{ "objects" : [ { "embark_ID" : 3543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3543", "Disp_Access_No" : "1977.152.139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1975", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1980", "Disp_Title" : "Trinity Church and World Trade Center, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "13 1/2 x 10 1/2 in. (34.3 x 26.7 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor and gouache with graphite on board", "Info_Page_Comm" : "Rochester artist Ralph Avery juxtaposed the World Trade Center with Trinity Church in a colorful scene painted shortly after the towers were completed in 1973. In reality, the church, a symbol of old New York (it was founded in 1696), is dwarfed by neighboring skyscrapers, but from Avery’s vantage point, the cross-topped steeple competes with the surrounding buildings for the highest point in the scene. Perhaps Avery was inserting his own point of view about the competing roles of God and Mammon in that Wall Street neighborhood. As an illustrator for magazines that were bastions of middle-class, conservative values – Saturday Evening Post and Reader’s Digest — Avery may have been expressing the publisher’s values as well. 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In 1911, Colin Campbell Cooper wrote: "Mrs. Cooper [painter Emma Lampert Cooper] says that the Main Street Bridge picture, whenever it has been shown at art exhibitions, has attracted much attention, because people are surprised that such a foreign looking place can be found in America…People always compare it with the Ponte Vecchio at Florence, which rather proves my assertion that 'any old thing' is good enough when the sun falls on it right." [Gallery label text, 2007]", "Dedication" : "Gift of Hiram W. Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17256", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17257", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17258", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17259", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17260", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17261", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R7.jpg", "IsPrimary" : "0", "_SurrogateID" : "17262", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 26.20_M1, which had no print master-- print and access images derived 8/30/12", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.20_R8.pdf", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.20_R8.pdf", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.20_R8.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/26.20_R8.pdf", "IsPrimary" : "0", "_SurrogateID" : "36573", "Image_Type" : "pdf file", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4964", "Disp_Access_No" : "1957.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1890-1899", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1899", "Disp_Title" : "Interior of a Mosque", "Alt_Title" : "Mosque at Cairo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Léon Gérôme", "Sort_Artist" : "Gérôme, Jean-Léon", "Disp_Dimen" : "23 3/8 x 35 3/8 in. (59.4 x 89.9 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "35 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An enthusiastic amateur archaeologist, Gérôme painted dozens of Eastern scenes over his long career, including a number of mosque interiors. Although the mosque seen here has not been identified, the artist was known to have travelled in Asia Minor, the Middle East, and North Africa, and it is believed that this elaborate interior is a composite, made up of details from a number of specific sites. The worshippers assume accurate postures for their devotions, from the initial upright recitation of vows to the final prostration before God. Gérôme was a firm proponent of the Academic style: he taught at the Ecole des Beaux-Arts in Paris, and won national honors and the patronage of royalty. Although his pupils had included icons of modernism such as Fernand Leger and Everett Shinn, Gérôme was initially opposed to any challenges to the supremacy of the Academy. In the face of increasing opposition to his conservative viewpoint, he declared that the work of the Impressionists was “insipid and badly executed.” [Gallery label text, 2011]", "Dedication" : "Gift of Mr. and Mrs. F. Harper Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38927", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency", "View" : "" } , ] },{ "embark_ID" : 1691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1691", "Disp_Access_No" : "1972.91", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1971", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1976", "Disp_Title" : "Brownstone Stoops", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Gray", "Sort_Artist" : "Gray, Nancy", "Disp_Dimen" : "36 13/16 x 26 1/4 in. 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(60.3 x 45.1 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.243_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.243_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.243_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.243_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39124", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2033", "Disp_Access_No" : "1931.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Brooklyn Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "15 7/8 x 11 3/8 in. (40.3 x 28.9 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Lozowick emphasized the Brooklyn Bridge’s verticality by his dramatic treatment of the cable lines. Also, in the juxtaposition of the human forms with the bridge’s monumental tower, the impact of its sheer mass is heightened. The Brooklyn Bridge opened on May 24, 1883, after thirteen tumultuous years of work to complete the plan originated by John Roebling. It fulfilled the prediction that he offered in his original proposal: "The contemplated work, when constructed in accordance with my design, will not only be the greatest bridge in existence, but it will be the great engineering work of the Continent and of the age. Its most conspicuous feature - the great towers - will serve as landmarks to the adjoining cities, and they will be entitled to be ranked as national monuments. As a great work of art, and a successful specimen of advanced bridge engineering, the structure will forever testify to the energy, enterprise, and wealth of that community which shall secure its erection." [Label text, 2003]", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.25_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.25_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.25_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.25_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2200", "Disp_Access_No" : "1917.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1916-1917", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1917", "Disp_Title" : "Balloon Shed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "18 3/8 x 24 in. 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(44.5 x 48.3 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Black ink with brush and graphite", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.40_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14586", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2201", "Disp_Access_No" : "1947.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "The Bridge at Hell Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "10 3/8 x 12 15/16 in. (26.4 x 32.9 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14574", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3282", "Disp_Access_No" : "1974.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Ballet Mechanique", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "10 1/2 x 10 1/4 in. (26.7 x 26 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "image", "Medium" : "Conte crayon", "Support" : "paper", "Disp_Medium" : "Conte crayon ", "Info_Page_Comm" : "In 1927, Charles Sheeler was commissioned to photograph Henry Ford’s River Rouge car factory outside Detroit to advertise the company’s new Model A car. Ford’s innovations in the assembly line were celebrated for their efficiency, productivity, and ability to produce low-cost consumer goods. Yet the dark underside to this progress was unbearable, dehumanizing work conditions. <em>Ballet Mechanique</em>, based on a photo from Sheeler’s Ford factory series, is a tightly-cropped scene of an industrial system of pipes and metal. By isolating the sleek machinery from actual labor, Sheeler elevates the loud, hot, dangerous factory environment to a cool, sleek, abstract vision of modernity. Sheeler’s style, Precisionism, was a celebration of the technological sublime with its crisp, pure form and industrial themes. Of American artists in the early years of the 1900s, Charles Sheeler made one of the most dramatic breaks from the traditional assumption that beauty could be found in nature alone. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012]", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.96_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.96_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.96_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.96_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12464", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans.", "View" : "" } , ] },{ "embark_ID" : 701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/701", "Disp_Access_No" : "1974.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Catastrophe #1", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "4 1/2 x 5 3/4 in. (11.4 x 14.6 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "wove paper", "Disp_Medium" : "Tempera on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter Iselin and his sister, Emilie I. Wiggin, New York", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13232", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "1974.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Totems in Steel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "3 11/16 x 5 1/8 in. (9.4 x 13 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache ", "Info_Page_Comm" : "This image of a New York City construction site is based on a film still from Charles Sheeler’s 1920 film collaboration with photographer Paul Strand, <em>Manhatta</em>. In the ten-minute film, the artists track the dynamism of Manhattan through the course of a day, focusing on the unique pulse and geometry of the city’s machinery, vehicles, and architecture. <em>Manhatta</em> provided Sheeler with numerous images from which he later painted. The title of this painting, <em>Totems in Steel</em>, frames modern engineering, industry, and architecture in quasi-religious terms. Sheeler wrote, “In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.94_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.94_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.94_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.94_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 3751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3751", "Disp_Access_No" : "1939.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1944", "Disp_Title" : "Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harwood Steiger", "Sort_Artist" : "Steiger, Harwood", "Disp_Dimen" : "18 1/2 x 24 in. (47 x 61 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "Harwood Steiger, a master of the watercolor medium, lived for many years in Fairport, NY. Steiger’s industrial landscape is a ramshackle vision. The title, <em>Fungus</em>, implies Steiger’s impression of industry as a growing blight on the landscape. However, the almost-comical characterizations suggest a more harmless than threatening presence. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Acquired by exchange through the generosity of Fannie Benjamin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3896, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3896", "Disp_Access_No" : "1998.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "Interior of a Gothic Church", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Vredeman de Vries", "Sort_Artist" : "Vries, Paul Vredeman de", "Disp_Dimen" : "21 3/4 x 28 in. (55.2 x 71.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Paul Vredeman de Vries' "Interior of a Gothic Church" is a remarkable example of early architectural painting, a genre that was an integral response of 16th and 17th century Flemish painters to Italian Renaissance art and architecture. The artist was trained by and worked with his father, Hans Vredeman de Vries, the author of "Scenographiae, sive perspectiva" (1560). This influential treatise served as pattern-book for architectural painters and introduced two of their most common subjects: the palace court with views through arcades and archways, and the extended view down the center of an imaginary church. In this painting, Paul Vredeman de Vries' use of linear perspective, tonal rather than bright colors, and realistic effects of light and atmosphere give the viewer the sensation of being in the interior of the church rather than seeing it from a distance. His meticulous attention to details such as the painted altarpiece on the left, the open doorways on the right and left, and the baptismal font in the center suggest that he has painted the interior of an actual rather than imaginary church. He does, however, make at least one step into the imaginary: he has embedded his signature in the tombstone at the far left of the painting and the date in the tombstone left of center. [Gallery label text, 2000]", "Dedication" : "Gift of Constance Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20701", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After cleaning. On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 3764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3764", "Disp_Access_No" : "1969.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Barn Pattern", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "18 1/8 x 29 5/8 in. (46 x 75.3 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "watercolor board", "Disp_Medium" : "Watercolor and graphite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16058", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2487", "Disp_Access_No" : "1948.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "The Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 9/16 x 7 15/16 in. (29.4 x 20.2 cm)", "Disp_Height" : "11 9/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24294", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 773, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/773", "Disp_Access_No" : "1973.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "View of the Pitkin House and East Avenue", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson", "Sort_Artist" : "Willson, Charles", "Disp_Dimen" : "20 3/8 x 30 1/4 in. (51.8 x 76.8 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The building that currently is the Boy Scout headquarters – 474 East Avenue, near Prince Street – was formerly a private home. It was originally built for William Pitkin, a druggist who became banker, mayor of the city, and married Sophia Rochester, daughter of Rochester’s founder. After the Pitkins moved closer to downtown (legend says that Sophia missed living near her parents, who lived on Spring Street – East Avenue was considered out in the country in those days), the home became the residence of Daniel Powers, self-made millionaire. In 1906, a third story was added to the building. [Gallery label text, 2007] ", "Dedication" : "Gift of Maurice R. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Also known as the Gilman Perkins House", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17283", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17284", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17285", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17287", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of scene", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20954", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11950, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11950", "Disp_Access_No" : "2003.72", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Along The Meuse River France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. 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[Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4286", "Disp_Access_No" : "1997.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1856-1858", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1858", "Disp_Title" : "Eitai Bridge, Tsukuda Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "100 Views of Edo", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "14 1/2 x 9 15/16 in. 