{ "objects" : [ { "embark_ID" : 202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/202", "Disp_Access_No" : "1978.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Night Before the Battle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Henry Beard", "Sort_Artist" : "Beard, James Henry", "Disp_Dimen" : "30 1/2 x 44 1/2 in. (77.5 x 113 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "James Beard had first-hand experience as a captain in the Union army during the Civil War. This painting, completed in the year the war ended, is a dramatic statement about the ever-present possibility of death on the battlefield. [Gallery label text, 2007] Were it not for details like the skeleton keeping vigil behind the cannon, the cruciform composition of the flag draped over the sleeping soldier, and the scattered playing cards suggestive of luck and chance, this painting would be a simple narrative about the Civil War. However, such potent symbolism imbues the work with layers of spiritual significance. Perhaps the reminders of death and sacrifice that the artist included in his masterful painting emerged from his firsthand experience in the Union Army during the Civil War. The meticulously selected and carefully arranged details attest to the poignancy of the soldiers' situation and contrast with the implied violence that will occur on the morrow. [Gallery label text]", "Dedication" : "Gift of Dr. Ronald M. Lawrence", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "New access image derived by Lu Harper from Master scan", "View" : "" } , ] },{ "embark_ID" : 5065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5065", "Disp_Access_No" : "1950.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Venus and Cupid", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François Boucher", "Sort_Artist" : "Boucher, François", "Disp_Dimen" : "15 7/8 x 12 5/8 in. (40.3 x 32.1 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rococo, from the French word rocaille (rockwork or shell), was an 18th century decorative style that reacted against the classical tradition of the Academy and instead stressed color, light, movement, and a frank pleasure in living. The easy flowing brushwork and the luminous colors show the influence of Rubens. As a rococo painter, François Boucher worked primarily in the service of Madame de Pompadour, mistress to Louis XV. His paintings satisfied the taste of a sophisticated public which was sensitive to the most subtle relations of color and liked pictures hung on the light paneling of even the smallest room. This intimate painting of "Venus and Cupid," with its sensuously modeled nudes, embodies the French 18th century tendency to transform the Baroque style into one of more delicate elaboration and elegance. An 18th-century engraving, which P. Aveline made after the painting, is inscribed "F. Boucher pinxit." [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painting has been cut down and relined onto a new canvas and stretcher, so only the picture itself is original.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43849", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , ] },{ "embark_ID" : 4131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4131", "Disp_Access_No" : "1984.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Alt_Title" : "", "Obj_Title" : "Cleopatra Captured by Roman Soldiers after the Death of Mark Antony", "Series_Title" : "", "Disp_Maker_1" : "Bernard Duvivier", "Sort_Artist" : "Duvivier, Bernard", "Disp_Dimen" : "45 x 58 in. (114.3 x 147.3 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Duvivier received his initial training in Bruges and then moved to Paris, where he assimilated the severe Neoclassical style perfected by Jacques-Louis David. In this early work, Duvivier combined the poses of several antique statues to illustrate an episode recounted in Plutarch's "Life of Mark Anthony." Following Anthony's suicide, a Roman soldier attempts to forestall the Egyptian queen's own death by promising that Octavian Caesar will show her clemency. The subtle, glowing colors, precise attention to detail, and impeccable draughtsmanship presage the artist's occasional work as a miniaturist. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4785", "Disp_Access_No" : "1983.10", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Vertumnus and Pomona", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Govaert Flinck", "Sort_Artist" : "Flinck, Govaert", "Disp_Dimen" : "38 1/4 x 45 1/4 in. (97.2 x 114.9 cm)", "Disp_Height" : "38 1/4 in.", "Disp_Width" : "45 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting illustrates a myth from Ovid’s Metamorphosis. Pomona, a nymph who presided over gardens and fruit trees, had taken a vow of chastity and therefore rejected the advances of all suitors. Vertumnus, the Roman deity of orchards, persisted nonetheless. To gain her affections he disguised himself as a fisherman, a soldier, a peasant, and finally as an old woman. Flinck was a student and follower of Rembrandt, so much so that the styles of the two artists were often confused. Flinck’s skill brought him enviable social and economic rewards and eventually he was honored with a commission to create twelve paintings for the civic hall of Amsterdam. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. and Mrs. Frank W. Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6560", "Disp_Access_No" : "1961.27", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1625", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1635", "Disp_Title" : "Ulysses Landing on the Island of the Phaeacians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "67 x 99 in. (170.2 x 251.5 cm)", "Disp_Height" : "67 in.", "Disp_Width" : "99 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The monumental painting “Ulysses Landing on the Island of the Phaeacians” was inspired by a passage in Book 6 of Homer’s “Odyssey” in which the shipwrecked hero swims to safety and finds refuge from the stormy sea on an unknown shore. Arriving at night, he falls asleep between two trees and at dawn is awakened by the playful shouts of the princess Nausicaa and her attendants. Rubens has depicted the moment when Odysseus emerges to ask for food and shelter. The action occurs in the foreground of the canvas; the landscape is rich in terrestrial detail and is filled with a variety of atmospheric effects. Rubens is often considered the most versatile and influential Baroque artist of 17th century northern Europe. Highly educated, his knowledge of Classical art and literature was thorough and complex. In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy. [Gallery label text]", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "21430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A9.jpg", "IsPrimary" : "0", "_SurrogateID" : "21433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.27_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.27_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.27_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.27_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "21446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5058", "Disp_Access_No" : "1972.75", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630-1640", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "The Fox and the Heron", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Snyders and workshop", "Sort_Artist" : "Snyders, Frans", "Disp_Dimen" : "47 1/8 x 61 1/4 in. (119.7 x 155.6 cm)", "Disp_Height" : "47 1/8 in.", "Disp_Width" : "61 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Monumental and decorative animal painting developed in Antwerp in the 17th century in the immediate circle of Rubens. Snyders, whose workshop was famous for this type of work, often also collaborated on the animals, flowers, and fruit in his friend Rubens's paintings. The rendering of materials such as the fur of the fox, the plumage of the bird, and the transparency of the glass jar add to the interest in texture. "The Fox and the Heron" is a story from Aesop's Fables. In the background, the fox invites the heron for dinner and offers only a bowl of soup, impossible for the heron to eat. In the foreground, the heron in turn invites the fox. Dinner is served in a long-necked glass jar and the fox can only lick the outside. Moral: One bad turn deserves another! [Gallery label text, August 1996]", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "29171", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1995 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.75_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.75_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.75_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.75_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "30877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Related image from National Museum, Stockholm", "View" : "" } , ] },{ "embark_ID" : 6921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6921", "Disp_Access_No" : "1928.75", "_AccNumSort1" : "", "Disp_Create_DT" : "before 79 CE", "_Disp_Start_Dat" : "69", "_Disp_End_Date" : "78", "Disp_Title" : "Fresco Fragment with Cupid Holding a Mask ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Roman", "Sort_Artist" : "Unknown, Roman", "Disp_Dimen" : "8 1/16 x 5 3/16 x 3/4 in. (20.4 x 13.1 x 1.9 cm)", "Disp_Height" : "8 1/16 in.", "Disp_Width" : "5 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Paint", "Support" : "plaster", "Disp_Medium" : "Paint on plaster", "Info_Page_Comm" : "", "Dedication" : "The C. Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Roman", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "At time of 1977 University of Michigan exhibition, MAG provided the venue with a date for this piece of 63-79 AD, but it is unclear where such precise dating came from. Nothing in the file previously specifies a date other than "first century." --KSchauber, Curatorial Research Ass''t Per registrar''s ledger: from a decorated wall in Pompeii", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4784, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4784", "Disp_Access_No" : "1983.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1900", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1900", "Disp_Title" : "Rama, Sita and Lakshmana Return to Ayodhya", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Indian", "Sort_Artist" : "Unknown, Indian", "Disp_Dimen" : "11 1/4 x 17 15/16 in. (28.6 x 45.6 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor, ink, silver and gold paint on paper", "Info_Page_Comm" : "This painting shows a scene at the end of the epic Indian poem, The Ramayana. Rama and Lakshmana have saved Sita and they all fly home on the aerial chariot Pushpaka to see Rama crowned king of Ayodhya. They ride with twenty-three million monkeys and bears who helped them defeat the demon king Ravana. When Ravana asked Brahma to make him indestructible to gods and demons, he underestimated the power of ordinary men and animals, who became his downfall after his abduction of Rama's wife, Sita.", "Dedication" : "Gift of Helen H. Reiff in memory of Robert F. Reiff", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Indian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5187", "Disp_Access_No" : "1963.