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(58.4 x 55.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1212", "Disp_Access_No" : "1959.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Dempsey and Firpo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "18 x 22 3/8 in. (45.7 x 56.8 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "22 3/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of Louis W. Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15895", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1213", "Disp_Access_No" : "1964.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "A Stag at Sharkey's", "Alt_Title" : "Stag at Sharkey's", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "21 x 26 3/16 in. (53.4 x 66.5 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "26 3/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1214", "Disp_Access_No" : "1973.116", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Nude Study: Woman Lying on a Pillow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "5 7/8 x 9 3/4 in. (14.9 x 24.8 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.116_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.116_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.116_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.116_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1215, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1215", "Disp_Access_No" : "1983.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Splinter Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "20 13/16 x 25 3/4 in. (52.9 x 65.4 cm)", "Disp_Height" : "20 13/16 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1220", "Disp_Access_No" : "1935.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Ploughing", "Alt_Title" : "Plowing It Under", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "10 3/4 x 16 in. (27.3 x 40.6 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Edition info for this print can be found in the supplement to Art for Every Home: Associated American Artists 1934-2000, at http://hdl.handle.net/2097/19686, p. 11, no.2", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25195", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1221", "Disp_Access_No" : "1944.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "The Fence Mender", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "11 7/8 x 15 15/16 in. (30.1 x 40.5 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Leroy E. Snyder", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 49, no.382", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25196", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1251", "Disp_Access_No" : "1975.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Duck Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 1/2 x 15 15/16 in. (29.2 x 40.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 134, no. 1222. and notes 24-25, p. 308. While the work is listed as published by AAA in 1954, the creation date could have been as early as 1939, per the notes.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12921", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1252", "Disp_Access_No" : "1996.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Country Scene", "Alt_Title" : "Along the Hudson", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 7/16 x 15 7/8 in. (29.1 x 40.3 cm)", "Disp_Height" : "11 7/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs,, at http://hdl.handle.net/2097/19686, p. 17, no.62. Note that the title as given in the Associated American Artist''s catalogue is "Along the Hudson," not "Country Scene" as written on our print.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12955", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1253", "Disp_Access_No" : "1973.26.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Red Cross Christmas Roll Call - December 16th to 23rd", "Alt_Title" : "", "Obj_Title" : "Poster: Red Cross Christmas Roll Call - December 16th to 23rd - Where Columbia Sets Her Name, Let Every One of You Follow Her", "Series_Title" : "", "Disp_Maker_1" : "Edwin Howland Blashfield", "Sort_Artist" : "Blashfield, Edwin Howland", "Disp_Dimen" : "28 x 18 1/4 in. (71.1 x 46.4 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "18 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1918 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22179", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 1261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1261", "Disp_Access_No" : "1964.52", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Monhegan Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jack Bookbinder", "Sort_Artist" : "Bookbinder, Jack", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "1964 Presentation Print of the Print Club of Rochester", "Dedication" : "Gift of the Print Club of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1321", "Disp_Access_No" : "1975.169", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dimension IV", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James W. "Jack" Boynton", "Sort_Artist" : "Boynton, James W. "Jack"", "Disp_Dimen" : "30 x 22 1/2 in. (76.2 x 57.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1325", "Disp_Access_No" : "1994.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Yellow Taxi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sarah Brayer", "Sort_Artist" : "Brayer, Sarah", "Disp_Dimen" : "28 9/16 x 22 7/16 in. 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(24.8 x 35.4 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "13 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1514", "Disp_Access_No" : "1985.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Death of President Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "10 x 14 in. (25.4 x 35.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.38_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40673", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No larger file exists, only JPG.", "View" : "" } , ] },{ "embark_ID" : 1523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1523", "Disp_Access_No" : "1985.47", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Freedom to the Slaves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "13 3/4 x 10 1/8 in. (34.9 x 25.7 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1524", "Disp_Access_No" : "1985.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1867", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1867", "Disp_Title" : "The Lincoln Family", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Currier & Ives", "Sort_Artist" : "Currier & Ives", "Disp_Dimen" : "13 x 16 1/16 in. (33 x 40.8 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "16 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph with overcolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Irene Adams Sillay", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.68_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1546, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1546", "Disp_Access_No" : "1965.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1919-1920", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1920", "Disp_Title" : "Clouds", "Alt_Title" : "Hamadryads Under the Trees", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "11 x 14 1/2 in. (27.9 x 36.8 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "according to Frederick Newlin Price, there is only one state: edition of 25, but this state differs with the addition of extensive dark areas throughout the print. Size also differs from Price, who gives it as 12.5 x 9.75. Purchased as it was from Davies studio through his son, its authenticity is vouched for.