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Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R18.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R18.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R18.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R18.jpg", "IsPrimary" : "0", "_SurrogateID" : "28051", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. 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"The Notch of the White Mountains" (National Gallery of Art) was commissioned by Lord as a companion piece in 1839.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12447", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/287", "Disp_Access_No" : "1994.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Main Street Bridge from the North", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "5 3/16 x 8 9/16 in. (13.2 x 21.7 cm)", "Disp_Height" : "5 3/16 in.", "Disp_Width" : "8 9/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Fred Bennett Fund", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R7.jpg", "IsPrimary" : "0", "_SurrogateID" : "17350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17352", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17355", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_R6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_R6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_R6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_R6.jpg", "IsPrimary" : "0", "_SurrogateID" : "17356", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17665", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/630", "Disp_Access_No" : "1981.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Memorial Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl W. Peters", "Sort_Artist" : "Peters, Carl W.", "Disp_Dimen" : "36 x 40 in. (91.4 x 101.6 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "One of Rochester's most picturesque river crossings is the Veterans' Memorial Bridge (Ridge Road), completed in 1931. In this painting, Carl Peters records the complex engineering systems that were used to build the bridge's series of seven granite-faced concrete arches. Most likely, his vantage point was the steep west bank of the Genesee River, whose green waters flow far below; work has been completed on both sides of the river but the bridge is still lacking its large central span. On the bridge is a dedicatory plaque donated by World War I Gold Star Mothers - women who lost sons in World War I. At the dedication, the president of the group said: Great bridges across flowing waters are indicative of the continual labors of life. In the very presence of continual change, they seem to connect the past with the present, even as they connect the East with the West, the North with the South... [Gallery label text, 2009]", "Dedication" : "Gift of Mr. and Mrs. Edwin S. Wiitala in memory of Dr. and Mrs. Charles R. 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(55.8 x 71.1 cm)", "Disp_Height" : "21 15/16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Title is taken from Memorial Exhibition. George Herdle was one of the most versatile and influential leaders of Rochester’s arts community around the turn of the twentieth century. In addition to being a fine landscape painter, he was president of the Rochester Art Club for nearly two decades and, in 1913, he became the first director of the Memorial Art Gallery of the University of Rochester. Herdle’s legacy is visible in the building and collections that surround you, as well as in the tradition of connoisseurship and artistic vitality that he transmitted to his two daughters, Gertrude Herdle Moore and Isabel C. Herdle. Gertrude took over at the Gallery as director after her father’s untimely death, and Isabel worked by her side as curator and associate director for many years. The family was honored by the naming of the Herdle Fountain Court on the second floor of the Gallery. [Gallery label text, 2007]", "Dedication" : "Gift of Gertrude Herdle Moore and Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38897", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/exhibitview1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/exhibitview1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/exhibitview1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/exhibitview1.tif", "IsPrimary" : "0", "_SurrogateID" : "47757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7205", "Disp_Access_No" : "1949.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "The Red Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Schmidt-Rottluff", "Sort_Artist" : "Schmidt-Rottluff, Karl", "Disp_Dimen" : "18 3/4 x 23 3/4 in. (47.6 x 60.3 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "23 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "An inscription on the reverse locates this bridge in Regenwalde.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14715", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4979", "Disp_Access_No" : "1973.151", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Stream", "Alt_Title" : "Bridge and Stream (from MAG label on backing board)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Thaulow", "Sort_Artist" : "Thaulow, Fritz", "Disp_Dimen" : "23 3/4 x 28 3/4 in. (60.3 x 73 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thaulow spent much time painting in France. This scene probably represents Manéhouville, a village on the Schie River near Dieppe in Normandy. A friend of many of the Impressionists, although he did not experiment with colors of light as they did, Thaulow convinced Claude Monet to visit Norway one winter to paint the snow. [Gallery label text, 1999] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Norwegian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.151_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.151_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.151_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.151_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26146", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 3551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3551", "Disp_Access_No" : "1988.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "The Upper Falls, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "22 3/16 x 30 3/16 in. (56.3 x 76.7 cm)", "Disp_Height" : "22 3/16 in.", "Disp_Width" : "30 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, gouache and graphite ", "Info_Page_Comm" : "", "Dedication" : "Gift of R.T. French Company", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.26_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.26_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.26_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.26_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/747", "Disp_Access_No" : "1916.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The White Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Twachtman", "Sort_Artist" : "Twachtman, John Henry", "Disp_Dimen" : "30 1/4 x 25 1/8 in. (76.8 x 63.8 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism, a radically modern style upon its inception in France in the 1860s, came late to American shores. The Impressionist artist sought to capture impressions of light, color, and shape in a spontaneous way. [Gallery label text, 2007] John Twachtman’s finest paintings were inspired by the beauty of the land on which he lived with his family. Located in Greenwich, Connecticut, the picturesque property included a portion of Horseneck Brook, across which Twachtman built an ornamental but functional footbridge. Here, his children swam in the summer and rowed their boat beneath the bridge’s arched deck. The bridge may have been inspired by similar structures in Venice, where the artist lived in the 1880s and 90s. Twachtman was one of America’s premier impressionist painters and a founding member of the Ten American Painters, a group that included Thomas Dewing and William Merritt Chase, artists whose works are also on view at MAG. The White Bridge’s bright colors, energetic brushwork, and light-filled canvas link Twachtman’s work with that of French impressionist Claude Monet. [Gallery label text, 2004]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8746", "Disp_Access_No" : "1990.