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1500-1699", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1699", "Disp_Title" : "Arhat Handaka", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Korean", "Sort_Artist" : "Unknown, Korean", "Disp_Dimen" : "59 3/4 x 30 11/16 in. (151.8 x 77.9 cm)", "Disp_Height" : "59 3/4 in.", "Disp_Width" : "30 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Ink", "Support" : "board", "Disp_Medium" : "Ink and color on coarse silk mounted on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Stanley Dye", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Korean", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15986", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6895", "Disp_Access_No" : "1963.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Momotaro and Devils in Procession (hand scroll)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Katsushika Hokusai", "Sort_Artist" : "Katsushika Hokusai", "Disp_Dimen" : "12 1/8 x 110 1/4 in. 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DiStasio", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.21_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.21_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.21_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.21_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33977", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.21_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.21_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.21_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.21_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33978", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.21_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.21_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.21_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.21_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33979", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.21_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.21_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.21_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.21_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "33980", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/439", "Disp_Access_No" : "1976.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1916", "Disp_Title" : "Spring", "Alt_Title" : "From the Garden", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Webster Hawthorne", "Sort_Artist" : "Hawthorne, Charles Webster", "Disp_Dimen" : "39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4996", "Disp_Access_No" : "1944.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Margaret with a Donor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vrancke van der Stockt", "Sort_Artist" : "Stockt, Vrancke van der", "Disp_Dimen" : "18 1/8 x 7 7/8 in. (46 x 20 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed. The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ. [Expanded from gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "14532", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "14533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "19342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "inhouse scan by Douglas Holleley--note: file on cd needs reorienting and cropping. Lu did both for EmbARK version. There''s another, not as good scan on the cd.", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "1926.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1647", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1647", "Disp_Title" : "St. Jerome in the Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Adriaensz. van Staveren", "Sort_Artist" : "Staveren, Jan Adriaensz. van", "Disp_Dimen" : "19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert. This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert. [Gallery label text, 2005] St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life. [Excerpted from gallery label text] ", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25724", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 6636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6636", "Disp_Access_No" : "1943.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1350-1400", "_Disp_Start_Dat" : "1350", "_Disp_End_Date" : "1400", "Disp_Title" : "The Annunciation to Zacharias", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the Urbino Coronation", "Sort_Artist" : "Master of the Urbino Coronation", "Disp_Dimen" : "69 1/2 x 53 5/8 x 1 5/8 in. (176.5 x 136.2 x 4.1 cm)", "Disp_Height" : "69 1/2 in.", "Disp_Width" : "53 5/8 in.", "Dimen_Extent" : "with frame", "Medium" : "", "Support" : "canvas", "Disp_Medium" : "Fresco transferred to canvas", "Info_Page_Comm" : "This painting was once part of a cycle of frescoes in the church of Santa Lucia in Fabriano, a town northeast of Rome. The series probably depicted the story of the life of Saint John the Baptist, who, according to Christian tradition, was the precursor of Christ. The subject, taken from the first chapter of the gospel book of Luke, presents the vision of the aged Zacharias as he officiates at the altar of incense and learns from the Angel Gabriel that his wife Elizabeth, although “well stricken in years,” is to bear a son, John, who will “make ready a people” for the coming of the Lord. The crowds, who “waited…and marveled,” are at the right, dressed in the style of Florence during the 1300s. The pointed turban of the middle figure indicates that he is Jewish. The kneeling figure at the left is probably the donor of the painting. This painting was removed from the wall in the 1800s and has since been remounted on canvas. It has been connected to two others from the same church, The Crucifixion in the Museum of Fine Arts, Boston, and The Birth of John the Baptist in the Galleria Nazionale, Rome. [Gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "19341", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #2", "View" : "" } , ] }, ] }