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.72_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.72_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.72_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.72_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "48060", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1550, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1550", "Disp_Access_No" : "1975.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Passion Flower", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gene Davis", "Sort_Artist" : "Davis, Gene", "Disp_Dimen" : "21 1/2 x 29 3/4 in. (54.6 x 75.6 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1564", "Disp_Access_No" : "1974.41", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wilson's Albany Seedling", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "10 1/16 x 4 in. (25.5 x 10.1 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "sheet (folded)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-stenciled with hand coloring and lithographic printing", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.41_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.41_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.41_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.41_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30438", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1565, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1565", "Disp_Access_No" : "1973.26.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1917", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1922", "Disp_Title" : "Poster: Join - All You Need is a Heart and a Dollar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dexter", "Sort_Artist" : "Dexter", "Disp_Dimen" : "9 1/4 x 5 1/2 in. (23.5 x 14 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Similar poster dated 1917 per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22181", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. (31.8 x 45.7 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression. [Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1592", "Disp_Access_No" : "1975.187", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Dreaming with Two Circles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Eagerton", "Sort_Artist" : "Eagerton, Robert", "Disp_Dimen" : "28 1/2 x 21 in. (72.4 x 53.3 cm)", "Disp_Height" : "28 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1594", "Disp_Access_No" : "1975.325.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Red Mercedes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Don Eddy", "Sort_Artist" : "Eddy, Don", "Disp_Dimen" : "24 1/4 x 30 3/4 in. (61.6 x 78.1 cm)", "Disp_Height" : "24 1/4 in.", "Disp_Width" : "30 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From the Documenta Portfolio", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1597", "Disp_Access_No" : "1972.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Cover of the Rochester Union and Advertiser for May 1895", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "34 15/16 x 23 1/8 in. (88.8 x 58.7 cm)", "Disp_Height" : "34 15/16 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the James Somerville family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1614", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "East Side, Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 3/8 x 15 7/8 in. (28.9 x 40.3 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During the many hours that Harold Faye spent exploring New York City and recording its dens and denizens, he created work that demonstrated ‘enthusiasm of place and period,’ in the words of one art historian. In East Side, Night, he emphasized the city’s hard metallic elements – the fire escape, the sturdy supports for the El, railings, cars, barrels – but tempered them with the softness of the lithographic crayon. Off and on during the Depression, Harold Faye found employment with the Graphic Division of the Federal Art Project of the Works Progress Administration. This government agency was set up as part of the New Deal to create jobs. Typically, artists submitted drawings to supervisors who would either approve them, in which case the artists would go ahead and print multiple copies, or the work would be disapproved and shelved or discarded. Nearly 4,000 artists were given work thanks to this program, including Jacob Lawrence, Mark Rothko, and Jackson Pollock. [Label text, 2003]", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1631", "Disp_Access_No" : "1973.26.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Poster: Have you answered the Red Cross Christmas Roll Call?", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harrison Fisher", "Sort_Artist" : "Fisher, Harrison", "Disp_Dimen" : "30 x 28 in. (76.2 x 71.1 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Albert B. Irwin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1918 date per Library of Congress website [http://memory.loc.gov/pp/wwiposhtml/wwiposabt.html]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.26.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.26.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.26.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.26.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22180", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This poster was photographed in preparation for research use for Lockhart exhibit on WWI posters in October 2006. This image can be used for web display. ", "View" : "" } , ] },{ "embark_ID" : 1642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1642", "Disp_Access_No" : "1980.75", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Path", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Frank", "Sort_Artist" : "Frank, Mary", "Disp_Dimen" : "22 5/8 x 30 1/4 in. (57.5 x 76.8 cm)", "Disp_Height" : "22 5/8 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Stanley Seton, D.D.S.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.75_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1643", "Disp_Access_No" : "1971.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Frankenthaler", "Sort_Artist" : "Frankenthaler, Helen", "Disp_Dimen" : "31 x 23 in. (78.7 x 58.4 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "stone effaced after printing", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1653", "Disp_Access_No" : "1975.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Ploughed Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wanda Gag", "Sort_Artist" : "Gag, Wanda", "Disp_Dimen" : "12 7/8 x 17 7/8 in. (32.7 x 45.4 cm)", "Disp_Height" : "12 7/8 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.113_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.113_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.113_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.113_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13595", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1656", "Disp_Access_No" : "1943.