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1553", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1553", "Disp_Title" : "Town on a River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hanns Lautensack", "Sort_Artist" : "Lautensack, Hanns", "Disp_Dimen" : "4 11/16 x 6 3/4 in. (11.9 x 17.1 cm)", "Disp_Height" : "4 11/16 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2132", "Disp_Access_No" : "1947.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Tween the Gloaming and the Mirk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Nimmo Moran", "Sort_Artist" : "Moran, Mary Nimmo", "Disp_Dimen" : "7 3/4 x 11 9/16 in. (19.7 x 29.4 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 9/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching, roulette, sandpaper and drypoint", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.91_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.91_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.91_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.91_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13614", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4132", "Disp_Access_No" : "1953.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Waterloo Bridge, Veiled Sun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 1/2 x 39 1/4 in. (64.8 x 99.7 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "39 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monet loved London for its fog. During his 1901 visit to the city, he attempted to capture the evanescent effects of its misty climate in a series of views of Waterloo Bridge under varying conditions. Each time the light and weather shifted, he began a new canvas or returned to the one that recorded that particular atmosphere. Monet did not complete the paintings in London. He perfected them in his studio in France over the next three years. Thus, this painting records not only the artist's immediate response to the scene, but also his memory of it. [Gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.6_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.6_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.6_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.6_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "45619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 160620 Mixed Images.", "View" : "" } , ] },{ "embark_ID" : 4946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4946", "Disp_Access_No" : "2000.26", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weigh Lock on the Erie Canal, Rochester, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Seth C. Jones", "Sort_Artist" : "Jones, Seth C.", "Disp_Dimen" : "8 7/16 x 11 1/4 in. (21.5 x 28.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor, gouache and graphite on wove paper", "Info_Page_Comm" : "The weigh lock was built in 1852 and replaced by the subway in 1922.", "Dedication" : "Gift of Isabel C. Herdle in tribute to Blake McKelvey, City Historian, 1948-1973", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14708", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of similar weigh lock building in Syracuse NY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of similar weigh lock building in Syracuse NY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of similar weigh lock building in Syracuse NY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of lock", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.26_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.26_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.26_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.26_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of similar weigh lock building in Syracuse NY", "View" : "" } , ] },{ "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Image is 800ppi but only 2.5 x 3.5". Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 6183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6183", "Disp_Access_No" : "1921.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Persian", "Sort_Artist" : "Unknown, Persian", "Disp_Dimen" : "7 1/2 x 7 1/4 x 1 1/4 in. (19.1 x 18.4 x 3.2 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "7 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic ", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Cady Hews Allen", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/21.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/21.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/21.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/21.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24680", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "During the small object inventory of 2007, there was some confusion between the object in this photo and the object photo now in embark for 21.2. The object in this photo was found with the number 21.1 painted on the back of the tile in red. The object photographed as 21.2 and now identified as such in embark was found with the number 21.2 painted on the back in red. See Marks record in embark and paper object file for more information. Jessica Marten, Assistant Curator 9/27/07 ", "View" : "" } , ] },{ "embark_ID" : 5177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5177", "Disp_Access_No" : "1936.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Stele with Taoist Deity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "21 x 13 x 5 3/4 in. (53.3 x 33 x 14.6 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Thomas L. James", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Song Dynasty (960-1279 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14699", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7633", "Disp_Access_No" : "1936.54", "_AccNumSort1" : "", "Disp_Create_DT" : "4th century BCE", "_Disp_Start_Dat" : "400 BCE", "_Disp_End_Date" : "301 BCE", "Disp_Title" : "Grave Stele", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "27 15/16 x 18 3/4 x 3 3/4 in. (71 x 47.7 x 9.5 cm)", "Disp_Height" : "27 15/16 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "without base", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Pentelic marble", "Info_Page_Comm" : "This gravestone depicts the classic Greek funerary image of the dexiosis, or handshake, between a husband and wife. This motif either refers to a final farewell or is symbolic of a couple reunited in death. Athenian workshops probably mass produced these gravestones, which were then transported to other areas and inscribed with the names of the deceased at the time of purchase. On this stele, the names Kleitomache and Eumachos appear above the heads of the figures. [Gallery label text, 2009]", "Dedication" : "Helen Barrett Montgomery Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Greek", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.54_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.54_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.54_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.54_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "29007", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Detail of clasped hands", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.54_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.54_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.54_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.54_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29008", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.54_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.54_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.54_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.54_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36302", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Not suitable for publication-- no color bars in original shot", "View" : "" } , ] },{ "embark_ID" : 8127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8127", "Disp_Access_No" : "1942.2", "_AccNumSort1" : "", "Disp_Create_DT" : "3rd century", "_Disp_Start_Dat" : "200", "_Disp_End_Date" : "299", "Disp_Title" : "Mosaic Floor Panel with Head of Tethys", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "50 1/4 x 82 1/16 x 2 7/16 in. (127.7 x 208.5 x 6.2 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "82 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, stone, glass", "Info_Page_Comm" : "This mosaic depicting the head of Tethys, a Greek goddess of the sea, was discovered in 1939 in the ruins of Daphne, a wealthy suburb of Antioch. Tethys may have been a special patron of Antioch, a wealthy and diverse seaside city located in Syria but founded by settlers from a variety of nations. Antioch’s central location on the coast of the Mediterranean, easily reached from Europe, Africa, and the Middle East, made it a crossroads of cultures, religions, and languages. Seleucus I, one of Alexander the Great’s former generals, founded Antioch on the Orontes River around 300 BCE. Settled by Macedonians, Athenians, and Jews, it maintained its reputation as a sophisticated and multi-ethnic city for centuries. At its peak, Antioch was the third largest city in the world, behind only Rome and Alexandria. Rome annexed Antioch in 64 BCE and made it the Syrian provincial capital. Despite a sequence of political upheavals and repeated catastrophic earthquakes, Antioch and its suburbs remained luxuriant and lively, drawing from the best of the eastern and western worlds. The goddess Tethys, a figure from Greek legend, was also revered by the Roman citizens of Antioch. Born of Gaea, the earth deity, and Uranus, the god of the sky, Tethys was the wife of the sea god Oceanus, whose mythical river encircled the earth. She controlled the distribution of water throughout the streams of the world. She is often depicted with wings on her brow, possibly representing the winds that drove rainclouds. In 1939, an archaeological excavation in the area of Antioch uncovered the Tethys mosaic. It had been part of a floor in an opulent Roman-era villa in the luxurious resort town of Daphne. This mosaic was one of more than three hundred pavements discovered in the vicinity. They featured scenes of the gods, animals including fish and birds, and repeating decorative ornament. The Memorial Art Gallery purchased the Tethys mosaic from Princeton University, one of seven institutions participating in the project. The excavations ended soon thereafter, as World War II destabilized the region. The province of Hatay, which includes Antioch and Daphne, is now part of northern Turkey. Mosaics are designs made from tesserae, small pieces of colored stone or glass, embedded into a flat, prepared surface of damp concrete-like material. Although mosaics were first made before 1500 BCE, the Romans elevated the Greek art of mosaic, creating intricate patterns to cover floors of private homes as well as public buildings throughout the Empire. [Gallery label text, 2009]", "Dedication" : "University of Rochester Appropriation for the C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Mosaic", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12673", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.2_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.2_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.2_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.2_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "37667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image of the mosaic in situ, prior to removal, courtesy of the Antioch Archive, Department of Art and Archaeology, Princeton University.", "View" : "" } , ] },{ "embark_ID" : 8129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8129", "Disp_Access_No" : "1942.3", "_AccNumSort1" : "", "Disp_Create_DT" : "3rd century", "_Disp_Start_Dat" : "200", "_Disp_End_Date" : "299", "Disp_Title" : "Mosaic Floor Panel with Birds and Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "47 x 61 1/2 in. (119.4 x 156.2 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "61 1/2 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, stone, glass", "Info_Page_Comm" : "", "Dedication" : "University of Rochester Appropriation for the C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Mosaic", "Creation_Place2" : "Syrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12674", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5178, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5178", "Disp_Access_No" : "1942.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1-299 CE", "_Disp_Start_Dat" : "1", "_Disp_End_Date" : "299", "Disp_Title" : "Tomb Tile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "18 7/16 x 52 5/16 in. (46.9 x 132.8 cm)", "Disp_Height" : "18 7/16 in.", "Disp_Width" : "52 5/16 in.", "Dimen_Extent" : "without mount", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta with impressed designs in red and white pigment", "Info_Page_Comm" : "Probably from the Henan province of central China.", "Dedication" : "Gift of C. T. Loo", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Eastern Han Dynasty (25-220 CE)", "Style" : "", "Edition" : "", "Curator" : "The tiger, representing the west, and the phoenix, representing the south, are two of the Chinese guardian spirits based on the constellations. Horses were thought to carry the soul to heaven after death. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14701", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.16_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "14702", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.16_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.16_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.16_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.16_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "14703", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5110", "Disp_Access_No" : "1942.52", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1150-1200", "_Disp_Start_Dat" : "1150", "_Disp_End_Date" : "1200", "Disp_Title" : "Head of an Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "25 11/16 x 21 9/16 x 2 3/8 in. (65.2 x 54.7 x 6 cm)", "Disp_Height" : "25 11/16 in.", "Disp_Width" : "21 9/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass, stone, glazed ceramic", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Mosaic", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Correspondence with Vladimir Simkhovitch in the curatorial file (letter of Sept 29.1942) states that this piece was exhibited at the opening of the Medieval Hall of the Pennsylvania Museum [now Philadelphia Museum of Art]; he presumably refers to the medieval period rooms which were opened in 1931, but no verification of this could be found. He also says that it was exhibited at the Century Club [now Century Assoc''n, NY], but gives no dates. -- KSchauber, Curatorial Research Assistant 11/10", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.52_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.52_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.52_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.52_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.52_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.52_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.52_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.52_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7805", "Disp_Access_No" : "1942.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1330 BCE", "_Disp_Start_Dat" : "1335 BCE", "_Disp_End_Date" : "1325 BCE", "Disp_Title" : "Standing Figure of the Finance Minister Maya", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "33 9/16 x 11 in. (85.2 x 28 cm)", "Disp_Height" : "33 9/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "without mount", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "The inscription identifies this relief as belonging to the tomb of Maya, the son of Iwy and Werit. Maya, the Overseer of the Royal Treasury who served the pharaohs Tutankhamun, Aya and Horemhab, also supervised the preparation of the tombs of Tutankhamun and Ay in the Valley of the Kings. An inscription from another part of the tomb, now in Liverpool, England, tells us that Tutankhamun himself ordered Maya to journey from Aswan, a city in the south, to the shores of the Mediterranean. His instructions were to levy taxes in order to establish offerings for all the gods of Egypt. In this relief, Maya is shown wearing an elaborate wig, the individual curls of which are tied at their ends. His facial features are distinctive, particularly his aquiline nose and strong chin. His accessories include two collars of disk beads that represent the “gold of honor.” Pharaohs of the period gave this type of collar to distinguished administrators as a reward for their service. Richard Lepsius, a famous German Egyptologist, studied the tomb of Maya during the 1900s. He and his team published drawings that place the Gallery’s relief on the exterior south side of the entrance to the antechamber of the tomb. [Excerpted from gallery label text, 2004]", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "New Kingdom, Dynasty 18 (1550-1295 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.55_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.55_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.55_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.55_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "29014", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.55_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.55_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.55_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.55_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "29015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 7811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7811", "Disp_Access_No" : "1944.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 650 BCE-330 BCE", "_Disp_Start_Dat" : "650 BCE", "_Disp_End_Date" : "330 BCE", "Disp_Title" : "Tribute Bearer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Persian", "Sort_Artist" : "Unknown, Persian", "Disp_Dimen" : "22 5/8 x 12 5/8 in. (57.5 x 32 cm)", "Disp_Height" : "22 5/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "without mount", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "The Tribute Bearer, shown wearing a typical Persian costume and ascending a staircase with his offering, was one of hundreds of brightly-painted stone relief sculptures on the palace walls and stairways of Persepolis, the spiritual center of the Achaemenid Empire. The figure represents one of 23 tribute-bearing delegations from all parts of the Empire that arrived at Persepolis for the annual spring New Year’s festival. [Gallery label text, 2009] ", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29016", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image modified in Photoshop by Andy Olenick to minimize contrast of filled crack perpendicular to right edge. On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 7801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7801", "Disp_Access_No" : "1944.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 865 BCE-860 BCE", "_Disp_Start_Dat" : "865 BCE", "_Disp_End_Date" : "860 BCE", "Disp_Title" : "Winged Genius", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Assyrian", "Sort_Artist" : "Unknown, Assyrian", "Disp_Dimen" : "33 3/8 x 29 1/8 x 2 1/2 in. (84.7 x 73.9 x 6.4 cm)", "Disp_Height" : "33 3/8 in.", "Disp_Width" : "29 1/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster", "Info_Page_Comm" : "This mythical guardian figure, called a Genius, wears a two-horned helmet and fringed garment and carries a double-handled dagger, all attributes of his divine nature. His hands gesture protectively toward a flowering tree, just visible at the right edge of the sculpture. This relief, once brightly painted, is a fragment from the Northwest palace built by the Assyrian king Ashirnasirpal II (883—859 BCE) in his capital city at Kalhu, now the Iraqi city of Nimrud. Dozens of huge stone slabs carved with scenes of human and divine figures decorated the palace walls. [Gallery label text, 2009] This relief is a fragment of a larger composition of similar figures that once decorated one of the palaces of King Ashurnasirpal II, who ruled Assyria from 883 to 859 BCE. He established his capital at Kalhu, now the Iraqi city of Nimrud. Carved in a technique typical of Assyrian bas-reliefs, with contours deeply channeled to make them discernible in diffuse light, the figure’s facial features and musculature are carefully modeled. The hair and garments are also carved in detail, enhancing the decorative effect that the Assyrians favored in such reliefs. The wings and the two-horned helmet worn by the figure, called a Genius, are attributes of his divinity. That he is a protective deity is implied by his gesture toward the tree form, which suggests the care of a farmer for planted crops. The palmettes of a tree behind the figure’s right foot separated this figure from a similar one, now in the Vatican Museum in Rome, facing in the opposite direction. The motif of tending to these tree forms appears on many of the more than 315 Assyrian reliefs in collections outside of Nimrud, and is believed to represent an act that was part of ritual ceremonies. While such ceremonies remain unexplained, their frequent representation in palace reliefs suggests their importance to Assyrian court life. "I, Ashurnasirpal, the king whose glory is mighty, took Kalhu and changed its ancient mound… A palace of boxwood, mulberry, cedar, cypress, pistachio, tamarisk, and poplar… for my royal dwelling and for my lordly pleasure I founded therein, I adorned and made glorious.” King Ashurnasirpal II, who ruled Assyria from 883-859 BCE, so described the founding of his new capital city at Kalhu (modern-day Nimrud) on the banks of the Tigris River. Ashurnasirpal’s most elaborate project was the construction of the Northwest Palace, which included state apartments, a throne room, administrative offices, a harem and a tomb. Built during his reign and completed by his successors, the palace was decorated with huge stone slabs that were carved with scenes of figures in relief and inscribed with a record of important events during Ashurnasirpal’s reign. The Gallery’s relief, Winged Genius, probably comes from this palace. [Gallery label text, 2004] ", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Assyrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per John Stearns of Dartmouth, this panel came from the Northwest Palace of Assurnasirpal II, the left half of the upper register of Room I; the right half of the panel is in the Vatican Museum. Deaccessioned from Cleveland Museum of Art in 1944 due to space considerations (see letter in curatorial file). --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.10_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.10_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.10_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.10_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29017", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Digitally manipulated by Andy Olenick to combine photos to get an even distribution of lighting. On disk 1, 090330", "View" : "" } , ] },{ "embark_ID" : 5001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5001", "Disp_Access_No" : "1949.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1384 - 1390", "_Disp_Start_Dat" : "1384", "_Disp_End_Date" : "1390", "Disp_Title" : "Mourner's Niche from the Tomb of Philip the Bold", "Alt_Title" : "Tomb Niche", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean de Marville", "Sort_Artist" : "Marville, Jean de", "Disp_Dimen" : "28 9/16 x 13 1/16 x 9 in. (72.5 x 33.2 x 22.9 cm)", "Disp_Height" : "28 9/16 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble, gilding", "Info_Page_Comm" : "This sculpture was originally part of the tomb of Philip the Bold, who was the ruler of the Netherlands and regent of France until his death in 1404. Forty mourning figures, called pleurants, form a procession around the base of the tomb. Each is placed in an arcade characterized by gothic architectural forms. The gisants, or funerary statues, of the Duke and his wife rest on top of the tomb. The tomb of Philip the Bold, originally in the Carthusian monastery of Champmol at Dijon, France, was destroyed in the French Revolution. Many of the surviving fragments, including the top of this arcade, were salvaged and then sold to collectors. The tomb was extensively restored from 1818 to 1823 and now stands in the Museum of Fine Arts in Dijon. [Gallery label text, June 2013]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.51_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.51_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.51_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.51_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Not suitable for publication-- no color bars in original shot", "View" : "" } , ] },{ "embark_ID" : 1085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1085", "Disp_Access_No" : "1951.309", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane Eagle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "12 x 17 1/2 in. (30.5 x 44.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Typical example of an early American weathervane with the initials of the farmer or perhaps the farmer-whittler, on the arrow shaft.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.309_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.309_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.309_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.309_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13858", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1087", "Disp_Access_No" : "1954.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Rooster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "14 1/2 x 21 in. (36.8 x 53.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in Manchester, New York, but probably from New Jersey.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 5332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5332", "Disp_Access_No" : "1967.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 859", "_Disp_Start_Dat" : "854", "_Disp_End_Date" : "864", "Disp_Title" : "Stela No. 9: Two Dancing Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Maya", "Sort_Artist" : "Unknown, Maya", "Disp_Dimen" : "51 x 37 x 7 in. (129.5 x 94 x 17.8 cm)", "Disp_Height" : "51 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "A stela is a sculpted stone monument with carved figures and inscriptions. The Maya often placed stela before temple or palace entrances. The one on view here was found at the portal of the main group of buildings in the Maya site of Oxkintok, Mexico by archaeologists from the Carnegie Institution of Washington in 1940. A 1940 excavation photograph (click on "view all images" above) shows the Gallery’s largely intact stela in the location where it was unearthed. This photo also shows that since its excavation in 1940 and before it was purchased by the museum in 1967, the stela suffered damage by unknown hands. The fragment of the upper panel visible in this photo was broken off and is now missing. Also damaged were the glyphs (Maya writing) between the knees of the figures, which lost some of their surface carving. What remains of the stela shows two elaborately dressed dancing figures who face each other. Three bands of glyphs are visible: the long horizontal band along the top, a vertical row between their faces and one horizontal row between their knees. The horizontal row of glyphs across the top contains the date of October 9, 859 CE. Both smaller rows are now badly abraded and difficult to identify, but the first two glyphs in the short vertical row between the figures may identify the name of the individual standing on the left as “White Jaguar.” This figure is a youthful ruler or noble, possibly in the guise of one of the legendary “Hero-Twins” who in Maya mythology traveled to the Underworld to overcome its lords. The figure on the right has been identified as God N (Pauahtun), one of the principal Maya lords of the Underworld or region of the dead. He wears feathers on his arms and carries a codex, or folding-screen book, of bark paper with a jaguar-pelt cover. Below Pauahtun is a bowl or basket containing unidentifiable objects. The upper panel that was attached to the stela in the 1940 excavation photo may have depicted an elaborately dressed dancing ruler in the world of the living as a counterpoint to the Underworld scene visible here. 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Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "26 1/16 x 40 1/8 in. (66.2 x 101.9 cm)", "Disp_Height" : "26 1/16 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds donated by Frank J. Goodwin in memory of John C. 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Dewey Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3529", "Disp_Access_No" : "1977.152.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jonathan Child House, South Washington Street, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "10 1/4 x 13 3/16 in. (26 x 33.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache with graphite on paper", "Info_Page_Comm" : "This 1837 “Greek Revival” mansion is actually designed in the style of a Roman temple, with large Corinthian columns defining the front façade. Like innumerable structures found across the U.S., it represents the American fondness for adopting classical architecture styles for important buildings of political power and prestige. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6008", "Disp_Access_No" : "1986.108", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Landscape with Cottage and Hay-barn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "5 5/16 x 12 13/16 in. (13.5 x 32.5 cm)", "Disp_Height" : "5 5/16 in.", "Disp_Width" : "12 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "Although Rembrandt is best known for his portraits and biblical scenes, he also excelled as a landscape artist. In this etching, his dexterous attention to detail in the close-up view of this remote cottage and haybarn is visually reinforced by the contrasting hazy, distant portrayal of the surrounding landscape. The city of Amsterdam, identifiable by its church towers, appears at a far distance in the left background. On the right side of the etching, Rembrandt has included an image of the Castle Kostverloren, a well-known landmark along the Amstel River. Although both the city and the castle would have been easily recognized by the artist’s contemporaries, neither can be seen from a single viewpoint. As was often the case with Dutch landscape artists during the 1600s, here Rembrandt created an imaginary setting for the subject of his etching, but one composed of sites that would have been familiar to his audience. [Gallery label text]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.108_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.108_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.108_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.108_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18258", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5033", "Disp_Access_No" : "1946.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1620 (?)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos de Momper", "Sort_Artist" : "Momper, Joos de", "Disp_Dimen" : "18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2100, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2100", "Disp_Access_No" : "1986.99", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1944", "Disp_Title" : "Leon's House", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "7 7/8 x 10 7/8 in. (20 x 27.6 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "10 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.99_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12927", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11946", "Disp_Access_No" : "2003.67", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Many Houses on Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "8 1/4 x 12 1/16 in. (21 x 30.6 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "12 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11955", "Disp_Access_No" : "2003.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Montferrand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "12 9/16 x 8 7/16 in. (31.9 x 21.5 cm)", "Disp_Height" : "12 9/16 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11947", "Disp_Access_No" : "2003.68", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Moonlight, War Torn Buildings", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "9 x 13 3/4 in. (22.8 x 35 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.68_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.68_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.68_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.68_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18797", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4978", "Disp_Access_No" : "1946.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Moonlight: The Artist's House at Gerberoy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Eugène-Augustin Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri-Eugène-Augustin", "Disp_Dimen" : "25 1/4 x 32 in. (64.1 x 81.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "About the time this work was painted, Le Sidaner's art was compared by a French critic with the music of his countryman and exact contemporary Claude Debussy. The painting's subtle, almost monochromatic coloring, with daubing brushstrokes creating a soft, flickering play of light over surfaces, is certain reminiscent of Debussy's dappled tonal effects. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. William R. Taylor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonné (Yann Farinaux-Le Sidaner, 1989) says this painting was made in 1903; but 1974 Musée de la Ville de Dunkerque catalogue indicates artist didn''t buy this cottage until 1904.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11960", "Disp_Access_No" : "2003.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Nevers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "12 3/8 x 8 1/2 in. (31.5 x 21.6 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.83_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18807", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9395", "Disp_Access_No" : "1951.90", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Nightfall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alice D. Laughlin", "Sort_Artist" : "Laughlin, Alice D.", "Disp_Dimen" : "3 5/8 x 4 7/16 in. 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[Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. 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(17.3 x 16.5 x 2.4 cm)", "Disp_Height" : "6 13/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic with over-glazed painting", "Info_Page_Comm" : "Unearthed on the site of a private bath in Hamadan, 1918.", "Dedication" : "Gift of Mrs. Cady Hews Allen", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Persian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/21.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/21.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/21.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/21.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24723", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "During the small object inventory of 2007, there was some confusion between the object in this photo and the object photo now in embark for 21.1. The object in this photo was found with the number 21.2 painted on the back of the tile in red. The object photographed as 21.1 and now identified as such in embark was found with the number 21.1 painted on the back in red. See Marks record in embark and paper object file for more information. Jessica Marten, Assistant Curator 9/27/07. Please note that the Master scan is incorrectly labelled with 21.1 on it. ", "View" : "" } , ] },{ "embark_ID" : 8964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8964", "Disp_Access_No" : "1996.88", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "The Cherry Tree in Kawagoe", "Alt_Title" : "", "Obj_Title" : "The Cherry Tree in Kawagoe from Eight Scenes of Cherry Blossoms", "Series_Title" : "", "Disp_Maker_1" : "Yoshida Hiroshi", "Sort_Artist" : "Yoshida Hiroshi", "Disp_Dimen" : "15 1/2 x 10 1/2 in. (39.3 x 26.6 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut with applied watercolor", "Info_Page_Comm" : "Yoshida Hiroshi was a leading figure in the shin-hanga, or “new print,” movement after the end of the Meiji period in 1912. He was primarily a painter until his late 40s, when he became fascinated with woodblock printing. Although his subject matter—as here, temples, landscapes, and cherry blossoms—was often reliant on that of the earlier ukiyo-e, or “floating world,” print, Yoshida departed from tradition in his working technique. Unlike ukiyo-e artists, who followed the customary strict division of labor between designer, carver and printer, Yoshida was closely involved in all parts of the printmaking process, including the design of the key blocks, choice of colors and supervision of the printmakers. Occasionally, he carved the printing blocks himself. Yoshida traveled throughout the world and was an avid mountain climber. These interests are reflected in the subject matter of his prints, which include images of alpine scenes, the Sphinx, the Taj Mahal and Mount Rainier. His work was extremely popular with Western collectors; he was one of the only shin-hanga artists to sign and title his prints in English. [Gallery label text, 2006]", "Dedication" : "Gift of Clark Fellers", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "presence of Jizuri seal and pencil signature identifies this as an original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.88_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.88_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.88_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.88_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16700", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1752", "Disp_Access_No" : "1940.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "The Campus and Library, Andover, N.H.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "9 7/8 x 6 7/8 in. (25.1 x 17.5 cm)", "Disp_Height" : "9 7/8 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19049", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1588, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1588", "Disp_Access_No" : "1941.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Piazzo San Marco", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Duveneck", "Sort_Artist" : "Duveneck, Frank", "Disp_Dimen" : "13 3/8 x 10 15/16 in. (34 x 27.8 cm)", "Disp_Height" : "13 3/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: Fine early proof before the face of the boy at extreme left is darkened and before additional work in sky. Print Collection Bulletin, Vol. III, no. 2, p. 6 (Knoedler)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4527", "Disp_Access_No" : "1941.8", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Chartres", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Young Cameron", "Sort_Artist" : "Cameron, David Young", "Disp_Dimen" : "12 1/2 x 8 3/16 in. (31.8 x 20.8 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "8 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: R-327X (Knoedler)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4528", "Disp_Access_No" : "1941.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Damme", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Young Cameron", "Sort_Artist" : "Cameron, David Young", "Disp_Dimen" : "11 1/2 x 8 1/8 in. 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Render catalogue no. 397 (Knoedler)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32616", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4529", "Disp_Access_No" : "1941.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "The Crucifix, St. Maclou, Rouen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Young Cameron", "Sort_Artist" : "Cameron, David Young", "Disp_Dimen" : "14 11/16 x 9 1/16 in. (37.3 x 23 cm)", "Disp_Height" : "14 11/16 in.", "Disp_Width" : "9 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: R-271 III", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32617", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7760, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7760", "Disp_Access_No" : "1949.16.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sculptured Pilaster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "34 1/4 in. (87 cm)", "Disp_Height" : "34 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.16.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.16.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.16.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.16.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30677", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary- not for print or web", "View" : "" } , ] },{ "embark_ID" : 2182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2182", "Disp_Access_No" : "1959.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tour la Collander", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Orr", "Sort_Artist" : "Orr, Louis", "Disp_Dimen" : "17 3/16 x 7 5/8 in. 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