{ "objects" : [ { "embark_ID" : 892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/892", "Disp_Access_No" : "1979.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Eva May", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Darryl Abraham", "Sort_Artist" : "Abraham, Darryl", "Disp_Dimen" : "12 1/2 x 20 1/2 x 12 1/2 in. (31.8 x 52.1 x 31.8 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "20 1/2 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not photographed during inventory 6/13/11 due to plexi case", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/893", "Disp_Access_No" : "1975.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dancing Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Adkins", "Sort_Artist" : "Adkins, Paul", "Disp_Dimen" : "52 1/2 in. (133.4 cm)", "Disp_Height" : "52 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Polymer", "Support" : "", "Disp_Medium" : "Polymer resin", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The medium is based on the medium used by the artist for other works, but further analysis of the sculpture is needed.", "Images": [ ] },{ "embark_ID" : 894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/894", "Disp_Access_No" : "1971.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "September 26", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Alexander", "Sort_Artist" : "Alexander, Peter", "Disp_Dimen" : "90 x 40 in. (228.6 x 101.6 cm)", "Disp_Height" : "90 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Polyester Resin", "Support" : "", "Disp_Medium" : "Polyester Resin", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/897", "Disp_Access_No" : "1986.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grey Barnard", "Sort_Artist" : "Barnard, George Grey", "Disp_Dimen" : "21 x 11 7/8 x 14 7/16 in. (53.3 x 30.2 x 36.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/915", "Disp_Access_No" : "1995.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Cones (9)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonathan Bonner", "Sort_Artist" : "Bonner, Jonathan", "Disp_Dimen" : "30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Copper", "Support" : "", "Disp_Medium" : "Copper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Joseph A. Chazan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/918", "Disp_Access_No" : "1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Knights and Flag", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Judith S. Brown", "Sort_Artist" : "Brown, Judith S.", "Disp_Dimen" : "26 x 23 in. (66 x 58.4 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Steel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist, dedicated to Marjorie Bache Menden, sister of Mrs. Maurice R. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/921", "Disp_Access_No" : "1964.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Very Flat", "Alt_Title" : "Flat Cat", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "19 x 5 1/2 x 1 1/2 in. (48.3 x 14 x 3.8 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Oak", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Donor retained possession during lifetime (d. 4/24/78)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/922", "Disp_Access_No" : "1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Untitled Standing Mobile", "Alt_Title" : "Untitled Mobile", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "105 1/2 x 72 x 41 in. (268 x 182.9 x 104.1 cm)", "Disp_Height" : "105 1/2 in.", "Disp_Width" : "72 in.", "Dimen_Extent" : "overall", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron, steel and paint", "Info_Page_Comm" : "Alexander Calder was one of the most important and influential sculptors of the twentieth century. He is best known for his mobiles, kinetic or moving sculptures usually painted in black and the primary colors of red, yellow, and blue. Calder’s sculptures delight people of all ages for their charm, whimsy, and grace. If this mobile, with its rather bulky counter-weight, seems less graceful than some of Calder’s others, it may be because it is one of the earliest of his mobiles made for the outdoors. Created in 1935 of iron rather than the artist’s typical sheet metal, it is a very rare and relatively large early example. Soon after this, Calder would work in metal far less frequently. As the U.S. geared up for the World War II effort, metal became a very scarce material. This sculpture was given to the Memorial Art Gallery by Charlotte Whitney Allen, who commissioned it in 1934 for her garden on Oliver Street in Rochester. [Summer 2015]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Parts labelled individually January 2016: A=yellow and blue disks; B=red disk; C=white disk; D=black counter-weight; E=pyramid-shaped base", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "12418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Mobile in original location, June 17, 2000", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "from Sets-Rochester 12/7/1934, Photo sent to Mrs. Allen by Calder with proposal for "object" for garden (this model not built)", "View" : "" } , ] },{ "embark_ID" : 923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/923", "Disp_Access_No" : "1968.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : ""Happy Birthday" Mobile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass wire and cotton string", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21358", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/926", "Disp_Access_No" : "1988.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Dr. Caligari", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "92 1/2 x 31 1/2 x 26 1/2 in. (235 x 80 x 67.3 cm)", "Disp_Height" : "92 1/2 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Support" : "", "Disp_Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Info_Page_Comm" : "Dr. Caligari is among a series of thirteen clocks that Wendell Castle created in the 1980s. He made them at the suggestion of his dealer, who urged him to create a body of work that would challenge the critics’ association of Castle with functional furniture. Castle was particularly interested in the concept of time, and Dr. Caligari is a fanciful exploration of time travel. Its tall case is rich with connections to traditional grandfather clocks. It suggests either a trip to the past in an ancient obelisk, or to the future, in a rocket ship. The title of the work was inspired by the angular set design of the 1920 German Expressionist film, The Cabinet of Dr. Caligari. The clock’s painted interior was intended to suggest the silent horror film’s unsettling mood. Castle and his longtime associate Don Sottile developed a smearing technique using India ink over gesso that gave the painted finish its distinctive feathered edges. [Summer 2015]", "Dedication" : "Given in honor of Joan M. Vanden Brul by her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency, clock silhouetted out from background by Andy Olenick", "View" : "" } , ] },{ "embark_ID" : 927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/927", "Disp_Access_No" : "1991.6.1-.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Library Sculpture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "89 1/2 x 78 x 64 in. (227.3 x 198.1 x 162.6 cm)", "Disp_Height" : "89 1/2 in.", "Disp_Width" : "78 in.", "Dimen_Extent" : "overall", "Medium" : "Walnut", "Support" : "", "Disp_Medium" : "Walnut with leather and raccoon fur cushions", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Allen Macomber", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1a-c Desk with two connecting seats and central pillar containing light fixture. .2: Stool .3-.5: Leather and raccoon fur seat cushions.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.6.1-.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.6.1-.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.6.1-.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.6.1-.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35814", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color adjusted from 91.6.1-.5_P1 to reduce pink tones. Exists only in TIF and JPG formats.", "View" : "" } , ] },{ "embark_ID" : 934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/934", "Disp_Access_No" : "1967.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Side View Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "7 x 5 1/2 x 5 1/4 in. (17.8 x 14 x 13.3 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Printer's ink", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31835", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31836", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/936", "Disp_Access_No" : "1964.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Ceremonial Desert Form", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Norman Daly", "Sort_Artist" : "Daly, Norman", "Disp_Dimen" : "18 x 8 x 2 in. (45.7 x 20.3 x 5.1 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Decades ago, one of the prizes awarded at the Rochester-Finger Lakes Exhibition was a one-person show the following year. Norman Daly, a professor of art at Cornell University, received that honor in 1963 and this double-faced marble tablet was purchased for the permanent collection. It prefigures Daly’s greatest achievement: his invention, in 1972, of an entire civilization and an exhibition based on artifacts supposedly excavated from its ruins. Always interested in the art produced by ancient cultures, Daly created fragments of wall paintings, votives, tools, weapons, jewelry, and other objects from the mythical civilization of Llhuros, many of which resembled our double-sided Ceremonial Desert Form. The upward-reaching figure is a recurrent motif in his work. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Unclear which side is "front" vs. "back"", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.4_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "39459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Unclear which side is "front" vs. "back"", "View" : "" } , ] },{ "embark_ID" : 940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/940", "Disp_Access_No" : "1975.333.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Rainbow Faucet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "4 3/4 x 5 in. (12.1 x 12.7 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Aluminum", "Support" : "", "Disp_Medium" : "Cast aluminum and paint", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31841", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/942", "Disp_Access_No" : "1970.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Edmondson", "Sort_Artist" : "Edmondson, William", "Disp_Dimen" : "4 x 8 1/4 x 13 1/2 in. (10.2 x 21 x 34.3 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Sandstone", "Support" : "", "Disp_Medium" : "Carved sandstone", "Info_Page_Comm" : "William Edmondson was a self-taught sculptor from Tennessee, who claimed that God told him to start sculpting. He transformed blocks of stone into his ‘critters’, including this elegant dove. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/944", "Disp_Access_No" : "1941.19", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Assyrian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "12 in. (30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "", "Dedication" : "Art Patrons' Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.19_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 945, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/945", "Disp_Access_No" : "1948.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lear", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "11 1/2 x 12 1/2 in. (29.2 x 31.8 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Belgian black marble", "Support" : "", "Disp_Medium" : "Belgian black marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. William E. Sloan", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28652", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/946", "Disp_Access_No" : "1949.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Provider", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "4 1/2 x 6 x 12 in. (11.4 x 15.2 x 30.5 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "William Ehrich became a major contributor to the art community in western New York after arriving in Buffalo from Europe in 1929. He established a successful sculpting career despite the onset of the Great Depression, and taught both ceramics and sculpture at Memorial Art Gallery and the University of Rochester. MAG owns 13 Ehrich sculptures; The Provider showcases the closed-form, simplified, and idealized style of early modernism. The lamb may have held special significance to Ehrich, who was a practicing Methodist. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28654", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/953", "Disp_Access_No" : "1974.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "The Fawn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John B. Flannagan", "Sort_Artist" : "Flannagan, John B.", "Disp_Dimen" : "15 1/2 x 12 x 11 in. (39.4 x 30.5 x 27.9 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Granite", "Support" : "", "Disp_Medium" : "Granite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12460", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/960", "Disp_Access_No" : "1996.43", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "Centaur with Pipes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dimitri Hadzi", "Sort_Artist" : "Hadzi, Dimitri", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/963", "Disp_Access_No" : "1975.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Go", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Duayne Hatchett", "Sort_Artist" : "Hatchett, Duayne", "Disp_Dimen" : "96 x 111 x 84 in. (243.8 x 281.9 x 213.4 cm)", "Disp_Height" : "96 in.", "Disp_Width" : "111 in.", "Dimen_Extent" : "", "Medium" : "Aluminum plate and Plexiglas", "Support" : "", "Disp_Medium" : "Aluminum plate and Plexiglas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund and Gift of the Artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15789", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/964", "Disp_Access_No" : "1996.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Altar Bowl with Weapon Artifact #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Hirsch", "Sort_Artist" : "Hirsch, Richard", "Disp_Dimen" : "35 x 35 x 23 in. (88.9 x 88.9 x 58.4 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Raku-fired earthenware with low-fired glazes and lacquers", "Info_Page_Comm" : "For three decades a professor at RIT’s School for American Crafts, Richard Hirsch is one of the acknowledged masters of contemporary ceramic art. His own collection of Asian ritual containers and stone tools inspired the series from which this piece comes. The forms hint at ritual sacrifice or other kinds of human ceremonies, while the surfaces allude to ancient weathered stone and bronze. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Purchased by the friends and family of Robert W. and Judith-Ellen Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17122", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society. [Gallery label text, 2005] ", "Dedication" : "Gift of the friends and family of Margaret M. McDonald", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/968", "Disp_Access_No" : "1938.3", "_AccNumSort1" : "", "Disp_Create_DT" : "before 3/10/23", "_Disp_Start_Dat" : "2/8/2023", "_Disp_End_Date" : "3/9/2023", "Disp_Title" : "Monkey and Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "5 1/2 x 3 3/4 in. (14 x 9.5 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40233", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/973", "Disp_Access_No" : "1996.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Emergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Jurs", "Sort_Artist" : "Jurs, Nancy", "Disp_Dimen" : "88 x 30 x 24 in. (223.5 x 76.2 x 61 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Robert D. Hursh", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.9.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.9.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.9.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.9.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom." Catalogue raisonne says only 5 figures in nickel-plated edition", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/981", "Disp_Access_No" : "1964.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Woman", "Alt_Title" : "Pudeur", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons. [Gallery label text, 2005]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36929", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/982", "Disp_Access_No" : "1967.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Portrait Statuette of Mrs. J. Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century. The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Photo of plaster version of this figure is held at Beinecke Library, Yale University. See disk in curatorial file. Virginia Budny notes that this work is referenced in Lachaise''s unpublished typescript for his photo album: "No. 81, Portrait statuette of Mrs. J. Sibley Watson Jr. 1924; Two bronze copies bought by Mrs. Watson, one to be delivered. [annotation in pen by Lachaise: plaster model studio.]"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_R1.png", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_R1.png", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_R1.png", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_R1.png", "IsPrimary" : "0", "_SurrogateID" : "53396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Gift of Anastasia Watson. Original in Archives, Hist Box 5 File 3 Item 3. Photo is by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25584", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 11/1/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Gaston Lachaise with life-sized and reduced models for the sculpture, scanned from photo in photo album of Anastasia Watson 2/17/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in MAG Archives Hist Box 5 File 3, Item 1", "View" : "" } , ] },{ "embark_ID" : 983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/983", "Disp_Access_No" : "1973.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Urling Sibley Iselin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "17 in. (43.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster and paint", "Info_Page_Comm" : "Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons. ", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Virginia Budny notes that Lachaise dated the model for this piece 1925; photos of the model in clay or Plasticine date to 1925. He noted that he delivered the marble in 1927, and it was included in a New York exhibition in 1927. The work is listed as no. 100 in Lachaise''s unpublished typescript manuscript for his photo album. "To be carved in marble. Plaster model in Studio." [added in Lachaise''s hand: "Delivered in marble 1927."]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15898", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/985", "Disp_Access_No" : "1977.189", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Nude", "Alt_Title" : "Woman; Hautaine", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.189_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.189_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.189_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.189_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36933", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/986", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11). [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "39595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Watson, in MAG Archives Hist Box 5 File 3 Item 1. Photo by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in archives, Medium Box 31 Item 5D. Photo may be by Dr. James Sibley Watson, Jr.", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hilton Kramer, author of "The Sculpture of Gaston Lachaise" (New York, Eakins Press Publishers, 1967) said "Lachaise created numerous reclining ''Mountain'' figures in varying sizes in stone and bronze - the first in 1913, the last and largest at the end of his life."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15903", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/996", "Disp_Access_No" : "1975.333.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Sunrise", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "8 1/2 x 11 x 1 in. (21.6 x 27.9 x 2.5 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "overall", "Medium" : "Enamel", "Support" : "metal", "Disp_Medium" : "Enamel on metal", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "31842", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 999, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/999", "Disp_Access_No" : "1955.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Study for Benediction I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Lipchitz", "Sort_Artist" : "Lipchitz, Jacques", "Disp_Dimen" : "8 x 8 in. (20.3 x 20.3 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1015", "Disp_Access_No" : "1975.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Mountain Piece", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Morris", "Sort_Artist" : "Morris, Hilda", "Disp_Dimen" : "60 x 60 x 48 in. (152.4 x 152.4 x 121.9 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3213", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," I" },{ "Rel_Obj_ID" : "3214", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," II" },{ "Rel_Obj_ID" : "3215", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," III" },{ "Rel_Obj_ID" : "3216", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," IV" },{ "Rel_Obj_ID" : "3217", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," V" },{ "Rel_Obj_ID" : "3218", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VI" },{ "Rel_Obj_ID" : "3219", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VII" },{ "Rel_Obj_ID" : "1017", "Rel_Obj_Title" : "Maquette for "Mountain Piece"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12640", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1016", "Disp_Access_No" : "1994.76", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Maquette for Untitled Sculpture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Morris", "Sort_Artist" : "Morris, Hilda", "Disp_Dimen" : "12 1/2 in. (31.8 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.76_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.76_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.76_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.76_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1019", "Disp_Access_No" : "1962.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1916-1932", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1932", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "image", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement. [Gallery label text, 2010] ", "Dedication" : "Anonymous gift in honor of Gertrude Herdle Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12411", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1020", "Disp_Access_No" : "1977.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Untitled (Head of a Woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "overall", "Medium" : "White marble", "Support" : "", "Disp_Medium" : "White marble on onyx base", "Info_Page_Comm" : "Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12476", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1021", "Disp_Access_No" : "1991.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Nymph and Dolphin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reuben Nakian", "Sort_Artist" : "Nakian, Reuben", "Disp_Dimen" : "9 3/16 x 7 7/8 x 6 15/16 in. (23.3 x 20 x 17.7 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Malcolm A. Nanes", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1023", "Disp_Access_No" : "1961.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Totem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louise Nevelson", "Sort_Artist" : "Nevelson, Louise", "Disp_Dimen" : "71 1/2 x 7 3/8 in. (181.6 x 18.7 cm)", "Disp_Height" : "71 1/2 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13010", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1025", "Disp_Access_No" : "1960.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Calligraphics", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isamu Noguchi", "Sort_Artist" : "Noguchi, Isamu", "Disp_Dimen" : "70 5/8 x 18 x 3 5/8 in. (179.4 x 45.7 x 9.2 cm)", "Disp_Height" : "70 5/8 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Iron, wood and rope", "Support" : "", "Disp_Medium" : "Cast iron, wood and rope", "Info_Page_Comm" : "Isamu Noguchi’s father was a Japanese poet and his mother was an American writer. Although he was born in California and lived much of his life in the U.S., Noguchi’s travels reflected his own East-West duality. The artist spent his childhood traveling throughout Japan with his mother. As a young man he went to Paris to study with the abstract sculptor Constantin Brancusi. In China, he studied the ancient art of calligraphy. In the sleek, mid-century forms of Calligraphics, Noguchi combined his love of modern sculpture and calligraphy. The two shapes suggest abstract versions of Japanese characters: ni meaning “the sun” (like the red sun on the flag of Japan) and hon meaning “the origin” (perhaps his own). [Summer 2015]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Chiyo Ueyama notes that the sculpture suggests abstracted versions of the characters for "nihon," the Japanese name for Japan: the two characters translate to "the sun" (ni) and "the origin" (hon).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1026", "Disp_Access_No" : "1962.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Horigata", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Toshio Odate", "Sort_Artist" : "Odate, Toshio", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Oak", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29657", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 1028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1028", "Disp_Access_No" : "1975.333.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Baked Potato", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claes Oldenburg", "Sort_Artist" : "Oldenburg, Claes", "Disp_Dimen" : "4 1/2 x 10 1/2 x 7 1/4 in. (11.4 x 26.7 x 18.4 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "maximum", "Medium" : "Acrylic", "Support" : "resin", "Disp_Medium" : "Painted cast resin on a Shenango china dish", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1030", "Disp_Access_No" : "1982.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Candlestick", "Alt_Title" : "Vatican Candlestick", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "111 x 35 in. (281.9 x 88.9 cm)", "Disp_Height" : "111 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Mild steel, forged", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per the artist: Vatican representatives approached him in the early 70s about lending a work to an exhibition on art in religion, and he made this piece for inclusion in that exhibition. It later went on tour with other pieces. See Art Committee minutes of May 1983.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1031", "Disp_Access_No" : "1987.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Convergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "107 x 77 1/2 x 16 1/2 in. (271.8 x 196.9 x 41.9 cm)", "Disp_Height" : "107 in.", "Disp_Width" : "77 1/2 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Forged steel, polychromed", "Info_Page_Comm" : "", "Dedication" : "Gift in honor of Herbert W. Vanden Brul made possible by Harris Corporation-RF Communications Division, Vanden Brul family members and friends, and the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3226", "Rel_Obj_Title" : "Convergence" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1034", "Disp_Access_No" : "1913.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Memory", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)", "Disp_Height" : "82 1/2 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12333", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "40466", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color from original photo in photo files in Archives.", "View" : "" } , ] },{ "embark_ID" : 1036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1036", "Disp_Access_No" : "1923.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "Thomas Jefferson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "20 in. (50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "Plaster sketch for the bronze portrait statue at the School of Journalism, Columbia University, New York.", "Dedication" : "Gift of Lily Lawlor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36599", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1039", "Disp_Access_No" : "1978.195", "_AccNumSort1" : "", "Disp_Create_DT" : "1967-1968", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1968", "Disp_Title" : "Vertical Ventaglio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Beverly Pepper", "Sort_Artist" : "Pepper, Beverly", "Disp_Dimen" : "104 5/8 x 43 1/2 x 86 in. (265.7 x 110.5 x 218.4 cm)", "Disp_Height" : "104 5/8 in.", "Disp_Width" : "43 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Stainless and carbon steel with automotive paint", "Support" : "", "Disp_Medium" : "Stainless and carbon steel with automotive paint", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Vertical Ventaglio" was part of a series that Pepper worked on between 1967-1969, along with "Maxi Zig Zag" which is now at the Buffalo Convention Center in Buffalo, NY.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.195_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.195_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.195_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.195_A14.jpg", "IsPrimary" : "1", "_SurrogateID" : "41498", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1049", "Disp_Access_No" : "1994.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Two Lines Up Excentric - Twelve Feet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Rickey", "Sort_Artist" : "Rickey, George", "Disp_Dimen" : "231 15/16 x 266 in. (589.2 x 675.6 cm)", "Disp_Height" : "231 15/16 in.", "Disp_Width" : "266 in.", "Dimen_Extent" : "maximum", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard F. Brush", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "4150", "Rel_Obj_Title" : "Two Lines [Small Series]" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.44_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.44_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.44_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.44_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1053", "Disp_Access_No" : "1970.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Crested Swans", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Scholl", "Sort_Artist" : "Scholl, John", "Disp_Dimen" : "84 1/4 x 33 x 30 1/2 in. (214 x 83.8 x 77.5 cm)", "Disp_Height" : "84 1/4 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "For approximately sixteen years before he died at age 88, John Scholl created over forty imaginative sculptures that he stored in the parlor of his home in Germania, Potter County, Pennsylvania. A builder by trade, Scholl seemed to create these architectural forms as an extension of the decorative fretwork and scrollwork seen on the porches and gables of Victorian homes, many of which were made from pattern book templates. Incorporated into the whimsical creations were traditional European folk art motifs: birds, stars, and sunbursts. Scholl was proud of his work, and enjoyed showing people through the collection; in good weather, he moved some it out into his yard. When he died of pneumonia, contracted after shoveling snow, Crested Swans was one of the pieces that surrounded Scholl's casket during the wake. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "note that on close examination you can see that the black background is uneven", "View" : "" } , ] },{ "embark_ID" : 1054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1054", "Disp_Access_No" : "1975.333.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1965", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1970", "Disp_Title" : "Reclining Rooster", "Alt_Title" : "Chicken", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Segal", "Sort_Artist" : "Segal, George", "Disp_Dimen" : "4 x 19 x 12 1/2 in. (10.2 x 48.3 x 31.8 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "maximum", "Medium" : "Acrylic", "Support" : "", "Disp_Medium" : "Cast acrylic and fiberglass", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31845", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1057", "Disp_Access_No" : "1967.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Six Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "43 in. (109.2 cm)", "Disp_Height" : "43 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1058", "Disp_Access_No" : "1968.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Converging Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Corten steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.36_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.36_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.36_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.36_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1061", "Disp_Access_No" : "1975.300", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Big Diamond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Smith", "Sort_Artist" : "Smith, David", "Disp_Dimen" : "28 1/8 x 27 5/8 x 8 7/8 in. (71.4 x 70.2 x 22.5 cm)", "Disp_Height" : "28 1/8 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Steel and paint", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3286", "Rel_Obj_Title" : "Preparatory Drawing for "Big Diamond"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.300_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.300_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.300_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.300_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other formats on Andy''s disk 101122, stored in Curatorial-- horizontal orientation, etc.", "View" : "" } , ] },{ "embark_ID" : 1062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1062", "Disp_Access_No" : "1970.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1962-1966", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1966", "Disp_Title" : "Playground", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tony Smith", "Sort_Artist" : "Smith, Tony", "Disp_Dimen" : "64 x 64 x 128 in. (162.6 x 162.6 x 325.1 cm)", "Disp_Height" : "64 in.", "Disp_Width" : "64 in.", "Dimen_Extent" : "overall", "Medium" : "Mild steel", "Support" : "", "Disp_Medium" : "Mild steel", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.57_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.57_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "32850", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken post-conservation in 2009.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.57_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.57_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.57_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.57_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41495", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.57_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.57_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.57_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.57_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "41496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1063", "Disp_Access_No" : "1949.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1949", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1954", "Disp_Title" : "Seated Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robin Spry", "Sort_Artist" : "Spry, Robin", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Art Patrons Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1069", "Disp_Access_No" : "1996.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Garden Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bessie Potter Vonnoh", "Sort_Artist" : "Vonnoh, Bessie Potter", "Disp_Dimen" : "64 x 22 x 16 in. (162.6 x 55.9 x 40.6 cm)", "Disp_Height" : "64 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "An identical figure is part of a fountain group in Central Park in New York City, dedicated to Frances Hodgson Burnett, author of "The Secret Garden." [Gallery label text, 2005]", "Dedication" : "Gift of Edward, James and Julian Atwater in memory of their parents and their grandparents", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3895", "Rel_Obj_Title" : "Maquette for "Garden Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1073", "Disp_Access_No" : "1975.333.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Little Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tom Wesselmann", "Sort_Artist" : "Wesselmann, Tom", "Disp_Dimen" : "8 x 8 x 1 1/2 in. (20.3 x 20.3 x 3.8 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "maximum", "Medium" : "Plexiglas", "Support" : "", "Disp_Medium" : "Spray-painted vacuum-formed Plexiglas", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31846", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1074", "Disp_Access_No" : "1977.105", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Le Coq d'or: Chanticleer Greeting the Sun...", "Alt_Title" : "", "Obj_Title" : "Le Coq d'or: Chanticleer Greeting the Sun, from Chanticleer's Point of View, Causing the Sun to Rise", "Series_Title" : "", "Disp_Maker_1" : "Warren Wheelock", "Sort_Artist" : "Wheelock, Warren", "Disp_Dimen" : "29 3/4 x 12 in. (75.6 x 30.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Polished bronze on marble base", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12473", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1080", "Disp_Access_No" : "1989.