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(109.9 x 84.5 cm)", "Disp_Height" : "43 1/4 in.", "Disp_Width" : "33 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "Mary Cassatt was an American artist who lived in France for much of her life, after having moved there at the age of 21 in order to study painting. Artist Edgar Degas admired Cassatt’s art and encouraged her to join the circle of painters that included Pierre Renoir and Claude Monet, the group that became known as the Impressionists. She first exhibited with them in 1879, when she was 35, and continued to be associated with them for the rest of her life. Cassatt was the only American woman in the group. While Cassatt’s subjects were typically women and children, she herself lived an atypical life for a woman in that period. Cassatt was a strong supporter of women’s suffrage; this painting and others were exhibited in a 1915 exhibition at Knoedler’s that was organized by Cassatt’s good friend and staunch supporter, suffragist and art connoisseur Louisine Havemeyer. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1420", "Disp_Access_No" : "1954.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1889", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1894", "Disp_Title" : "The Mandolin Player", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "9 3/8 x 6 1/4 in. (23.8 x 15.9 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "Although Cassatt began her artistic training in Pennsylvania, from an early age she frequently traveled and lived in Europe. She settled in Paris in 1874, where she became a close friend of Edgar Degas. She soon became affiliated with the French Impressionists and exhibited with them from 1879 until 1886. Here, the mandolin player holds her instrument as though she were actually playing it while looking at the music on the stand. She is seated on an upholstered settee in a room with a framed picture and a fan on the wall behind her. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1442", "Disp_Access_No" : "1995.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Harriet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 3/8 x 15 1/4 in. (46.6 x 38.7 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1441", "Disp_Access_No" : "1995.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "In Phillis Wheatley I Proved Intellectual Equality in the Midst of Slavery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "15 x 11 in. (38.1 x 28 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Director's Discretionary Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3708", "Disp_Access_No" : "1920.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "The Breadwinner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Emma Lampert of Nunda, NY, studied at the Art Students League and taught at Mechanics Institute (now RIT) before marrying the well-known painter, Colin Campbell Cooper. This view of a Dutch interior was exhibited widely both here and abroad; it garnered several awards, including a medal at the 1893 World’s Columbian Exposition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Colin Campbell Cooper", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment undertaken by Patricia Hamm in 2008.", "View" : "" } , ] },{ "embark_ID" : 932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/932", "Disp_Access_No" : "1969.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Evangeline", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Couper", "Sort_Artist" : "Couper, William", "Disp_Dimen" : "21 1/4 in. (54 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Harry Beardsley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45038", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These photos and variants can be found on the disk entitled "MAG 160210"", "View" : "" } , ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1959.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1898-1912", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1912", "Disp_Title" : "Dancer Holding Her Right Foot in Her Right Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 1/2 in. (49.5 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6655", "Disp_Access_No" : "1987.65", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1881", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1881", "Disp_Title" : "Dancer, Seen from Behind (Danseuse vue de dos)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 3/16 x 11 11/16 in. (48.7 x 29.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "11 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Chalk", "Support" : "paper", "Disp_Medium" : "Black chalk and pastel on faded blue laid paper, laid down to two more sheets", "Info_Page_Comm" : "Often called “the painter of modern life,” Edgar Degas filled his canvases with images from the vibrant world of performance and spectacle in the clubs and theaters of Paris during the latter part of the 1800s. Ballet dancers appealed to Degas as a pictorial subject for two key reasons: they represented modern subjects, and they offered female bodies that could be naturally observed in a host of complicated poses. Drawing from innumerable studies, he created light-filled images that represent the essence of natural movement. Dancer, Seen from Behind is a study for a figure in the far right of Dancers in the Rehearsal Room, with a Double Bass, which is now in the Metropolitan Museum of Art. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.65_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "26219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8105", "Disp_Access_No" : "2000.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "Art Class Penn Academy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Demuth", "Sort_Artist" : "Demuth, Charles", "Disp_Dimen" : "13 1/16 x 19 7/8 in. (33.1 x 50.5 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and graphite", "Info_Page_Comm" : "Charles Demuth’s most famous paintings are in a hard-lined and tightly-controlled industrial style called Precisionism, which he helped develop, but his watercolors of people, fruit, and flowers are loose, sensuous, and evocative. This casual study of a woman in a studio at the Pennsylvania Academy of Fine Art was made when Demuth was a student there. Based upon a somewhat illegible inscription on the back, this figure may be Helen Torr, a modernist artist who ran in the same circles as Demuth and eventually married the artist Arthur Dove. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Nancy Turner Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39103", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3096", "Disp_Access_No" : "1955.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Head of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Silver point", "Support" : "board", "Disp_Medium" : "Silver point on gesso-coated wood-pulp paper board", "Info_Page_Comm" : "Head of a Young Woman is the only silver point drawing in MAG’s collection. It is also the only American artwork that was given to the Gallery by Bertha Buswell, whose taste ran nearly exclusively to European fine and decorative arts. Unfortunately, we do not know anything about how or why she acquired such an anomaly, albeit a beautiful one, for her collection. Silver point was a technique used extensively in the Renaissance and revived in the United States in the late 19th century. Every line was created by dragging a silver stylus across the surface of a specially-prepared paper. The stylus left a trail of silver on the paper, requiring perfect control by the artist, as this was not a forgiving medium where mistakes could be corrected with an eraser. With exposure to the air, the silver tarnished and created a warm brown tone. Because of the fragility of the silver and the paper, this lovely work is rarely exhibited. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/341", "Disp_Access_No" : "1957.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "Portrait in a Brown Dress", "Alt_Title" : "Lady in Yellow", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "20 x 15 1/2 in. (50.8 x 39.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work: "Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves." Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing. This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons. (1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Alexander Millar Lindsay III, in memory of Jesse Williams and Grace Curtice Lindsay and their daughter, Carolyn Lindsay White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 357, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/357", "Disp_Access_No" : "1957.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Mary Smith Booth (1744-1824)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Earl", "Sort_Artist" : "Earl, Ralph", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4785", "Disp_Access_No" : "1983.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Vertumnus and Pomona", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Govaert Flinck", "Sort_Artist" : "Flinck, Govaert", "Disp_Dimen" : "38 1/4 x 45 1/4 in. (97.2 x 114.9 cm)", "Disp_Height" : "38 1/4 in.", "Disp_Width" : "45 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting illustrates a myth from Ovid’s Metamorphosis. Pomona, a nymph who presided over gardens and fruit trees, had taken a vow of chastity and therefore rejected the advances of all suitors. Vertumnus, the Roman deity of orchards, persisted nonetheless. To gain her affections he disguised himself as a fisherman, a soldier, a peasant, and finally as an old woman. Flinck was a student and follower of Rembrandt, so much so that the styles of the two artists were often confused. Flinck’s skill brought him enviable social and economic rewards and eventually he was honored with a commission to create twelve paintings for the civic hall of Amsterdam. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. and Mrs. Frank W. Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4634", "Disp_Access_No" : "1998.191", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Frank", "Sort_Artist" : "Frank, Mary", "Disp_Dimen" : "10 x 13 1/4 in. (25.4 x 33.7 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "13 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.191_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.191_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.191_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.191_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/385", "Disp_Access_No" : "1957.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Fromkes", "Sort_Artist" : "Fromkes, Maurice", "Disp_Dimen" : "31 1/2 x 27 1/2 in. (80 x 69.9 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "From the collection of Mrs. Charles Wright Dodge, gift of her daughter, Mrs. Adrian Devine", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mrs. Adrian Devine died in 1956-- how did she give MAG a gift in 1957? Note that a cardboad backing in curatorial file for 57.45, another Fromkes from Devine, says "Louise Dodge Bequest." Mrs. Dodge died in 1953; her daughter, Mrs Devine, who is credited with this gift, died in 1956. Did she have lifetime interest in this work and 57.45 and they came to MAG at her death?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4805", "Disp_Access_No" : "1978.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Mrs. William Provis of Bath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "29 1/2 x 24 in. (74.9 x 61 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[ Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "39387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1655", "Disp_Access_No" : "1933.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "At the Sea Shore", "Alt_Title" : "Conversation; Sunbathers (no.1)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Ganso", "Sort_Artist" : "Ganso, Emil", "Disp_Dimen" : "11 1/2 x 15 9/16 in. (29.2 x 39.6 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12914", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4260", "Disp_Access_No" : "1947.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Madonna and Child with Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raffaellino del Garbo", "Sort_Artist" : "Raffaellino del Garbo", "Disp_Dimen" : "37 1/4 x 37 1/4 in. (94.6 x 94.6 cm)", "Disp_Height" : "37 1/4 in.", "Disp_Width" : "37 1/4 in.", "Dimen_Extent" : "diameter", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera and oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.30_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "1966.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "The West Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)", "Disp_Height" : "70 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag. When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words: O Wind, If Winter comes, can Spring be far behind? [Gallery label text, 2004] ", "Dedication" : "Gift of the Isaac Gordon Estate through the Lincoln Rochester Trust Company", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. II under "Statuary" in Daniel Powers'' collection catalogue of 1888. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image derived from Seeing America tiff", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "28576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , ] },{ "embark_ID" : 1736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1736", "Disp_Access_No" : "1975.211", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Summer Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lily Harmon", "Sort_Artist" : "Harmon, Lily", "Disp_Dimen" : "11 1/2 x 7 1/4 in. 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A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. 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Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual. The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery label text, 2006] M. W. Hopkins American, 1789 - 1844 Ann Gennett Pixley Lacey (1809 - 1841) ca. 1835 - 1836 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.187 Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby. In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence. Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18240", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/613", "Disp_Access_No" : "1978.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Eliza Pixley Lacey (1834 - 1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "M. W. Hopkins American, 1789 - 1844 Eliza Pixley Lacey (1834 - 1839) ca. 1835 - 36 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.188 M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter. Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs. Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.188_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.188_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.188_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.188_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3678", "Disp_Access_No" : "1952.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Woman in Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maud Humphrey", "Sort_Artist" : "Humphrey, Maud", "Disp_Dimen" : "16 1/4 x 13 in. (41.2 x 33 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marguerite Reed", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer says this portrait is "possibly of Marie Adelaide Devine." (MAGnum Opus, p. 12)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. 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(69.9 x 55.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4617", "Disp_Access_No" : "1998.114", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Double Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "9 15/16 x 12 3/16 in. 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[Gallery label text, 2005]", "Dedication" : "Anonymous gift in loving memory of Lou Pollack", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.114_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12900", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1936", "Disp_Access_No" : "1964.88", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rockwell Kent", "Sort_Artist" : "Kent, Rockwell", "Disp_Dimen" : "10 1/2 x 7 in. 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Moore", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.88_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.88_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.88_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.88_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 8744, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8744", "Disp_Access_No" : "1991.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Two Nude Women with Skull and Hourglass (Allegory of Transience)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ludwig Krug", "Sort_Artist" : "Krug, Ludwig", "Disp_Dimen" : "5 1/16 x 3 5/16 in. 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(26 x 18 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "7 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.333_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.333_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.333_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.333_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/982", "Disp_Access_No" : "1967.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Portrait Statuette of Mrs. J. Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century. The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Photo of plaster version of this figure is held at Beinecke Library, Yale University. See disk in curatorial file. Virginia Budny notes that this work is referenced in Lachaise''s unpublished typescript for his photo album: "No. 81, Portrait statuette of Mrs. J. Sibley Watson Jr. 1924; Two bronze copies bought by Mrs. Watson, one to be delivered. [annotation in pen by Lachaise: plaster model studio.]"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_R1.png", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_R1.png", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_R1.png", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_R1.png", "IsPrimary" : "0", "_SurrogateID" : "53396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Gift of Anastasia Watson. Original in Archives, Hist Box 5 File 3 Item 3. Photo is by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25584", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 11/1/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Gaston Lachaise with life-sized and reduced models for the sculpture, scanned from photo in photo album of Anastasia Watson 2/17/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in MAG Archives Hist Box 5 File 3, Item 1", "View" : "" } , ] },{ "embark_ID" : 3184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3184", "Disp_Access_No" : "1982.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Sketch for "Fountain Figure"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 3/8 x 3 5/8 in. (23.8 x 9.2 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "980", "Rel_Obj_Title" : "Fountain Figure" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12985", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/981", "Disp_Access_No" : "1964.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Woman", "Alt_Title" : "Pudeur", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons. [Gallery label text, 2005]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36929", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hilton Kramer, author of "The Sculpture of Gaston Lachaise" (New York, Eakins Press Publishers, 1967) said "Lachaise created numerous reclining ''Mountain'' figures in varying sizes in stone and bronze - the first in 1913, the last and largest at the end of his life."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15903", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3178, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3178", "Disp_Access_No" : "1951.335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 1/2 x 7 1/2 in. (24.1 x 19.1 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.335_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.335_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.335_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.335_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15516", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3185", "Disp_Access_No" : "1997.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Untitled (female nude)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "23 5/8 x 18 3/16 in. (60 x 46.2 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "18 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3177", "Disp_Access_No" : "1951.334", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (head of a woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 6 1/2 in. (26 x 16.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.334_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.334_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.334_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.334_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3180, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3180", "Disp_Access_No" : "1973.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (nude woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 7 1/2 in. (26 x 19.1 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per art committee minutes March 13 1973: "Rescued by Marianne Moore from many left by the artist in the offices of the Dial magazine."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15518", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/985", "Disp_Access_No" : "1977.189", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Nude", "Alt_Title" : "Woman; Hautaine", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.189_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.189_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.189_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.189_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36933", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3181, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3181", "Disp_Access_No" : "1973.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (woman's head)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 1/2 x 6 3/4 in. (24.1 x 17.1 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per art committee minutes March 13 1973: "Rescued by Marianne Moore from many left by the artist in the offices of the Dial magazine."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3179", "Disp_Access_No" : "1973.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (woman's head)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 7 1/2 in. (26 x 19.1 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per art committee minutes March 13 1973: "Rescued by Marianne Moore from many left by the artist in the offices of the Dial magazine."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/983", "Disp_Access_No" : "1973.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Urling Sibley Iselin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "17 in. (43.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster and paint", "Info_Page_Comm" : "Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons. ", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Virginia Budny notes that Lachaise dated the model for this piece 1925; photos of the model in clay or Plasticine date to 1925. He noted that he delivered the marble in 1927, and it was included in a New York exhibition in 1927. The work is listed as no. 100 in Lachaise''s unpublished typescript manuscript for his photo album. "To be carved in marble. Plaster model in Studio." [added in Lachaise''s hand: "Delivered in marble 1927."]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15898", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3190", "Disp_Access_No" : "1946.53", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Market", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "15 1/2 x 11 in. (39.4 x 27.9 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.53_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.53_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.53_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.53_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3193", "Disp_Access_No" : "1979.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "11 x 8 in. (27.9 x 20.3 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Charcoal", "Support" : "paper", "Disp_Medium" : "Charcoal and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4965", "Disp_Access_No" : "1937.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "The Washerwomen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Léon-Augustin Lhermitte", "Sort_Artist" : "Lhermitte, Léon-Augustin", "Disp_Dimen" : "30 3/8 x 37 3/4 in. (77.2 x 95.9 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "37 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although he was of the same generation as Monet and Renoir, Lhermitte chose to follow the path of traditional realism, rather than the Impressionists' experimentation with color. He did practice the fluid brushwork that they had popularized, however. Like Sorolla... Lhermitte specialized in scenes of rural workers. However, his keen eye caught the contrasting colors and textures of sun-bathed landscape and figures in much greater detail. Sorolla concentrated more on the colors and effect of the light rather than on the details of form. [Gallery label text, 1999]", "Dedication" : "Gift of Mr. and Mrs. Edmund Lyon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Jan-Piet Filedt-Kok of the Rijksmuseum noted that the artist was a friend of van Gogh and that the van Gogh museum bought a number of works by Lhermitte in the 1990s.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned from slide at a print resolution. Should eventually be replaced.", "View" : "" } , ] },{ "embark_ID" : 2004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2004", "Disp_Access_No" : "1975.239", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "CRAK!", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "28 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. Runs: Red, yellow, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.239_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.239_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.239_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.239_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2005, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2005", "Disp_Access_No" : "1975.240", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Crying Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "18 x 24 in. (45.7 x 61 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Gallery label text 2012: Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Offset lithograph: yellow, red, black Produced for the same Leo Castelli Gallery exhibition as "CRAK!," September 28-October 24, 1963", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.240_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.240_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.240_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.240_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12747", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/873", "Disp_Access_No" : "1996.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Woman at Table", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 1/8 x 7 11/16 in. (25.7 x 19.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/597", "Disp_Access_No" : "1965.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Woman in a Cloak", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 42 in. (121.9 x 106.7 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition in relation to authority, personal relationships, and oneself. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and a dialogue will begin.” [Label text from It Came From the Vault exhibition, 2013] Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and dialogue will begin.” He currently lives and works in Rochester, New York. [Gallery Label Text, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4992", "Disp_Access_No" : "1948.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1495", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1495", "Disp_Title" : "Madonna and Child Enthroned with Angels", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the St. Ursula Legend", "Sort_Artist" : "Master of the St. Ursula Legend", "Disp_Dimen" : "24 1/4 x 13 1/2 in. (61.6 x 34.3 cm)", "Disp_Height" : "24 1/4 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8363", "Disp_Access_No" : "1957.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1865", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1865", "Disp_Title" : "Washerwomen by Moonlight (Les laveuses au clair de lune)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean François Millet", "Sort_Artist" : "Millet, Jean François", "Disp_Dimen" : "17 x 12 in. (43.2 x 30.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13063", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8366", "Disp_Access_No" : "1972.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Berthe Morisot Drawing, with her Daughter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Berthe Morisot", "Sort_Artist" : "Morisot, Berthe", "Disp_Dimen" : "7 7/16 x 5 1/2 in. (18.9 x 14 cm)", "Disp_Height" : "7 7/16 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This work was not published during Morisot's lifetime; this edition was published in December 1907 in the Gazette des Beaux-Arts Berthe Morisot was a founding member of the Impressionist group and exhibited regularly at their exhibitions. Although best known for her fresh, light-filled oil paintings, she also produced a number of etchings. Her favorite subjects were women in domestic settings. This print is a self-portrait of the artist with her daughter. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.73_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2152", "Disp_Access_No" : "1951.97", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "The Little Family", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "5 1/2 x 6 11/16 in. (13.9 x 17 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This print was reproduced in Vogue magazine, August 15, 1922, p. 50", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.97_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.97_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.97_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.97_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1019", "Disp_Access_No" : "1962.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1916-1932", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1932", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "image", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement. [Gallery label text, 2010] ", "Dedication" : "Anonymous gift in honor of Gertrude Herdle Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12411", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1020", "Disp_Access_No" : "1977.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Untitled (Head of a Woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "overall", "Medium" : "White marble", "Support" : "", "Disp_Medium" : "White marble on onyx base", "Info_Page_Comm" : "Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12476", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/880", "Disp_Access_No" : "1996.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Adah Mann", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "6 15/16 x 8 15/16 in. (17.6 x 22.7 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "8 15/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Harriet Begg", "Copyright_Type" : "Under Copyright Web Only", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12535", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 619, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/619", "Disp_Access_No" : "1988.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "A New Arrangement", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan G. Olinsky", "Sort_Artist" : "Olinsky, Ivan G.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ivan Olinksy, a Russian who arrived in New York City at age 13, was for many years the studio assistant of John LaFarge, the celebrated muralist and stained glass designer. After LaFarge’s death, Olinsky became a well-known painter in his own right, and George Herdle included his work in MAG’s inaugural exhibition of 1913. In attempting to trace that painting for the Gallery’s 75th anniversary show, MAG made contact with Olinsky’s daughter and grandsons. Serendipitously, Olinksky’s great-grandson had just graduated from the University of Rochester, and the family generously donated A New Arrangement to the permanent collection. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Richard H. Miller, John L. Miller, and Leonore O. Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4258", "Disp_Access_No" : "5.1997L", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Interlude", "Alt_Title" : "The Lute Players", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "84 x 60 in. (213.4 x 152.4 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Maxfield Parrish, leading illustrator and muralist of the early twentieth century, painted Interlude to hang at the Eastman Theatre in Rochester. Through architect Lawrence Grant White, George Eastman commissioned three murals for the theater, which served as both silent movie palace and philharmonic hall. Interlude was Eastman’s favorite, a “peacherina,” he wrote White. The radiant quality of Interlude is due to Parrish’s high technical standards and theatrical sense of color—electrical reds, vivid purples, and lush apricots. A shade of cobalt straight from the tube was applied so ingeniously that it became known as “Parrish blue.” He painted glaze upon glaze to create a hard photographic finish that betrayed no brush strokes. Interlude was moved to the Memorial Art Gallery in 1997 to provide it with more stable temperature and humidity conditions. In its place at the Eastman Theatre is a full-size color reproduction. Elizabeth Brayer, George Eastman Historian [Summer 2015]", "Dedication" : "Lent by the Eastman School of Music of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See reproduction of a photo of a model posing for this painting in Alma Gilbert''s "Parrish and Photography," Plainfield, NH, 1998, fig. 13a.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the Eastman Theater", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "38863", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 1034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1034", "Disp_Access_No" : "1913.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Memory", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)", "Disp_Height" : "82 1/2 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12333", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "40466", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color from original photo in photo files in Archives.", "View" : "" } , ] },{ "embark_ID" : 3875, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3875", "Disp_Access_No" : "1998.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Two Female Models on an Iron Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Pearlstein", "Sort_Artist" : "Pearlstein, Philip", "Disp_Dimen" : "22 3/8 x 29 5/8 in. (56.8 x 75.2 cm)", "Disp_Height" : "22 3/8 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3892", "Disp_Access_No" : "1998.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Jane", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Guy Pène du Bois", "Sort_Artist" : "Pène du Bois, Guy", "Disp_Dimen" : "30 x 24 in. (76.2 x 61 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Critic and painter Guy Pène du Bois continued the Realist, urban tradition of the Ash Can School painters, but peopled his canvases with more urbane elegant, and at times, mysterious, figures. Jane is one of his quintessential creations. An enigmatic figure appears to step out of a shadow, perhaps in a restaurant or nightclub, perhaps inside or outside, in America or abroad. She is fashionably thin, well-dressed, and bejeweled, and yet for all her apparent material comfort, she manifests a sense of isolation and anxiety, expressed by her hands, her cast down eyes, and a downward turn of the mouth. Pène du Bois' intriguing contrasts of light and dark areas within the painting contribute to the sense of unease that the figure expresses. The painting's mood certainly reflects the artist's admiration of Edward Hopper. [Gallery label text, 2003]", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12540", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/633", "Disp_Access_No" : "1984.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1834", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1839", "Disp_Title" : "Old Woman with a Bible", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ammi Phillips", "Sort_Artist" : "Phillips, Ammi", "Disp_Dimen" : "33 1/2 x 28 in. (85.1 x 71.1 cm)", "Disp_Height" : "33 1/2 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "We take for granted the ability to record our families' faces. Even the likenesses of those long-dead are etched in our memories by their photographs. But before cameras and film, the only way to save a "likeness" was to create a life or death mask, draw or paint a picture, or make a sculpture. In rural New York State, many portraits were done by painters like Ammi Phillips who had a minimal amount of training. Their customers, in turn, passed paintings down through the generations until all too often, the identity of the sitters was lost. If we don't know whose portrait this was, and if Ammi Phillips was not an academically trained artist, why do we continue to appreciate this work and keep it in a museum? The directness of human spirit that these paintings convey combined with the intricacy of design and patterning create a work filled with the "visual delight" that we search for in a work of art. [Gallery label text, 2008] This woman’s identity has not been preserved, but we might speculate with confidence that she was a devout person, as her arm is placed so firmly on the Bible. Notice, too, how carefully the artist painted the fabric of her day-cap, the embroidery on her shawl, and even the tasseled trim of the curtains. [Gallery label text, 2008]", "Dedication" : "Beatrice M. Padelford Trust", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6559", "Disp_Access_No" : "1979.70", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman in a Ruffled Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Jansz. Pourbus", "Sort_Artist" : "Pourbus, Pieter Jansz.", "Disp_Dimen" : "16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Clarence Clift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.70_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.70_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.70_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.70_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/640", "Disp_Access_No" : "1963.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1913-1915", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1915", "Disp_Title" : "Woodland Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "Despite many differences in style and subject matter, Maurice Prendergast exhibited with the Urban Realist artists in the beginning of the century. His style of breaking up the surface of his paintings with color and light was a shock to American viewers. An art critic wrote in 1908, “Hung in a group, these canvases of Mr. Prendergast look… like an explosion in a color factory.” [Gallery label text, 2007] Prendergast looked to European artists for his inspiration. One of the most modern painters working in America in the first decade of the century, his colors were often applied in post-impressionist daubs, like Seurat, and the space in his works was compressed and unrealistic. Like Glackens, he enjoyed painting scenes of leisure, particularly bathing scenes like this one. He exhibited in the 1908 Macbeth Gallery show, along with Henri and the others, and while his work had little in common with many of the members of The Eight, he was as interested as they were in defying the conventions that had been established by the National Academy. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4813", "Disp_Access_No" : "1978.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Mrs. Johnston of Straiton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "35 x 27 in. (88.9 x 68.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below. This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted. [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "1976.123", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Miss Comfort Creme", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mel Ramos", "Sort_Artist" : "Ramos, Mel", "Disp_Dimen" : "40 x 30 1/16 in. (101.6 x 76.4 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Ramos was a California native, like his friend and teacher, Wayne Thiebaud. Surrealism and then Abstract Expressionism influenced him early in his career. As his work became more figural, he turned for inspiration to the comic books he loved as a child. He painted his favorite comic book heroes and when he ran out of subjects, he began looking at other magazines for material. He combined pin-ups with commercial products, which evolved into the "Beauty and the Beast" series involving pin-ups and animals, then to an art history series reworking famous paintings of the Old Masters in his own slick style. [Gallery label text] From the portfolio "Eleven Pop Artists, Volume III" ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.123_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.123_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.123_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.123_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8381", "Disp_Access_No" : "1951.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1912", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1917", "Disp_Title" : "Mother and Child (Maternité)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "25 11/16 x 19 5/8 in. (65.3 x 49.8 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "19 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6454", "Disp_Access_No" : "1981.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "4 7/8 x 3 7/16 in. (12.4 x 8.7 cm)", "Disp_Height" : "4 7/8 in.", "Disp_Width" : "3 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Black chalk", "Support" : "laid paper", "Disp_Medium" : "Black chalk on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Most of Heseltine''s Rembrandt drawings were exhibited at the Winter Exhibition of the Royal Academy in 1899-- was this among them?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.39_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38875", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7173", "Disp_Access_No" : "1956.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "13 1/16 x 9 1/2 in. (33.1 x 24.1 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gallery purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1050", "Disp_Access_No" : "1993.24", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1855", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1865", "Disp_Title" : "Nydia, the Blind Flower Girl of Pompeii", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Randolph Rogers", "Sort_Artist" : "Rogers, Randolph", "Disp_Dimen" : "36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers. Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mr. and Mrs. William Wisner Chapin lived at 110 South Fitzhugh Street. The home, originally built in 1830, was expanded with a music room, possibly designed by Andrew Jackson Warner, an architect who wrote an essay about the room for a small pamphlet entitled "The Pipe Organ in the Home of Mr. Chapin". The sculpture of Nydia now owned by the Memorial Art Gallery was located in the Chapins'' music room. MAG also has in its records a photograph of the sculpture in the music room. The home is no longer standing. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master scan shows more of base of statue, although it is blocked by the color bar. Print master scan has color bar & base of statue cropped out.", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6513", "Disp_Access_No" : "1966.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "La Bionda del Balcone", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dante Gabriel Rossetti", "Sort_Artist" : "Rossetti, Dante Gabriel", "Disp_Dimen" : "13 3/4 x 14 7/8 in. (34.9 x 37.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor and gouache on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12573", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned by the Rossetti Archive (see PRR notes)", "View" : "" } , ] },{ "embark_ID" : 5040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5040", "Disp_Access_No" : "1955.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Eva Bicker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dirck van Santvoort", "Sort_Artist" : "Santvoort, Dirck van", "Disp_Dimen" : "27 x 23 1/2 in. (68.6 x 59.7 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15975", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3279", "Disp_Access_No" : "1970.52", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "Mrs. Charles Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "23 3/4 x 18 3/8 in. (60.3 x 46.7 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Charcoal", "Support" : "paper", "Disp_Medium" : "Charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James O. Belden in memory of Evelyn Berry Belden", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43299", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from transparency as digital image was very light/brown and needed to be blacker.", "View" : "" } , ] },{ "embark_ID" : 678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/678", "Disp_Access_No" : "1957.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1896", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1901", "Disp_Title" : "Mrs. William Shakespeare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "29 3/8 x 24 1/2 in. (74.6 x 62.2 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Singer Sargent was the most fashionable portrait painter working in England and the United States in the late 1800s. He was not only a gifted artist, but an accomplished pianist and linguist. The novelist Henry James once remarked that London society at the turn of the century saw John Singer Sargent and his friends “…all swimming just now in a sea of music,” with Sargent being “as much a player as a painter.” The sitter of this portrait, Louise Weiland (c. 1850–1911), was brought up at the court of Dresden, Germany. She married the British singer, composer, and conductor William Shakespeare, one of Sargent’s closest friends, in 1875. Mrs. Shakespeare was best known for the musical salons she held in her London home, which brought together artists, musicians, and members of high society. She was described by her friend Eva Ducat as a quiet woman who “hid brilliant gifts under a gentle, deprecating manner.” According to Ducat, Sargent tried to capture Mrs. Shakespeare’s characteristic wistful expression by telling her sad stories as he painted her portrait. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Sargent catalogue raisonne lists a different provenance than MAG records list. C.r. notes a replica painted for another family member which has been unaccounted for since 1912-- provenance may have been mixed up between the two? --KSchauber", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2353, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2353", "Disp_Access_No" : "1975.329.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Woman Brushing Her Hair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Segal", "Sort_Artist" : "Segal, George", "Disp_Dimen" : "22 x 17 in. (55.9 x 43.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12851", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/882", "Disp_Access_No" : "1996.96", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Angna Enters Dancing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "10 5/16 x 6 1/2 in. (26.2 x 16.5 cm)", "Disp_Height" : "10 5/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "Drawing of dance/mime skit called 'Contre Danse' by performer Angna Enters. Angna Enters (ca. 1900 -1989) was known for performances that were often referred to as 'compositions in dance form' or 'episodes.' Enters used dance, mime, acting, costumes, music and sets to bring to life an array of characters from different times and foreign countries. Miss Enters was also an artist and exhibited paintings and drawings at The Memorial Art Gallery in November of 1936 and she performed in Rochester at least once in 1946. Raised in Milwaukee, Enters moved to New York City in the early 1920's, where she enrolled in a life class taught by John Sloan at the Art Students League. Enters and Sloan met again several years later after a performance she gave in 1925. Sloan, Robert Henri and others were so impressed with Enters' performance that they created a committee to promote her work as they had done decades earlier for dance legend Isadora Duncan. [Gallery label text]", "Dedication" : "Gift of Grant Holcomb and family, in honor of Jeanne Peterson Holcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Credit line changed as per Grant Holcomb''s request 1-6-2020-- he had given this drawing anonymously but wanted his name and a tribute line added. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.96_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.96_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.96_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.96_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12536", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3745", "Disp_Access_No" : "1987.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasant Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Virginia Jeffrey Smith", "Sort_Artist" : "Smith, Virginia Jeffrey", "Disp_Dimen" : "8 15/16 x 6 7/8 in. (22.7 x 17.5 cm)", "Disp_Height" : "8 15/16 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.56_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.56_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.56_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.56_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37963", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/717", "Disp_Access_No" : "1979.94", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Maureen Stapleton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "15 3/4 x 11 3/4 in. (40 x 29.8 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raphael Soyer was a prolific realist painter and printmaker whose career spanned most of the 20th century. In 1912 he immigrated to New York from Russia with his family, and the city became his muse. The actress Maureen Stapleton (1925-2006) was an artist’s model before her film career took off. In her memoirs she wrote that she “worked for Reggie [Marsh] for quite a while. He passed me off to his friend, Raphael Soyer….I was zaftig, and that’s what those guys wanted: a big, blubbery young dame.” [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Solomon K. Gross", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8845", "Disp_Access_No" : "1975.45", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Women's Bath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "8 3/4 x 9 3/16 in. (22.2 x 23.3 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Reverse copy after a drawing by Albrecht Dürer. Public baths for both men and women enjoyed great popularity in Renaissance Germany; women’s baths in particular were frequent subjects of artists like Albrecht Dürer and his followers. Images of female nudity often carried erotic overtones, as seen here in the woman at center, who gazes directly at the viewer while turning her body in a frontal pose. These depictions of the female nude sometimes carried moral and menacing messages, as they were also used to portray women as prostitutes and witches. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4996", "Disp_Access_No" : "1944.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Margaret with a Donor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vrancke van der Stockt", "Sort_Artist" : "Stockt, Vrancke van der", "Disp_Dimen" : "18 1/8 x 7 7/8 in. (46 x 20 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed. The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ. [Expanded from gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "14532", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "14533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "19342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "inhouse scan by Douglas Holleley--note: file on cd needs reorienting and cropping. Lu did both for EmbARK version. There''s another, not as good scan on the cd.", "View" : "" } , ] },{ "embark_ID" : 727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/727", "Disp_Access_No" : "1941.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 23 1/8 in. (73 x 58.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "726", "Rel_Obj_Title" : "Russell Sturgis (1750 - 1826)" } ], "Curator" : "Portrait of Elizabeth Perkins Sturgis (Mrs. Russell Sturgis), companion portrait to that of Russell Sturgis. Elizabeth Perkins Sturgis was born in Boston in 1756. Married Russell Sturgis in 1773 and died in Boston in 1843. She is dressed in a brown silk dress with black lace shawl and white fichu and is painted against an olive-grey background seated in a green brocade chair. She wears a be-ribboned, white lace cap. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4003", "Disp_Access_No" : "1999.34", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Girl Surrounded by Baskets", "Alt_Title" : "Woman in Market", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "18 7/8 x 24 1/2 in. (47.9 x 62.2 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Gouache", "Support" : "laid paper", "Disp_Medium" : "Gouache and watercolor on laid paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mildred Baker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Mexican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16079", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/730", "Disp_Access_No" : "1951.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Anne Mumford Palmer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abbott Handerson Thayer", "Sort_Artist" : "Thayer, Abbott Handerson", "Disp_Dimen" : "24 x 19 1/2 in. (61 x 49.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A vision of fresh beauty in her portrait, Anne Mumford Palmer lived a life that was hardly placid. Born to a Rochester lawyer and his wife, Palmer moved to New York City after her father became the treasurer of Western Union. She was a good friend of the distinguished American writer Henry Adams and his wife, Clover. An adventurous marriage to Englishman E. Nelson Fell included draining swamps in Florida to build a British colony called Fellsmere. Four years were spent with their three children on the Siberian steppes where Nelson Fell supervised a mining operation. When Anne Mumford Palmer, age 22, was painted by Abbott Thayer, newly returned from studying in France, her life lay ahead of her like a limitless ocean. When she sold the painting to MAG founder Emily Sibley Watson in 1930, she was nearing the end of her remarkable journey, and would die seven years later. More remains to be learned about an interesting life. [Gallery label text, 2009]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image (loaded 7/19/00) to be replaced with professional scan.", "View" : "" } , ] },{ "embark_ID" : 8488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8488", "Disp_Access_No" : "1969.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jean Hading", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : ""Actors and Actresses" series", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "12 13/16 in. (32.6 cm)", "Disp_Height" : "", "Disp_Width" : "12 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8479", "Disp_Access_No" : "1949.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Troupe de Mlle. Eglantine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 1/2 x 21 1/2 in. (62.2 x 54.6 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7498, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7498", "Disp_Access_No" : "1949.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Court Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "15 9/16 x 5 11/16 x 4 3/4 in. (39.6 x 14.5 x 12 cm)", "Disp_Height" : "15 9/16 in.", "Disp_Width" : "5 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "34670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7497", "Disp_Access_No" : "1948.90.1", "_AccNumSort1" : "", "Disp_Create_DT" : "7th century - early 8th century", "_Disp_Start_Dat" : "600", "_Disp_End_Date" : "732", "Disp_Title" : "Dancing Court Lady (one of a pair)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "9 7/16 x 3 3/8 x 3 3/8 in. (24 x 8.5 x 8.6 cm)", "Disp_Height" : "9 7/16 in.", "Disp_Width" : "3 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34648", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34649", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "34650", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "34651", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.90_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34652", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "With 48.90.2", "View" : "" } , ] },{ "embark_ID" : 7818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7818", "Disp_Access_No" : "1928.263", "_AccNumSort1" : "", "Disp_Create_DT" : "7th Century BCE - 6th Century BCE", "_Disp_Start_Dat" : "700 BCE", "_Disp_End_Date" : "501 BCE", "Disp_Title" : "Standing Female Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Cypriot", "Sort_Artist" : "Unknown, Cypriot", "Disp_Dimen" : "7 3/8 x 1 3/4 x 13/16 in. (18.7 x 4.5 x 2 cm)", "Disp_Height" : "7 3/8 in.", "Disp_Width" : "1 3/4 in.", "Dimen_Extent" : "without base", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Molded terracotta", "Info_Page_Comm" : "Terra cotta figurines for religious functions were mass-produced along the Syrian-Phoenician coast. Perhaps this is a representation of one of the Canaanite goddesses, such as Asherah, Astarte, or Anat. [Gallery label text, 1995]", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Cypriot", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per registrar''s ledger: from Tyre, Syria See Porticus article: a head from another ancient piece has been attached to the body here when the original head was broken off at some point.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.263_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.263_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.263_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.263_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25165", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6188, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6188", "Disp_Access_No" : "1928.376", "_AccNumSort1" : "", "Disp_Create_DT" : "before 3400 BCE", "_Disp_Start_Dat" : "3410 BCE", "_Disp_End_Date" : "3401 BCE", "Disp_Title" : "Figure of a Goddess of the Dancer Type", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "7 1/2 x 4 1/2 x 2 3/8 in. (19 x 11.5 x 6 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, paint", "Info_Page_Comm" : "The female figure was the most common subject of the clay figures of the Predynastic age. Simple and smooth, the primitive totemic figures were often reduced to lumps of clay with only the female features in detail. Many of these statuettes must have represented the fertility or mother-goddess. Others may have represented loved ones, servants, or dancing women who accompany the deceased to the next life. [Gallery label text, 2004] ", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Predynastic Period (ca. 5300-3000 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13939", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5007", "Disp_Access_No" : "1955.45", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Female Saint", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "31 13/16 x 10 5/8 x 8 11/16 in. (80.8 x 27 x 22 cm)", "Disp_Height" : "31 13/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census. From the same altarpiece as 55.46.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , ] },{ "embark_ID" : 5006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5006", "Disp_Access_No" : "1955.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1470-1489", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1489", "Disp_Title" : "St. Barbara", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "29 7/16 x 9 3/16 x 5 1/8 in. (74.8 x 23.4 x 13 cm)", "Disp_Height" : "29 7/16 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "without base", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gilding", "Info_Page_Comm" : "According to Christian legend, Saint Barbara was the beautiful daughter of a wealthy pagan named Dioscorus, who lived in Nicodemia (present-day Turkey) during the 3rd century. Fearful of losing Barbara to the outside world, her father kept her locked in a tower. She secretly converted to Christianity; when she told Dioscorus of her new-found faith, he reported her to the authorities. She was sentenced to torture and beheading—a decree carried out by her father himself. In Christian art, Barbara is usually shown holding the tower in which she was imprisoned and a book, which represents the teachings that led to her conversion. Here, she also wears fine clothing that represents her wealth. A purse hangs from her belt, and she wears a golden crown. This sculpture originally formed part of a larger late medieval altarpiece that included other solitary or grouped figures. Although beautifully carved, the last 500 years have taken their toll on both her appearance and structure. Old repairs have broken off or splintered, and both original and later paint and gilding are flaking, making her too unstable for continuous display. MAG staff is working to identify funds for her treatment so that she can be returned to permanent exhibition in the medieval galleries. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census. From the same altarpiece as 55.45.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "33424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "33425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , ] },{ "embark_ID" : 4136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4136", "Disp_Access_No" : "1957.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1500", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1500", "Disp_Title" : "St. Elizabeth of Hungary", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "29 5/16 x 8 7/16 x 7 1/16 in. (74.5 x 21.5 x 18 cm)", "Disp_Height" : "29 5/16 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Lindenwood", "Info_Page_Comm" : "Saint Elizabeth of Hungary was Queen of Thuringia in the early 1200s. She was an advocate of the poor and gave herself entirely to serving the hungry, weak and feeble. She distributed alms in all parts of her royal territory, even giving royal robes and ornaments to the poor. In order to care personally for the unfortunate, she built a hospital and visited the inmates daily to attend to their needs. In art, she is frequently shown carrying a loaf of bread and a jug of wine, references to her devotion to feeding the hungry. [Gallery label text, June 2013]", "Dedication" : "Bequest of Elizabeth Stebbins in memory of her mother, Elizabeth Sibley", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33560", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33561", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33562", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , ] },{ "embark_ID" : 7666, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7666", "Disp_Access_No" : "1966.14", "_AccNumSort1" : "", "Disp_Create_DT" : "323 BCE - 90 BCE", "_Disp_Start_Dat" : "323 BCE", "_Disp_End_Date" : "90 BCE", "Disp_Title" : "Figure of a Woman, Tanagra Type", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "7 7/16 x 3 1/8 x 2 3/8 in. (18.9 x 8 x 6 cm)", "Disp_Height" : "7 7/16 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "General Acquisition Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "Hellenistic Period (323-90 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.14_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "13985", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7819", "Disp_Access_No" : "1928.264", "_AccNumSort1" : "", "Disp_Create_DT" : "8th Century", "_Disp_Start_Dat" : "700", "_Disp_End_Date" : "799", "Disp_Title" : "Standing Female Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Coptic", "Sort_Artist" : "Unknown, Coptic", "Disp_Dimen" : "5 9/16 x 2 15/16 x 1 9/16 in. (14.2 x 7.5 x 4 cm)", "Disp_Height" : "5 9/16 in.", "Disp_Width" : "2 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per registrar''s ledger: from Tyre, Syria", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.264_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.264_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.264_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.264_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25161", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7803", "Disp_Access_No" : "1928.334", "_AccNumSort1" : "", "Disp_Create_DT" : "8th Century BCE", "_Disp_Start_Dat" : "800 BCE", "_Disp_End_Date" : "701 BCE", "Disp_Title" : "Standing Female Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Syrian", "Sort_Artist" : "Unknown, Syrian", "Disp_Dimen" : "3 3/4 x 13/16 x 3/8 in. (9.5 x 2.1 x 1 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "13/16 in.", "Dimen_Extent" : "overall", "Medium" : "Ivory", "Support" : "", "Disp_Medium" : "Ivory", "Info_Page_Comm" : "Syria and Palestine (Canaan) were the crossroads of the ancient world. Local artists borrowed and adapted the cultural influences of traders and traveling craftsmen, and created a composite decorative art style of great individuality. This figure, which might represent the Canaanite goddess Astarte, has thick curly hair suggestive of the wigs worn by the Egyptians. [Gallery label text, 1995]", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Syrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per registrar''s ledger: from Hama, Syria", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.334_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.334_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.334_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.334_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25162", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/824", "Disp_Access_No" : "1915.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Artist's Daughter (Marion Bridge)", "Alt_Title" : "Mrs. Ezra R. Bridge", "Obj_Title" : "The Artist's Daughter (Marion Douglas Volk Bridge, 1888-1973)", "Series_Title" : "", "Disp_Maker_1" : "Douglas Volk", "Sort_Artist" : "Volk, Douglas", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Douglas Volk was known for his portraiture. This painting of his daughter, Marion, is a nice example of his work. Volk was the son of Leonard Wells Volk, the sculptor of Life Mask and Hands of Abraham Lincoln (98.37.1-.2a-b) and Abraham Lincoln and the Emancipation Proclamation statuette (2008.29) in the collection of the Memorial Art Gallery. As the child of an artist, Douglas Volk was surrounded by art from an early age. He travelled to Paris as a young man where he studied under the academic painter, Jean-Léon Gérôme. Volk went on to have a long and distinguished career in the United States where he exhibited widely, was the recipient of numerous awards, and taught generations of artists at Cooper Union, the Art Students League, and the National Academy of Design. ", "Dedication" : "Gift of Mrs. George Dickman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer notes that donor Josephine Dickman was one of George Eastman''s art advisors.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2455", "Disp_Access_No" : "1965.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Jackie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "23 7/8 x 23 1/4 in. (60.6 x 59.1 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic and silkscreen ink on canvas", "Info_Page_Comm" : "Warhol often used an unorthodox approach to portraiture. He borrowed from media photographs of celebrities to construct an individual’s public image instead of using a brush to render an idiosyncratic artistic interpretation of a sitter’s appearance. This work is part of Warhol’s “Jackie” series, which he began shortly after the assassination of President John F. Kennedy in 1963. As the basis for the paintings, he first selected eight photographs from the mass-media coverage of the event. He then cropped the pictures to focus on the President’s widow, Jacqueline Kennedy. Warhol used a commercial silkscreen technique to produce multiple versions of his work. As Warhol described, I wanted something that gave more of an assembly line effect….With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2469", "Disp_Access_No" : "1976.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "26 x 19 1/2 in. (66 x 49.5 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.133_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.133_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.133_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.133_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2470", "Disp_Access_No" : "1976.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "22 15/16 x 17 15/16 in. (58.3 x 45.5 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph and flocking on gold paper", "Info_Page_Comm" : "William Weege was always interested in unusual and experimental textures in printmaking. For example, he has been known to adhere cut and sewn pieces of paper to his work, and to print images on objects, like records. During his early career, his work often contained political messages about war and peace. Weege was born in Milwaukee and spent most of his life in Wisconsin. He received his MA and his MFA from the University of Wisconsin at Madison and went on to teach there for most of his career. From 1968 to 1970, Weege served as the Director of the Experimental Workshop at the Smithsonian Institution, at which time he made this print. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.134_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12734", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2468", "Disp_Access_No" : "1975.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Rock of Ages Cleft for Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "23 3/4 x 40 in. (60.3 x 101.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph and lithograph with flocking on silver mylar", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 223, no.2002. Note landscape orientation in catalogue.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.315_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.315_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.315_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.315_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12993", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3767", "Disp_Access_No" : "1976.85", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Forget-Me-Not", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "10 x 7 in. (25.4 x 17.8 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Arthur S. Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Verso: watercolor study of young woman in white dress with black jacket and hat", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.85_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.85_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.85_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.85_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12472", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3310", "Disp_Access_No" : "1948.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1820", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1825", "Disp_Title" : "Deborah Leonard Holmes (Mrs. John Hendrickson Holmes, 1802-1872)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Micah Williams", "Sort_Artist" : "Williams, Micah", "Disp_Dimen" : "25 1/4 x 20 1/2 in. (64.1 x 52.1 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal over graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of T. Winspur Allen in memory of his wife, Catherine Holmes Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.72_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.72_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.72_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.72_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39649", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/776", "Disp_Access_No" : "1986.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Breaking the Pose", "Alt_Title" : "The Art Class", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Witkin", "Sort_Artist" : "Witkin, Jerome", "Disp_Dimen" : "88 x 71 in. (223.5 x 180.3 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "71 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters. Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3317", "Rel_Obj_Title" : "4th Pose Study: Lisa Pannella Posing-Preparatory Sketch for "Breaking the Pose"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3339", "Disp_Access_No" : "1995.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1922", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1927", "Disp_Title" : "Florine Stettheimer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marguerite Zorach", "Sort_Artist" : "Zorach, Marguerite", "Disp_Dimen" : "20 1/16 x 14 15/16 in. (51 x 38 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3862", "Disp_Access_No" : "1995.62.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada in Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "26 x 36 1/16 in. (66 x 91.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "36 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3868", "Disp_Access_No" : "1995.62.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "White Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 25 1/2 in. (91.4 x 64.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1978 painting by Katz. This is a portrait of the artist's wife, Ada. Like many artists before him, Alex Katz found his wife a convenient model. Having painted her face more than a hundred times, it has become an aesthetic thread woven throughout his body of work. Katz described Ada as "very malleable…a pretty girl cased in different roles." In fact, we see her throughout Katz's career as she gracefully ages from the time of their marriage in 1958 up to the current day. Despite Katz's assertion that he is interested in divesting his images of meaning, it is hard for the viewer to avoid searching for emotional content in Katz's repeated portraits of himself and his wife. In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3861", "Disp_Access_No" : "1995.62.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Orange Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "17 15/16 x 36 1/8 in. (45.6 x 91.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "36 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1988 painting by Katz. Alex Katz's artistic vision has revised what representational art looks like in the modern world. His portraits, carefully edited of extraneous detail, flattened, cropped, and blown-up to a grand scale, combine characteristics of realism and abstraction in a way that recalls the visual language and scale of advertising billboards and movies. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3866", "Disp_Access_No" : "1995.62.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada with Sun Glasses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 24 3/16 in. (91.4 x 61.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1745", "Disp_Access_No" : "1940.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Anna", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "3 3/8 x 4 7/8 in. (8.6 x 12.4 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19045", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5162", "Disp_Access_No" : "1954.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "At Court (Au Tribunal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "22 x 27 5/8 in. (55.9 x 70.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8492, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8492", "Disp_Access_No" : "1982.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "At the Café Ambassadeurs (Aux Ambassadeurs)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "19 1/16 x 15 3/16 in. (48.4 x 38.6 cm)", "Disp_Height" : "19 1/16 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph on wove paper", "Info_Page_Comm" : "From the sixth album of André Marty's "L'Estampe Original," Paris, 1894, printed by Ancourt.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8382", "Disp_Access_No" : "1948.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Female Bather, Three-Quarter Length (Baigneuse debout, a mi-jambes)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "9 3/4 x 7 7/16 in. (24.8 x 18.9 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "7 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5171", "Disp_Access_No" : "1973.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bread and Butter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Neuhuys", "Sort_Artist" : "Neuhuys, Albert", "Disp_Dimen" : "52 x 42 in. 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JPG derived from this new scan.", "View" : "" } , ] },{ "embark_ID" : 1866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1866", "Disp_Access_No" : "1986.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Christmas Belles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 3/4 in. 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(22.5 x 30.5 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19051", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/771", "Disp_Access_No" : "1971.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lemuel Wiles was a native of Perry, New York, in Wyoming County.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5218", "Disp_Access_No" : "1924.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Girl with a Tricorne (Vénitienne)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "24 3/8 x 20 in. (61.9 x 50.8 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/400", "Disp_Access_No" : "1935.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/2 x 11 in. (34.3 x 27.9 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on masonite panel", "Info_Page_Comm" : "", "Dedication" : "George L. Herdle Memorial Prize", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5067", "Disp_Access_No" : "1955.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Nymphs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.107_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.107_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.107_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.107_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5173", "Disp_Access_No" : "1934.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Guanyin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "52 x 22 1/2 in. (132.1 x 57.2 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Gray limestone with brown patina", "Info_Page_Comm" : "", "Dedication" : "Mrs. Charles H. Babcock Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15948", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6633", "Disp_Access_No" : "1991.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1895-1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1900", "Disp_Title" : "Harem Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Israel", "Sort_Artist" : "Israel, Daniel", "Disp_Dimen" : "35 1/2 x 23 1/2 in. (90.2 x 59.7 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The scene depicted here is an example of Orientalism, the portrayal of Eastern figures and scenes-both real and imagined-by western artists. This was a popular aspect of Academic painting. Here a girl tries on jewelry while an older woman, perhaps her maid, looks on approvingly. The intimate alcove of a vast, columned interior allows the artist to show his skill at rendering the patterned fabrics, such as the hanging drapery and the maid's robe, and the jewels that spill from the inlaid chest behind the girl. The 19th century provided many opportunities for artists to travel to Asia and Africa as those lands were being explored, exploited and colonized by European countries. While some paintings were anthropologically correct, based on the artists' experiences, others chose to portray the people of these faraway lands in settings and poses that demonstrated the vast perceived difference between their circumstances and Europeans'. Women, especially, were held up as object lessons of decadence and sensuality in ways Europeans would not have been. [Gallery label text, 2011]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Note in file from 8/19/91 to send the painting to (T287) to Williamstown for treatment. It also says "Let''s accession the painting with the number 91.15 -- worksheet attached to Lee''s copy of this memo for completion. mv"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.15_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26155", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 4971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4971", "Disp_Access_No" : "1951.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Harvest Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Monticelli", "Sort_Artist" : "Monticelli, Adolphe", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1838, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1838", "Disp_Access_No" : "1986.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "High Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Every Saturday," August 6, 1870", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13537", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1680", "Disp_Access_No" : "1959.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "I.R.T. Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/8 x 10 1/16 in. (33.3 x 25.6 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/553", "Disp_Access_No" : "1945.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Ice Cream Cones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 3916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3916", "Disp_Access_No" : "1999.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1912-1915", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1915", "Disp_Title" : "In the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Matulka", "Sort_Artist" : "Matulka, Jan", "Disp_Dimen" : "8 13/16 x 11 13/16 in. (22.4 x 30 cm)", "Disp_Height" : "8 13/16 in.", "Disp_Width" : "11 13/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor with graphite on wove paper", "Info_Page_Comm" : "This idyllic scene of fashionable women and children in a New York City park contrasts with the reality of Jan Matulka’s impoverished childhood as the son of an immigrant mother in the Bronx. The realist style of Matulka’s early years shifted to abstraction as he had the opportunity to travel, first through the United States and subsequently to Paris, and engage with artists like Stuart Davis, who was experimenting with modernist styles like cubism. [Label text, 2003]", "Dedication" : "In memory of F. Irving Hutchins from family and friends of Mr. and Mrs. Frank M. Hutchins and Mr. and Mrs. Mark C. Hargrave", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2459", "Disp_Access_No" : "1976.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Jacqueline Kennedy III", "Alt_Title" : "Jacqueline Kennedy III", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "canvas", "Disp_Medium" : "Serigraph on canvas", "Info_Page_Comm" : "The images that Andy Warhol used of Jacqueline Bouvier Kennedy were based on photographs by Fred War in "Life" magazine, December 6, 1963. [Gallery label text] From the portfolio "Eleven Pop Artists, Volume III" Pop Art print rotation, Post-1950 American art gallery, Jessica Marten, Assistant Curator, Oct. 3, 2011 - March 5, 2012: President John F. Kennedy was the first “television president;” he and his wife and children were regulars on our TVs, as if they were our royal family. After the President’s assassination, Warhol treated images of Jacqueline Kennedy as a popular culture commodity much like his ubiquitous Campbell Soup can. Warhol used a commercial silkscreen technique to produce his art. “I wanted something that gave more of an assembly line effect… With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy.” ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Text in Box #280.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.132_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.132_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.132_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.132_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27606", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 4947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4947", "Disp_Access_No" : "2000.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Jean 1921", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "5 5/16 x 4 1/8 in. (13.5 x 10.5 cm)", "Disp_Height" : "5 5/16 in.", "Disp_Width" : "4 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.20_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17671", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George Barlow Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "392", "Rel_Obj_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1474", "Disp_Access_No" : "1915.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "La Maternité (after Eugène Carrière)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Timothy Cole", "Sort_Artist" : "Cole, Timothy", "Disp_Dimen" : "8 3/4 x 10 3/8 in. (22.2 x 26.4 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18589", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/598", "Disp_Access_No" : "1927.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Mood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s artistic career drastically changed course after her marriage to Frank Cunningham and subsequent relocation to Rochester. Early on, she studied in New York City with Robert Henri, exhibited two paintings in the pioneering 1913 Armory Show, and continued her education in Paris. Although she continued to paint, her work consisted primarily of intimate portraits of friends and acquaintances. Marjorie Quetchenbach, one of McEnery’s friends, served as the model for this portrait. The title Mood, however, identifies the moment and personality of the sitter rather than her name. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a group of friends of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39106", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4163", "Disp_Access_No" : "2000.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Moses Soyer and Ida Soyer in the Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Burliuk", "Sort_Artist" : "Burliuk, David", "Disp_Dimen" : "11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and goauche on heavy cold press wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39102", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1952", "Disp_Access_No" : "1975.233", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Mother and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clara Klinghoffer", "Sort_Artist" : "Klinghoffer, Clara", "Disp_Dimen" : "16 3/4 x 12 7/16 in. (42.5 x 31.6 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.178 , no.1608", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.233_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.233_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.233_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.233_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37957", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10613", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mother and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lynne Feldman", "Sort_Artist" : "Feldman, Lynne", "Disp_Dimen" : "41 x 31 in. (104.1 x 78.7 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Myrtle Logan Pleune Estate", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1846", "Disp_Access_No" : "1986.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "New York Charities-St. Barnabas House, 304 Mulberry Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 1/2 in. (23.2 x 34.3 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," April 18, 1874 St. Barnabas House was located at the corner of Mulberry and Bleecker Streets in New York City. It was founded by the Episcopal Mission Society to shelter homeless women and children, in a neighborhood that was home to many poor immigrant families. [Label text, 2003]", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/401", "Disp_Access_No" : "1935.49", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Night Beauty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "20 x 17 in. (50.8 x 43.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12197", "Disp_Access_No" : "1968.59.24b", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "of light, white, sleeping women in childbed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Shahn", "Sort_Artist" : "Shahn, Ben", "Disp_Dimen" : "22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "200 portfolios were printed on Richard de Bas handmade paper, numbered 1 to 200. 750 portfolios were printed on Velin d''Arches paper numbered 201 to 950. 10 portfolios hors commerce.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.59.24b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.59.24b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.59.24b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.59.24b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1859", "Disp_Access_No" : "1986.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "On the Bluff at Long Branch, at the Bathing Hour", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," August 6, 1870", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13259", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "board", "Disp_Medium" : "Tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1381", "Disp_Access_No" : "1988.79", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "12 5/8 x 10 1/4 in. (32.1 x 26 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. John Menihan", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11374", "Disp_Access_No" : "2002.18", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Portrait of Emma Lampert Cooper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "25 11/16 x 20 1/2 in. (65.3 x 52.1 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This portrait is thought to have been painted around the time of the artist’s marriage to fellow painter Emma Lampert in 1897. Colin Campbell Cooper also painted the Gallery’s Main Street Bridge, Rochester. Emma, a Nunda native, attended Wells College in Aurora, New York, and the Art Students League. She taught at Mechanics Institute, RIT’s predecessor, in the early years of the 20th century, and was an active member of the Rochester Art Club. She and her husband were intrepid travelers, and they painted scenes throughout Europe and as far afield as India. [Gallery label text, 2004]", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4233", "Disp_Access_No" : "1977.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "Miss Sophia Hoare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Joshua Reynolds", "Sort_Artist" : "Reynolds, Joshua", "Disp_Dimen" : "36 x 28 in. (91.4 x 71.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn. The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.” [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1911 exhibition catalogue lists the sitter as Miss Sophia Hoare and says she sat for the painting in October 1782. See photocopy in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 350, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/350", "Disp_Access_No" : "1937.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1934", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1934", "Disp_Title" : "Portrait of the Duchess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufus J. Dryer", "Sort_Artist" : "Dryer, Rufus J.", "Disp_Dimen" : "39 1/4 x 32 in. (99.7 x 81.3 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rufus K. Dryer was born into a well-to-do Rochester family of politicians and businessmen. Like many aspiring artists of the day, he studied with Robert Henri in New York City. And like many free spirits of means, he soon after moved to France to pursue his career, returning home only three years before his death. Nothing is known of the pensive woman wearing a fashionable cloche and fur whom Dryer painted in tones of blue and peach against a wildly-patterned wallpaper backdrop. This canvas appeared in the artist’s memorial exhibition here at MAG in 1937, shortly after which it was presented to us as a gift from Dryer’s sister, Leora, also an artist. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Miss Leora Dryer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 1768, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1768", "Disp_Access_No" : "1940.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Red Cross Nurse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "9 3/8 x 11 3/4 in. (23.8 x 29.8 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19062", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5166", "Disp_Access_No" : "1964.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1857", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1862", "Disp_Title" : "Religious Procession", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules-Adolphe-Aimé Louis Breton", "Sort_Artist" : "Breton, Jules-Adolphe-Aimé Louis", "Disp_Dimen" : "15 x 18 in. (38.1 x 45.7 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Finigan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3690, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3690", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1838", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1843", "Disp_Title" : "Rev. and Mrs. E.M. Stewart and Their Children", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "8 9/16 x 9 3/4 in. (21.7 x 24.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6311", "Disp_Access_No" : "1994.75", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roses de Noel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Berthon", "Sort_Artist" : "Berthon, Paul", "Disp_Dimen" : "20 1/4 x 19 3/16 in. (51.5 x 48.7 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "19 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.75_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4968", "Disp_Access_No" : "1971.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rural Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Ferdinand Monchablon", "Sort_Artist" : "Monchablon, Jean Ferdinand", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Elizabeth Weis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12195, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12195", "Disp_Access_No" : "1968.59.23b", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "screams of women in labor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Shahn", "Sort_Artist" : "Shahn, Ben", "Disp_Dimen" : "22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "200 portfolios were printed on Richard de Bas handmade paper, numbered 1 to 200. 750 portfolios were printed on Velin d''Arches paper numbered 201 to 950. 10 portfolios hors commerce.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.59.23b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.59.23b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.59.23b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.59.23b_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1682", "Disp_Access_No" : "1987.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Soft Lights, Sweet Music", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "10 1/8 x 8 in. (25.7 x 20.3 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1871", "Disp_Access_No" : "1986.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "St. Valentine's Day - The Old Story in All Lands", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 9/16 x 9 in. (34.4 x 22.9 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," February 22, 1868", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13248", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8384, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8384", "Disp_Access_No" : "1983.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Standing Woman Bather (Baigneuse debout, en pied)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "For Ambroise Vollard's third "Album des Peintres-Gravures," unpublished.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.121_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.121_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.121_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.121_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13394", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2014", "Disp_Access_No" : "1975.328.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "47 3/8 x 37 5/8 in. (120.3 x 95.6 cm)", "Disp_Height" : "47 3/8 in.", "Disp_Width" : "37 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph with debossing", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, red Serigraph - light blue-green, blue Debossing", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1249", "Disp_Access_No" : "1992.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Students on the Steps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "13 1/4 x 12 7/16 in. (33.6 x 31.6 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Carl A. Talbot", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989. Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.285 , no.2584", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3891", "Disp_Access_No" : "1998.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Sunday Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "37 1/2 x 44 1/2 in. (95.3 x 113 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.” [Gallery label text, 2007] Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?" Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 1343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1343", "Disp_Access_No" : "1988.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "The Baroness Leja de Torinoff", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "13 1/4 x 11 1/8 in. (33.7 x 28.3 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. John Menihan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17648", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9053", "Disp_Access_No" : "1984.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Brawl (La Rixe) ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Felix Vallotton", "Sort_Artist" : "Vallotton, Felix", "Disp_Dimen" : "10 5/8 x 14 1/8 in. (27 x 35.9 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "14 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "General Acqusitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1346", "Disp_Access_No" : "1988.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "10 1/4 x 13 3/4 in. (26 x 34.9 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. John Menihan", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12942", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4858", "Disp_Access_No" : "1973.155", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Butterfly", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardus-Johannes Blommers", "Sort_Artist" : "Blommers, Bernardus-Johannes", "Disp_Dimen" : "16 x 19 in. (40.6 x 48.3 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.155_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.155_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.155_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.155_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. (31.8 x 45.7 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression. [Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6514", "Disp_Access_No" : "1946.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Doctor's Visit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Heerschop", "Sort_Artist" : "Heerschop, Hendrick", "Disp_Dimen" : "17 x 14 1/4 in. (43.2 x 36.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them. The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy. [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 8490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8490", "Disp_Access_No" : "1981.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 13/16 x 19 3/8 in. (63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1825", "Disp_Access_No" : "1986.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Last Load", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "4 1/2 x 6 1/2 in. (11.4 x 16.5 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," August 7, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.83_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1991.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Linen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Bonnard", "Sort_Artist" : "Bonnard, Pierre", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on board", "Info_Page_Comm" : "As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively. After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature. [Gallery label text, 1999]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1850, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1850", "Disp_Access_No" : "1986.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "The Morning Bell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 7/16 in. (23.2 x 34.1 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 7/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," December 13, 1874", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13536", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8282", "Disp_Access_No" : "1994.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "The Morphine Addict (Morphinomane)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugène Samuel Grasset", "Sort_Artist" : "Grasset, Eugène Samuel", "Disp_Dimen" : "22 5/16 x 16 13/16 in. (56.7 x 42.7 cm)", "Disp_Height" : "22 5/16 in.", "Disp_Width" : "16 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph on wove paper", "Info_Page_Comm" : "Printed by Auguste Clot", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1824", "Disp_Access_No" : "1986.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Picnic Excursion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "6 9/16 x 9 1/8 in. (16.7 x 23.2 cm)", "Disp_Height" : "6 9/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Appleton's Journal," August 14, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.84_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.84_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.84_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.84_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13556", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1184", "Disp_Access_No" : "1943.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Promenade Deck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peggy Bacon", "Sort_Artist" : "Bacon, Peggy", "Disp_Dimen" : "6 1/2 x 9 in. (16.5 x 22.9 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12916", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1369", "Disp_Access_No" : "1988.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Sand Bar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "11 1/4 x 14 in. (28.6 x 35.6 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. John Menihan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15640", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 8592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8592", "Disp_Access_No" : "1913.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Sea Monster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "9 15/16 x 7 1/2 in. (25.2 x 19 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13632", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1862", "Disp_Access_No" : "1986.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "The Summit of Mount Washington", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/16 x 16 in. 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Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 6574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6574", "Disp_Access_No" : "1936.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "The Washerwomen of Auvers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "11 3/4 x 20 3/8 in. (29.8 x 51.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5015", "Disp_Access_No" : "1945.62", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Autumn, from the Four Seasons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano", "Sort_Artist" : "Bassano, Jacopo", "Disp_Dimen" : "17 1/4 x 17 1/8 in. 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This work not found in 1891 catalogue of Hermitage Italian & Spanish paintings, although they do own Bassano''s "Winter" and "Summer"-- Zeri does not give source for this information or dates Hermitage owned. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14440", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1995.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Grey Ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "27 1/2 x 36 in. 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[Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2375", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Turning Out the Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 3/4 x 11 5/16 in. 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Because so many of the artists, among them Sloan, had difficulty exhibiting their work due to their choice of subject matter and their idiosyncratic styles, they mounted their own exhibition in 1908 at Macbeth Gallery in New York City and were subsequently referred to as The Eight. [Label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45721", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3903", "Disp_Access_No" : "1998.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "A Parisian Woman Out Walking (Une Parisienne en Promenade (Madame Duez))", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Ange Duez", "Sort_Artist" : "Duez, Ernest Ange", "Disp_Dimen" : "20 x 13 1/16 in. (50.8 x 33.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.45_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1917, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1917", "Disp_Access_No" : "1975.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Doves (after Ada Howe Kent)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. 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Shemming", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13606", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/290", "Disp_Access_No" : "1977.15", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Weaving Homespun, Canada", "Alt_Title" : "The Weavers", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "22 x 30 in. 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Stewart", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37922", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only; not for web or publication.", "View" : "" } , ] },{ "embark_ID" : 6176, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6176", "Disp_Access_No" : "1928.368", "_AccNumSort1" : "", "Disp_Create_DT" : "Before 3200 BCE", "_Disp_Start_Dat" : "3210 BCE", "_Disp_End_Date" : "3201 BCE", "Disp_Title" : "Woman and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "8 1/2 x 2 1/2 x 2 5/16 in. (21.6 x 6.3 x 5.8 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.368_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.368_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.368_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.368_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "25391", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.368_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.368_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.368_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.368_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "25392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.368_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.368_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.368_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.368_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.368_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.368_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.368_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.368_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25394", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6692", "Disp_Access_No" : "1975.120.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Women's Equality", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marisol", "Sort_Artist" : "Marisol", "Disp_Dimen" : "41 1/2 x 29 3/4 in. (105.4 x 75.6 cm)", "Disp_Height" : "41 1/2 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Lorillard, New York", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.120.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.120.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.120.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.120.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46440", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11211", "Disp_Access_No" : "3.1994L", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Portrait of Charlotte Whitney Allen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "41 3/4 x 35 3/4 in. (106 x 90.8 cm)", "Disp_Height" : "41 3/4 in.", "Disp_Width" : "35 3/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Courtesy of the David Hochstein Memorial Music School", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/3.94L_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/3.94L_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/3.94L_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/3.94L_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 5123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5123", "Disp_Access_No" : "1925.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Girl Playing Guitar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan Mestrovic", "Sort_Artist" : "Mestrovic, Ivan", "Disp_Dimen" : "18 1/2 x 10 x 6 in. (47 x 25.4 x 15.2 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In April, 1925, the Memorial Art Gallery mounted an exhibition of Mestrovic’s sculpture. Like [Gaston] Lachaise, Mestrovic created emotionally evocative work, which may have influenced the many Rochesterians who contributed funds to purchase this sculpture and two others for MAG’s permanent collection. [Gallery label text, 2005]", "Dedication" : "Gift of Helen and Margaret Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36917", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5220", "Disp_Access_No" : "1925.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1917 (cast 1925)", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan Mestrovic", "Sort_Artist" : "Mestrovic, Ivan", "Disp_Dimen" : "20 1/2 x 15 x 11 in. (52.1 x 38.1 x 27.9 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Examples of prehistoric cave painting and rock art indicate humans have always recognized the divine bond between a mother and her child. With his austere modernist figures, Ivan Mestrovic sought to capture a universal spiritual feeling. His unique style clearly affected the many Rochesterians who donated money to purchase this piece from a popular exhibition of the artist’s sculpture held at the Gallery in 1925. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Subscription fund contributed by a group of donors", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39346", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6939", "Disp_Access_No" : "1930.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1842", "_Disp_Start_Dat" : "1842", "_Disp_End_Date" : "1842", "Disp_Title" : "Adele Granger Winthrop", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Lethbridge Saunders", "Sort_Artist" : "Saunders, George Lethbridge", "Disp_Dimen" : "5 1/4 x 4 1/8 in. (13.3 x 10.5 cm)", "Disp_Height" : "5 1/4 in.", "Disp_Width" : "4 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24583", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2480", "Disp_Access_No" : "1931.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Florence Leyland", "Alt_Title" : "(E.G. Kennedy; 7th state-Mansfield)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland. Whistler’s regular visits to Speke Hall (the Leyland family’s estate near Liverpool, England) brought him into frequent contact with the children, who posed for him many times. Look for the phrase “I am Flo” to the right of the figure of Florence, the youngest, who is holding a hoop – perhaps an inside joke, a reference to the fact that there were three Leyland daughters who may have been regularly confused with each other! [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Identifying features of this state: right leg is outlined by heavy broken line; the right toe is made square, and there is new work on the left foot. Many fine diagonal lines are added to the background to the left. Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24298", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9030", "Disp_Access_No" : "1932.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "The Three Bathers, III (Les trois baignèuses, III)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "16 15/16 x 11 1/8 in. (43 x 28.3 cm)", "Disp_Height" : "16 15/16 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39065", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1543", "Disp_Access_No" : "1934.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1919-1929", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1929", "Disp_Title" : "Doorway to Illusion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "12 x 9 5/8 in. (30.5 x 24.4 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Aquatint and soft-ground etching", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.5_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18709", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1486", "Disp_Access_No" : "1935.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Mexican Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Howard Cook", "Sort_Artist" : "Cook, Howard", "Disp_Dimen" : "17 15/16 x 11 5/16 in. (45.6 x 28.7 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8376, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8376", "Disp_Access_No" : "1935.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : ""Here is the Good Goddess" ("Voici la Bonne-Déesse")", "Alt_Title" : "", "Obj_Title" : "Voici la Bonne Déesse, l'Idéenne des Montagnes", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "7 3/16 x 6 3/8 in. (18.3 x 16.2 cm)", "Disp_Height" : "7 3/16 in.", "Disp_Width" : "6 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Inspired by Gustave Flaubert's 1874 "Temptation of St. Anthony." The line from which the title is taken is "Voici la Bonne-Déesse, la idéenne des montagnes, la grande-mère de Syrie!" ("Here is the Good Goddess, the Idaean mother of the mountains, the grandmother of Syria!")", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2292", "Disp_Access_No" : "1936.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Russia", "Alt_Title" : "Russia, 1919 ", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Boardman Robinson", "Sort_Artist" : "Robinson, Boardman", "Disp_Dimen" : "17 15/16 x 12 15/16 in. (45.5 x 32.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. 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(52 x 41.2 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30127", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8762", "Disp_Access_No" : "1973.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ludwig Meidner", "Sort_Artist" : "Meidner, Ludwig", "Disp_Dimen" : "13 5/8 x 9 1/2 in. (34.6 x 24.1 cm)", "Disp_Height" : "13 5/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30134", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/274", "Disp_Access_No" : "1973.69.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Portrait of Mary Burbank (1806 - 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Cogswell", "Sort_Artist" : "Cogswell, William", "Disp_Dimen" : "46 x 35 in. (116.8 x 88.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary Goodrich Burbank, 1863 Born Dec. 28, 1806 - died July 4, 1888 (Rochester, NY) The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley. The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant. Gallery label, Feb. 2011, Colleen Piccone The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot. Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 2052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2052", "Disp_Access_No" : "1975.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Two Girls in the Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "8 1/8 x 5 15/16 in. (20.6 x 15.1 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "5 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32721", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1968", "Disp_Access_No" : "1976.113", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Big Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morton Kaish", "Sort_Artist" : "Kaish, Morton", "Disp_Dimen" : "14 x 10 in. (35.6 x 25.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.113_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.113_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.113_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.113_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31910", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2945, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2945", "Disp_Access_No" : "1977.152.230", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Back Female Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "16 1/8 x 11 7/8 in. 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Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28708", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2490", "Disp_Access_No" : "1984.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "La Rétameuse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "5 5/16 x 4 5/16 in. 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