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1936-1938", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1938", "Disp_Title" : "Long Island Creek", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Ganso", "Sort_Artist" : "Ganso, Emil", "Disp_Dimen" : "13 1/16 x 18 in. (33.2 x 45.7 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19128", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1667, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1667", "Disp_Access_No" : "1933.16", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "In a French Cafe (1st stone)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Gisch", "Sort_Artist" : "Gisch, William S.", "Disp_Dimen" : "9 5/8 x 10 15/16 in. (24.4 x 27.8 cm)", "Disp_Height" : "9 5/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The first stone broke in process of printing after 60 impressions. 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(46 x 65.4 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "An early 1950s Ford F100 truck provided Photorealist artist Ralph Goings with a handsome still-life element to anchor his composition in <em>Paul’s Corner</em>. The truck’s smooth line and muscular body, the essence of machine-crafted form, were 20 years old when this image was made. 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(118.8 x 96 cm)", "Disp_Height" : "46 3/4 in.", "Disp_Width" : "37 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, green, red Serigraph - light pink, light blue, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2014", "Disp_Access_No" : "1975.328.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Still Life with Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "47 3/8 x 37 5/8 in. (120.3 x 95.6 cm)", "Disp_Height" : "47 3/8 in.", "Disp_Width" : "37 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph and serigraph with debossing", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Lithograph - yellow, red Serigraph - light blue-green, blue Debossing", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.328.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.328.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.328.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.328.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2016", "Disp_Access_No" : "1975.334.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Fish and Sky", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "23 3/4 x 20 in. 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(114.4 x 75.2 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset color lithograph", "Info_Page_Comm" : "This Pop Art poster was created to advertise the fourth New York film festival at Lincoln Center in 1966. With primary colors and his signature Ben Day dots (used in commercial printing to produce halftones), Lichtenstein integrated bold elements to create an attention-getting image that would be visible on city streets. He was paid to design the poster by the Lincoln Center Poster Project, which was begun by New York philanthropist Vera List. In an interview in 1973, Mrs. List described her reason for creating the project: "I’ve always believed that one’s environment is what stimulates people. It’s what stimulated me as a child…you’d go to Paris and see all the exciting posters around there which were very colorful and stimulating…but you walk around New York, and you see the three-sheeter. So that gave birth to the idea of allocating a certain sum for posters. The idea was to commission the fine artist, the creative artist of the time…to bring to the general public –they walk down the street, they see an image, something would attract them, and something would happen…I always felt that if people’s sensibilities were awakened, they would seek to make the whole city a more amenable place in which to live. So that’s how that started." [Label text, 2003]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2023", "Disp_Access_No" : "1983.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Windsor Flags", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jeanne H. Lindsay", "Sort_Artist" : "Lindsay, Jeanne H.", "Disp_Dimen" : "22 x 14 7/8 in. (55.9 x 37.8 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "1983 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.132_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.132_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.132_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.132_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "16241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2030", "Disp_Access_No" : "1975.244", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Persephone", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Lockwood", "Sort_Artist" : "Lockwood, George", "Disp_Dimen" : "16 1/4 x 24 1/4 in. (41.3 x 61.6 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "24 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.244_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.244_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.244_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.244_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2033", "Disp_Access_No" : "1931.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Brooklyn Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "15 7/8 x 11 3/8 in. (40.3 x 28.9 cm)", "Disp_Height" : "15 7/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Lozowick emphasized the Brooklyn Bridge’s verticality by his dramatic treatment of the cable lines. Also, in the juxtaposition of the human forms with the bridge’s monumental tower, the impact of its sheer mass is heightened. The Brooklyn Bridge opened on May 24, 1883, after thirteen tumultuous years of work to complete the plan originated by John Roebling. It fulfilled the prediction that he offered in his original proposal: "The contemplated work, when constructed in accordance with my design, will not only be the greatest bridge in existence, but it will be the great engineering work of the Continent and of the age. Its most conspicuous feature - the great towers - will serve as landmarks to the adjoining cities, and they will be entitled to be ranked as national monuments. 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", "View" : "" } , ] },{ "embark_ID" : 2468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2468", "Disp_Access_No" : "1975.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Rock of Ages Cleft for Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "23 3/4 x 40 in. 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", "View" : "" } , ] },{ "embark_ID" : 3050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3050", "Disp_Access_No" : "1928.449.4a", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Preparatory Drawing for Lithograph: Moonlight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "7 3/16 x 6 7/8 in. 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(26.3 x 30.4 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "11 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph on handmade laid paper", "Info_Page_Comm" : "In the summer of 1921, John Taylor Arms stayed in Woodstock at the home of lithographer Bolton Brown. Arms, who had an outstanding reputation as an etcher, was interested in learning the process of lithography from Brown. In writing about Bolton Brown in the 1938 Catalogue of LIthographs by Bolton Brown, he wrote: "Those days and nights were perhaps the most strenuous, and certainly among the richest of my professional life." The print owned by the Memorial Art Gallery was made during that period, and its subject is Bolton Brown's home in Woodstock. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31434", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 4039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4039", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1832", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1837", "Disp_Title" : "Nathaniel Hurd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3876, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3876", "Disp_Access_No" : "1998.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Post Rally", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Rauschenberg", "Sort_Artist" : "Rauschenberg, Robert", "Disp_Dimen" : "45 3/4 x 31 1/4 in. (116.2 x 79.4 cm)", "Disp_Height" : "45 3/4 in.", "Disp_Width" : "31 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3938", "Disp_Access_No" : "1999.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Haystack #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "20 11/16 x 30 5/8 in. 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(53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "I:1-17 The Song of Song''s which is Solomon''s Let him kiss me with the kisses of his mouth, for thy love is better than wine. Because of the savor of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee... Draw me in your footsteps, let us run. The king has brought me into his rooms; you will be our joy and our gladness. We shall praise your love more than wine; how right it is to love you. Behold, thou art fair, my love; Behold, thou art fair; thou hast dove''s eyes. Behold, thou art fair; my beloved, yea, pleasant: Also our bed is green. 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(53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "II:1-7 I am the rose of Sharon, the lily of the valleys. As the lily among thorns, So is my love among the daughters. As an apple tree among the trees of the wood, so is my love among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste. He brought me to the banqueting house, and his banner over me was love. Stay me with flagons, Comfort me with apples, for I am sick with love. His left arm is under my head, His right embraces me. I charge you, daughters of Jerusalem, by all gazelles and wild does, do not rouse, do not wake my beloved before she pleases.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16215", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4028", "Disp_Access_No" : "1997.29.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - King Solomon made himself a chariot..", "Alt_Title" : "", "Obj_Title" : "Song of Songs - King Solomon made himself a chariot..., the midst thereof being paved with love (III:9-10)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "III:9-11 King Solomon made himself a chariot of wood from Lebanon. He has had the posts made of silver, the bottom of gold, the covering of it purple; the midst thereof being paved with love For the daughters of Jerusalem.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4029", "Disp_Access_No" : "1997.29.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Behold, thou art fair, my love (IV:1)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "IV:1-5 Behold, thou art fair, my love; Behold, thou art fair; Thou hast doves eyes, within thy veil; your hair is like a flock of goats that glide down from Mount Gilead. Your teeth, a flock of sheep that are even shorn which come up from the washing; whereof every one bear twins, and none is barren among them. Your lips are a scarlet thread and your words enchanting. Thy temples are like a piece of pomegranate within thy locks. Your neck is the Tower of David built for an armory, hung round with a thousand bucklers, and each the shield of a hero. Your two breasts are two fawns, twins of a gazelle, that feed among the lilies.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4030", "Disp_Access_No" : "1997.29.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - I come into my garden, my sister, my spouse (V:1)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "V:1-5 I come into my garden, my sister, my promised bride, I pick my myrrh and balsam, I eat my honey and my honeycomb, I drink my wine and my milk. Eat, friends, and drink, drink deep, my dearest friends. I sleep, but my heart is awake. I hear my love knocking. ''Open to me, my sister, my beloved, my dove, my perfect one, for my head is wet with dew, my hair with the drops of night.'' I have taken off my tunic, am I to put it on again? I have washed my feet, am I to dirty them again? My love thrust his hand through the hole in the door; I trembled to the core of my being. Them I got up to open to my love, myrrh ran off my hands, pure myrrh off my fingers, on to the handle of the bolt.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16218", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4031", "Disp_Access_No" : "1997.29.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - There are threescore queens...", "Alt_Title" : "", "Obj_Title" : "Song of Songs - There are threescore queens, and fourscore concubines, and virgins without number....Who is she that looketh forth as the morning...? (VI:8-10)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "VI:8-10 There are sixty queens and eighty concubines (and virgins without number). My dove is my only one, perfect and mine. She is the darling of her mother, the favorite of the one who bore her. The daughters have seen her and proclaimed her blessed, Queens and concubines have sung her praises, ''Who is this arising like the dawn, fair as the moon, resplendent as the sun, formidable as an army?''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4032", "Disp_Access_No" : "1997.29.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Return, return, O Shulamite ", "Alt_Title" : "", "Obj_Title" : "Song of Songs - Return, return, O Shulamite;...that we may look upon thee (VI:13)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "VII:1 Return, return, O Shulammite; Return, return, that we may look upon thee. Why will ye look upon the Shulammite, as upon the dance of Mahanaim?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.29.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.29.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.29.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.29.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16220", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4033", "Disp_Access_No" : "1997.29.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Song of Songs - Many waters cannot quench love", "Alt_Title" : "", "Obj_Title" : "Song of Songs - Many waters cannot quench love, neither can the floods drown it (VIII:7)", "Series_Title" : "", "Disp_Maker_1" : "Chaim Gross", "Sort_Artist" : "Gross, Chaim", "Disp_Dimen" : "21 x 17 1/16 in. (53.3 x 43.3 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "17 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Nine color lithographs after original watercolors.", "Dedication" : "Gift of Dr. and Mrs. Ralph Alexander in memory of June Alexander", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "VIII:3; VIII:6-7 His left hand should be under my head, and his right hand should embrace me. Set me like a seal on your heart, like a seal on your arm. For love is strong as Death, passion as relentless as Sheol. The flash of it is a flash of fire, a flame of Yahewh himself. 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Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8490, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8490", "Disp_Access_No" : "1981.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "24 13/16 x 19 3/8 in. (63 x 49.2 cm)", "Disp_Height" : "24 13/16 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Color lithograph on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8492, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8492", "Disp_Access_No" : "1982.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "At the Café Ambassadeurs (Aux Ambassadeurs)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "19 1/16 x 15 3/16 in. (48.4 x 38.6 cm)", "Disp_Height" : "19 1/16 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph on wove paper", "Info_Page_Comm" : "From the sixth album of André Marty's "L'Estampe Original," Paris, 1894, printed by Ancourt.", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8552", "Disp_Access_No" : "1958.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1916-1917", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1917", "Disp_Title" : "Awakening II (Erweckung II)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernst Barlach", "Sort_Artist" : "Barlach, Ernst", "Disp_Dimen" : "13 x 17 in. (33 x 43.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8703, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8703", "Disp_Access_No" : "1936.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Death Seizes a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "24 11/16 x 19 11/16 in. (62.7 x 50 cm)", "Disp_Height" : "24 11/16 in.", "Disp_Width" : "19 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "vellum", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28889", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8710", "Disp_Access_No" : "1946.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Mothers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "20 x 27 1/8 in. (50.8 x 68.9 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "27 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Five years before Käthe Kollwitz created this print, she lost her son Peter in the First World War. Jessica Marten, MAG’s curator of American art and a mother of two, observed when she selected this work for the exhibition: “To mother is to experience love, anxiety, joy, and sacrifice. To mother during wartime must be hell.” [Label text from It Came From the Vault exhibition, 2013] This lithograph was created five years after the death of Kollwitz' son Peter in WWI. The intensity of her grief found an outlet in her art. One year before this print was created the German poet Richard Dehmel wrote a newspaper article asking his countrymen to sacrifice every last man for Germany. Kollwitz' response was published in October 1918, "There has been enough of dying! Let not another man fall! Against Richard Dehmel I ask that the words of an even greater poet be remembered: 'Seed for the planting must not be ground.'" The children in this image can be seen as the seeds of hope for their nation. Their mothers are trying to protect them from being "ground" by the voracious appetite of war. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39091", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8711", "Disp_Access_No" : "1947.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "Working Woman in Left Profile (Arbeitfrau in Profil nach Links)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "24 x 18 1/2 in. (61 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Charles Hoeing", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29079", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8724", "Disp_Access_No" : "1948.88", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Death, from "The Weaver's Rebellion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "9 5/16 x 7 11/16 in. (23.7 x 19.6 cm)", "Disp_Height" : "9 5/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This lithograph is [no. 2] from Kollwitz' earliest series of prints, "The Weavers' Rebellion" (1893-1898) which tells the tale of the weavers' suffering and their eventual uprising. Loosely based on works by Emile Zola and Gerhard Hauptmann, Kollwitz found inspiration in writers who shared her opinions on the subjugation of the working classes. Death depicts the many hardships endured by the weavers that subsequently incited their rebellion. Perhaps due to poverty, poor working conditions, insufficient health care, or all of the above, the woman leaning against the wall quietly passes away. The skeleton represents Death. His touch delivers this woman to her final sleep. While husband and son are unaware of the interloper in their midst, the candle flame leans away from the chilling presence of Death. Kollwitz' use of a skeleton to symbolize Death was intended to help make her message as clear and direct as possible. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.88_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.88_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.88_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.88_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26727", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8832", "Disp_Access_No" : "1958.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Diabolo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Massimo Campigli", "Sort_Artist" : "Campigli, Massimo", "Disp_Dimen" : "23 1/4 x 17 3/4 in. (59.1 x 45.1 cm)", "Disp_Height" : "23 1/4 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Diabolo is a game played with a spool on a string controlled by two sticks.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25949", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8896, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8896", "Disp_Access_No" : "1936.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wayfarers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustavo Rodella", "Sort_Artist" : "Rodella, Gustavo", "Disp_Dimen" : "17 1/4 x 12 1/2 in. (43.8 x 31.8 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Ernest R. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25948", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8949", "Disp_Access_No" : "1962.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ruisseau IV", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Yoshiko Noma", "Sort_Artist" : "Noma, Yoshiko", "Disp_Dimen" : "25 13/16 x 19 11/16 in. 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So far we have de-humanized the population.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10405", "Disp_Access_No" : "2001.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "The Soil of Postwar Capitalist "Prosperity" ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Russian", "Sort_Artist" : "Unknown, Russian", "Disp_Dimen" : "20 x 13 5/8 in. (50.8 x 34.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "13 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "The caption in the lower border is from the writings of Lenin. In translation, it reads "The bourgeoisie can still torment, torture, and murder, but it cannot stop the inevitable and--from the point of view of global history--imminent victory of the revolutionary proletariat." Lenin", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10537", "Disp_Access_No" : "2001.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Beowulf", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rockwell Kent", "Sort_Artist" : "Kent, Rockwell", "Disp_Dimen" : "19 1/8 x 15 in. 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(45.7 x 38.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "15 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11380", "Disp_Access_No" : "2002.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Evian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "43 1/2 x 29 1/2 in. (110.5 x 74.9 cm)", "Disp_Height" : "43 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Aluminum - light flat gray, tan flat, transparent red flat and transparent blue flat (2 colors from one plate), transparent yellow flat and white to black blend (2 colors from one plate). Stone - medium gray", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38881", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11582, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11582", "Disp_Access_No" : "2003.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Bunraku", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "32 x 23 1/4 in. (81.3 x 59.1 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11653", "Disp_Access_No" : "2003.1", "_AccNumSort1" : "", "Disp_Create_DT" : "2001", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2001", "Disp_Title" : "Snowball Shadows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "G. Peter Jemison", "Sort_Artist" : "Jemison, G. Peter", "Disp_Dimen" : "21 1/8 x 26 in. (53.6 x 66 cm)", "Disp_Height" : "21 1/8 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a suite of prints by Native American artists entitled "Lasting Impressions", commissioned by University of Arizona at Tuscon.", "Dedication" : "Marion Stratton Gould Fund ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Native American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43462", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11787", "Disp_Access_No" : "2001.20.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Anti-Religious Alphabet ", "Alt_Title" : "", "Obj_Title" : "The letter &#1040; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This young and cheerful boy, dressed in a Soviet military costume and carrying a school blackboard, plays the protagonist of <em>The Anti-Religious Alphabet<em>. Although he only appears in five of the posters, he serves as both role model for and link between readers and the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11788", "Disp_Access_No" : "2001.20.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Comrades, Clean out the Cult's Claptrap!", "Alt_Title" : "", "Obj_Title" : "The letter &#1041 from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The red color of the large silhouetted broom links it to the Soviet government, which, beginning in 1929, actively set out to close and destroy churches, bells and objects used in the practice of religion. Some religious objects, such as icons, crosses and bibles, were relocated in special anti-religious museums where they were displayed as artifacts of an ancient cult. Here, the broom sweeps the floor to remove an icon with an image of the Virgin Mary, a censer used in Orthodox religious rituals, a bible, and a chotki, or prayer rope used for saying repetitive private devotional prayers. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11789", "Disp_Access_No" : "2001.20.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Believing is Bad for you, Badder than Booze", "Alt_Title" : "", "Obj_Title" : "The letter &#1042; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Recognized as a capitalist by his top hat and monocle, the sneering man at the top of the image sprays three figures with liquid from a pressurized canister-- perhaps one similar to those used to ferment alcohol-- labeled "religion." The three figures beneath are engaged in stereotypical self-destructive and frenetic, seemingly drunken, activities related to their religious beliefs. The colorful man at the left is probably a Mongolian who pierces himself with knives; the old peasant woman bangs her head on the ground while praying; and the <em>kulak</em>, or wealthy landowner, flagellates himself with a whip. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27427", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11790, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11790", "Disp_Access_No" : "2001.20.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lord's Law Lauds the Lords", "Alt_Title" : "", "Obj_Title" : "The letter &#1043; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The wealthy and fat capitalist, riding heavily on the back of a common man, points to a Bible opened to the words "Be patient." According to the anti-religious campaigners, the acceptance of Christian belief resulted in the enslavement of the masses, shown here by the whip that the capitalist wields. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11791, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11791", "Disp_Access_No" : "2001.20.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Prohibit Prehistoric Peasant Prejudices", "Alt_Title" : "", "Obj_Title" : "The letter &#1044; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Along with the church, the <em>kulak</em>, or wealthy landowner, and the village priest were seen as key impediments to the Soviet anti-religious campaign. In this image, the giant silhouetted tractor, symbolic of the Soviet government by both its red color and the sign of the hammer and sickle, mows down a church as well as the <em>kulak</em> and the priest. The fields in the background, delineated by barbed wire, refer to the land owned by the <em>kulak</em>, who was the primary opponent to true agricultural collectivization. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11792, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11792", "Disp_Access_No" : "2001.20.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Faithful Friars' Frequent Fasting ", "Alt_Title" : "", "Obj_Title" : "The letter &#1045; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The fast, or sacrificial self-denial of food, is a traditional method of religious observance in most faiths. The irony in this image is clear: the priest who is in theory serving the faith and the faithful through sacrifice is in reality a glutton. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11793, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11793", "Disp_Access_No" : "2001.20.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Saintly Spiders Sting the Stragglers", "Alt_Title" : "", "Obj_Title" : "The letter &#1046; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The old peasant woman on pilgrimage, a sack on her back and carrying a walking stick, travels along a path that connects at the far right with an enormous spider's web. The spider, his head crowned with the black headdress of a high-level member of the Orthodox clergy, lays in wait. As bait, he dangles religious icons as she approaches the web. Icons like these were purchased by the religious faithful at various pilgrimage sites dedicated to saints and miracles of the Church. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11794", "Disp_Access_No" : "2001.20.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Substitute Science for the Sorcerer's Spells", "Alt_Title" : "", "Obj_Title" : "The letter &#1047; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In many Russian rural communities, peasants consulted the village sorcerer as frequently as they consulted the village priest. The toothless and unkempt man on the left-- the sorcerer-- is shown with various tools of his trade: a rat, a bone, seeds, and a candle. A bottle labeled with the symbol of the Russian Orthodox cross is probably holy water, linking the magic of the sorcerer with the sorcery of the church. The scientific alternatives to magic, including the "new bible" <em>Political Education</em>, a microscope, and a draftsman's triangle are shown on the right. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11795, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11795", "Disp_Access_No" : "2001.20.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Jury's Judgment: Jeers for a Judas", "Alt_Title" : "", "Obj_Title" : "The letter &#1048; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The religious faith and passive resistance movement of Mahatma Gandhi, the Hindu leader who was an activist for the rights of Indians under British colonial rule, was in direct opposition to the philosophy of the militant Soviet anti-religious campaign. On the left, Gandhi is shown with his hand outstretched, receiving money from the bejeweled hand of a capitalist; on the right, masses of Indians carrying the Soviet flag with its sign of the hammer and sickle raise their fists in anger. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11796", "Disp_Access_No" : "2001.20.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Blacksmith, Beat the Bells into Ballbearings", "Alt_Title" : "", "Obj_Title" : "The letter &#1050; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. On January 30, 1929, the Presidium, one organ of the Soviet government, banned the pealing of church bells, and within the next three years, hundreds of churches were demolished or closed and looted. Massive numbers of bells and icons were destroyed; the metal was used to support industrialization efforts. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11797", "Disp_Access_No" : "2001.20.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Lurid Lava of Loathsome Lies ", "Alt_Title" : "", "Obj_Title" : "The letter &#1051; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious movement was directed at all religions, including Judaism, Islam, Western Catholicism, and Russian Orthodox Christianity. The headdresses of the four figures spewing liquid from their mouths indicate that they are leaders within their particular faith: from left to right are a rabbi, an Orthodox priest, a mullah, and the Pope. The protagonist of <em>The Anti-Religious Alphabet</em>, armed with his blackboard and umbrella, shows how the power of education can counter and protect against religious propaganda. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11798", "Disp_Access_No" : "2001.20.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Mass's Martyrs Meet the Might of the Masses", "Alt_Title" : "", "Obj_Title" : "The letter &#1052; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. This image juxtaposes stragglers going to church, seduced by the holy relics of martyrs, with the massive numbers of workers heading into a factory. The powerful factory whistle blasts its call to labor; the fractured and broken lines around the church bell suggest the weakness of both its sound and effectiveness in an industrialized society. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2001.20.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "The Merry Monks' Mendacious Miracles", "Alt_Title" : "", "Obj_Title" : "The letter &#1054; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Icons-- images of the Virgin Mary, Christ, or holy saints-- are important devotional objects in Russian Orthodox Christianity. Because believers communicate through them with the divine world, they are sometimes seen as magical. Here, the magic is revealed as the outright trickery of the clergy. Although this image of the Virgin Mary seems to weep genuine tears, in reality a monk is pouring a bucket of water into a vessel attached to the back of the icon. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27447", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2001.20.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "A Proletarian Prayer for Pious Preachers", "Alt_Title" : "", "Obj_Title" : "The letter &#1055; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. As in many other images from the alphabet, the Roman Catholic pope is shown as a dangerous figure; a large knife attached to his rosary substitutes for the traditional Christian cross. Here, however, the pope is unsuccessful in his mission: the large boot of the young anti-religious protagonist from <em>The Anti-Religious Alphabet</em> forcefully removes him from the premises.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2001.20.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pull the Plug on the Parasites' Paradise", "Alt_Title" : "", "Obj_Title" : "The letter &#1056; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, the religious clergy of Western Catholicism are shown as propagandists at the service of capitalism. The shark-toothed man at the bottom of the image, recognized as a capitalist by his hat and monocle, holds a stick topped by a cloud labeled "Paradise." At the top of the cloud is Christ, who is stretching his hands out toward the people running to meet him. The offer of religious paradise to the masses, though, is shown here as a devious trap: the people are being forcibly driven to the edge of a cliff by the pope (recognized by his crown) and western monks and priests (recognized by their costume and the cross of Western Christianity). The gap between the edge of the cliff and paradise is too wide, and they fall directly into the mouth of the capitalist. [Gallery label text, 2004]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11802", "Disp_Access_No" : "2001.20.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sacred Stories are So Silly! ", "Alt_Title" : "", "Obj_Title" : "The letter &#1057; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Although our protagonist is clearly reading, which is the point of learning the alphabet, he is also laughing at the religious stories he finds in the Bible. The premise of the Soviet educational movement can be summarized with another well-used slogan of the time: "Literacy: The Path to Communism." Students were expected to read selectively in a way that would advance the industrialization of society and the principles of atheist materialism.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11803", "Disp_Access_No" : "2001.20.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "That's the Way to Till, Comrade Tractor!", "Alt_Title" : "", "Obj_Title" : "The letter &#x1058; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In the Russian countryside, the <em>kulak</em>, or wealthy landowner, the village priest, and elderly peasant women who persisted in their religious beliefs were considered the three holdouts to both the Soviet anti-religious campaign and the move toward collective farming and industrialization. Here, despite the three characters' attempts at restraining the tiller, the tractor going around the circumference of the circle clears the <em>kulak</em>'s land of individual plots, replacing them with a single one filled with golden wheat. The word "collectivization" is written on the tiller. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11804", "Disp_Access_No" : "2001.20.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Sack the Saints-Sow the Seeds ", "Alt_Title" : "", "Obj_Title" : "The letter &#1059; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Russian peasants frequently planted their crops based on a belief in superstitions and the power of divine forces rather than scientific methods. This image juxtaposes the old way of farming with the new and technologically advanced. On the left, two saints identified by their halos as Nicholas and Elijah are watering wilted crops and swinging a censer used in church rituals. On the right, a full field of healthy wheat serves as a backdrop to a book with the words "Agrotechnology" and "Fertilizers." The drawing is of a Machine Tractor Station (MTC). ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11806", "Disp_Access_No" : "2001.20.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Ford's Factories are Fascist Forts ", "Alt_Title" : "", "Obj_Title" : "The letter &#1060; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. In this image, which addresses the threat of Nazi Germany to the Soviet Union, the hat of the American icon Uncle Sam is crowned with a Nazi swastika. The soldiers on the brim of the hat fire machine guns into the populace on the ground. The figure of Uncle Sam holds a Bible open to a page that assures "All men are brothers." The caption for this image refers to Henry Ford, the founder of the American automotive industry and one of the wealthiest businessmen in the world. In 1931, Ford, a staunch supporter of Hitler, established a factory in Cologne, Germany, which, along with the factories of General Motors, provided many of the trucks that eventually motorized the Nazi attempt to conquer Europe. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11807", "Disp_Access_No" : "2001.20.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Waving the Word While Wielding the Whip", "Alt_Title" : "", "Obj_Title" : "The letter &#1061; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. An important tenet of the anti-religious movement was the intertwined relationship between Christian beliefs and capitalism, a relationship that was dangerous to the freedom of the common man. In this image, a slave, perhaps from one of the African or Caribbean nations colonized by Europeans, is chained and whipped by the wealthy capitalist. A Franciscan friar, symbolizing the missionary preachers of the Catholic Church, displays a Bible opened to the words "love one another." Men bent over from the weight of their burdens are seen in the background. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11808", "Disp_Access_No" : "2001.20.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Churches are Chains that Choke and Chafe", "Alt_Title" : "", "Obj_Title" : "The letter &#1062; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The Soviet anti-religious campaigners believed that the common man was enslaved by the church, and that his freedom could only be obtained by embracing the doctrine of atheist communism. The man in this image, blindfolded and chained to the dome of a church, wears the traditional tunic and hairstyle of a Russian peasant. The cross that he wears on the chain around his neck is the same one that extends from the top of the church dome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27455", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "2001.20.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Read it Loud and Clear! Rosaries are Rubbish!", "Alt_Title" : "", "Obj_Title" : "The letter &#1063; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Like the rosaries of Roman Catholicism, the <em>chotki</em>, or prayer ropes, of Russian Orthodox Christianity are strings of beads used by the religious faithful to recite a series of predetermined prayers. Because of the Western rather than Orthodox cross on the end of the beads, this image could refer to the Roman pope's mandate for Catholics to say the Rosary "for the conversion of Russia," which was seen as a symbol of western aggression by the Soviet anti-religious campaign. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.20.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.20.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.20.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.20.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11810", "Disp_Access_No" : "2001.20.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Pierce the Pack of Priestly Pretenders ", "Alt_Title" : "", "Obj_Title" : "The letter &#1064; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. Armed with a shield in the form of the journal <em>The Godless</em>, the official publication of the activist "League of the Militant Godless," our young protagonist aggressively attacks the figureheads of the key religions seen as threats to the Soviet government. Seen from left to right are a mullah, the Pope, a Russian Orthodox priest, a shaman (shamanism was still practiced among Siberian tribes), and a rabbi. 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", "Alt_Title" : "", "Obj_Title" : "The letter &#1065; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. By the time the <em>Anti-Religious Alphabet</em> was produced in 1932, Adolph Hitler's rise to power was almost complete. Hitler was elected Chancellor of Germany in January 1933; his regime immediately implemented the mass arrests of communists and socialists, imprisoning them in the Nazi concentration camp at Dachau. In this image, an enormous yellow one-eyed octopus, its top hat marked with a Nazi swastika, stretches four bristled tentacles across a map of Europe. At the end of each tentacle is a figure that symbolizes both real and perceived threats to the Soviet Union. From left to right are a Japanese soldier, a member of the out-of-favor Soviet Socialist Democratic Party, another soldier (nationality unknown), and a member of the Russian Orthodox clergy. By snipping the tentacles at the source of the threat, the giant red pincers halt both the internal and external threats to the Soviet government. 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(37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. The electrification of the countryside, intended to defeat the ignorance of the populace by bringing agricultural communities into the Machine Age, was a primary goal of the Soviet government. Here, the electric excavator forcefully removes two of the key opponents to the Soviet effort: the <em>kulak</em>, or wealthy landowner, and the low-level village priest. 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", "Alt_Title" : "", "Obj_Title" : "The letter &#1070; from The Anti-Religious Alphabet", "Series_Title" : "", "Disp_Maker_1" : "Mikhail Mikhailovich Cheremnykh", "Sort_Artist" : "Cheremnykh, Mikhail Mikhailovich", "Disp_Dimen" : "14 7/8 x 10 5/8 in. (37.8 x 27 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet/ image", "Medium" : "Printer''s ink", "Support" : "2ply board", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "From a portfolio of 27 prints. One of the key changes that the Soviet government made to agriculture was to replace individual land ownership with the collective farm, or <em>kolkhoz</em>. Here, the fist at the right, crowned with the cap of the <em>kulak</em>, or rich landowner, manipulates a village "holy fool" with strings like those of a marionette. Holy fools traveled itinerantly throughout the countryside and were often seen as prophets of wisdom. Here, the holy fool is crying out to an old peasant woman "Don't join the <em>kolkhoz</em>," which was the obvious desire of the <em>kulak</em>. The artist Cheremnykh used word play to strengthen the imagery: in Russian, <em>kulak</em> is also the word for fist. 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