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Penguins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Blanca Will", "Sort_Artist" : "Will, Blanca", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : " ", "Dedication" : "Gift of her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.56.1-.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.56.1-.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.56.1-.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.56.1-.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16879", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1123", "Disp_Access_No" : "1976.7a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Aurora in a Cunningham Carriage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "31 1/2 x 40 in. (80 x 101.6 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Metal", "Support" : "", "Disp_Medium" : "Metal and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter F. Cunningham", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the James Cunningham, Son and Company Carriage Manufactory", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15077", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1128", "Disp_Access_No" : "1985.22", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th Century - early 20th Century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1932", "Disp_Title" : "Optometrist's Trade Sign", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "17 3/4 x 30 1/2 in. (45.1 x 77.5 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "30 1/2 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, iron and paint", "Info_Page_Comm" : "", "Dedication" : "Given in honor of Isabel Herdle's 80th birthday by a group of her friends", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12753", "Rel_Obj_Title" : "Better Things - Introduction, viii, ix" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1135", "Disp_Access_No" : "1994.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Alchemy Symphony Blue #4", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Taylor", "Sort_Artist" : "Taylor, Michael", "Disp_Dimen" : "20 1/16 x 16 x 12 3/4 in. (51 x 40.7 x 32.4 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "overall", "Medium" : "Cast optical, laminated, copper, selenium with dichroic neodynium glasses ", "Support" : "", "Disp_Medium" : "Cast optical, laminated, copper, selenium with dichroic neodynium glasses ", "Info_Page_Comm" : "Alchemy Symphony is an apt metaphor to describe the processes used by glass artist Michael Taylor to transform a sand-based material into a harmonic, translucent, and intricately structured work of art. Taylor is one of America’s premier studio glass artists. He has been affiliated with Rochester Institute of Technology’s outstanding School for American Crafts for a number of years, where he was formerly a professor and head of the Glass Department. His work has been exhibited internationally and is found in many public and private collections, including the White House, the High Museum in Atlanta, and the Smithsonian’s Renwick Gallery. [Gallery label text, 2005] ", "Dedication" : "Gift of the artist and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2676", "Disp_Access_No" : "1997.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1997", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1997", "Disp_Title" : "Frozen Zero", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Concetta Mason", "Sort_Artist" : "Mason, Concetta", "Disp_Dimen" : "16 1/2 x 15 x 8 1/4 in. (41.9 x 38.1 x 21 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "overall", "Medium" : "Optical and dichroic glasses", "Support" : "", "Disp_Medium" : "Optical and dichroic glasses", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12538", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3886", "Disp_Access_No" : "1998.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Pale Iris Seaform Set with Honeysuckle Lip Wraps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dale Chihuly", "Sort_Artist" : "Chihuly, Dale", "Disp_Dimen" : "16 x 34 x 26 in. (40.6 x 86.4 x 66 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "Since the 1960s, Dale Chihuly has been producing innovative forms in glass, teaching, and expanding the scale and scope of his work to include entire glass installations. He began the Seaforms series in the 1980s and continued through the 1990s, inspired by the movement and color of underwater creatures. Chihuly’s Seaforms delight the eye and mystify the brain with their simultaneous delicacy and power. The ribbed pieces shimmer and almost seem to move in the light. Chihuly’s influence on the world of American craft has been remarkable and enduring. Founder of the glass department at the Rhode Island School of Design as well as the Pilchuck School of Glass in Washington State, he represents the best and most creative glassmaking of our time. [Gallery label text, 2004] ", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master has a pink cast that needs corrected or redone from Digital master.", "View" : "" } , ] },{ "embark_ID" : 3887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3887", "Disp_Access_No" : "1998.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "The Admiral's Game", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Cornell", "Sort_Artist" : "Cornell, Joseph", "Disp_Dimen" : "12 x 18 x 4 in. (30.5 x 45.7 x 10.2 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "Romantic and enigmatic, Joseph Cornell’s boxes are filled with fragments of found materials. In The Admiral’s Game, the parallel rods that hold a pair of white balls might suggest a playful arcade game or the timeless and profound idea of an all-powerful creator setting the planets in motion. Cornell made his highly symbolic and mysterious creations at the home that he shared with his mother and brother in Queens, New York. While Cornell was reclusive and essentially an outsider in the art world, his work influenced many important American artists, including Robert Rauschenberg, Jasper Johns, Andy Warhol, and Marcel Duchamp. [Summer 2015]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38880", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3890", "Disp_Access_No" : "1998.79.1-.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Suspended Artifact: Horned Vessel with Antelope Skull", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Morris", "Sort_Artist" : "Morris, William", "Disp_Dimen" : "24 x 28 x 10 in. (61 x 71.1 x 25.4 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Glass", "Support" : "", "Disp_Medium" : "Glass", "Info_Page_Comm" : "William Morris’ compositions seem more like archaeological finds than contemporary glass. Their colors, surface treatment, forms and markings are references to ancient cultures and mythic beliefs, inviting the viewer to step into a shared past. Morris began as an assistant to glass artist Dale Chihuly in Seattle. He has become a leader in the studio glass movement and creates his distinctive assemblages with a team at the Pilchuck Glass School, America’s pre-eminent glassmaking center. The Gallery’s new acquisition is part of the Suspended Artifact series that Morris created in the 1990s. Forms in the shape of skulls, horns, and pouches are blown, reheated, carved and embellished in a strenuous process that has culminated in pieces that appear to be lit from within and charged with spiritual significance. [Gallery label text, 2004] Morris began as an assistant to glass artist Dale Chihuly and creates his distinctive assemblages with a team at the Pilchuck Glass School, America's pre-eminent glassmaking center. Created in the 1990s, the Suspended Artifact series comprises forms in the shape of skulls, horns, and puches that are blown, reheated, carved and embellished in a strenuous process that has culminated in pieces that appear to be lit from within and charged with spiritual significance. Morris' compositions seem more like archaeological finds than contemporary glass. [Selwyn Case "Studio Glass Movement" installation, August 2016 - May 2019]", "Dedication" : "Maurice R. and Maxine B. Forman Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12552", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3893", "Disp_Access_No" : "1998.38", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1926", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1931", "Disp_Title" : "Right to the Jaw", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mahonri Young", "Sort_Artist" : "Young, Mahonri", "Disp_Dimen" : "14 x 21 x 10 in. (35.6 x 53.3 x 25.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Many of the subjects of Mahonri Young's bronze sculptures were drawn from the working class—dock workers, riveters, and farmers. Among his most successful small sculptures were energetic scenes of boxers in action, whose movements embodied strength and power. Like his Ash Can School colleagues, he extolled the activities of everyday life. Young came to New York from Salt Lake City, Utah, where his grandfather, Brigham Young, established America's permanent Mormon community after their forced exodus from Nauvoo, Illinois. Young studied at the Art Students League, and became a teacher there as well. [Gallery label text, 2003]", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.38_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36944", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.38_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36945", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3895", "Disp_Access_No" : "1998.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1926-1931", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1931", "Disp_Title" : "Maquette for "Garden Figure"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bessie Potter Vonnoh", "Sort_Artist" : "Vonnoh, Bessie Potter", "Disp_Dimen" : "28 in. (71.1 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "1069", "Rel_Obj_Title" : "Garden Figure" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3904", "Disp_Access_No" : "1998.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1929 (cast ca. 1960)", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Little Queen (Petite Reine)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Ernst", "Sort_Artist" : "Ernst, Max", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary Orwen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.29_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4007", "Disp_Access_No" : "1997.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Memorial Art Gallery 75th Anniversary", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edith Lunt Small", "Sort_Artist" : "Small, Edith Lunt", "Disp_Dimen" : "31 1/2 x 73 1/4 x 3 3/4 in. (80 x 186.1 x 9.5 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "73 1/4 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "plywood", "Disp_Medium" : "Acrylic on plywood", "Info_Page_Comm" : "", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Key identifying people in piece is kept in the object file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.35_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.35_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.35_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.35_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled MAG 110706", "View" : "" } , ] },{ "embark_ID" : 4148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4148", "Disp_Access_No" : "1999.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Last Supper", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "11 3/8 x 25 5/8 x 3/4 in. (28.9 x 65.1 x 1.9 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "3/30/10 email from Margie Searl, MAG chief curator, to Jessica Marten, MAG assistant curator: The Cheathams came in to the collection from a minister in Rochester, now deceased, [David Romig] who found them literally on the street a number of years ago when he worked at a NYC church. Cheatham had died and his sister was throwing his stuff away. I doubt that anyone exists who would either have a clue about him or who would care that his work was depicted on our website. I suspect that he was an outsider artist who was creating these wonderful things for himself. I only know of the two that we have and one other owned by the donor. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4149", "Disp_Access_No" : "1999.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Oliver Cheatham", "Sort_Artist" : "Cheatham, Oliver", "Disp_Dimen" : "12 1/2 x 25 1/4 x 7/8 in. (31.8 x 64.1 x 2.2 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The nativity of Christ has been a popular subject in many artistic traditions. Here, the carver has included all the traditional elements arranged in a simple yet effective way, using few colors and creating the illusion of depth. Gold paint illuminates the baby, above whom an angel watches protectively. Like the carver of the Santo [73.9], or the artisan who built the Tramp Art Shrine [87.4], Oliver Cheatham was an artist who expressed his religious devotion with wood and paint. Little else is known about him. The donor, Reverend Romig, came across a few pieces of his work on a sidewalk in New York City; the artist had died, and his family was throwing his things away. Fortunately, Reverend Romig recognized the beauty of the work, retrieved what he could, and kindly donated two pieces to the Memorial Art Gallery: The Nativity and The Last Supper [99.14], which is being conserved. [Gallery label text, 2002]", "Dedication" : "Gift of Reverend David W. Romig", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14787", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4151", "Disp_Access_No" : "1999.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Sleeping Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Zorach", "Sort_Artist" : "Zorach, William", "Disp_Dimen" : "4 x 6 in. (10.2 x 15.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze on wood base", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mildred Baker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "16945", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4152", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Critical Doubt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tarrant Clements", "Sort_Artist" : "Clements, Tarrant", "Disp_Dimen" : "26 x 16 x 10 in. (66 x 40.6 x 25.4 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "According to the artist, the piece begins by being directly worked in wax, and then cast with the help of bronze sculptor Dexter Benedict in Penn Yan, New York. Clements then patinates the piece. Parts of the work are molded from carved pieces. Within the piece, some elements come from parts of other sculptures reassembled in a different way. She has a storehouse of vocabulary of elements that are generated through other pieces. Her influences are African tribal cultures. [Gallery label text]", "Dedication" : "Gift of Anne Havens in loving memory of her son, Bill Havens", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16947", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4174", "Disp_Access_No" : "2000.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Entry Gate Creek", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Higby", "Sort_Artist" : "Higby, Wayne", "Disp_Dimen" : "7 7/8 x 9 x 2 1/4 in. (20 x 22.9 x 5.7 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Raku-fired earthenware", "Info_Page_Comm" : "Wayne Higby is a professor and chair of the ceramics department at Alfred University in Alfred, New York. Higby states, “Essentially I am concerned with landscape imagery as a focal point of meditation. Space, both real and implied is of utmost importance. I strive to establish a zone of quiet coherence – a place full of silent, empty space where finite and infinite, intimate and immense intersect…” Sept. 2013/Folk Art Case C. Piccone", "Dedication" : "Gift in honor of Carolyn Friedlander from her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Invoice notes this was made in the artist''s studio in Alfred Station, NY", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12340", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "34376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.10_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.10_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.10_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.10_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4603", "Disp_Access_No" : "2000.19", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Millennium Bench", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "74 x 124 x 45 in. (188 x 315 x 114.3 cm)", "Disp_Height" : "74 in.", "Disp_Width" : "124 in.", "Dimen_Extent" : "", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy R. Turner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.19_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "12646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.19_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.19_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.19_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.19_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "41501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 4798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4798", "Disp_Access_No" : "1971.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1910-1914", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1914", "Disp_Title" : "Veranda Post", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Olowe of Ise", "Sort_Artist" : "Ise, Olowe of", "Disp_Dimen" : "56 x 132 x 10 in. (142.2 x 335.3 x 25.4 cm)", "Disp_Height" : "56 in.", "Disp_Width" : "132 in.", "Dimen_Extent" : "maximum", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "A royal wife stands with her hands resting on the heads of her twin daughters who hold their breasts in a Yoruba gesture of greeting, devotion and humility. This post was carved to decorate a courtyard veranda in the palace of the Ogoga of Ikere, one of the kings of Yorubaland. The courtyard served as an official area where the king received important visitors and conducted affairs of state. It was important that he show off his wealth, power and sophistication in this space. This veranda post was carved by one of the most renowned sculptors in Africa, Olowe of Ise. His sculptures were so beautiful that some people believed Olowe harnessed the power of spirits who carved for him. Elaborate hairstyles and scarification patterns (look at the royal wife’s back) demonstrate Olowe’s technical mastery and reflect Yoruba standards of beauty. Traces of layered pigments indicate that these were once brightly painted and regularly refurbished. [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Nigerian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The piece was still in situ until at least 1964 (see photo in situ in 1998 "Olowe of Ise" exhibition brochure in curatorial file).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.13_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.13_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.13_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.13_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "38870", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency and background masked out by Andy Olenick.", "View" : "" } , ] },{ "embark_ID" : 4905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4905", "Disp_Access_No" : "1984.19", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Female Figure (Akuaba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "10 1/2 x 4 1/4 in. (26.7 x 10.8 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "4 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "Asante women often carry dolls called akuaba to encourage fertility and ensure the health and beauty of the child. The figure is placed at an altar or held in the wrappers of a woman's clothing, treated as a real child until pregnancy occurs. If the resulting child dies, the akuaba might be kept as a memorial to the infant. Akuabas are representative of ideal beauty, demonstrating round or oval heads with high foreheads, and long necks with excess fat, indicating a good state of health. [Gallery label text]", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.19_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4906", "Disp_Access_No" : "1984.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fertility Doll (Akuaba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "10 x 3 5/8 in. (25.4 x 9.2 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and beads", "Info_Page_Comm" : "Fertility is a universal human concern that has long been a central issue in Africa where the infant mortality rate remains high to this day. An akuaba is a fertility talisman meant to aid an Asante woman yearning to become a mother. Akuaba are affectionately bathed, dressed, fed and carried by women as they would a living child. Their slight, flat shape is designed to be carried on a woman’s back in her cloth wrapper. When the woman’s child survives childhood, the akuaba is sometimes placed in a shrine as an offering of thanks to the god responsible. Almost all of these fertility dolls are female as the Asante are a matrilineal society and most women wish for daughters to carry on their family line. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that incoming 6015 lists "Ashanti fertility dolls," plural, coming from Harris Prior for loan and ultimately gift to the permanent collection-- were there others besides this one?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.20_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.20_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.20_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.20_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4966", "Disp_Access_No" : "1964.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Young Girl Seated", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aristide Maillol", "Sort_Artist" : "Maillol, Aristide", "Disp_Dimen" : "8 1/4 x 6 7/8 x 2 1/4 in. (21 x 17.5 x 5.7 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.35_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.35_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.35_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.35_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4973", "Disp_Access_No" : "1962.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1909 (cast 1961)", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Torso of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "33 3/8 x 18 3/4 x 12 in. (84.8 x 47.6 x 30.5 cm)", "Disp_Height" : "33 3/8 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.58_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.58_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.58_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.58_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.58_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.58_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.58_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.58_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "37414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5123", "Disp_Access_No" : "1925.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Girl Playing Guitar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan Mestrovic", "Sort_Artist" : "Mestrovic, Ivan", "Disp_Dimen" : "18 1/2 x 10 x 6 in. (47 x 25.4 x 15.2 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In April, 1925, the Memorial Art Gallery mounted an exhibition of Mestrovic’s sculpture. Like [Gaston] Lachaise, Mestrovic created emotionally evocative work, which may have influenced the many Rochesterians who contributed funds to purchase this sculpture and two others for MAG’s permanent collection. [Gallery label text, 2005]", "Dedication" : "Gift of Helen and Margaret Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36917", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5213", "Disp_Access_No" : "1962.53", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1928", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1933", "Disp_Title" : "Kneeling Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georg Kolbe", "Sort_Artist" : "Kolbe, Georg", "Disp_Dimen" : "21 1/2 in. (54.6 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37412", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5217", "Disp_Access_No" : "1958.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Small Rider (Piccolo Cavaliere)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "19 3/16 in. (48.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5220", "Disp_Access_No" : "1925.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1917 (cast 1925)", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan Mestrovic", "Sort_Artist" : "Mestrovic, Ivan", "Disp_Dimen" : "20 1/2 x 15 x 11 in. (52.1 x 38.1 x 27.9 cm)", "Disp_Height" : "20 1/2 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Examples of prehistoric cave painting and rock art indicate humans have always recognized the divine bond between a mother and her child. With his austere modernist figures, Ivan Mestrovic sought to capture a universal spiritual feeling. His unique style clearly affected the many Rochesterians who donated money to purchase this piece from a popular exhibition of the artist’s sculpture held at the Gallery in 1925. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Subscription fund contributed by a group of donors", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Croatian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39346", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6352", "Disp_Access_No" : "1983.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Man and Woman in Canoe with Totemic Animals", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Haida", "Sort_Artist" : "Unknown, Haida", "Disp_Dimen" : "4 x 2 1/4 x 13 7/8 in. (10.2 x 5.7 x 35.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "2 1/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Argillite", "Info_Page_Comm" : "Argillite, a fine-grained sedimentary rock sometimes called “black slate,” is mined in the Queen Charlotte Islands, the only mineable source in North America. These small and easily transportable sculptures were first made by the Haida in the early 19th century for trade with outsiders. Here the canoe is filled with a raven, a bear and two human paddlers. The animals are totemic figures, relating to matrilineal clans; the human figure with longer hair may be a shaman. These sculptures are still being made today in an array of figure groupings and materials. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25830", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.17_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.17_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.17_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.17_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25831", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7407", "Disp_Access_No" : "1969.72", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rhythm Pounder (Deble)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Senufo", "Sort_Artist" : "Unknown, Senufo", "Disp_Dimen" : "42 1/2 in. (108 cm)", "Disp_Height" : "42 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood", "Info_Page_Comm" : "In many African societies, life on earth is seen as part of a continuum that permits movement between the spirit and earthly worlds. As ancestors are in a position to assist the living, they must be respected and attended to. The rhythm pounders of the Senufo originally functioned as communication devices in calling the spirits of ancestors to participate in funerals. Held by the upper arms, the rhythm pounder’s thick base is thumped into the earth in rhythm with the sounds of chants, drums and rattles. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Ivoirian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.72_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.72_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.72_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.72_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28660", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.72_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.72_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.72_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.72_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28661", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7422", "Disp_Access_No" : "1965.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Twin Figure (Ere Ibeji)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Yoruba", "Sort_Artist" : "Unknown, Yoruba", "Disp_Dimen" : "9 3/8 x 2 5/8 x 2 3/4 in. (23.8 x 6.7 x 7 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, pigment, beads, cowrie shells, fiber, sacrificial materials", "Info_Page_Comm" : "The Yoruba have one of the highest rates of twinning in the world. Twins are endowed with powerful attributes, both auspicious and dangerous. Due to the high mortality rate of twins, when one or both dies, Yoruba mothers procure small wooden statues (ere ibeji) to house the spirits of the deceased. If there is a single ibeji, it is likely that one twin died and one survived. If there are two ibeji figures, then it is likely that both twins died. Wealthy women clothe their ere ibeji in beaded or shelled vests. Surface accumulation and signs of wear are common as ibeji figures are cared for in the same manner as a living child and are handled, clothed, washed, fed and honored with dances and songs. Lyrics from a Yoruba song explain how the care of ere ibeji can control the potentially negative influence of twins’ spirits, “Abuse me and I shall follow you home. Praise me and I shall leave you alone.” Subsequent generations inherit the care of ere ibeji from their ancestors. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Nigerian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.1_A5.jpg", "IsPrimary" : "1", "_SurrogateID" : "25506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.1_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.1_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.1_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.1_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "25507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.1-.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.1-.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.1-.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.1-.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7424", "Disp_Access_No" : "1965.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Twin Figure (Ere Ibeji)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Yoruba", "Sort_Artist" : "Unknown, Yoruba", "Disp_Dimen" : "9 1/4 x 2 5/8 x 2 5/8 in. (23.5 x 6.7 x 6.7 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, pigment, beads, cowrie shells, fiber, sacrificial materials", "Info_Page_Comm" : "The Yoruba have one of the highest rates of twinning in the world. Twins are endowed with powerful attributes, both auspicious and dangerous. Due to the high mortality rate of twins, when one or both dies, Yoruba mothers procure small wooden statues (ere ibeji) to house the spirits of the deceased. If there is a single ibeji, it is likely that one twin died and one survived. If there are two ibeji figures, then it is likely that both twins died. Wealthy women clothe their ere ibeji in beaded or shelled vests. Surface accumulation and signs of wear are common as ibeji figures are cared for in the same manner as a living child and are handled, clothed, washed, fed and honored with dances and songs. Lyrics from a Yoruba song explain how the care of ere ibeji can control the potentially negative influence of twins’ spirits, “Abuse me and I shall follow you home. Praise me and I shall leave you alone.” Subsequent generations inherit the care of ere ibeji from their ancestors. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Nigerian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.2_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.2_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.2_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.2_A7.jpg", "IsPrimary" : "1", "_SurrogateID" : "25509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.2_A8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.2_A8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.2_A8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.2_A8.jpg", "IsPrimary" : "0", "_SurrogateID" : "25510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.9.1-.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.9.1-.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.9.1-.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.9.1-.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7457, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7457", "Disp_Access_No" : "1983.82", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Polar Bear with Shaman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Davidee Piungitu", "Sort_Artist" : "Piungitu, Davidee", "Disp_Dimen" : "2 1/4 x 5 3/4 x 12 1/4 in. (5.7 x 14.6 x 31.1 cm)", "Disp_Height" : "2 1/4 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Soapstone", "Info_Page_Comm" : "This piece is relatively recent and may represent an inua or spirit/soul of a bear in human form. A label on the bottom of the piece links it to Canadian Arctic Producers (CAP), a government-initiated cooperative established in 1965 to market the work of the aboriginal people of northern Canada. [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. Harmar Brereton", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "First Nations (Canada)", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.82_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.82_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.82_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.82_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25832", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.82_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.82_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.82_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.82_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25833", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7467", "Disp_Access_No" : "1957.39", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Bear", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Inuit", "Sort_Artist" : "Unknown, Inuit", "Disp_Dimen" : "5 3/4 x 3 3/4 x 4 in. (14.6 x 9.5 x 10.2 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Green stone", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Native Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.39_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26108", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7474", "Disp_Access_No" : "1957.54", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Walrus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Inuit", "Sort_Artist" : "Unknown, Inuit", "Disp_Dimen" : "3 1/2 x 6 1/2 in. (8.9 x 16.5 cm)", "Disp_Height" : "3 1/2 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone and bone", "Info_Page_Comm" : "", "Dedication" : "Gift of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Native Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.54_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.54_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.54_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.54_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31328", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7714", "Disp_Access_No" : "1998.81", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hanukkiah", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Palombo", "Sort_Artist" : "Palombo, David", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wrought iron", "Support" : "", "Disp_Medium" : "Wrought iron and stone", "Info_Page_Comm" : "", "Dedication" : "Gift of Roberta Wilson and Dorothy Silber in memory of Zelda Hart", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Israeli", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per research done by Marjorie Searl, spelling of artist''s last name has been changed from Polombo to Palombo. April 29, 2011.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.81_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.81_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.81_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.81_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40252", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7790", "Disp_Access_No" : "1949.92", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Face Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, New Caledonian", "Sort_Artist" : "Unknown, New Caledonian", "Disp_Dimen" : "15 1/4 x 6 3/4 x 3 1/4 in. (38.7 x 17.1 x 8.3 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and pigment", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "New Caledonian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.92_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.92_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.92_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.92_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26787", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7893", "Disp_Access_No" : "1996.77", "_AccNumSort1" : "", "Disp_Create_DT" : "18th Century - 20th Century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1999", "Disp_Title" : "Bodhisattva", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Thai", "Sort_Artist" : "Unknown, Thai", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Thai", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.77_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.77_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.77_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.77_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31825", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }