{ "objects" : [ { "embark_ID" : 7908, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7908", "Disp_Access_No" : "1993.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1576", "_Disp_Start_Dat" : "1576", "_Disp_End_Date" : "1576", "Disp_Title" : "Hans Sachs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jost Amman", "Sort_Artist" : "Amman, Jost", "Disp_Dimen" : "12 9/16 x 8 1/4 in. (31.9 x 21 cm)", "Disp_Height" : "12 9/16 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "Sachs (1494-1576) was a shoemaker and a popular meistersinger and poet, immortalized in Richard Wagner's opera "Die Meistersinger von Nürnberg. "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25944", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/192", "Disp_Access_No" : "1934.1", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1831", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Colonel Nathaniel Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This formal gentleman was the founder of the city of Rochester, New York. His portrait was originally thought to have been painted by John James Audubon, but current scholarship has weighed in against that opinion. Nathaniel Rochester was an enterprising individual, which was a characteristic of many early settlers. He founded businesses and churches, and held governmental positions. He was the first president of the Rochester Athenaeum, the precursor to the Rochester Institute of Technology, and he was instrumental in the organization of Monroe County and the building of the Erie Canal. His practical and inventive bent may have led him to wear four-lens spectacles, which allowed him to read small print and see at a distance using the same pair of glasses. [Gallery label text, 2007]", "Dedication" : "Gift of Thomas J. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conversation between Marjorie Searl and Holly Cumberland (Rochester family descendant) regarding acquisition and attribution of painting (December 7, 2009); Holly wanted to alert us to the book "Nathaniel" written by her grandfather, Rochester Rogers, whose son Nathaniel died of throat cancer in 1945. In the book, Rogers alludes to the painting of Nathaniel Rochester, and that it was acquired for MAG by Thomas Watson. Holly''s contention is that Thomas Watson bought the painting believing that it was by Audubon, and that as Rochester Rogers and Thomas Watson were friends, there would have been ample opportunity for Watson to have ascertained from his friend Rogers that it was in fact by Audubon. However, as I explained to Holly, it was Rochester Rogers'' sister Helen who strongly supported the Audubon attribution, so this comment does not change the fact that there is virtually no objective and external evidence pointing to this portrait''s being by Audubon, other than an anonymous inscription on the back of the painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/897", "Disp_Access_No" : "1986.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grey Barnard", "Sort_Artist" : "Barnard, George Grey", "Disp_Dimen" : "21 x 11 7/8 x 14 7/16 in. 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(53.4 x 66.5 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "26 3/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1211", "Disp_Access_No" : "1916.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Introducing John L. Sullivan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "23 x 22 in. (58.4 x 55.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5044", "Disp_Access_No" : "1955.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "St. George and the Dragon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fanelli", "Sort_Artist" : "Fanelli, Francesco", "Disp_Dimen" : "8 1/4 in. (21 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 206, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/206", "Disp_Access_No" : "1966.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "Unknown Gentleman", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Benbridge", "Sort_Artist" : "Benbridge, Henry", "Disp_Dimen" : "29 1/4 x 19 1/4 in. (74.3 x 48.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This portrait was attributed to the German artist Johann Zoffany when it was acquired by Memorial Art Gallery in 1966. Prompted by MAG director Harris Prior, Smithsonian curator Robert Stewart investigated further and came to the conclusion that the American-born portraitist Henry Benbridge was the true artist. Shortly thereafter, this portrait was loaned to an exhibit of Benbridge’s work in the National Portrait Gallery in Washington, DC. Stewart described it as “one of the nicest of what I call his ‘portraits in the small.’” The elongated forehead, proportionately small body, and decorative plant matter in the foreground are hallmarks of Benbridge’s style. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "listed in bill of sale as painting by Zoffany", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/222", "Disp_Access_No" : "1941.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1862-1863", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1863", "Disp_Title" : "Trial Scene ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Gilmour Blythe", "Sort_Artist" : "Blythe, David Gilmour", "Disp_Dimen" : "22 1/4 x 27 in. (56.5 x 68.6 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics. [Gallery label text, 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial before any other use.", "View" : "" } , ] },{ "embark_ID" : 234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/234", "Disp_Access_No" : "1997.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Mr. Gerald Fowler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Bradley", "Sort_Artist" : "Bradley, John", "Disp_Dimen" : "34 x 28 in. (86.4 x 71.1 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and distemper on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "235", "Rel_Obj_Title" : "Mrs. Gerald (Catherine) Fowler" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 5169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5169", "Disp_Access_No" : "1969.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "The Breton Poet (The Smoker) (Le Fumeur)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Carpeaux", "Sort_Artist" : "Carpeaux, Jean Baptiste", "Disp_Dimen" : "19 3/4 in. (50.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No basis for this work''s title "The Breton Poet" could be found. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 3582, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3582", "Disp_Access_No" : "1958.130", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "A Dutch Cavalier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "11 x 7 1/4 in. (27.9 x 18.4 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "7 1/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Albert Eastwood", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.130_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.130_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.130_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.130_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14727", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 4137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4137", "Disp_Access_No" : "1943.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "The Stonebreaker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustave Courbet", "Sort_Artist" : "Courbet, Gustave", "Disp_Dimen" : "17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting is an essentially concrete art and can only consist in the representation of real and existing things. - Gustave Courbet (1861) Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class. The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5157", "Disp_Access_No" : "1947.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1848", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1853", "Disp_Title" : "Portrait of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Couture", "Sort_Artist" : "Couture, Thomas", "Disp_Dimen" : "18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6652", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Conceited Lawyer (L'Avocat suffisant)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "10 9/16 x 8 in. (26.8 x 20.3 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "laid paper", "Disp_Medium" : "Gray ink with gray and black washes over traces of black chalk on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "1926.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1647", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1647", "Disp_Title" : "St. Jerome in the Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Adriaensz. van Staveren", "Sort_Artist" : "Staveren, Jan Adriaensz. van", "Disp_Dimen" : "19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert. This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert. [Gallery label text, 2005] St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life. [Excerpted from gallery label text] ", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25724", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 8590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8590", "Disp_Access_No" : "1913.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Knight, Death, and the Devil", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "9 9/16 x 7 7/16 in. (24.3 x 18.9 cm)", "Disp_Height" : "9 9/16 in.", "Disp_Width" : "7 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Copper engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40138", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. Macdowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement. [Gallery label text, 2007] Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 3635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3635", "Disp_Access_No" : "1914.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Burning Brush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "16 1/4 x 20 1/4 in. (41.2 x 51.4 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "20 1/4 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Erickson Perkins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.44_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41310", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3111", "Disp_Access_No" : "1972.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Man in Fighting Stance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "15 1/4 x 9 1/8 in. (38.7 x 23.2 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1607", "Disp_Access_No" : "1975.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The 3 Wise Men", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Barbara E. Evans", "Sort_Artist" : "Evans, Barbara E.", "Disp_Dimen" : "21 3/4 x 31 1/2 in. (55.2 x 80 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "6002", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3881", "Disp_Access_No" : "1999.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1884", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1894", "Disp_Title" : "Bust of Ralph Waldo Emerson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Chester French", "Sort_Artist" : "French, Daniel Chester", "Disp_Dimen" : "22 in. (55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the family of Alan Underberg, in his memory", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 5239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5239", "Disp_Access_No" : "1946.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Sir Henry Palmer, Knight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Geeraerts the Elder", "Sort_Artist" : "Geeraerts the Elder, Marcus", "Disp_Dimen" : "22 3/4 x 18 in. (57.8 x 45.7 cm)", "Disp_Height" : "22 3/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. C. Schuyler Davis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5884", "Disp_Access_No" : "1977.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Portrait of Dr. Gachet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincent van Gogh", "Sort_Artist" : "Gogh, Vincent van", "Disp_Dimen" : "13 x 9 11/16 in. (33 x 24.6 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.151_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.151_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.151_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.151_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25934", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5895", "Disp_Access_No" : "1994.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "The Great Standard-Bearer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Goltzius", "Sort_Artist" : "Goltzius, Hendrik", "Disp_Dimen" : "13 7/16 x 9 1/8 in. (34.1 x 23.2 cm)", "Disp_Height" : "13 7/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25945", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3889", "Disp_Access_No" : "1998.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "The Printseller's Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Goodman", "Sort_Artist" : "Goodman, Walter", "Disp_Dimen" : "52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s. A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes. Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 2000 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 6745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6745", "Disp_Access_No" : "1983.117", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "The Standard Bearer of Zurich", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Urs Graf", "Sort_Artist" : "Graf, Urs", "Disp_Dimen" : "5 5/8 x 4 1/8 in. (14.3 x 10.5 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "4 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "laid paper", "Disp_Medium" : "Pen and lead white on brick-red washed laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.117_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.117_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.117_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.117_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/418", "Disp_Access_No" : "1951.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "The Opposition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "28 x 38 in. (71.1 x 96.5 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.” [Gallery label text, 2007] William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view: "I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department." Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "1714", "Rel_Obj_Title" : "The Opposition" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States. [Gallery label text, 2007] Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5043", "Disp_Access_No" : "1968.101", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1655-1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1660", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Hals", "Sort_Artist" : "Hals, Frans", "Disp_Dimen" : "30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3882", "Disp_Access_No" : "1998.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Mine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hananiah Harari", "Sort_Artist" : "Harari, Hananiah", "Disp_Dimen" : "50 x 40 in. (127 x 101.6 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8048", "Disp_Access_No" : "1959.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "A Country Blacksmith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "5 1/2 x 4 1/2 in. (14 x 11.4 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "One State : Edition 50 - 20 on Arches, 10 on Van Gelder, 5 on Umbria, 15 on old paper. 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[Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3175", "Disp_Access_No" : "1951.332", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Standing Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "18 3/4 x 11 15/16 in. (47.7 x 30.3 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "11 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.332_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.332_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.332_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.332_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27807", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3186", "Disp_Access_No" : "1997.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Untitled (male nude)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "19 7/8 x 14 1/2 in. (50.5 x 36.8 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4811", "Disp_Access_No" : "1978.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Admiral Frank Sotheron (1765-1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Thomas Lawrence", "Sort_Artist" : "Lawrence, Thomas", "Disp_Dimen" : "49 1/2 x 39 in. (125.7 x 99.1 cm)", "Disp_Height" : "49 1/2 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 1994-95 correspondence with the National Maritime Museum suggests that this painting could not date to 1809 because Sotheron did not become a Rear-Admiral until 1811 and the painting shows him in the full-dress coat of a Rear Admiral. Correspondence also suggests that conservators found evidence of change in the epaulettes and buttonholes, suggesting the costume was altered after the original painting was made. See correspondence in curatorial file. --KSchauber, Curatorial Research Ass''t, Nov 2019 This painting does not appear in Knoedler lists of George Eastman''s purchases nor in Knoedler stockbooks online-- where did he buy it?", "Images": [ ] },{ "embark_ID" : 872, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/872", "Disp_Access_No" : "1996.46", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Coachman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 3/16 x 7 7/8 in. (25.9 x 20 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/537", "Disp_Access_No" : "1951.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "London Bus Driver", "Alt_Title" : "Cabby or London Cabby", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The painting is also known as ''Cabby'' and ''London Cabby''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12390", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3198", "Disp_Access_No" : "1948.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Ticker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "14 3/4 x 11 1/2 in. (37.5 x 29.2 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4253", "Disp_Access_No" : "1947.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "Charles 1er de Cossé, Comte de Brissac ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corneille de Lyon", "Sort_Artist" : "Corneille de Lyon", "Disp_Dimen" : "6 1/4 x 5 in. (15.9 x 12.7 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "25271", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/543", "Disp_Access_No" : "1914.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New Orleans Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "22 x 18 in. (55.9 x 45.7 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1001", "Disp_Access_No" : "1986.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Nathan Hale (1755 - 1776)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.” [Gallery label text, 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5042", "Disp_Access_No" : "1955.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Portrait of a Gentleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicholas Maes", "Sort_Artist" : "Maes, Nicholas", "Disp_Dimen" : "47 x 38 1/2 in. (119.4 x 97.8 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "38 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8116", "Disp_Access_No" : "1936.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "The End of the Workday (La fin de la journée)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "overall", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and crayon on paper", "Info_Page_Comm" : "On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.” The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5336", "Disp_Access_No" : "1948.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Sir Henry Irving", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Nicholson", "Sort_Artist" : "Nicholson, William", "Disp_Dimen" : "10 3/8 x 9 7/8 in. 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", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4039", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1832", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1837", "Disp_Title" : "Nathaniel Hurd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. 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(42.5 x 34.9 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Clarence Clift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/639", "Disp_Access_No" : "1981.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Captain John Barry", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Matthew Pratt", "Sort_Artist" : "Pratt, Matthew", "Disp_Dimen" : "29 3/4 x 25 in. (75.6 x 63.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Peter Barry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. 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[Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5236", "Disp_Access_No" : "1966.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van Ravesteyn", "Sort_Artist" : "Ravesteyn, Jan van", "Disp_Dimen" : "48 1/8 x 35 5/8 in. (122.2 x 90.5 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "35 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Elizabeth K. and William H. Hudnut, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1042", "Disp_Access_No" : "1955.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "The Broncho Buster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederic Remington", "Sort_Artist" : "Remington, Frederic", "Disp_Dimen" : "22 1/2 x 20 in. (57.2 x 50.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 5052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5052", "Disp_Access_No" : "1968.98", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Portrait of a Young Man in an Armchair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "41 x 33 1/2 in. (104.1 x 85.1 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "33 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.98_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.98_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.98_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.98_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34706", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that this image has been lightened to be more appropriate for reproduction. The actual painting is darker than this.", "View" : "" } , ] },{ "embark_ID" : 4972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4972", "Disp_Access_No" : "1955.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1891-1892", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1892", "Disp_Title" : "Study for "Balzac"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "16 in. (40.6 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.14_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5055", "Disp_Access_No" : "1944.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "The Reconciliation of King Henry III and Henry of Navarre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on oak panel", "Info_Page_Comm" : "In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France. Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe"). [Gallery label text, 1996]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , ] },{ "embark_ID" : 3289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3289", "Disp_Access_No" : "1987.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Adna Byron Smith (1848-1936)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Virginia Jeffrey Smith", "Sort_Artist" : "Smith, Virginia Jeffrey", "Disp_Dimen" : "8 x 6 in. (20.3 x 15.2 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/718", "Disp_Access_No" : "1982.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1912", "Disp_Title" : "Clarence J. McCarthy (1887 - 1953)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Speicher", "Sort_Artist" : "Speicher, Eugene", "Disp_Dimen" : "36 x 30 in. (91.4 x 76.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout history, artists have painted portraits of their friends, including friends who are often artists themselves. The young man in this portrait, Clarence J. McCarthy, met the artist Eugene Speicher while both were studying at the Albright Art School in their native Buffalo. The two also studied together at New York City’s Art Students League with the influential teacher Robert Henri. Speicher became an important portrait painter, and McCarthy, a significant illustrator. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Dennis J. Byrne in memory of Walter B. Byrne", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Clarence J. McCarthy (subject) was born in Rochester, died in Woodstock, NY. Worked as a magazine illustrator and painter. Studied at Albright Art School in Buffalo, where he met Speicher. Also studied at Art Student''s League. Member of the Salmagundi Club and Society of Illustrators. Great-uncle of the donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6813", "Disp_Access_No" : "1968.97", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Venetian Patrician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Robusti Tintoretto", "Sort_Artist" : "Tintoretto, Jacopo Robusti", "Disp_Dimen" : "44 3/4 x 35 in. (113.7 x 88.9 cm)", "Disp_Height" : "44 3/4 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This work may have been included in an 1857 exhibition at Manchester, England ("Art Treasures"); a work by Tintoretto titled "A Senator" and owned by the Marquess of Abercorn was no. 300 in that exhibition. It is unknown when the Dukes of Abercorn acquired MAG''s work. Betsy Brayer descibes a letter from Joseph Duveen to Eastman in which Duveen claims that this portrait "was a small section cut from a huge group portrait of senators that covered a whole wall. That wily old collector, Joseph Duveen, informed Eastman of this and wrote that he too, owned a cut-down portrait from the same grouping."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5189", "Disp_Access_No" : "1930.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Male Attendant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "14 in. (35.6 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15925", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7804", "Disp_Access_No" : "1942.54", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 2390 BCE-2360 BCE", "_Disp_Start_Dat" : "2390 BCE", "_Disp_End_Date" : "2360 BCE", "Disp_Title" : "King Ny-user-ra", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "32 1/8 x 9 3/8 x 15 3/8 in. (81.6 x 23.8 x 39.1 cm)", "Disp_Height" : "32 1/8 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Granite", "Support" : "", "Disp_Medium" : "Upper half of red granite; lower half of toned plaster", "Info_Page_Comm" : "This figure of King Ny-user-ra wears a royal striped linen headdress and carries a mace—a symbol of power—in his right hand. His name means “the one who belongs to the god Ra.” Ra, one of the earliest and most powerful Egyptian gods, was associated with the sun. The sculpture was probably buried in the King’s tomb to serve as the repository for Ny-user-ra’s ka, or life force. [Gallery label text, 2009] The Memorial Art Gallery’s bust of an Egyptian king of the Old Kingdom was unidentified until Bernard Bothmer, a prominent Egyptologist, realized that the Gallery’s sculpture matched the lower part of a statue in the Museum of Egyptian Antiquities in Cairo. On the base of the Cairo portion, in front of the right foot, is a cartouche (see diagram) naming King Ny-user-ra, who ruled from 2390 to 2360 BCE. A plaster cast was made of this lower fragment and attached to the Gallery’s bust. The king wears a royal striped linen headdress and carries in his right hand a mace, a symbol of power. The red granite statue had been tossed into a refuse dump in ancient times at the Temple of Amon at Karnak, where this and other fragments were excavated in 1904. This is one of only two known portraits inscribed with Ny-user-ra’s name. [Gallery label text, 2004]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Old Kingdom (2686-2125 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "29009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29010", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "29011", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "29012", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29013", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_R1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_R1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_R1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_R1.tif", "IsPrimary" : "0", "_SurrogateID" : "38544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Bernard Bothmer with two halves of King Ny-user-ra. Photo in Rare Books & Special Collections.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.54_R2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.54_R2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.54_R2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42.54_R2.tif", "IsPrimary" : "0", "_SurrogateID" : "38545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Bernard Bothmer and Susan Schilling with the two halves of King Ny-user-ra. Photo from Rare Books & Special Collections.", "View" : "" } , ] },{ "embark_ID" : 7805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7805", "Disp_Access_No" : "1942.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1330 BCE", "_Disp_Start_Dat" : "1335 BCE", "_Disp_End_Date" : "1325 BCE", "Disp_Title" : "Standing Figure of the Finance Minister Maya", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "33 9/16 x 11 in. (85.2 x 28 cm)", "Disp_Height" : "33 9/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "without mount", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "The inscription identifies this relief as belonging to the tomb of Maya, the son of Iwy and Werit. Maya, the Overseer of the Royal Treasury who served the pharaohs Tutankhamun, Aya and Horemhab, also supervised the preparation of the tombs of Tutankhamun and Ay in the Valley of the Kings. An inscription from another part of the tomb, now in Liverpool, England, tells us that Tutankhamun himself ordered Maya to journey from Aswan, a city in the south, to the shores of the Mediterranean. His instructions were to levy taxes in order to establish offerings for all the gods of Egypt. In this relief, Maya is shown wearing an elaborate wig, the individual curls of which are tied at their ends. His facial features are distinctive, particularly his aquiline nose and strong chin. His accessories include two collars of disk beads that represent the “gold of honor.” Pharaohs of the period gave this type of collar to distinguished administrators as a reward for their service. Richard Lepsius, a famous German Egyptologist, studied the tomb of Maya during the 1900s. He and his team published drawings that place the Gallery’s relief on the exterior south side of the entrance to the antechamber of the tomb. [Excerpted from gallery label text, 2004]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "New Kingdom, Dynasty 18 (1550-1295 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.55_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.55_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.55_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.55_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "29014", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.55_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.55_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.55_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.55_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 6365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6365", "Disp_Access_No" : "1940.66", "_AccNumSort1" : "", "Disp_Create_DT" : "2680 BCE - 2258 BCE", "_Disp_Start_Dat" : "2680 BCE", "_Disp_End_Date" : "2258 BCE", "Disp_Title" : "Standing Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "11 7/8 x 2 3/4 x 1 7/8 in. (30.2 x 7 x 4.7 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "In Egyptian art, the male figure was invariably shown striding forward, with the left leg advanced. [Gallery label text]", "Dedication" : "Gift of Miss Eleanor Lovett in memory of her aunt, Miss Edith Morgan", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Old Kingdom (2686-2125 BCE)", "Style" : "", "Edition" : "", "Curator" : "Note on catalog card: should be 51.___ It is unclear what this means; the Frederic Morgan collection was acquired in 1951 and Edith Morgan, mentioned in this credit line, may be related to Frederic, but this figure does not appear in the ledger for 1951.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.66_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13951", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.66_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.66_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.66_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.66_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7314", "Disp_Access_No" : "1975.128", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1475", "Disp_Title" : "Johannes IV and Sigismund, Dukes of Bavaria", "Alt_Title" : "", "Obj_Title" : "Miniature portraits of Johannes IV and Sigismund, Dukes of Bavaria, from the manuscript Reim-Chronic", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "16 5/16 x 11 3/16 in. (41.4 x 28.4 cm)", "Disp_Height" : "16 5/16 in.", "Disp_Width" : "11 3/16 in.", "Dimen_Extent" : "", "Medium" : "Color", "Support" : "paper", "Disp_Medium" : "Red, black, greenish-gray and brown colors on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portraits of Johannes IV and Sigismund, Dukes of Bavaria, from the manuscript Reim-Chronic (ca. 1470)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.128_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.128_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.128_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.128_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25908", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7878", "Disp_Access_No" : "1946.39", "_AccNumSort1" : "", "Disp_Create_DT" : "2nd century", "_Disp_Start_Dat" : "100", "_Disp_End_Date" : "199", "Disp_Title" : "Portrait Head of a Man with a Beard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "11 x 8 1/4 x 9 1/16 in. (28 x 21 x 23 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "without base", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.39_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.39_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.39_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.39_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29021", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.39_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.39_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.39_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.39_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "29022", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.39_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.39_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.39_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.39_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "29023", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BerkeleyGuide.pdf", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BerkeleyGuide.pdf", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BerkeleyGuide.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/BerkeleyGuide.pdf", "IsPrimary" : "0", "_SurrogateID" : "33715", "Image_Type" : "pdf file", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7883, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7883", "Disp_Access_No" : "1973.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1st century", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "99", "Disp_Title" : "Togatus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "68 7/8 x 31 1/4 x 20 in. (174.9 x 79.4 x 50.8 cm)", "Disp_Height" : "68 7/8 in.", "Disp_Width" : "31 1/4 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "This man was a significant public figure in ancient Roman society. His toga—the traditional status garment symbolic of Roman citizenship—the scroll in his hand, and the box of scrolls at his feet mark his high status. He may have been one of the 300 Roman Senators who addressed important matters of civic law, religious practice, or foreign policy, all aspects of Roman life controlled by the Senate. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.146_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.146_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.146_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.146_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "12701", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7877, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7877", "Disp_Access_No" : "1936.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1st Century BCE", "_Disp_Start_Dat" : "100 BCE", "_Disp_End_Date" : "1 BCE", "Disp_Title" : "Torso of a Young Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "25 3/8 x 12 9/16 x 8 7/8 in. (64.5 x 31.9 x 22.5 cm)", "Disp_Height" : "25 3/8 in.", "Disp_Width" : "12 9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "This youthful male torso, nearly life size, is likely based on a Greek bronze original. This Roman copy required iron bars and dowels to support the weight of marble limbs. Evidence of long, wavy hair remaining on his shoulders may identify this youth as the young Dionysus, Greek god of wine and revelry. [Gallery label text, 2009]", "Dedication" : "Ocumpaugh, Babcock, Dewey and Montgomery Funds", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29006", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3894", "Disp_Access_No" : "1998.37.1-2a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Life Mask and Hands of Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonard Wells Volk", "Sort_Artist" : "Volk, Leonard Wells", "Disp_Dimen" : "9 3/4 x 8 1/8 x 5 5/8 in. (24.8 x 20.6 x 14.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Head", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1 - life mask .2a&b - hands", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.37.1-2a-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.37.1-2a-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.37.1-2a-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.37.1-2a-b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12541", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4133", "Disp_Access_No" : "1972.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "Aurélien-Marie Lugné-Poë (1869-1940)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edouard Vuillard", "Sort_Artist" : "Vuillard, Edouard", "Disp_Dimen" : "8 3/4 x 10 1/2 in. (22.2 x 26.7 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on panel", "Info_Page_Comm" : "This likeness captures the intense fervor of the artist's friend and patron, Aurélien-Marie Lugné-Poë (1869-1940), an actor and daring theatrical producer who helped Vuillard obtain his first commission for a theatrical poster. The artist's use of broad areas of flat color to define form and volume in this intimate portrait is typical of the Nabis painters, a group of artists influenced by Paul Gauguin and with whom Vuillard was aligned. [Gallery label text, 1999]", "Dedication" : "Gift of Fletcher Steele", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4592", "Disp_Access_No" : "1948.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Sir Joshua Reynolds (1723-1792) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "11 13/16 x 19 1/2 in. (30 x 49.5 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/762", "Disp_Access_No" : "1951.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Discourse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Weber", "Sort_Artist" : "Weber, Max", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4827", "Disp_Access_No" : "1987.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1792-1793", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1793", "Disp_Title" : "The Death of Richard II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Wheatley", "Sort_Artist" : "Wheatley, Francis", "Disp_Dimen" : "78 x 60 in. (198.1 x 152.4 cm)", "Disp_Height" : "78 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Francis Wheatley was best known for his historical paintings, scenes of daily life, and portraits. He trained at the Royal Academy in London and became the director of the Society of Artists in 1774. Debts and an unfortunate affair with the wife of a colleague led to his abrupt departure from England to Ireland. He returned in 1783, when he began painting illustrations for works by contemporary authors. The success of these “painted illustrations” led to major commissions, including the one for this monumental painting from the print publisher Robert Bowyer. One of Bowyer’s most ambitious projects was an illustrated edition of David Hume’s "The History of England." It comprised not only a lavish publication, but the creation of a “History Gallery” for the public display of the original paintings. According to Bowyer’s prospectus, the paintings were intended “to rouse the passions, to fire the mind with emulation of heroic deeds, or to inspire it with detestation of criminal actions.” Wheatley responded to this challenge by depicting the more dramatic version of Richard’s death, in which he was beheaded rather than starved in prison. The theatrical gestures and expressions, lurid coloring, and bold brushwork serve to heighten the violent drama of the events. In the end, the project was a financial disaster; the paintings from the gallery, including Wheatley’s "The Death of Richard II," were sold in a lottery in 1807. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. (91.4 x 73 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1986 painting by Katz. Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work. Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7697, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7697", "Disp_Access_No" : "1995.24", "_AccNumSort1" : "", "Disp_Create_DT" : "241-272", "_Disp_Start_Dat" : "241", "_Disp_End_Date" : "272", "Disp_Title" : "Drachm of Shapur I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Sassanian", "Sort_Artist" : "Unknown, Sassanian", "Disp_Dimen" : "1 1/16 x 1/8 in. (2.7 x 0.3 cm)", "Disp_Height" : "", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : "A standard inscription inside the obverse border proclaims the king’s divine right to rule: “The Mazda worshipper, the divine Shapur, King of the Kings of Iran, heaven-descended of the Gods.” [Gallery label text, 2009] The Sassanian Empire, founded by Shapur’s father Ardashir in 224 A.D., was ruled from Mesopotamia (present-day Iraq) until the Arab invasion of 636. Also called the New Persian Empire, it stretched in its heyday from Spain to India, just south of the Roman Empire, with which it constantly fought. The beautifully designed and executed coins minted by the highly civilized Sassanid dynasty follow the Roman formula, with the ruler’s profile on the front, but the details of the crown, hairstyle, and shaped beard are absolutely Persian. [Gallery label text, 1995]", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Numismatics", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25285", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.24_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.24_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.24_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.24_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25286", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5162", "Disp_Access_No" : "1954.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "At Court (Au Tribunal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "22 x 27 5/8 in. (55.9 x 70.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12201", "Disp_Access_No" : "1968.59.26b", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "beside the dead", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Shahn", "Sort_Artist" : "Shahn, Ben", "Disp_Dimen" : "22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "200 portfolios were printed on Richard de Bas handmade paper, numbered 1 to 200. 750 portfolios were printed on Velin d''Arches paper numbered 201 to 950. 10 portfolios hors commerce.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.59.26b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.59.26b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.59.26b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.59.26b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2412", "Disp_Access_No" : "1975.144", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Big Daddy (w/o lettering)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "May Stevens", "Sort_Artist" : "Stevens, May", "Disp_Dimen" : "28 15/16 x 42 7/8 in. (73.5 x 108.9 cm)", "Disp_Height" : "28 15/16 in.", "Disp_Width" : "42 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "25 w/o lettering, 75 w/ lettering", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.144_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.144_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.144_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.144_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7904", "Disp_Access_No" : "1992.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1633", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1633", "Disp_Title" : "Bust of a Man ("Bust of Doctor Faustus") (after Rembrandt)", "Alt_Title" : "Bust of Doctor Faustus", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "5 13/16 x 5 1/8 in. (14.8 x 13 cm)", "Disp_Height" : "5 13/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "laid paper", "Disp_Medium" : "Etching printed with plate tone on laid paper", "Info_Page_Comm" : "Johannes van Vliet worked for Rembrandt in the late 1620s and 1630s. For the most part, he prepared Rembrandt’s painted compositions for production as prints; he also made direct copies of the master’s prints. Van Vliet created etchings after his own designs as well, although many derive thematically from work by Rembrandt. Scenes of everyday life, peasants, card players, and beggars were his subject matter of choice. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25943", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5217", "Disp_Access_No" : "1958.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Small Rider (Piccolo Cavaliere)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "19 3/16 in. (48.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1866", "Disp_Access_No" : "1986.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Christmas Belles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," January 2, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.42_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.42_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.42_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.42_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46176", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/511", "Disp_Access_No" : "1951.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Clown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walt Kuhn", "Sort_Artist" : "Kuhn, Walt", "Disp_Dimen" : "20 x 16 1/4 in. (50.8 x 41.3 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Walt Kuhn received great acclaim during his lifetime for the bold simplicity and emotional intensity of his paintings of vaudeville and circus performers. Kuhn was also one of the principal organizers of the landmark and pioneering Armory Show of 1913, which introduced the American public to avant-garde European art and helped change the course of painting and sculpture in the United States. ? [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6211", "Disp_Access_No" : "1989.66", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1645", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1644", "Disp_Title" : "Cornelis de Vos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Vorsterman", "Sort_Artist" : "Vorsterman, Lucas", "Disp_Dimen" : "10 1/16 x 6 1/2 in. (25.5 x 16.5 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Created for van Dyck's portfolio of portraits entitled "Iconography," published in 1645-46.", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/986", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11). [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "39595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Watson, in MAG Archives Hist Box 5 File 3 Item 1. Photo by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in archives, Medium Box 31 Item 5D. Photo may be by Dr. James Sibley Watson, Jr.", "View" : "" } , ] },{ "embark_ID" : 1040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1040", "Disp_Access_No" : "1930.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Francis Granger (1792 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hiram Powers", "Sort_Artist" : "Powers, Hiram", "Disp_Dimen" : "23 x 17 x 11 in. (58.4 x 43.2 x 27.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "“Now then for a small piece of vanity—Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.” New York Congressman and Canandaigua resident Francis Granger was one of many prominent American politicians to sit for a classical-style portrait bust by Hiram Powers. Many Grand Tourists made Powers’ sculpture studio in Florence, Italy, a stop on their travels, to witness the artist at work, view his latest creations, or commission a personal artwork. [Label text from It Came From the Vault exhibition, 2013] Why do portrait busts often have blank eyeballs? Here’s one theory: originally, many ancient Greek and Roman sculptures were painted, including the eyes, but over the years the paint has faded so that by the 19th century, the eyes appeared to be blank. While 19th century artists often modeled their portrait busts of important political figures on these Classical forms, they did not know that the eyes had been painted originally, so they left them blank. Only with current technology has it been possible to understand how the older sculptures actually appeared. The subject of this sculpture, Francis Granger (1792 – 1868), was born a decade after the American Revolution and died right after the Civil War. A congressman from nearby Canandaigua when he posed for this sculpture in 1837, he said: “Now then for a small piece of vanity – Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.” [Gallery label text, 2009]", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Standing on its own cylindrical marble pedestal approximately 43" h - overall: 66" h (information taken from log book and catalog card)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17113", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2138", "Disp_Access_No" : "1970.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Gauloises Bleues", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Motherwell", "Sort_Artist" : "Motherwell, Robert", "Disp_Dimen" : "9 7/8 x 5 1/2 in. (25.1 x 14 cm)", "Disp_Height" : "9 7/8 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint and collage", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19145", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7923", "Disp_Access_No" : "1992.54", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Half-length Portrait of a Young Man in Oriental Costume", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerbrand van den Eeckhout", "Sort_Artist" : "Eeckhout, Gerbrand van den", "Disp_Dimen" : "6 15/16 x 5 7/16 in. (17.6 x 13.8 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.54_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.54_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.54_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.54_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25941", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4971", "Disp_Access_No" : "1951.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Harvest Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Monticelli", "Sort_Artist" : "Monticelli, Adolphe", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5167", "Disp_Access_No" : "1969.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1867-1899", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1899", "Disp_Title" : "Worker Bundling Sticks", "Alt_Title" : "Harvester", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aimé-Jules Dalou", "Sort_Artist" : "Dalou, Aimé-Jules", "Disp_Dimen" : "4 x 4 in. (10.2 x 10.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The terra cotta model for this piece is in the collection of the Petit Palais, Paris. It probably relates to an unrealized monumental piece honoring workers, planned by Dalou from about 1889. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11588, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11588", "Disp_Access_No" : "2002.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Hong Kong Tailor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jack Levine", "Sort_Artist" : "Levine, Jack", "Disp_Dimen" : "14 15/16 x 11 1/8 in. (38 x 28.3 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Doug Coffey", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.42_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.42_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.42_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.42_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31671", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1680", "Disp_Access_No" : "1959.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "I.R.T. Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/8 x 10 1/16 in. (33.3 x 25.6 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10544", "Disp_Access_No" : "2002.7", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "17 1/2 x 8 9/16 in. (44.5 x 21.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "8 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pulp board", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy Watson Dean", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11300, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11300", "Disp_Access_No" : "2002.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1647", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1652", "Disp_Title" : "Jan Asselyn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "12 3/8 x 9 13/16 in. (31.4 x 25 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "9 13/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Bequest of Dorothee Schwartz ", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.27_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.27_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.27_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.27_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "35191", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6006", "Disp_Access_No" : "1974.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Jan Cornelisz. Sylvius, Preacher", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "6 1/2 x 5 1/2 in. (16.5 x 14 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Maxwell Vogelstein", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15291", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7927", "Disp_Access_No" : "1992.57", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1681-1683", "_Disp_Start_Dat" : "1681", "_Disp_End_Date" : "1683", "Disp_Title" : "Joost van den Vondel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Janus Lutma the Younger", "Sort_Artist" : "Lutma the Younger, Janus", "Disp_Dimen" : "10 13/16 x 8 11/16 in. (27.5 x 22.1 cm)", "Disp_Height" : "10 13/16 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Punch engraving, etching and drypoint on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18222", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "greyscale", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7810", "Disp_Access_No" : "1951.313", "_AccNumSort1" : "", "Disp_Create_DT" : "7th Century BCE-6th Century BCE", "_Disp_Start_Dat" : "700 BCE", "_Disp_End_Date" : "501 BCE", "Disp_Title" : "Man Mounted on an Ox", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Cypriot", "Sort_Artist" : "Unknown, Cypriot", "Disp_Dimen" : "5 1/2 x 6 1/4 x 2 5/8 in. (13.9 x 15.8 x 6.6 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay, polychromy", "Info_Page_Comm" : "The Cypriotes provided models of everyday life for the deceased in much the same manner as the Egyptians. [Gallery label text, 1995]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Cypriot", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.313_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.313_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.313_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.313_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25153", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.313_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.313_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.313_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.313_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25154", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4011", "Disp_Access_No" : "1998.213", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1968", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1973", "Disp_Title" : "Mayor Daley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Larry Rivers", "Sort_Artist" : "Rivers, Larry", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "board", "Disp_Medium" : "Graphite, paper and textile on board ", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Richard T. Stern", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.213_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.213_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.213_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.213_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7256", "Disp_Access_No" : "1934.18", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Two Men Under a Cherry Tree", "Alt_Title" : "", "Obj_Title" : "Miniature Painting (Two Seated Figures)", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Persian", "Sort_Artist" : "Unknown, Persian", "Disp_Dimen" : "6 5/16 x 4 1/2 in. (16 x 11.5 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor with gold on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marion Hunter Wright", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24987", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4163", "Disp_Access_No" : "2000.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Moses Soyer and Ida Soyer in the Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Burliuk", "Sort_Artist" : "Burliuk, David", "Disp_Dimen" : "11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and goauche on heavy cold press wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39102", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4211", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Negro Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "24 x 18 1/2 in. (61 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to the [previous owner], Curry met the subject of this painting, a sugar cane worker, on a trip to Cuba. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1914.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Oxen on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joaquin Sorolla y Bastida", "Sort_Artist" : "Sorolla y Bastida, Joaquin", "Disp_Dimen" : "29 x 43 in. (73.7 x 109.2 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents. [adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7203", "Disp_Access_No" : "1949.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Peat-cutting, Leba (Beim Torfstechen, Leba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "18 9/16 x 24 15/16 in. (47.1 x 63.3 cm)", "Disp_Height" : "18 9/16 in.", "Disp_Width" : "24 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and black crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Rudolph Hofeinz in memory of her son", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.81_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.81_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.81_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.81_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7943", "Disp_Access_No" : "2001.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1844", "Disp_Title" : "Portrait of a Dark-haired Man Reading the "Genesee Farmer"", "Alt_Title" : "possible portrait of Luther Tucker, editor of the "Genesee Farmer"", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asahel Lynde Powers", "Sort_Artist" : "Powers, Asahel Lynde", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Until the invention of photography, portraits were the primary means of recording human likeness. Asahel Powers, like many self-taught artists, traveled the countryside in search of portrait commissions. Many of these paintings were passed down through families. Over time, however, the names of the sitters were often lost. The Genesee Farmer, first published in western New York in January 1831, was written and edited by Luther Tucker. The newspaper was a well-known local and international resource for farmers. Given the newspaper’s stature, the “dark-haired” man of this portrait could be one of the newspaper’s owners or editors, perhaps even Luther Tucker himself. [Forman Gallery, Summer 2015]", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20143", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7918", "Disp_Access_No" : "1992.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "Young Man Wearing a Plumed Cap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ferdinand Bol", "Sort_Artist" : "Bol, Ferdinand", "Disp_Dimen" : "3 9/16 x 3 1/8 in. (9 x 7.9 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7731", "Disp_Access_No" : "1965.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470 - ca. 1500", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1500", "Disp_Title" : "Portrait of a Caesar", "Alt_Title" : "Portrait of a Member of the Corsini Family", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gregorio di Lorenzo", "Sort_Artist" : "di Lorenzo, Gregorio", "Disp_Dimen" : "17 3/4 x 12 in. (45.1 x 30.5 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, polychromy, wood, gilt", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Inez D'Amanda Barnell by her friends", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, with Nancy Norwood, to determine inclusion in forthcoming Census of Gothic Sculpture; decided against inclusion.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.8_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.8_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.8_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.8_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 368, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/368", "Disp_Access_No" : "1997.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Portrait of the Artist's Father", "Alt_Title" : "Portrait of DeWitt Clinton Ellis", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "14 x 11 7/8 in. (35.6 x 30.2 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary M. Gazley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.4_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "44776", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/593", "Disp_Access_No" : "1948.52", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1846", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1856", "Disp_Title" : "Portrait of Daniel Webster (after F. DeBourg Richards)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George T. Deming", "Sort_Artist" : "Deming, George T.", "Disp_Dimen" : "8 9/16 x 6 1/4 in. (21.7 x 15.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "Orator, lawyer, statesman, and senator Daniel Webster (1782–1852) was the subject of many portraits, but none more charming than this one, informally titled Dan. Information on the back says the painting was copied from an engraving, which was no doubt itself a copy of an 1840s daguerreotype by F. DeBourg Richards. Chief curator Marjorie Searl has determined that the original attribution to G. K. Merrick is incorrect. Markings on the back of the portrait were misleading; the signature for Merrick, an attorney in Wellsboro, PA, probably indicated ownership. Another inscription, “painted from an engraving by George Deming, Wellsboro, Pennsylvania,” most likely led to the interpretation that Deming was the engraver and Merrick was the painter. Thanks to the internet and Ancestry.com, we can now safely say that Deming was the painter, and we can speculate that Merrick purchased it from him. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Suggested by Mr. Beaumont Newhall, Curator of Eastman House , Inc. to be from a popular daguerreotype of Webster from which other portraits were painted. Research revealed to be after a daguerreotype by Frederick DeBourg Richards.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37950", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/189", "Disp_Access_No" : "1930.54", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gideon Granger (1767 - 1822)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ezra Ames", "Sort_Artist" : "Ames, Ezra", "Disp_Dimen" : "29 1/4 x 23 in. (74.3 x 58.4 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.54_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.54_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.54_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.54_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from an after treatment photo provided by Williamstown Art Conservation Center in 2011.", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1756, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1756", "Disp_Access_No" : "1940.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Portrait of Joseph Pennell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "11 1/4 x 15 1/4 in. (28.6 x 38.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19053", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5166", "Disp_Access_No" : "1964.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1857", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1862", "Disp_Title" : "Religious Procession", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules-Adolphe-Aimé Louis Breton", "Sort_Artist" : "Breton, Jules-Adolphe-Aimé Louis", "Disp_Dimen" : "15 x 18 in. (38.1 x 45.7 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Finigan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3690, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3690", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1838", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1843", "Disp_Title" : "Rev. and Mrs. E.M. Stewart and Their Children", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "8 9/16 x 9 3/4 in. (21.7 x 24.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5222", "Disp_Access_No" : "1949.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Ripe Wheat Field (Reifes Ährenfeld)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "31 7/8 x 39 5/8 in. (81 x 100.6 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Rudolph H. Hofheinz in memory of their son Rudolph Hofheinz, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10539, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10539", "Disp_Access_No" : "2001.33", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Robespierre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Cornell", "Sort_Artist" : "Cornell, Thomas", "Disp_Dimen" : "13 7/8 x 11 15/16 in. (35.2 x 30.4 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "11 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Ron Kransler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4859", "Disp_Access_No" : "1962.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roman Ruins with Card Players ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Both", "Sort_Artist" : "Both, Jan", "Disp_Dimen" : "25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards. Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries. [Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See another version of this painting (or original?) at Bayerische Staatsgemäldesammlungen https://www.sammlung.pinakothek.de/en/artist/jan-both/roemische-volksszene-mit-kartenspielern-vor-dem-saturntempel", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image for this photo has the wrong number on the number bar in the shot: it reads 69.29 rather than 62.29. Frame has been cropped out for this view and print master, but is visible in master image.", "View" : "" } , ] },{ "embark_ID" : 2247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2247", "Disp_Access_No" : "1973.47", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait in the Bathtub", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clayton Pond", "Sort_Artist" : "Pond, Clayton", "Disp_Dimen" : "23 1/16 x 29 in. (58.5 x 73.7 cm)", "Disp_Height" : "23 1/16 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Clayton Pond, a second-generation Pop artist, transformed everyday objects into icons. Color and texture played a key role in his work. His electric color combinations and his experimental technique of adding a layer of high gloss varnish to the surface of his prints create a lustrous effect. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12719", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/409", "Disp_Access_No" : "1993.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait in a Chinese Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "22 1/16 x 17 15/16 in. (56 x 45.5 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Marie Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43998", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5997", "Disp_Access_No" : "1931.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Self-Portrait with Plumed Cap and Lowered Saber", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "6 3/4 x 5 5/16 in. (17.1 x 13.5 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "5 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6001", "Disp_Access_No" : "1967.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Self-Portrait with Raised Saber", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "5 7/8 x 4 1/16 in. (14.9 x 10.4 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "4 1/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15285", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1682", "Disp_Access_No" : "1987.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Soft Lights, Sweet Music", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "10 1/8 x 8 in. (25.7 x 20.3 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1871", "Disp_Access_No" : "1986.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "St. Valentine's Day - The Old Story in All Lands", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 9/16 x 9 in. (34.4 x 22.9 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," February 22, 1868", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13248", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1849", "Disp_Access_No" : "1986.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Station-House Lodgers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/16 x 13 3/8 in. (23.1 x 34 cm)", "Disp_Height" : "9 1/16 in.", "Disp_Width" : "13 3/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," February 2, 1874", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6509", "Disp_Access_No" : "1979.39", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1700 BCE", "_Disp_Start_Dat" : "1705 BCE", "_Disp_End_Date" : "1695 BCE", "Disp_Title" : "Striding Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "8 5/8 x 2 1/4 x 5 in. (21.9 x 5.7 x 12.7 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "2 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "This statuette would have been placed in the statue chamber of a tomb to provide a permanent dwelling place for the soul (ka) of the deceased. This sculpture is inscribed with a prayer to Osiris, the god of the Underworld. [Gallery label text, 2004]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Middle Kingdom (2055-1650 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "25387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1249", "Disp_Access_No" : "1992.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Students on the Steps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "13 1/4 x 12 7/16 in. (33.6 x 31.6 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Carl A. Talbot", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989. Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.285 , no.2584", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3891", "Disp_Access_No" : "1998.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Sunday Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "37 1/2 x 44 1/2 in. (95.3 x 113 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.” [Gallery label text, 2007] Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?" Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 9053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9053", "Disp_Access_No" : "1984.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Brawl (La Rixe) ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Felix Vallotton", "Sort_Artist" : "Vallotton, Felix", "Disp_Dimen" : "10 5/8 x 14 1/8 in. (27 x 35.9 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "14 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "General Acqusitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6347", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "The Card Player", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "3 9/16 x 3 1/4 in. (9.1 x 8.2 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Norbert Ruf in honor of James O. Belden", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15293", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6514", "Disp_Access_No" : "1946.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Doctor's Visit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Heerschop", "Sort_Artist" : "Heerschop, Hendrick", "Disp_Dimen" : "17 x 14 1/4 in. (43.2 x 36.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them. The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy. [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 4337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4337", "Disp_Access_No" : "1997.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1847-1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1852", "Disp_Title" : "The Drunkard of Edo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Eight Cups of Drunkeness", "Disp_Maker_1" : "Utagawa Kuniyoshi", "Sort_Artist" : "Utagawa Kuniyoshi", "Disp_Dimen" : "13 11/16 x 9 3/4 in. (34.8 x 24.7 cm)", "Disp_Height" : "13 11/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.217_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.217_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.217_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.217_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "some distortion scattered along the top of the image, and some along the sides. Needs reshot. ", "View" : "" } , ] },{ "embark_ID" : 8490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8490", "Disp_Access_No" : "1981.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 13/16 x 19 3/8 in. (63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5161", "Disp_Access_No" : "1959.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1850-1858", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1858", "Disp_Title" : "The Fisherman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "9 1/2 x 13 in. (24.1 x 33 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "not for publication", "View" : "" } , ] },{ "embark_ID" : 1851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1851", "Disp_Access_No" : "1986.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "The Last Days of Harvest", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 3/16 x 13 1/4 in. (23.3 x 33.7 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "13 1/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," December 6, 1873", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1825", "Disp_Access_No" : "1986.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Last Load", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "4 1/2 x 6 1/2 in. (11.4 x 16.5 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," August 7, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.83_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1824", "Disp_Access_No" : "1986.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Picnic Excursion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "6 9/16 x 9 1/8 in. (16.7 x 23.2 cm)", "Disp_Height" : "6 9/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," August 14, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.84_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.84_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.84_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.84_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13556", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1184", "Disp_Access_No" : "1943.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Promenade Deck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peggy Bacon", "Sort_Artist" : "Bacon, Peggy", "Disp_Dimen" : "6 1/2 x 9 in. (16.5 x 22.9 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12916", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 1862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1862", "Disp_Access_No" : "1986.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Summit of Mount Washington", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/16 x 16 in. (23.1 x 40.6 cm)", "Disp_Height" : "9 1/16 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," July 10, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13257", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.46_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.46_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.46_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.46_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46180", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3639", "Disp_Access_No" : "1958.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "The Trap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1818", "Disp_Access_No" : "1986.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "The Union Cavalry and Artillery Starting in Pursuit of the Rebels...", "Alt_Title" : "", "Obj_Title" : "The Union Cavalry and Artillery Starting in Pursuit of the Rebels Up the Yorktown", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 3/8 x 13 7/8 in. (23.8 x 35.2 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," May 17, 1862", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5015", "Disp_Access_No" : "1945.62", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Autumn, from the Four Seasons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano", "Sort_Artist" : "Bassano, Jacopo", "Disp_Dimen" : "17 1/4 x 17 1/8 in. (43.8 x 43.5 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "17 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting was originally one of a set of four that illustrated the four seasons of the year. The scene of wine-making was traditionally associated with autumn. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Federico Zeri website lists this work with previous provenance of the Hermitage, St. Petersburg. 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(50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "Plaster sketch for the bronze portrait statue at the School of Journalism, Columbia University, New York.", "Dedication" : "Gift of Lily Lawlor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36599", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1903", "Disp_Access_No" : "1975.120.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "George Washington", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "20 x 40 in. (50.8 x 101.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Lorillard, New York", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.120.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.120.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.120.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.120.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19162", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1848, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1848", "Disp_Access_No" : "1986.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Watch-Tower, Corner of Spring and Varick Streets, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 11/16 x 9 3/16 in. 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So far we have de-humanized the population.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6562", "Disp_Access_No" : "1955.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Man with a Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis de Vos", "Sort_Artist" : "Vos, Cornelis de", "Disp_Dimen" : "57 x 39 1/2 in. 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(36.8 x 29.2 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16970", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8159", "Disp_Access_No" : "1913.23", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Donato Bramante (1444-1514)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Larmessin III", "Sort_Artist" : "Larmessin, Nicolas", "Disp_Dimen" : "7 1/2 x 5 5/8 in. 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(27.9 x 19.1 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Paper cut-out laid down to charcoal drawing", "Info_Page_Comm" : "", "Dedication" : "Bequest of W. 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(20 x 15.2 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8830, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8830", "Disp_Access_No" : "1946.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1744", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1749", "Disp_Title" : "Pierre Mignard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "19 1/2 x 14 1/4 in. (49.5 x 36.2 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Steel engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Karl Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "33244", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3189", "Disp_Access_No" : "1946.52", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Beggars", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "11 1/8 x 8 in. (28.3 x 20.3 cm)", "Disp_Height" : "11 1/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/461", "Disp_Access_No" : "1946.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Francis Granger (1792 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Huntington", "Sort_Artist" : "Huntington, Daniel", "Disp_Dimen" : "32 x 27 in. (81.3 x 68.6 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22375", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4518", "Disp_Access_No" : "1947.80", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Honorable Mr. Leicester Stanhope (after Joshua Reynolds)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "14 13/16 x 10 1/2 in. (37.6 x 26.7 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color stipple engraving", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.80_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4235", "Disp_Access_No" : "1949.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1st century", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "99", "Disp_Title" : "Portrait Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "12 5/16 x 6 11/16 x 8 1/16 in. (31.3 x 17 x 20.5 cm)", "Disp_Height" : "12 5/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "without base", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31562", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.74_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31563", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8263", "Disp_Access_No" : "1950.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1723", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1723", "Disp_Title" : "Bishop Jacques-Bénigne Bossuet (1627-1704)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Imbert Drevet", "Sort_Artist" : "Drevet, Pierre-Imbert", "Disp_Dimen" : "20 3/8 x 13 3/4 in. 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(50.8 x 38.1 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8751", "Disp_Access_No" : "1950.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charles I (after van Dyck)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Johann August Eduard Mandel", "Sort_Artist" : "Mandel, Johann August Eduard", "Disp_Dimen" : "23 3/8 x 18 13/16 in. (59.4 x 47.8 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "18 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33245", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3776", "Disp_Access_No" : "1950.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Alfred Mason Badger (1808-1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "2 9/16 x 2 3/16 x 5/16 in. (6.5 x 5.5 x 0.8 cm)", "Disp_Height" : "2 9/16 in.", "Disp_Width" : "2 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Lois Badger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per curatorial file: Sitter born Portsmouth, NH; died in Boston, on vacation from Rochester. Builder of Woodside on East Avenue (former Rochester Historical Society building). 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Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/393", "Disp_Access_No" : "1952.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Hiram Westley Dixon (1817- 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Hiram Wesley Dixon, Born circa 1817- died Dec. 1, 1888 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. Hiram W. Dixon was the owner of a hardware store in Hudson. In 1856, Mr. Dixon was elected a messenger of the Electoral College to carry the vote to Washington. A newspaper article reported that each year he “predicted the election returns and his selections were as predictable as the Gallup polls.” In 1864, he was a director of The First National Bank of Hudson and in 1866, appointed postmaster of the Hudson post-office. In 1866, the family became members of the First Reformed Protestant Dutch Church in Hudson. 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Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone ", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "large and ornate gold frame", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "1975.43", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Homeless Philosopher", "Alt_Title" : "Unwanted", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Margulies", "Sort_Artist" : "Margulies, Joseph", "Disp_Dimen" : "14 5/8 x 11 11/16 in. 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Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 22, no.111", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, not for web or print", "View" : "" } , ] },{ "embark_ID" : 1890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1890", "Disp_Access_No" : "1975.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "A Patriarch", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Moses Hyman", "Sort_Artist" : "Hyman, Moses", "Disp_Dimen" : "13 x 8 9/16 in. (33 x 21.7 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "8 9/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching, drypoint and aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. 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