual artists, including Archie Rand, with whom he spent a marathon session writing text to accompany fifty-four drawings. All These Pages to Turn is one page of this collaboration, which was ultimately published as the book “Drawn and Quartered” in 2001. Label text, Black Mountain North installation in Auditorium corridor, installed September 15, 2010 Curated by Cynthia Culbert", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31921", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2168, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2168", "Disp_Access_No" : "1974.112", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Andy Warhol's Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lowell Blair Nesbitt", "Sort_Artist" : "Nesbitt, Lowell Blair", "Disp_Dimen" : "30 x 42 in. (76.2 x 106.7 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "Arches paper", "Disp_Medium" : "Color aquatint", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds from "Nibbles for Nesbitt" Gourmet Food Sale, 1974, Clothesline Art Show and Sale", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17179", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1745", "Disp_Access_No" : "1940.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Anna", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "3 3/8 x 4 7/8 in. (8.6 x 12.4 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19045", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2374", "Disp_Access_No" : "1989.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Anshutz Talking on Anatomy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 5/16 x 8 13/16 in. (18.5 x 22.4 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "image/plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1905, shortly after Bellows arrived in New York to study painting, Robert Henri arranged a lecture at the New York School of Art by Thomas Anshutz, an instructor at the Pennsylvania Academy of Fine Arts. In attendance were a number of artists who would form the core of the urban realists led by Henri-among them George Bellows (standing, third from the right toward the upper right corner), John Sloan, and William Glackens. Sloan recorded the event in this etching. On close examination, it is possible to see a caricature of Bellows with the initials GB. According to artist Rockwell Kent, who is also included in this etching, "We used to paint all over the walls of the studio, and Sloan shows some of those paintings in his etching. The one bearing the initials 'GB' is probably someone's caricature of Bellows at that time." [Gallery label text]", "Dedication" : "Purchased with funds donated by Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/219", "Disp_Access_No" : "1994.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "August Showers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "7 7/8 x 12 11/16 in. (20 x 32.2 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Isabel C. Herdle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.61, no.503", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18283", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1746", "Disp_Access_No" : "1940.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Avenue of the Allies", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "17 7/8 x 11 1/2 in. 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(20.9 x 15.3 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19048", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1389", "Disp_Access_No" : "1978.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Can Such a Vine Flourish?", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sue Ann Bucholz", "Sort_Artist" : "Bucholz, Sue Ann", "Disp_Dimen" : "23 x 28 3/16 in. (58.4 x 71.6 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "28 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "1978 Patron Print Award, sponsored by Security Trust Company and Middleton, Wilson, Boylan and Gianniny", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16269", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1295", "Disp_Access_No" : "1983.134.21", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Central Park Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "6 1/4 x 11 3/4 in. (15.9 x 29.8 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3957", "Disp_Access_No" : "1916.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Chapman House Sheds", "Alt_Title" : "", "Obj_Title" : "Chapman House Sheds, Lithographs of Rochester", "Series_Title" : "", "Disp_Maker_1" : "Walter Henry Cassebeer", "Sort_Artist" : "Cassebeer, Walter Henry", "Disp_Dimen" : "9 7/16 x 12 1/2 in. (24 x 31.7 cm)", "Disp_Height" : "9 7/16 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In this scene, local Rochester artist Walter Cassebeer shows us where the country meets the city. These sheds were a holding place for the produce coming in from valley farmers, destined for sale at the farmer's market to urban dwellers. This tradition carries on today in Rochester's Public Market.", "Dedication" : "Gift of Mr. James G. Cutler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1779, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1779", "Disp_Access_No" : "1977.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Chicken Yard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Dexter Havens", "Sort_Artist" : "Havens, James Dexter", "Disp_Dimen" : "7 5/16 x 14 in. (18.6 x 35.6 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color wood engraving", "Info_Page_Comm" : "A Rochester native, Havens is considered part of the color woodblock revival of the early 20th century. Self- taught as a printmaker, he specialized in woodcuts and wood engravings, but he also painted. His design for the logo of the Print Club of Rochester, which he helped found, remains in use to this day. Color wood engraving is a relief technique. A design is cut with sharp wood gouges on end-grain wood. The raised uncut surface is inked with a brayer. Paper is laid on it and the ink is transferred by burnishing with a hard surfaced tool, such as a baren or spoon. Multiple blocks are created for each separate color. In order to economize, some colors are intentionally printed together to create a third color. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mr. and Mrs. Charles Fairman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.121_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.121_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.121_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.121_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11808", "Disp_Access_No" : "2001.20.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Churches are Chains that Choke and Chafe", "Alt_Title" : "", "Obj_Title" : "The letter &#1062; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious campaigners believed that the common man was enslaved by the church, and that his freedom could only be obtained by embracing the doctrine of atheist communism. The man in this image, blindfolded and chained to the dome of a church, wears the traditional tunic and hairstyle of a Russian peasant. The cross that he wears on the chain around his neck is the same one that extends from the top of the church dome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8383", "Disp_Access_No" : "1950.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Claude Renoir, head lowered (Claude Renoir, la tête baissé)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "10 11/16 x 8 7/8 in. (27.1 x 22.5 cm)", "Disp_Height" : "10 11/16 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13406", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2313, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2313", "Disp_Access_No" : "1918.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Coal Barges", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rudolph Ruzicka", "Sort_Artist" : "Ruzicka, Rudolph", "Disp_Dimen" : "10 1/2 x 11 3/4 in. (26.7 x 29.8 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This may be the work exhibited at the Grolier Club, New York, in 1948 as "Coal Barges at Allen Point" (cat. 24) but as the catalogue was not illustrated, it could not be determined with certainty.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/18.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/18.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/18.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/18.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18593", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1753, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1753", "Disp_Access_No" : "1940.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Colonial Church, Gloucester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "18 x 12 9/16 in. (45.7 x 31.9 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 9/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19050", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1683, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1683", "Disp_Access_No" : "1995.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Compleat Angler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "10 1/8 x 7 7/8 in. (25.7 x 20 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11788", "Disp_Access_No" : "2001.20.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Comrades, Clean out the Cult's Claptrap!", "Alt_Title" : "", "Obj_Title" : "The letter &#1041 from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The red color of the large silhouetted broom links it to the Soviet government, which, beginning in 1929, actively set out to close and destroy churches, bells and objects used in the practice of religion. Some religious objects, such as icons, crosses and bibles, were relocated in special anti-religious museums where they were displayed as artifacts of an ancient cult. Here, the broom sweeps the floor to remove an icon with an image of the Virgin Mary, a censer used in Orthodox religious rituals, a bible, and a chotki, or prayer rope used for saying repetitive private devotional prayers. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1998", "Disp_Access_No" : "1933.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Corner Shadows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Lewis", "Sort_Artist" : "Lewis, Martin", "Disp_Dimen" : "8 5/16 x 8 7/8 in. (21.1 x 22.5 cm)", "Disp_Height" : "8 5/16 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "New York nights are evocative and mysterious in Martin Lewis’s work. His print Corner Shadows plays with ambiguity in its use of flickering light and figures gliding through darkness. In his study The Dark Side of the Screen: Film Noir, film historian Foster Hirsch suggests that Lewis’s work, as well as work by other New York artists including Edward Hopper and John Sloan, contains ‘anticipations and echoes of the noir city.’ Edginess, obscured faces and figures, and looming shadows heighten the anxiety that the work communicates. Corner Shadows was issued by the Print Club of Cleveland as its presentation print for 1930, and is considered Lewis’s most important print commission. [Label text, 2003] ", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17158", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8966", "Disp_Access_No" : "1996.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Country Holiday", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Yoshida Hiroshi", "Sort_Artist" : "Yoshida Hiroshi", "Disp_Dimen" : "15 1/2 x 10 3/8 in. (39.4 x 26.3 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Clark Fellers", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.90_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.90_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.90_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.90_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16702", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1436", "Disp_Access_No" : "1923.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Deepening the River Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Henry Cassebeer", "Sort_Artist" : "Cassebeer, Walter Henry", "Disp_Dimen" : "7 11/16 x 10 1/4 in. (19.5 x 26 cm)", "Disp_Height" : "7 11/16 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. George L. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18029", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1754, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1754", "Disp_Access_No" : "1940.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Deshabille", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "8 7/8 x 12 in. (22.5 x 30.5 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19051", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1616, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1616", "Disp_Access_No" : "1979.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "Down the Road", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl A. Feichtinger", "Sort_Artist" : "Feichtinger, Carl A.", "Disp_Dimen" : "16 1/2 x 13 1/2 in. (41.9 x 34.3 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1979 Patron Print Award, sponsored by Harter, Secrest and Emery, Attorneys and Sykes Datatronics, Inc.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2049", "Disp_Access_No" : "1975.245", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Downtown, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "6 3/4 x 8 3/4 in. (17.1 x 22.2 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In John Marin’s <em>Downtown, New York</em>, the viewer experiences the dizzying, disorienting sensation of looking up at the buildings while walking on a city street. Marin’s urban vision was one of energy, force, and fragmentation. He sought to capture the frenetic pace of the modern urban experience and the power of skyscrapers as though they themselves were active players in the city’s vitality, as “warring, pushing, pulling forces.” The slashing diagonal form is the elevated railroad that dominated the New York City landscape starting in the 1870s. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.245_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.245_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.245_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.245_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1272", "Disp_Access_No" : "1942.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "East River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "11 3/4 x 9 7/8 in. (29.8 x 25.1 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25043", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1293", "Disp_Access_No" : "1983.134.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "East River near the Queensborough Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "10 1/4 x 8 1/2 in. (26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1614", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "East Side, Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 3/8 x 15 7/8 in. (28.9 x 40.3 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During the many hours that Harold Faye spent exploring New York City and recording its dens and denizens, he created work that demonstrated ‘enthusiasm of place and period,’ in the words of one art historian. In East Side, Night, he emphasized the city’s hard metallic elements – the fire escape, the sturdy supports for the El, railings, cars, barrels – but tempered them with the softness of the lithographic crayon. Off and on during the Depression, Harold Faye found employment with the Graphic Division of the Federal Art Project of the Works Progress Administration. This government agency was set up as part of the New Deal to create jobs. Typically, artists submitted drawings to supervisors who would either approve them, in which case the artists would go ahead and print multiple copies, or the work would be disapproved and shelved or discarded. Nearly 4,000 artists were given work thanks to this program, including Jacob Lawrence, Mark Rothko, and Jackson Pollock. [Label text, 2003]", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11380", "Disp_Access_No" : "2002.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Evian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "43 1/2 x 29 1/2 in. (110.5 x 74.9 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Aluminum - light flat gray, tan flat, transparent red flat and transparent blue flat (2 colors from one plate), transparent yellow flat and white to black blend (2 colors from one plate). Stone - medium gray", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38881", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11812", "Disp_Access_No" : "2001.20.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Extract the Exploiters with Electric Excavators", "Alt_Title" : "", "Obj_Title" : "The letter &#1069; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The electrification of the countryside, intended to defeat the ignorance of the populace by bringing agricultural communities into the Machine Age, was a primary goal of the Soviet government. Here, the electric excavator forcefully removes two of the key opponents to the Soviet effort: the <em>kulak</em>, or wealthy landowner, and the low-level village priest. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1421", "Disp_Access_No" : "1916.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Farmers' Sheds on Stone Street, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Henry Cassebeer", "Sort_Artist" : "Cassebeer, Walter Henry", "Disp_Dimen" : "12 x 8 13/16 in. (30.5 x 22.4 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Cassebeer''s second lithograph; commissioned for private distribution by Mr. Adler who owned the stone", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18026", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11713", "Disp_Access_No" : "2003.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Fiery Furnace", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clarence Holbrook Carter", "Sort_Artist" : "Carter, Clarence Holbrook", "Disp_Dimen" : "34 15/16 x 26 1/8 in. 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(37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, which addresses the threat of Nazi Germany to the Soviet Union, the hat of the American icon Uncle Sam is crowned with a Nazi swastika. The soldiers on the brim of the hat fire machine guns into the populace on the ground. The figure of Uncle Sam holds a Bible open to a page that assures "All men are brothers." The caption for this image refers to Henry Ford, the founder of the American automotive industry and one of the wealthiest businessmen in the world. In 1931, Ford, a staunch supporter of Hitler, established a factory in Cologne, Germany, which, along with the factories of General Motors, provided many of the trucks that eventually motorized the Nazi attempt to conquer Europe. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4941, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4941", "Disp_Access_No" : "2000.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1924 - 1926", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1926", "Disp_Title" : "Four Bathers (no.1)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Ganso", "Sort_Artist" : "Ganso, Emil", "Disp_Dimen" : "12 7/8 x 14 1/4 in. 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(30.3 x 39.2 cm)", "Disp_Height" : "11 15/16 in.", "Disp_Width" : "15 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Isabel Bishop didn’t have far to go to find subjects for her art. With a studio on Fourteenth Street, she had a steady stream of diverse individuals within easy reach. This area of New York, which included Union Square, was frequented by artists, shoppers, and street orators. These prints were not printed during Bishop’s lifetime. After her death, print dealer and friend Sylvan Cole published a portfolio of prints from plates found in her studio. That is why her signature is stamped on the bottom right, not hand-signed. [Label text, 2003]", "Dedication" : "Gift of the Sylvan Cole Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.76.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.76.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.76.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.76.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 10398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10398", "Disp_Access_No" : "2001.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Frederick Douglass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth M. Olds", "Sort_Artist" : "Olds, Elizabeth M.", "Disp_Dimen" : "17 7/8 x 14 in. (45.4 x 35.6 cm)", "Disp_Height" : "17 7/8 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2138", "Disp_Access_No" : "1970.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Gauloises Bleues", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Motherwell", "Sort_Artist" : "Motherwell, Robert", "Disp_Dimen" : "9 7/8 x 5 1/2 in. (25.1 x 14 cm)", "Disp_Height" : "9 7/8 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint and collage", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19145", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12159", "Disp_Access_No" : "1968.59.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "headpiece", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Shahn", "Sort_Artist" : "Shahn, Ben", "Disp_Dimen" : "22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "200 portfolios were printed on Richard de Bas handmade paper, numbered 1 to 200. 750 portfolios were printed on Velin d''Arches paper numbered 201 to 950. 10 portfolios hors commerce.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.59.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.59.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.59.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.59.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11813", "Disp_Access_No" : "2001.20.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "How Humble, How Holy He is! 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Watson, "Summer Songs" and "Lantern Light."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34500", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9665", "Disp_Access_No" : "1999.60.15a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Let There Be Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abraham Rattner", "Sort_Artist" : "Rattner, Abraham", "Disp_Dimen" : "25 5/8 x 19 7/8 in. 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It’s what stimulated me as a child…you’d go to Paris and see all the exciting posters around there which were very colorful and stimulating…but you walk around New York, and you see the three-sheeter. So that gave birth to the idea of allocating a certain sum for posters. The idea was to commission the fine artist, the creative artist of the time…to bring to the general public –they walk down the street, they see an image, something would attract them, and something would happen…I always felt that if people’s sensibilities were awakened, they would seek to make the whole city a more amenable place in which to live. So that’s how that started." 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[label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1765, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1765", "Disp_Access_No" : "1940.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "New York Sky Line, Light Buildings", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "13 5/16 x 8 in. (33.9 x 20.3 cm)", "Disp_Height" : "13 5/16 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19059", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2411, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2411", "Disp_Access_No" : "1913.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Mussel Openers", "Alt_Title" : "Newport (Clam Openers)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Sterner", "Sort_Artist" : "Sterner, Albert", "Disp_Dimen" : "20 11/16 x 16 7/8 in. (52.5 x 42.9 cm)", "Disp_Height" : "20 11/16 in.", "Disp_Width" : "16 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of George L. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1762", "Disp_Access_No" : "1940.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Newport Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "6 1/4 x 6 7/8 in. (15.9 x 17.5 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1880", "Disp_Access_No" : "1931.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night in the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "12 3/8 x 16 1/4 in. (31.5 x 41.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1921, when this print was created, Edward Hopper was a relatively unknown artist who had sold a few paintings but had not begun to receive the acclaim that would be his within a few years. By 1931, when it was exhibited at MAG and acquired with funds donated by a relative of the Watson family, Hopper had become HOPPER; the Museum of Modern Art had purchased one of his paintings the year before. While MAG does not own any of his canvases, we are fortunate to own this print and one other from Hopper’s decade of printmaking, 1915–1924. The cinematic quality of Hopper’s paintings is evident even in his etchings. A shadowy figure placed at the far end of a line of benches could easily be a character from a Hollywood “film noir.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1881", "Disp_Access_No" : "1989.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night Shadows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "10 5/8 x 13 3/16 in. (27 x 33.5 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Edward Hopper’s prints, like those of Martin Lewis, have a strong relationship to cinematic film noir. The artist gives us the sense that we are unseen watchers observing clandestine activity, and we have a feeling of unease. Strongly contrasting light and dark areas and sharp diagonal lines heighten these precarious and anxious feelings. Who are these people? Are they city dwellers or newcomers? As Jonathan Franzen wrote in a 1966 essay in the New Yorker, “There’s no better way of rejecting where you came from, no plainer declaration of an intention to reinvent yourself, than moving to New York.” Hopper’s work suggests how the city’s cloak of anonymity makes Franzen’s statement possible. [Label text, 2003]", "Dedication" : "Gift of Sister Magdalen LaRow in honor of Robert Gianniny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12191", "Disp_Access_No" : "1968.59.21b", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "nights of travel that flew with the stars", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Shahn", "Sort_Artist" : "Shahn, Ben", "Disp_Dimen" : "22 1/2 x 17 3/4 in. 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