{ "objects" : [ { "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/409", "Disp_Access_No" : "1993.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait in a Chinese Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "22 1/16 x 17 15/16 in. (56 x 45.5 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Marie Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43998", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/718", "Disp_Access_No" : "1982.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1912", "Disp_Title" : "Clarence J. McCarthy (1887 - 1953)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Speicher", "Sort_Artist" : "Speicher, Eugene", "Disp_Dimen" : "36 x 30 in. (91.4 x 76.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout history, artists have painted portraits of their friends, including friends who are often artists themselves. The young man in this portrait, Clarence J. McCarthy, met the artist Eugene Speicher while both were studying at the Albright Art School in their native Buffalo. The two also studied together at New York City’s Art Students League with the influential teacher Robert Henri. Speicher became an important portrait painter, and McCarthy, a significant illustrator. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Dennis J. Byrne in memory of Walter B. Byrne", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Clarence J. McCarthy (subject) was born in Rochester, died in Woodstock, NY. Worked as a magazine illustrator and painter. Studied at Albright Art School in Buffalo, where he met Speicher. Also studied at Art Student''s League. Member of the Salmagundi Club and Society of Illustrators. Great-uncle of the donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/776", "Disp_Access_No" : "1986.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Breaking the Pose", "Alt_Title" : "The Art Class", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Witkin", "Sort_Artist" : "Witkin, Jerome", "Disp_Dimen" : "88 x 71 in. (223.5 x 180.3 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "71 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters. Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3317", "Rel_Obj_Title" : "4th Pose Study: Lisa Pannella Posing-Preparatory Sketch for "Breaking the Pose"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1756, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1756", "Disp_Access_No" : "1940.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Portrait of Joseph Pennell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "11 1/4 x 15 1/4 in. (28.6 x 38.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19053", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2247", "Disp_Access_No" : "1973.47", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait in the Bathtub", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clayton Pond", "Sort_Artist" : "Pond, Clayton", "Disp_Dimen" : "23 1/16 x 29 in. (58.5 x 73.7 cm)", "Disp_Height" : "23 1/16 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Clayton Pond, a second-generation Pop artist, transformed everyday objects into icons. Color and texture played a key role in his work. His electric color combinations and his experimental technique of adding a layer of high gloss varnish to the surface of his prints create a lustrous effect. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12719", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4039", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1832", "_Disp_Start_Dat" : "1827", "_Disp_End_Date" : "1837", "Disp_Title" : "Nathaniel Hurd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Pendleton", "Sort_Artist" : "Pendleton, William S.", "Disp_Dimen" : "8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "5 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32729", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3339", "Disp_Access_No" : "1995.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1922", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1927", "Disp_Title" : "Florine Stettheimer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marguerite Zorach", "Sort_Artist" : "Zorach, Marguerite", "Disp_Dimen" : "20 1/16 x 14 15/16 in. (51 x 38 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. (91.4 x 73 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1986 painting by Katz. Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work. Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." 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(127 x 101.6 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4163", "Disp_Access_No" : "2000.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Moses Soyer and Ida Soyer in the Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Burliuk", "Sort_Artist" : "Burliuk, David", "Disp_Dimen" : "11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and goauche on heavy cold press wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39102", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4592", "Disp_Access_No" : "1948.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Sir Joshua Reynolds (1723-1792) (after a self-portrait)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "11 13/16 x 19 1/2 in. (30 x 49.5 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28668", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5157", "Disp_Access_No" : "1947.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1848", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1853", "Disp_Title" : "Portrait of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Couture", "Sort_Artist" : "Couture, Thomas", "Disp_Dimen" : "18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5997", "Disp_Access_No" : "1931.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Self-Portrait with Plumed Cap and Lowered Saber", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "6 3/4 x 5 5/16 in. (17.1 x 13.5 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "5 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6001", "Disp_Access_No" : "1967.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Self-Portrait with Raised Saber", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "5 7/8 x 4 1/16 in. 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Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "One State : Edition 50 - 25 on Van Gelder, 10 on Arches, 15 on Shogun", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.134_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13197", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }